Having worked with Urbane Publications, I’m happy to host one of their authors – Anne Coates – on the blog today.
Anne’s here to discuss her process for writing a sequel. Thanks to Anne for taking the time out of her busy schedule to talk to us.
Writing the sequel to ‘Dancers in the Wind’.
By Anne Coates
The manuscript for my second book had to be with Urbane Publications on 1 October – thirteen days before the launch of ‘Dancers in the Wind‘. So as I was writing guest posts for my book blog tour, I was putting the finishing touches to ‘Death’s Silent Judgement‘, which continues Hannah Weybridge’s story a few months after the conclusion of book one.
‘Dancers in the Wind‘ was conceived and written some twenty years ago – then left for dead. Last year, I completely rewrote it and found a published who was willing to take it on as part of a trilogy. I had written three chapters of book two all those years ago but it wasn’t really much to go on. I knew who had been murdered and where but not why.
The victim had been mentioned in ‘Dancers‘ but had been working abroad. There were characters I had grown fond of in the first book that I wanted to keep but once in a while I came up with the problem of names. I have two characters named Sam in ‘Death’s Silent Judgement‘ – one had a small but key role in the first book, to be developed in the second. The other was the name of a friend’s son who wanted to be a character in the book. So two very different men named Sam but in life there are often people of the same name in one’s office or social circle.
An added challenge was to ensure that characters were consistent so I had my blue book with descriptions of everyone from book one, which I added to as I wrote the sequel. There is a whole set of new characters in ‘Death’s Silent Judgement‘ plus some from book one have come to the fore while others have taken a back seat. Some are gearing up to play more dominant roles in book three. I love the way characters take over, give me clues and nudge me along the way. One character, in particular, led me to a dramatic revelation which I’d had no idea of at the beginning.
One dominant factor which perforce must undergo changes, is that the Hannah of book one is fairly naive. By book two, almost everything she does is tempered by her earlier experiences, she has had to sharpen up. The events of the first book have left her feeling vulnerable and at risk. What she encounters in ‘Death’s Silent Judgement‘ does nothing to alleviate this.
‘Dancers in the Wind‘ has some of the action at King’s Cross and quite by chance, ‘Death’s Silent Judgement‘ is centred in Waterloo, another London rail terminus. I’m not sure if railway stations will be a recurring theme in later books!
As I approach book three, the reviews I’ve had for ‘Dancers in the Wind‘ have given me more confidence. Then I think, “What if I can’t pull it off again?” But I know I’ll keep on writing…