Review: ‘Blackstoke’ by Rob Parker

WEALTH. SECURITY. PROSPERITY. NONE OF IT MATTERS IN THE DARK.

In a quiet cul-de-sac on the newly-opened, much sought-after Blackstoke housing development, the first handful of families are moving in. These neighbours, thrown together for the first time, are looking forward to settling into their bright new lives—with varying degrees of enthusiasm. The estate couldn’t be nicer, but it’s a big change for everyone.

Then things start to happen. Bad things. As if something doesn’t want them there.

As the new residents try to make sense of events, the buried history of the area makes itself suddenly, deeply apparent—with a series of shocking, violent escalations.

Soon, no one is safe, as the original powers of Blackstoke return to reclaim their territory and birthright in a final night of dark revelations, gore and bloodshed.

My thanks to Rob Parker for my ARC of ‘Blackstoke‘ which is available in e-book, paperback and hardback now.

It is quite difficult for me to write a review of ‘Blackstoke‘ without giving too much away. It starts off sedately enough, introducing the reader to the residents of the cul-de-sac. In this respect, Rob Parker does an excellent job in building up strong mental images of his characters, their idiosyncrasies and backstories. The descriptions he uses about the setting and characters are strong and, at times, almost lyrical. But don’t be fooled by the niceness of this new estate and the folks moving into it.

Despite it’s gentle start, ‘Blackstoke’ is eminently readable and I found, even in those early chapters before the horror kicked in, I didn’t want to stop reading it. Parker has such a way with words – and clearly understands what drives people – I didn’t want to step away from this narrative. To be fair, even if he had written a novel where very little happened, I’d still be inclined to read it because the prose is so strong.

But – fear not – plenty happens in ‘Blackstoke‘ – more than you could ever imagine when picking this book up, in fact. I must warn you now, however, if you’re squeamish, this may not be the book for you. I liked its refusal to shy away from the really dark and vicious. This book does not leave things to the imagination, it’s graphic and horrifying but I still wanted to keep reading it.

The female characters in this book are particularly well-drawn and utterly kick-ass which I think was my favourite element of ‘Blackstoke’.

I had in my mind when beginning this book that it was going to be reminiscent of an episode of ‘The X Files’ (‘Arcadia‘; Season 6, episode 15 – also known as the “garbage monster”) and, although it has similarities, there is another episode of ‘The X Files’ that ‘Blackstoke‘ resembles far more. I can’t say more than that episode is in Season 4 – I wouldn’t want to inadvertently give spoilers!

‘Blackstoke‘ is a real departure from the thrillers you’ll be used to reading from Rob Parker but it’s a compelling trip into horror that is impossible to put down.

Vic x

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Review: ‘Lie Beside Me’ by Gytha Lodge

You wake up.
You can’t remember what happened.
The man lying next to you is not your husband.
And he’s not breathing . . .

Louise wakes up. Her head aches, her mouth is dry, her memory is fuzzy. But she suspects she’s done something bad.

She rolls over towards her husband, Niall.

But it’s not Niall who’s lying beside her. In fact, she’s never seen this man before.

And he’s dead . . .

As Louise desperately struggles to piece her memories back together, Detective Jonah Sheens and his team mark her as their prime suspect.

But she’s not the only one with something to hide . . .

Did she do it?

And, if not, can they catch the real killer before they strike again?

My thanks to NetGalley, Gytha Lodge and Penguin for the ARC of this novel.

This, the third in the Jonah Sheens series, is proof that Gytha Lodge is becoming stronger with each novel she writes. The hook for ‘Lie Beside Me‘ is brilliant, the opening pulls the reader in and refuses to let you go.

Louise has an alter ego: Drunk Louise. Louise sometimes loses hours, sometimes she wakes up with a stinking hangover but never before has she woken up beside a dead man.

Gytha Lodge has created a complex plot which will compel you to continue reading long after you should have put the light out. She builds up a number of potential suspects, giving them all motive. Lodge is adept at leading you down one path only to switch directions. The unraveling of the investigation demonstrates the intricate plotting that must have been done.

The pace is fast and the prose is sharp. I really liked the way the investigation chapters are interspersed with a excerpts of a letter written by Louise to her husband – it demonstrates to the reader how discombobulated Louise is by the events that unfolded when her alter ego, Drunk Louise, was in control. I thought it was a clever device to demonstrate that Louise knew she was an unreliable narrator.

The themes in ‘Lie Beside Me‘ include coercive control and alcohol addiction which are not easy subjects to portray empathetically but Gytha Lodge manages just that.

As always with this series, I was heavily invested in the lives of the investigation team as well as the subjects of their investigation. I am particularly interested in Juliette’s backstory and how that will continue to unfold in forthcoming books.

‘Lie Beside Me‘ is an intense, multi-faceted novel that will have you questioning everything you know.

Vic x

Review: ‘Anthrax Island’ by D.L. Marshall

FACT: In 1942, in growing desperation at the progress of the war and fearing invasion by the Nazis, the UK government approved biological weapons tests on British soil. Their aim: to perfect an anthrax weapon destined for Germany. They succeeded.

FACT: Though the attack was never launched, the testing ground, Gruinard Island, was left lethally contaminated. It became known as Anthrax Island.

Now government scientists have returned to the island. They become stranded by an equipment failure and so John Tyler is flown in to fix the problem. He quickly discovers there’s more than research going on. When one of the scientists is found impossibly murdered inside a sealed room, Tyler realises he’s trapped with a killer…

Thanks to the team at Canelo for my ARC of ‘Anthrax Island‘. It’s available as an e-book now and will be released in paperback on 6th May. To get a signed copy, order through my lovely local independent bookshop Forum Books.

This, the debut novel from D.L. Marshall, is a tense, taut, pacy thriller which weaves fact and fiction together seamlessly.

I absolutely cannot rate ‘Anthrax Island‘ highly enough. D.L. Marshall has created a whip smart character in the form of John Tyler. I love the fact that Marshall trusts his readers to understand the subtext in the novel without always having to spell out what he’s insinuating. I really enjoyed the political barbs as well as Tyler’s one-liners.

It’s clear from the first chapter that Marshall has done a large amount of research into Gruinard Island and the testing that was carried out there. Marshall uses his knowledge to add extra tension to the fact that there’s a killer prowling the place: if the murderer doesn’t catch you, the anthrax might.

Given the fact that any time one of the small – but suspicious – cast of characters ventures outdoors, they must wear protective suits, Marshall uses this to create a cloying atmosphere in his prose. The way he describes being in the suit was so deftly done that I felt I was in the suit with Tyler. I could feel the claustrophobia the characters were experiencing.

The desolate setting is evoked perfectly through detailed descriptions that really bring the place to life. But don’t think that because he’s so good at setting that this is a gentle story – ‘Anthrax Island‘ is a high velocity read that will leave you breathless. The way in which each chapter ends on a cliffhanger means that it’s almost impossible not to read on.

With cinematic action sequences and adept plotting, ‘Anthrax Island‘ is a classic locked-room mystery crossed with the greatest of action thrillers. If Lee Child and Agatha Christie co-wrote a book, ‘Anthrax Island’ would be that novel.

Vic x

Review: ‘Black Widows’ by Cate Quinn

Blake Nelson moved onto a hidden stretch of land – a raw paradise in the wilds of Utah – where he lived with his three wives: Rachel, the chief wife, obedient and doting to a fault; Tina, the other wife, who is everything Rachel isn’t; And Emily, the youngest wife, who knows little else.
When their husband is found dead under the desert sun, the questions pile up.
But none of the widows know who would want to kill a good man like Blake. Or, at least, that’s what they’ll tell the police…

Set within Utah – Mormon-country – ‘Black Widows‘ delves into the Church of the Latter Day Saints – and an extreme form of Mormonism: polygamous marriage. The idea of reading a book set within this community is intriguing enough but what Cate Quinn has done with ‘Black Widows‘ is create a compelling read featuring characters I could engage with despite wildly different cultural differences. I was utterly invested in the women in this book.

Each chapter is told from the point of view of one of the wives – Rachel, Tina and Emily – and each voice is distinctive in character and tone. I found the three wives completely captivating. They were honest, engaging and utterly believable. Thanks to Quinn’s excellent writing, I could even hear their accents as I read. The character development as the story goes on is exquisite.

I genuinely could not put this book down. I spent several nights reading long after I should have gone to sleep – I just couldn’t stop. ‘Black Widows‘ is one of those books where I couldn’t wait to find out who was responsible but also didn’t want the story to end. I think one thing that really contributed to this were the short, snappy, perfectly crafted chapters that left me wanting more.

My thanks to Orion for supplying me with an ARC of this novel. I cannot recommend ‘Black Widows‘ highly enough.

Vic x

#BlogTour #IfIFall @nellbelleandme @arrowpublishing

We were told to meet at a rooftop bar.

Four friends, bound by one terrible secret.

No one knew why we were there.

Then we saw a woman, watched as she fell from the edge and plunged to her death.

The police think it’s suicide, but I know better.

Someone is sending a message.

Now they’re coming for us.

Thank you to Arrow Books and Merilyn Davies for inviting me onto the blog tour, it’s my pleasure to tell you all about If I Fall today.

Well, first off, the prologue had me hooked and then Chapter One drops the reader straight into the action and the inciting incident. Merilyn Davies has a lovely knack of setting the scene without losing pace. She drives the story forward purposefully while giving the reader plenty of information to recreate the scene in their mind.

Fans of Merilyn Davies will be familiar with DS Nell Jackson and Crime Analyst Carla Brown – If I Fall is their second outing (the first being in When I Lost You) but don’t worry if you haven’t read When I Lost You, Davies gives enough information for you to understand and empathise with these characters even if If I Fall is your first introduction to them.

By using Carla Brown’s point of view at the time of the woman’s apparent suicide, the reader feels as if they are not only at the scene of the crime with her but then also part of the subsequent investigation. I thought Carla’s insistence that this might not be suicide, and the battles she has to prove that, was a unique take on the police procedural.

The characters – and potential suspects – introduced are interesting and compelling, with the background story original and disturbing. Without giving too much away, I felt the subject tackled in this novel deserves to be widely recognised and confronted. This layered plot considers a range of themes including homelessness, revenge and sexuality. By combining all of these strands, Merilyn Davies has produced a believable novel with realistic characters.

Vic x

#BlogTour #The Push by @audrain

I’m thrilled today to be reviewing Ashley Audrain’s debut novel ‘The Push‘ which was published yesterday.

Here’s a little snippet of ‘The Push‘ to whet your appetite:

The arrival of baby Violet was meant to be the happiest day of my life. But as soon as I held her in my arms I knew something wasn’t right.

I had always known that the women in my family aren’t meant to be mothers.

My husband Fox says I’m imagining it. He tells me I’m nothing like my own mother, and that Violet is the sweetest child.

But she’s different with me. Something feels very wrong.

Is it her? Or is it me? Is she the monster? Or am I?

As most readers of this blog will know, I became a mum for the first time in 2019. ‘The Push‘ takes place over a number of years so although I can’t recognise some of the feelings that Blythe, the narrator, feels as her child Violet gets older, I can attest that Ashley Audrain certainly captures the all-encompassing terror felt by some new mothers.

‘The Push‘, although being fiction, taps into the fears that many women experience when they become mothers: am I supposed to feel like this? Am I doing this right? Am I good enough? Is my child … ok? Normal?

This explosive novel explores subjects that still remain taboo: the pain and discomfort around breastfeeding, post-natal depression and how your relationship with your partner changes after the arrival of a baby. Yes, this novel takes those elements to the extreme but there certainly were scenes that had me nodding firmly in recognition.

Audrain has weaved natural fears around motherhood into this perfectly pitched novel, leaving the reader unsure whether they can believe what they’re being told.

Interspersed across three different timelines, this layered story is absorbing, emotional and terrifying, some might say like motherhood itself. Featuring complex, nuanced characters, ‘The Push‘ will leave ice running through your veins long after you have turned the final page.

There were scenes that left me feeling physically sick with fear, my emotions completely in Audrain’s thrall. I also wept repeatedly when reading this book thanks to the powerful nature of the prose combined with an utterly intoxicating plot.

I think ‘The Push‘ is the kind of book our society needs. It is definitely a great choice for a book club – it will generate conversation and no doubt some controversy but I genuinely think it will open the minds of those who read it. This novel isn’t just about the relationship a mother has with her child but also those around her – from her partner to strangers – and the expectations that are placed on her as a result.

Perfect for fans of ‘We Need to Talk About Kevin‘, ‘The Push‘ is beautifully written, perfectly plotted and deserving of the hype it’s been receiving.

Vic x

#BlogTour #ABowlofCherries by F.E. Birch

It is an absolute delight to be hosting my very good friend F.E. Birch on the blog today. F.E. is part of a very special group of friends that I’m lucky to have in my life.

I was given the honour of hosting F.E.’s virtual book launch for her short story collection ‘A Bowl of Cherries‘ earlier this year and am delighted to have her on the blog today.

Vic x

Thank you Vic, for hosting me today for A Bowl of Cherries, my short story collection. 

When I first started writing short stories in about 2004 I had no idea where I was going with them. I love writing in the short story form and I when I discovered flash fiction, I thought it was brilliant. I was in the process of changing careers and with three small children it was difficult but I just wanted to write, and write, and write – so I pinched time from everywhere I could and I wrote.

I then started entering competitions and calls for submissions to anthologies. I learned what some markets liked and what others didn’t. I prefer writing in the dark form: crime, psychological, character-centred and devious, and definitely not for everyone. 

Since 2004 I have had a hundred and fifty- five stories published in print or online. I won Pitch Perfect at Bloody Scotland in 2012 along with Joseph Knox. He’s gone on to be a very successful and talented writer. I was then published by Harper Collins for a collection of anecdotal stories under a pseudonym, which although quite successful, I couldn’t openly take any credit. Life events then got in the way and I had a hiatus from 2013, writing only sporadically, but still networking at lots of the writing festivals. Oh, how I miss them!

I have to praise Vic Watson and Simon Bewick for their lockdown VNATB. It was the highlight of my week, every Wednesday for twenty-two weeks. They really inspired me to pick up my pen again and I managed to finish my part-written crime novel, which is now in the editing stages. I also went back to my short stories and thought, actually, some were okay. A hard thing to admit for someone who doesn’t believe in themselves! Whilst  ‘cooking the book’ that I hope to be my first novel, I thought I could pull together a collection of my short stories. If they’d been published before, surely, they might have some merit? Hence, A Bowl of Cherries was born. 

Each story has a dark theme, and they cover most aspects of life, death, murder, abuse, violence, cannibalism, alcohol, domestic violence, ghosts, and much more. There are few markets for this type of genre, especially in the short story form, but I know there are people out there like me that like to read them. I also understand that for some, they may be too much, which is why they are labelled as triple XXX. I draw on my life and professional experiences for nuggets of ideas that I turn into stories and having seen the dark and dastardly things that people do to each other first hand, I have a wealth of ideas in the bank. There are many more stories loitering in files on my laptop, more still waiting to be written. 

None are for the faint of heart, though I do have the idea of writing a rom-com – if only I can resist killing off a character! 

I am very fortunate to have a great peer group of friendly writing folk, and a special circle of friends, and it’s such a wonderful writing community to be amongst. Thank you to all the readers who keep the writers going, all the writers who understand the need to keep going, and everyone else who supports us. 

Order A Bowl of Cherries now.

Review: ‘The Power of Rude’ by Rebecca Reid

For decades, women have been called ‘bossy’, ‘hysterical’ and ‘neurotic’ in situations where men might simply be dubbed ‘assertive’. We need to change the narrative around women and we need to use our voices to take control. Rebecca Reid isn’t afraid to show us how.

I am not an assertive person. I would like to be an assertive person. I recommend ‘The Power of Rude‘ to anyone who would like to be more assertive, especially if that person is worried about how being “rude” might be perceived.

I guess you could call ‘The Power of Rude‘ self-help but it is so much more than that. It’s insightful, constructive and thoughtful. It’s also thought-provoking and anger-inducing as well as being laugh out loud funny and totally relatable.

Rebecca Reid has shared her own experiences on several subjects including health, money and sex, coupled that with findings from her own research and case studies of well-known women. ‘The Power of Rude‘ is like a chat with a friend – a friend who will tell you that you shouldn’t be putting up with [insert any number of wrongs that women suffer on a daily basis].

I can’t stop thinking about ‘The Power of Rude‘ and how I am going to use the advice given to improve my life. I will refer back to this book for the rest of my life and will buy it for my female friends although, to be honest, I reckon anyone who doesn’t feel able to advocate for themselves could benefit from reading ‘The Power of Rude‘.

‘The Power of Rude‘ is an indispensable guide to how to assert yourself. Get it now!

Vic x

Review: ‘Firewatching’ by Russ Thomas

A body is found bricked into the walls of a house. From the state of the hands, it’s clear the dead man was buried alive. Soon, the victim is linked to an old missing person’s case and DS Adam Tyler is called.

As the sole representative of South Yorkshire’s Cold Case Review Unit, Tyler recognises his role for what it is – a means of keeping him out of the way following an ‘incident’. When this case falls in his lap, he grabs the opportunity to fix his stagnating career.

And then Tyler discovers he has a connection to the case that hopelessly compromises him. He makes the snap decision not to tell his superiors, certain that he and only he can solve the crime. But now Tyler must move carefully to find out the truth, without destroying the case or himself.

Meanwhile, someone in the city knows exactly what happened to the body. Someone who is watching Adam closely. Someone with an unhealthy affinity with fire. . .

Ok, so if the summary above didn’t entice you (it really should have, by the way), here’s why you should read ‘Firewatching‘ by Russ Thomas:

‘Firewatching‘ introduces us to a fresh new take on the police procedural, featuring an original protagonist. For me, hinting at Tyler’s backstory while racing to stop more deaths, felt really natural and kept a realistic balance to the story. Thomas’s writing is taut and compulsive, hitting the right balance of plot and visceral descriptions.

The plot is strengthened by the cast of characters, particularly Lily who can’t remember the secret she’s keeping on account of the dementia that’s ravaging her mind. The characterisation in ‘Firewatching‘ is absolutely perfect, with Thomas portraying Lily’s dementia accurately and sensitively.

Thomas pulls the reader in and creates empathy for his protagonist by laying bare the bigotry that Tyler faces regularly. By pairing Adam with PC Rabbani, Thomas is also able to explore institutionalised racism. Again, he does this with a light touch that leaves the reader in no doubt about the difficulties these officers have to deal with – and that’s before you factor in the crimes they’re investigating.

The descriptions of the arsons are terrifyingly real and, while the person responsible taunts the police with cryptic blog posts, readers are presented with the sense of the urgency felt by Tyler and his colleagues.

If you’re looking for original characters, a strong plot and vivid descriptions, ‘Firewatching‘ is the novel for you! I can’t wait to read ‘Nighthawking‘, the next in the DS Adam Tyler series.

Vic x

Review: ‘The Point of No Return’ by Neil Broadfoot

After more than a decade of being in prison for the brutal murder two Stirling University students, Colin Sanderson has been released after his conviction was found to be unsafe.

Returning home to a small village not far from Stirling, Sanderson refuses police protection, even in the face of a death threat. But the PR firm that has scooped him up to sell his story does know of a protection expert in Stirling. They want Connor Fraser.

Connor reluctantly takes the assignment, partly as a favour to DCI Malcolm Ford, who is none too keen to have Sanderson on the loose, particularly as he was involved in the original investigation that saw him imprisoned. 

When a body is found, mutilated in the same way as Sanderson’s victims were, all eyes fall on the released man. But how can he be the killer when Connor’s own security detail gives him an alibi?

As Connor races to uncover the truth, he is forced to confront not only Sanderson’s past but his own, and a secret that could change his life forever.

Having read ‘No Man’s Land‘ and ‘No Place to Die‘, I was really looking forward to reading the next instalment in the Connor Fraser series – and I wasn’t disappointed. ‘The Point of No Return‘ is a tight, pacey thriller that develops recurring characters within the context of another intriguing mystery.

Broadfoot has a knack of writing taut prose, with not one word wasted and that really helps me envisage the action unfolding. The action at times actually left me breathless. I genuinely can see Connor Fraser coming to a screen near you (hopefully soon).

The unflinching violence in this series is not for the faint-hearted but, with characters like Duncan Mackenzie and his henchman Paulie in the mix, it never feels gratuitous or unnecessary. In addition to the menace provided by Mackenzie and Paulie, Colin Sanderson genuinely gave me the creeps.

Setting the series in Stirling gives Broadfoot’s series a fresh feel to it, putting Scotland – and its political conflicts – at the heart of every story. It’s great to see recurring characters being given space to develop and gain depth. As much as I like Connor, I love Donna Blake and the divided loyalties she experiences on a daily basis.

The third in Neil Broadfoot’s Connor Fraser series is his strongest yet. Readers get not only a barnstorming mystery, they’re also treated to a glimpse into Connor’s own backstory which makes it much easier to understand his motivations and behaviour. However, you don’t have to have read the previous two novels in this series in order to enjoy ‘The Point of No Return‘ – but I recommend that you do anyway!

I can’t recommend ‘The Point of No Return‘ highly enough.

Vic x