Tag Archives: Books

Don’t Quit the Day Job: Robert Parker

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today, we have Robert Parker discussing how his occupation helped inspire his crime writing. I first met Robert on the Crime & Publishment course in 2016 and he’s a top chap. Robert has, however, chosen to retain his anonymity – I’m sure you’ll understand why soon… 

Thanks to him for sharing his experience with us. 

Vic x

You are now twenty times more likely to be a victim of cyber crime than you are to be mugged in the street. It makes a lot of sense, from a criminal perspective. Why would you bother to actually mug someone these days? Why take all the risks; the chance of someone calling your bluff, the chance of someone mugging you right back, the chance of going to jail, if, like me, you harbour a suspicion that you might just be a bit too pretty for that? Why take the gamble when you can sit on a couch in the comfort of your underwear, with a laptop, eating food that probably came in a bucket, scrolling, clicking and punching in the odd stolen card number.

That’s where we come in. Online fraud is big business these days and as time goes on it’s only getting bigger, more complicated and harder to spot.

I wound up in my job almost by accident. Almost. It isn’t something you can fall into. There’s a bit of commitment required. Competition for jobs can get fierce. It isn’t an option you just settle for. But I didn’t know it was something you could do until about a year before I shoehorned my way in.

It was 2010 and I was working two jobs at once, waiting on tables in the family-owned coffee shop and fitting cattle mattresses (yes, really) for my step-dad’s agricultural engineering business. I was living away from my fiancée during the week and driving the hundred and thirty dark winter miles to and from Edinburgh either side of the weekend. I needed to spend more time where I supposedly lived. I knew I would have to find something a bit different. They don’t do farming in the big smoke. I’d never worked in an office. I thought I could give that a go. It had to be warmer than a byre in January. How hard could it be?

I failed the data entry test (yes, really). That sounds like it would be hard to do. In my defence, I didn’t know my way round a keyboard, much less a clunky, chunky, nineties relic, mothballed in the damp basement of a recruitment agency. They were prepared to take a chance on me. They were counting on me. I couldn’t let them down, I was told, by an overly earnest man who had to be ten years my junior.

I was sent to the offices a of a tech firm who needed me to enter data for two weeks. It meant I could spend some time with Caroline, if nothing else. I remember thinking then that there must be something more interesting than data entry going on inside the offices of a travel website. I just had no concept of what that might actually be.

I didn’t get to do any data entry. I managed a tour of the city centre office, a coffee and slack-jawed stare at what must have been an expensive view of the castle, before someone in the contact centre got fired for looking at Facebook.

That’s how I wound up in a contact centre. A couple of weeks later I overheard a conversation between two of my new workmates in the pub, one asking the other “How are you finding the fraud department?” That was the light bulb moment. That was when I knew I’d found the something more interesting. It took me another twenty months to get in, but I’ve been here ever since.

So how has it contributed to my writing? In a lot of ways that I might have seen coming and a few more I didn’t.

First of all, there’s the day-to-day. I’m a fraud analyst, part case-by-case investigator and part long-term strategist. We deal with the fraud as and when it arises, working individual cases, catching people in the act and hopefully stopping them, but we also follow patterns, predict trends and take steps to counteract them. Where we can, we help the police, build cases and compile evidence, with a view to putting people safely away.

The first thing you learn is that it isn’t quite as glamorous as the expectations of your friends and family. My mum seems to think my day job is something like cyber CSI, and it is, but like a real life CSI. It’s methodical. It involves hard work and you don’t actually get to chase, or even see the bad guys, not in real life, though ironically for the girl whose job I originally stole, I do spend far more time on Facebook than can ever really be healthy.

It isn’t something you could write a book about, not a thriller anyway. Man-gets-mildly-excited-and-spills-cappuccino-after-left-clicking-and-discovering-some-fraudulent-transactions or man-deals-with-brief-existential-crisis-after-opening-an-intimidating-Excel-file doesn’t make for a particularly compelling elevator pitch. Or maybe it’s just a bit too literary for me.

It’s all relative though. You can get lost in the data for hours and you do get a buzz when you uncover a web or a pattern. But it’s the stuff I’ve learned as a consequence of my job that inspires and informs plots, research and characters.

So much of our lives today happen online. Like it or not, you leave traces of yourself wherever you go. Even a Google search records multiple pieces of information, all of which affect what you’re shown next time around. Police investigations naturally have a higher emphasis on our online, connected lives as time goes on.

It isn’t just fraud that has moved online either. The dark web is a one-stop shop for anything you want. Feel like ordering up a kilo of heroin? An Uzi? A human being? It’s all out there, lurking below the surface. You just have to know where to start digging. And the customer service is better than you’ll find anywhere else.

You learn about these things when you come into contact with the right – or wrong – people, when you’re trained by the right people. It’s the stories you hear that stick in the mind. The public consciousness seems to have fraud down as a victimless crime, but a conversation with the police would quickly convince you otherwise. Fraudsters are pretty often the same people committing the more serious crimes, with the proceeds going to fund the drugs, guns and human traffic.

Different gang cultures have different hierarchies. With the world getting smaller there are clashes. That thought led me to the plot of my first novel, Snow Storm. Throw in a conspiracy theory, a few bodies, add a twist or three and hopefully you’re halfway to a decent story.

Sometimes though, inspiration can be as simple as dumb luck and geography, like my wife dropping me off at work, bleary eyed and achy after the office Christmas party, next to a lamppost someone had hung an oddly shaped bag from.

“Do you think there’s a head in there?” I heard myself say, through a boozy haze.

And the opening of Snow Storm landed, fully formed, between my ears.

Advertisements

Getting to Know You: Jackie McLean

My very good friend, Jackie McLean, author of ‘Toxic’ and ‘Shadows’, is here to chew the fat today. Jackie has appeared on this blog a few times but she’s always such fun and has plenty of advice to give aspiring writers. 

My thanks to Jackie – for sharing her time and wisdom with us in addition to being a wonderful, thoughtful friend.

Vic x

Tell us about your novels.
At the moment, I have two crime fiction books that are published by ThunderPoint Publishing Ltd:

Toxic – An anonymous tip-off sparks a desperate race against the clock to track down the illegal storage of the deadly toxin that was responsible for the Bhopal disaster, the world’s worst industrial accident. However the two senior investigating officers are as volatile as the toxin they’re trying to find, and tensions run high. For the lead character, DI Donna Davenport, the investigation becomes personal. She’s recently broken up with her partner Libby, but Libby’s brother is being set up as a suspect, and Donna struggles with the conflict.

Shadows – When DI Donna Davenport is called out to investigate a body washed up on Arbroath beach, it looks like a routine murder inquiry. However, it doesn’t take long before it begins to take on a more sinister shape. There are similarities with a previous murder, and now a woman who is connected with them goes missing. Meanwhile, Donna can’t shake off the feeling that she’s being watched, and she is convinced that Jonas Evanton has returned to seek his revenge on her for his downfall. Fearing they may be looking for a serial killer, the trail leads Donna and her new team in an unexpected direction. Because it’s not a serial killer – it’s worse.

What inspired them?
I originally wrote Toxic because I wanted to write something set in my home town, Arbroath. It’s by the sea, and has caves in the cliffs, so a smuggling story seemed obvious. In that first version, it was genetic modification (of food) experiments that were being smuggled in and out of the country, but I couldn’t really do anything exciting with that.  I needed a dangerous substance that behaved in particular ways, and my nephew – a forensic toxicologist – suggested I look at the Bhopal disaster. As soon as I learned about the substance responsible, I knew it was the one for my storyline. But the research left me deeply disturbed about what happened to the people of Bhopal, who to this day have never received justice for the blatant failures of the company responsible, and so I hope to be able to raise some awareness of that.

The storyline for Shadows came out of a discussion with a friend of mine who’s a midwife, and who told me about some of the murkier sides of her work.  She was keen to find a way to highlight what’s going on, and wanted me to write about it.

Where do you get your ideas from?
A lot of the stuff I’ve written is actually based on dreams that I’ve had. However, in recent years I’ve suffered insomnia, so have resorted to spying on people instead. I work full time, and there are always good snippets of information at meetings and in office gossip that can be built into a plot…

Do you have a favourite story / character / scene you’ve written?
My favourite form of writing is actually screenwriting, and I’ve written some comedy pieces with my partner Allison. When we write comedy scripts together, sparks fly and the writing is just great fun. So, while I enjoy whatever it is I happen to be writing at any one time, the screenwriting with Allison is my favourite.

What’s the best writing advice you’ve ever been given and who it was from?
The best writing advice I’ve seen came from Dr Jacky Collins, whose advice to aspiring crime writers is to get along to their nearest Noir at the Bar and get involved.  There is lots of advice out there on how to write – from style, to good writing habits – but I’ve found the best motivation and confidence-builder to me for writing has come from being around other writers, and from the tremendous support we give each other.

What can readers expect from your books?
I hope first and foremost that they’ll enjoy a gripping good read.  Characters that they can get to know and understand, and short chapters for a quick read after a hard day at work.

Beyond that, I’m interested in the relativity of crime: by that, I mean there’s always a wider context behind the actual crime that we see, and none of us really can wash our hands of that. For example, the company responsible for the Bhopal disaster clearly cut corners and ignored safety procedures that would have prevented the catastrophe. But companies cut corners all the time, largely because all of us want to buy our goods as cheaply as possible. We’re not very accepting of price tags that reflect the full costs of production – costs that relate to environmental and human pressures. If we buy cheap, it means somebody else – with less power than us – pays the full price. While I don’t want to be preachy, I do think we need to be more aware of our own contribution to the crime we see around us, and I hope my books will give a glimpse into that, too.

Have you got any advice for aspiring writers?
You need to love and enjoy what you’re writing. If you want to take it further, and want to see it published, I’d say study the market and treat your finished work like a business. There are rules, and you need to know what these are in your particular genre. When I completed Toxic, I hadn’t thought of it in terms of genre at all, until I researched the publishing world and realised it had to “fit” somewhere, so I re-drafted it to be more compatible with the crime fiction market.

What do you like and dislike about writing?
There are a number of aspects to writing, for example the actual act of writing, researching your topic, and the writing life.

On writing itself, this is going to sound ancient, but I went to school in the days before computers were invented. There, I’ve said it! All of our work was handwritten, including all of our creative writing. When I was a kid, I wrote all the time, and find today that I can still only write creatively if it’s by hand. If I try to write directly onto the screen, it comes out like a work report. Oddly, I both like and dislike that I need to hand write first.  I enjoy the feeling of writing by hand, but it does make for double the work.

Researching your topic is really important, and should be enjoyable. If you find the research dull, you’re maybe not writing from the heart. However, you do have to be careful, especially when you’re researching for crime fiction. I inadvertently ended up on a terrorist recruitment website recently while researching smoke grenades (and I was only trying to find out if they make a noise…).

As to the writing life, meeting up with other writers and folk involved in the book world (readers, bloggers, booksellers, publishers, etc) is great. I don’t know about other genres, but in crime writing there’s a real sense of belonging and support, and I say that as someone who’s fairly shy and doesn’t find it terribly easy to do the networking stuff.

Are you writing anything at the moment?
I’m writing the third Donna Davenport book (Run), which completes a particular storyline that started in Toxic. I’ve also begun to outline two more books, and can’t quite decide which one to go for first. One is another Donna Davenport book. Here’s a sneak preview of the other one:

Death Do Us Part – Diane knows she’s the piece in her husband Rick’s deadly game. Claiming the glory when he kills her lovers – who line up to take him on, like rutting stags – keeps Rick as the undisputed crime lord, and their life of riches intact. Dutifully she plays the game. They line up. He conquers. She lives.

Then one day the rules of the game change forever. Diane falls in love with Claire. They both know Rick won’t challenge a woman – there’s no status in that. If he finds out, Diane’s life will be over.

There’s nowhere to turn for help. Claire is the crime gang’s chief mechanic, and as well as knowing where all the bodies are buried, she’s in it up to her neck.

The pair can’t risk being found together.

The only option open to them is to go on the run, but Rick has a reputation to defend, and they’ll have to outplay him at his own game if they’re ever to be truly free.

I also can’t decide if it’s crime or romance – what do you think?

What’s your favourite writing-related moment?
I’ve recently begun to run creative writing sessions, along with a former colleague, for men who are in prison or who have recently been released. Each time we meet, there’s a new favourite moment, and I’ve been blown away by the power of creative writing to mend broken lives. For example, one of the guys, who protested that writing wasn’t his thing and that he couldn’t do it, eventually wrote a poem. He declared that the experience had given him a bigger high than any drugs. That’s priceless, and it’s what I love about writing. Now I’m welling up.

Don’t Quit the Day Job: Gill Hoffs

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Regular readers of the blog will recognise today’s writer and worker as Gill Hoffs, Nutella fiend and all-round top woman. Gill’s going to be telling us how her career has influenced her writing. 

Vic x

I’m shit at small talk, and apparently it’s not alright to say to a stranger, “If you have a look at my twitter feed that tends to reflect what I’m about – rude history, strange nature, art, and junk food.  How about yourself?”  So I bear in mind that there are several standard topics to discuss, cultural checkpoints that establish you as ‘alright to be around’ and ‘not a threat’, such as weather, the niceness (or otherwise) of wherever we happen to be, and – at a push – occupation.

Depending on the situation, I lead with one of my two jobs: carer or author, though the latter usually leads to tongue-biting.  I love both and, since I tend to write about people from the past, they’re kinda linked.

I used to work in children’s homes, where I’d spend part of my week living alongside children with emotional and behavioural difficulties.  A key part of the job (as I saw it, anyway) was to find whatever small or large details it took to make a connection with each kid.  Much of this was rooted in the mundane.  Did they prefer Penguins or Rich Teas with their hot drinks?  Movies or soaps?  Cereals or toast?  And to build on our relationship from there.  We built bonds, fragile but precious, from these fragments of personal taste, the human equivalent of “telling details”.

Now I work with older people in a nursing home.  Instead of attempting to set our charges on the path to a happy, healthy, and independent adulthood we’re doing our best to make them comfortable, and bring them joy or, at the very least, a measure of peace and contentment.  Relationships are just as important but can be trickier to navigate, especially when memory issues are involved, but again, we build bonds over tiny details.  Pets or no, custard creams or bourbons, Stones or Beatles, tattoos and hair-dye – there’s always something we can connect through.

This principle, that these tiny yesses and noes, personal preferences, wrinkled noses and dimpled smiles add up to a whole bunch of humanity, lies at the heart of my other work as a writer and researcher.  When I create my shipwreck books, I find that many of the records have been boiled down to numbers and percentages, weights and measures, lists of co-ordinates, cargo and casualties.  My biggest priority is restoring the humanity to the people involved with these tragedies, and for me the easiest way to do so is to flesh out the names attached to these statistics.  What were their nicknames?  What did they love?

As someone who is often led by their belly, one of my favourite examples for this is when Hendrick Jans Kas, a survivor of the William & Mary shipwreck, wrote home to Friesland from America ‘I think I will like living here. Americans eat pork three times a day and beef and that is a bright prospect for me.’  Food as a source of joy?  I suspect we’d get along great.

To find out more about Hendrick and his fellow shipwreck survivors (and the captain and crew who attempted mass murder in the Bahamas), read ‘The Lost Story of the William & Mary: The Cowardice of Captain Stinson (Pen & Sword, 2016).  Gill’s first shipwreck book, ‘The Sinking of RMS Tayleur: The Lost Story of the ‘Victorian Titanic(Pen & Sword, 2014, 2015), is also available from reputable and disreputable outlets.

*Hydra Blog Tour* Guest Post and Review.

Author Matt Wesolowski joins us today as part of his ‘Hydra‘ blog tour. I’m really happy to be part of this tour as I am a huge fan of Matt’s writing, he combines crime with something much darker.

Today Matt is here to chat about fear which seems appropriate seeing as his novels have given me some sleepless nights…

Vic x 

The Difficult Second Book
By Matt Wesolowski

I thought I knew fear. I deal in fear. Creating fear is my only talent (or not – depending on your opinion). I’ve been plenty scared in my life, like the other day when there was a spider in the bath that was so big that even when I brought in the expert to deal with it (my cat) – she ran away.

Like I say, I know fear.

The fear of writing a second installment of Six Stories didn’t really hit until I was about half way through. Suddenly, the words of every one star review (I’ll tell you I don’t read them but I do!) gathered together above my head in a storm cloud of mocking dissent. The nasty part of my brain began to prod me with its savagely pointed fingernail and tell me that I couldn’t do this again, that writing another one was impossible. I was a flash-in-the-pan.

I felt there was expectation where there had been none before. What if Hydra was terrible?

A deep, gut-churning fear assailed me as if from nowhere as I ploughed on through the manuscript. Writing has never been a place of fear, at least not the actual writing process. Writing has always been catharsis or solace.

Writing a prequel to Six Stories was, in theory, easier than writing Six Stories itself. The structure was there, the idea was blinking its corpse-light from somewhere in the folds of my brain, but the fear of expectation hung in the air like some ghastly fog.

The way through this fear was tough, like hacking through a jungle of self-doubt. Yet after a while, a path began to emerge.

First off, I knew it would be difficult to set anything after Six Stories – the implications at the end would be too complex. I also like loose series. Take the magnificent author Thomas Enger for example; his novels all stand alone yet have a loose threat running through them so can be enjoyed as a series or indeed not. To be able to do that is true talent. I had to at least give it a shot.

So instead of thinking about writing, I started thinking about podcasts again instead.

I love discovering a podcast which I can listen to its latest episode and then trawl back through its archives – same presenter, same style, different cases. This appeals to a creature of habit like me.

So why not apply the same sentiment to Hydra? After all, Six Stories was only supposed to be one book, a prequel was never on the cards until an idea appeared in my brain when I least expected it, just like that terrible bath-spider, but with fewer legs.

I allude a few times in the first book to there being previous series of Six Stories – old graves that Scott King likes to rake up.

Using that sense of trawling back through the archives to an unknown time before Scarclaw Fell appealed to me. I didn’t want to write another whodunnit about the woods, I wanted to use that old anonymous adage:

The writer’s job is to get the main character up a tree, and then once they are up there, throw rocks at them.

I wondered how Six Stories would feel in an urban setting, where place didn’t play so much of a role. I also indulged my own fascination with true crime – why rather than who. I also wondered about the ramifications for raking up these graves – would it impact the podcaster at all? Why does Scott King wear a mask? I thought that this might be something fun to explore.

All these questions and notions became my machete, hacking the murky undergrowth of fear and doubt. I began to construct something that wasn’t like Six Stories save for its structure. The horror element showed itself in the early ideas of Hydra but something a million miles from the rustic folktale of Nanna Wrack, something less cosy (Nanna Wrack has her cosy side, you just don’t know her well enough!). I felt like having a more modern story needed a more modern horror…enter the BEKs…

Sometimes I wonder if I’m actually a crime writer at all, that maybe this expectation comes from some perception I have of myself. I think I’ve decided I’m not a crime writer in the traditional sense (too much horror), nor am I a horror writer (too little horror, too much crime).

But I’m ok with that.

What it does mean is that giving birth to horrors like Hydra is always going to be difficult.

Review: ‘Hydra’
by Matt Wesolowski.

Well, where do I start? It’s no secret that ‘Six Stories‘ was one of my favourite reads of 2017 so I was delighted to be getting another in the series so soon. It is worthwhile saying that, although I’m a fan of the series, you can read the books as standalones or out of the order they were published in – they are self-contained stories.

A family massacre
A deluded murderess
Five witnesses
Six Stories
Which one is true?

In November 2014, 21-year-old Arla Macleod bludgeoned her mother, stepfather and younger sister to death with a hammer, in an unprovoked attack known as the Macleod Massacre. Now incarcerated at a mental-health institution, Arla refuses to speak to anyone but Scott King, whose Six Stories podcasts have become an online phenomenon.

As he digs deeper into the case, Scott begins to wonder whether Arla’s capacity for murder was played down by her legal team. Interviewing Arla and five witnesses, Scott finds himself down the rabbit hole of deadly online games, trolls and strange black-eyed kids. Will he survive to tell the tale? 

Matt Wesolowski manages to blend horror and crime effortlessly – he has a real talent for combining potentially supernatural horror with terror that is all too real. Delving into the deepest recesses of human capability, ‘Hydra‘ is a story about the ills people can inflict on one another. 

Capitalising on the success of new media, Wesolowski presents his narrative in a unique way – that of a serialised podcast. Not only is this a form I haven’t seen used before, it’s clear Wesolowski is very familiar with the conventions of podcasts and how ambiguity prevails through many online investigations.

In addition to this, Wesolowski writes about so-called ‘outsiders’ particularly well. Where other authors may be afraid to shine a spotlight, Wesolowski excels. Whether it be an overweight teen who is bullied, or someone who is scoffed due to their home life or taste in music, Wesolowski really nails the ‘outcast’. However, he also manages to capture the psyche of the “cool” and popular kids. To me, this is a true skill – he creates balanced, empathetic characters.

Will ‘Hydra‘ become one of my top reads of 2018? Only time will tell but it is certainly a front runner. 

Vic x

*City Without Stars Blog Tour* Guest Post and Review

I am really delighted to be involved in the blog tour for ‘City Without Stars’ by Tim Baker. 

Tim’s debut thriller, ‘Fever City‘, was shortlisted for the CWA John Creasey New Blood Dagger and the Private Eye Writers of America’s Shamus Award. City Without Stars‘ is published this month by Faber & Faber. 

My thanks to Faber & Faber for including me on the tour and to Tim for taking the time to answer my questions. 

Vic x

Photo by Colin Englert

Tell us about City Without Stars‘.
For the residents of Ciudad Real, in Mexico, the situation is desperate. A deadly war between rival cartels is erupting, hundreds of female sweat-shop workers are being murdered, and union activist, Pilar, is about to risk all; taking social justice into her own hands by organizing illegal lightning strikes in protest.

As his police superiors start shutting down his investigation into the serial killings, a newly assigned homicide detective, Fuentes, suspects most of his colleagues are on the payroll of narco kingpin, El Santo, and turns to Pilar for help. Although she will do anything to stop the murders of her fellow workers, Pilar’s going to have to ignore all her instincts if she is to trust Fuentes enough to work with him. When the name of the city’s saintly orphan rescuer, Padre Márcio, keeps resurfacing, Pilar and Fuentes begin to realise the immensity of the forces aligned against them . . .

What inspired it?
So many elements go into the creation of a novel and every one of them is a form of inspiration. From the first day I arrived in Mexico, I knew I wanted to write about the country, but it took over four years for the major themes to emerge and coalesce into a narrative, including the plight of exploited female workers along the border region with the United States and the vast numbers of these young women who were being abducted and murdered. Why were no suspects being apprehended? Why weren’t the women being offered better protection? And why were authorities refusing to consider the situation as an emergency? There was only one force in the region that could exert such malign control: the cartels. Add to that the growing concerns about the dehumanizing dangers of rampant globalization, and suddenly I had a book.

Where do you get your ideas from?
Perhaps surprisingly, most of my ideas come from either dreams or daydreams when I’m in nature and there’s interplay between elements or light. These moments are not so much a blinding flash as half-formed glimpses or impressions and usually take on greater clarity when I’m doing some kind of physical activity: swimming or walking and not consciously thinking about ideas. It’s a long and imprecise journey and you need to have faith.

Do you have a favourite story / character / scene you’ve written?
I never read any of my books after their final edit because I’m already invested in creating new characters and other stories. There’s only so much space available inside my head so I have to keep the decks clear at all times! So my favourite characters, stories and scenes are always the ones that I’m currently writing, because they will be rewritten, edited, re-imagined and perhaps even deleted. Anything that’s in flux and emerging in surprising ways is always exciting.

What’s the best writing advice you’ve ever been given and who it was from?
It was a great piece of advice from the Canadian author, Mavis Gallant, whom I once interviewed at her home in Paris over a bottle of white Alsatian wine. She told me never to begin a line of dialogue with “Yes” or “No” as it invariably makes redundant everything else that follows, and at the very least robs the sentence of any dramatic tension. Like all great advice, it was simple but effective.

What can readers expect from your books?
I think my novels have a couple of things in common: strong social themes woven around a propulsive, violent story; a powerful sense of place; dark swathes of humour; and an unstinting belief in the endurance of human dignity.

Have you got any advice for aspiring writers?
My own writing journey and the way I write is atypical, so I may not be the best person to offer advice! All I would say is simply to embrace whatever works for you and don’t worry if it’s a little unorthodox. Aspiring writers need tenacity along with talent but they should also be aware that luck plays a strong part in any writer’s career. Luck comes in waves. If something is not working, then don’t become too despondent – put it down, pick up something else, and try it again later on. It worked for me!

What do you like and dislike about writing?
The great thing about writing a novel is that you have this vast canvas upon which to explore ideas, characters and complex concepts such as destiny.  It’s a luxury and a privilege to have that scope for consideration and I never take it for granted. The only thing I dislike about writing is not writing.

Are you writing anything at the moment?
I usually work on several projects at once. At the moment I am completing a dystopian thriller, a first-contact novel set in northwestern Australia, and a thriller about the Algerian war.

What’s your favourite writing-related moment?
It’s exactly the same moment that applies to my life as a reader: leaping into the unknown of a new novel.

Review: ‘City Without Stars
by Tim Baker.

My interest was piqued when I was offered the opportunity to review ‘City Without Stars‘ because I haven’t read many thrillers set in Latin America. I was intrigued to read about the type of crimes that could be an issue in this region. 

Tim Baker’s prose evokes the setting, conjuring the claustrophobic climate beautifully. I read this nuanced story with the action unfolding in my head through a sepia haze. The atmosphere that Baker creates is cloying and claustrophobic, allowing the reader to step into this world and understand exactly what the characters are experiencing. 

Baker’s strong attention to detail helps create the layered, compelling story of cartels, inequality and murder. The action in this story packs a real punch and is certainly not for the faint-hearted. However, I found it insanely compelling. I could stomach the violence because it felt so desperately real. I cared about the characters and was totally invested in Pilar and Fuentes’s struggles. 

The female characters in this novel, on the whole, are very strong – despite their less than idea circumstances. 

I’d be very surprised if ‘City Without Stars‘ didn’t emulate its predecessor’s success. 

Vic x

Don’t Quit the Day Job: Lucy Cameron

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today, my friend Lucy Cameron is sharing her thoughts with us. Her experiences may not be what you might expect…

Vic x

When I shouted ‘Pick me, Pick me’ to be included in this blog series I hadn’t really thought it through. I am a crime/horror writer, but my day job in no way connects to what I write, or ever has.

I am not a solicitor or barrister, I have only ever been in a police station to ask if they rent out uniforms to film makers (they don’t) and I have never been in a court house, if that’s even what they are called outside of films. As for ever committing a crime…? Okay, I once had a parking ticket. In short, I have never worked within, or outside of, the law.

What about medicine? Were I ever to see heavy blood flow I have little doubt I would faint, my uncle works in the local funeral parlour, but I’m not sure that counts.

Other avenues into the field of crime writing? I have never been a journalist, or an editor, or even written for a student magazine. I have never taught creative writing, nor have any qualifications in the above.

For a long time I believed you had to have done one of the aforementioned to even consider writing a crime novel. I was wrong.

What did I do to while away the hours before becoming a writer, and by this I mean pay the bills and mortgage, was work as a Convenience Store Manager for a food retailer. For anyone that’s ever worked in a public-facing job, if that doesn’t put you in situations where you want to kill people, or indeed meet people on a daily basis that could easily commit a crime, I don’t know what will.

I loved every minute. Okay I loved half of the minutes I worked in food retail, it was fast, it was busy, it was a minimum of sixty hours a week. The teams I worked with over the years were like family and we shared plenty of laughs and tears, and it’s this people experience I draw on when writing.

Writing I can do now that I have left my glittering career in food retail far behind me. Days were full of little interactions with customers, throwaway comments overheard. Once you have the characters in a story, once you have the idea, you can go and find out about the procedures and any and every job allows you to do this.

Now I am a writer, what do I do to while away the hours that I should be writing, and by this still I mean pay the bills and mortgage? I work as a Business Administrator for a local theatre, this time a job I do love every minute of, and that allows me the time to write. If you want to be a writer, you can be, whatever your background and this sounds like great news to me, and a future full of varied and interesting books.

Write because you love it, not for the money, and don’t worry if your job doesn’t seem to fit with ‘write what you know’, fiction is after all, exactly that.

You can catch up with Lucy on Twitter, Facebook and Instagram

*Deep Blue Trouble Blog Tour* Guest Post and Review.

Steph Broadribb, AKA Crime Thriller Girl, is not only a blogger extraordinaire, she is also a Slice Girl as well as the author of the Lori Anderson series – ‘Deep Down Dead‘ and ‘Deep Blue Trouble‘ – and ‘My Little Eye‘ (writing as Stephanie Marland). Identity crisis much, Steph?!

In all seriousness, though, Steph is an absolute star in the making and I wish her every success with her various endeavours. I’m delighted to host her today as part of the ‘Deep Blue Trouble‘ blog tour.  

Steph’s here today to talk about how music inspires her writing. My thanks to Steph for taking the time to share her process with us. 

USING SONGS TO CREATE CHARACTER:
MUSIC TO WRITE LORI BY
By Steph Broadribb

I can’t actually write while listening to music, but I do like to listen to songs to get into the mood of the character before I write. I tend to start writing first thing in the morning, so while I’m drinking my first coffee of the day and eating breakfast I head over to YouTube and listen and watch the songs that get me in the mood.

I find that most of the songs for each book or short story are different (even when it’s the same character) although there might be one or two songs that I use for a specific character.

For Lori Anderson, my single mom Florida bounty hunter, the song I use to get in character for writing her is Fighter by Christina Aguilera. For me, the song is about using the things that try to break you to make you stronger – and that’s something that Lori has had to do her whole life, no matter what obstacles she faces, she doesn’t give up, she learns from her mistakes and fights harder.

In Deep Blue Trouble, to set the mood for writing Lori’s scenes with JT (her ex-mentor and lover) I listened to Elastic Heart by Sia. There’s a lot of tension between Lori and JT. Neither are really able to express their feelings for each other, and they have a complicated and emotion-charged past that often gets in the way of the present. Yet even though they might not say it, they care deeply for each other and are drawn back together time and again. You can listen to the song and watch Julianne and Derek Hough do an incredible dance to it on Dancing With The Stars here.

When Lori is thinking about her nine-year-old daughter Dakota – who she’s apart from for much of the book – I always imagine Angel From Montgomery by Bonnie Raitt playing in the background. I love that song.

And when things aren’t going Lori’s way, when she can’t catch a break tracking the fugitive she needs to find, and she’s feeling low, I listen to Dream On by Aerosmith to get me into her head space.

For the ass kicking action scenes I listen to Pink. While writing Deep Blue Trouble because Lori is constantly coming up against one barrier after another, even from those who should be helping her, I listened to Try. I love Pink’s music – even when her lyrics are vulnerable the way she sings them shows her strength.

Review: ‘Deep Blue Trouble’ by Steph Broadribb.

Deep Blue Trouble‘ is the sequel to Steph Broadribb’s acclaimed ‘Deep Down Dead‘, picking up a few days after the end of the last book. 

Lori Anderson is a single mother. She is also a bounty hunter. Although her daughter Dakota is safe and healthy, for now, Lori needs Dakota’s father JT  – who also happens to be Lori’s former mentor – alive. Her problem, though, is that JT is in prison and on his way to death row. 

In order to save JT, Lori makes a deal with dubious FBI agent Alex Monroe: bring back a criminal who’s on the run and keep it off the radar – achieve that and JT walks free. Can Lori manage it or will her whole world implode? 

I’m not the first person to say it, nor will I be the last, but Steph Broadribb has created a unique, intriguing central character in Lori Anderson. In a profession that remains male-dominated, Lori has to fight tooth and nail to prove herself even though it appears she’s more than capable of holding her own.

What I really love about Lori is that she is both fearless and vulnerable, which is a really tough balance to strike but Steph Broadribb has managed it. 

Deep Blue Trouble‘ sets off at a pace and doesn’t let up until the final page – it’s like a Tarantino movie. Broadribb’s descriptions of both the characters and the settings ensure that the reader can clearly visualise the high-octane action.

Like Lori, ‘Deep Blue Trouble‘ really packs a punch!

Vic x