Tag Archives: career

Don’t Quit the Day Job: Lucy Cameron

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today, my friend Lucy Cameron is sharing her thoughts with us. Her experiences may not be what you might expect…

Vic x

When I shouted ‘Pick me, Pick me’ to be included in this blog series I hadn’t really thought it through. I am a crime/horror writer, but my day job in no way connects to what I write, or ever has.

I am not a solicitor or barrister, I have only ever been in a police station to ask if they rent out uniforms to film makers (they don’t) and I have never been in a court house, if that’s even what they are called outside of films. As for ever committing a crime…? Okay, I once had a parking ticket. In short, I have never worked within, or outside of, the law.

What about medicine? Were I ever to see heavy blood flow I have little doubt I would faint, my uncle works in the local funeral parlour, but I’m not sure that counts.

Other avenues into the field of crime writing? I have never been a journalist, or an editor, or even written for a student magazine. I have never taught creative writing, nor have any qualifications in the above.

For a long time I believed you had to have done one of the aforementioned to even consider writing a crime novel. I was wrong.

What did I do to while away the hours before becoming a writer, and by this I mean pay the bills and mortgage, was work as a Convenience Store Manager for a food retailer. For anyone that’s ever worked in a public-facing job, if that doesn’t put you in situations where you want to kill people, or indeed meet people on a daily basis that could easily commit a crime, I don’t know what will.

I loved every minute. Okay I loved half of the minutes I worked in food retail, it was fast, it was busy, it was a minimum of sixty hours a week. The teams I worked with over the years were like family and we shared plenty of laughs and tears, and it’s this people experience I draw on when writing.

Writing I can do now that I have left my glittering career in food retail far behind me. Days were full of little interactions with customers, throwaway comments overheard. Once you have the characters in a story, once you have the idea, you can go and find out about the procedures and any and every job allows you to do this.

Now I am a writer, what do I do to while away the hours that I should be writing, and by this still I mean pay the bills and mortgage? I work as a Business Administrator for a local theatre, this time a job I do love every minute of, and that allows me the time to write. If you want to be a writer, you can be, whatever your background and this sounds like great news to me, and a future full of varied and interesting books.

Write because you love it, not for the money, and don’t worry if your job doesn’t seem to fit with ‘write what you know’, fiction is after all, exactly that.

You can catch up with Lucy on Twitter, Facebook and Instagram

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Don’t Quit the Day Job: Dave Sivers

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we’ll talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today as part of ‘Don’t Quit the Day Job’, we have Dave Sivers here to talk to us about how being a civil servant helped inspire him to write the Archer and Baines novels. Yes, really! 

My thanks to Dave for taking the time to share his experiences with us. You can find Dave on Twitter and Facebook

Vic x

I’ve pretty much always been a writer, ever since I was six years old. But for 40 years, before I took the plunge into indie authorship, and before the Archer and Baines novels, I was a career civil servant.

Every morning, I’d put on a suit and either catch the train to London or drive off to a meeting somewhere. You’re probably already imagining a grey office, full of grey people, some of them covered in cobwebs, drinking copious cups of tea and churning out dry-as-dust papers on even drier subjects.

It’s a caricature with a grain of accuracy in it, but I mostly enjoyed that career and was usually happy enough to get out of bed in the morning. I worked on a wide range of policy issues, and no two days were the same. I got some great travel opportunities and got to do some interesting things. I also met all kinds of characters, including quite a few military people, and some serious game players who knew exactly how to get their way.

Every writer’s everyday life is grist to the creative mill. What I didn’t know at the time, though, was how much the day job was preparing me a new career, after early retirement, when I’d be writing police procedurals.

Writing those papers was in itself an invaluable writing discipline: adopting the right voice for the right circumstances, drafting and redrafting, writing to a length and deadline. But it’s only recently that I’ve come to realise just how much more I owe to those Whitehall days.

As a storyteller, I’m far more pantster than plotter. When I start a book, I invariably have a body. I (usually) know who did it. But I will have either a hazy idea, or no idea at all, of how the killer will get caught. That comes out in the writing. Effectively, I sit on my cops’ shoulders and watch their investigation unfold. And it’s my civil service instincts that are telling me what they need to do.

For a start, I worked in teams as do the police, in a hierarchy that more or less mirrored the police ranking system. And we might not have unmasking murderers, but there was a lot of problem solving involved – which meant gathering information, and knowing what questions to ask, and whom to ask them of.

Of course, I still need to make calls and do internet searches to check whether what they get up to is plausible, or even legal, as well as checking out some of the smaller details I sprinkle around. But it turns out that all those years in a suit were invaluable training for imagining myself into the briefing room at Aylesbury nick and deciding what Archer and Baines need to do next to catch their killer.

My old day job included drafting answers to Parliamentary Questions, and some unkind souls have suggested – unfairly, obviously – that I was always a fiction writer! I’m saying nothing.

The latest book in the Archer & Baines series – ‘The Blood that Binds’ – is available now. 

Review: ‘Exquisite’ by Sarah Stovell.

Imagine you are feted author with the world at your feet. You have a startlingly successful career, a loving family and a beautiful home. You go to teach on a week-long residential writing course in Northumberland and meet a talented but troubled young woman. The chemistry between you is instant and you embark on an all-consuming affair like the ones you write about: or do you?

Exquisite is a breathless and claustrophobic read which captivates you until the final page. I literally could not put it down. It’s been a long time since I read a psychological thriller as good as this. I could see the action unfolding in my mind and already have a clear picture of who would play these characters in a TV or film adaptation.

The way in which Sarah Stovell has crafted this book requires a tremendous amount of skill. The narrative completely reflects the obsessive and confusing nature of the relationship between Bo Luxton and Alice Dark. Exquisite is layered  to perfection and ensures that your sympathies never lie with one person for very long. Sadly, it’s terrifyingly believable.

A must-read.

Vic x