Tag Archives: articles

**Bones in the River Blog Tour**

I’m thrilled to be taking part in the blog tour for Zoë Sharp’s “Bones in the River“. I’ve known Zoë for many years now but here’s a little bit of background to the enigmatic writer.

Zoë Sharp began her crime thriller series featuring former Special Forces trainee turned bodyguard, Charlotte ‘Charlie’ Fox, after receiving death-threats in the course of her work as a photo-journalist. Zoë opted out of mainstream education at the age of twelve and wrote her first novel at fifteen.

Zoë’s work has won or been nominated for awards on both sides of the Atlantic, been used in school textbooks, inspired an original song and music video, and been optioned for TV and film.

When not in lockdown in the wilds of Derbyshire, she can be found improvising self-defence weapons out of ordinary household objects, international pet-sitting, or crewing yachts in the Mediterranean. (It’s a tough job, but somebody’s got to do it.) Zoë is always happy to hear from readers, reader groups, libraries or bookstores. You can contact her via email.

My thanks to Zoë for having me on her blog tour.

Vic x

Don’t Quit the Day Job:
Zoe Sharp

I suppose there was half a chance that writing fiction might have been my day job, right from the start. After all, I penned my first novel at the age of fifteen—and I do mean ‘penned’. I wrote the entire thing, long-hand, in a month, and gave myself the most appalling writers’ cramp in the process.

That early effort did the rounds of all the major publishers, where it received what’s known in the trade as ‘rave rejections’—everybody said they loved it but nobody actually wanted to publish it.

Looking back, I’m rather glad about that.

Because, in order to be a writer, you need different experiences under your belt. At the age of fifteen, I’d had few worth mentioning. Apart from living aboard a catamaran from the age of about seven and leaving school at twelve. But that, as they say, is probably another story.

Having failed at my first attempt to be a novelist, I became side-tracked by a variety of jobs in my teenage years, including crewing boats and learning astro-navigation. I was mad keen on horses, rode competitively, and once even took part in a rodeo. I learned to shoot—did a little competing there, too. Long guns, mostly. I considered myself an average shot with a handgun but, as I discovered on my last visit to a US indoor gun range, most people can manage to miss the target entirely at less than ten feet.

As for jobs, I became a freelance motoring writer at the height of the classic car boom of the late 1980s. That quickly transmuted into being a photojournalist, having taught myself both how to write commercial magazine articles and also how to take images good enough for numerous front covers and centre spreads.

It was hardly surprising, then, that eventually I’d have to start writing a character who was a photographer. Enter Grace McColl, first in Dancing on the Grave and now in Bones in the River. Grace started out as a keen amateur photographer, who became involved in providing evidence for the defence in a court case. She was then approached by the Head CSI at Cumbria police, who asked her if she’d ever thought of joining the side of the angels. Always nice to be able to write any parts of the story concerning photography without having to do lots of research.

My time spent writing about cars also played a part in Bones in the River, which begins with a hit-and-run incident. Understanding how the mechanics of a vehicle work makes writing scenes with them in so much easier and, I hope, more accurate.

Plus, all that time spent with horses came in very useful for a book that takes place during the largest Gypsy and Traveller horse fair in Europe. There were still plenty of times when I had up to a dozen different scientific research books laid on the table at the side of my desk as I wrote, though. Fortunately, forensic science and pathology are such fascinating subjects.

They tell you to write what you know. I disagree. I think you should write what you’re desperate to find out instead.

Bones in the River“, the second book in the Lakes crime thriller series, was published worldwide on May 26 2020 by ZACE Ltd. You can grab a sneak peek of the first three chapters, and is available from all the usual retailers.

Don’t Quit the Day Job: Richard Rippon

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Richard Rippon appeared at Noir at the Bar Newcastle in May this year and read from his novel ‘Lord of the Dead‘. The excerpt Rich read was really intriguing and it made me want to read the whole novel. 

My thanks to Richard for sharing his experiences with us.

Vic x

 

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When I started writing in 2007, I was working as a lab technician in a factory. My eldest daughter had just been born, and that seemed to kick-start something in me, probably a realisation I was getting older and if I didn’t do something about my writing ambitions soon, I possibly never would.

I’d always enjoyed writing at school, but never imagined I could make a living from it. Such an idea felt fanciful, so I put it to one side and pursued a safer, more ‘sensible’ route. I was pretty good at Biology, so I studied science at A-level and a degree in Microbiology. I went on to work in a range of labs, usually for massive multi-national companies. It took me a long time to realise it wasn’t for me.

I starting writing short stories and articles, which I hoped to get placed in magazines and on websites. I won an article writing competition for a local newspaper and when I came across the Northern Writers Awards, I entered that too, with the first three chapters of a comedic detective story set in Newcastle. When I won a prize, it started a chain of events that has changed the course of my career entirely.

Things in the lab had reached a bit of a tipping point. Whilst the boredom was useful – I had plenty of time to think of story ideas – I’d had it with the place. Some jobs came up for Social Media Community Managers, a relatively new job title in 2011. Reading between the lines, it appeared to be an invitation to write creatively and fanny about on Facebook for a living. I applied and hassled the hiring manager, until she took me on. I was tasked with writing conversation calendars for brands and regularly headed to London for meetings with advertising agencies. It was fantastic. The sense of release I felt compared to my life in the lab was exhilarating.

Meanwhile, the Northern Writers prize I won led to me signing with an agent, but she struggled to find a publisher for The Kebab King. I started to think about a more serious crime novel, which eventually became Lord of the Dead, which was published last November.

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Things began to change at work. They stopped relying on us to write our own copy, and all the creative bits I loved were farmed out to agencies. I thought it might be a good idea to look elsewhere, and I was lucky enough to land a job at the best advertising agency in Newcastle. I have to say this, because I’m still there, but also because it is. 

The job has evolved from being a social media man, to ‘Creative Copywriter’. Basically, I think of ideas to help people sell things and come up with the words to go with those ideas.

It feels great to finally have the word ‘writer’ in my job title and also have had my first novel published. It’s just taken a bit longer than you might expect.