Tag Archives: character

**Sky’s the Limit Blog Tour**

Sky's the Limit Blog Tour Poster

Looking for a feel-good summer read this weekend? Check out ‘Sky’s the Limit‘ by Janie Millman. 

I’m delighted to be taking part in Janie’s blog tour today. She’s kindly agreed to answer my questions so that we can get to know her better. My thanks to Janie and Dome Press for allowing me to be involved. 

Vic x

Janie Millman Headshot

Tell us about your books, what inspired them?
We went on holiday to Marrakech and fell in love with the place. We met some amazing characters, stayed in a fabulously quirky riad with a beautiful but eccentric owner and gradually the germ of Sky’s the Limit was born.

I live in South West France in a town called Castillon La Bataille.  We are in the middle of one of the most famous wine regions of the world, so I guess it was only a matter of time before I incorporated that into a book too.

Where do you get your ideas from?
Locations inspire me. I love discovering new places and meeting new people. I guess subconsciously I am always thinking about stories and characters. They just seem to pop into my head – I’ve always had a very vivid imagination – sometimes too vivid for my own good!

I am also co-owner of Chez Castillon – we host writing & painting courses and retreats and when we are not hosting those we take in wedding guests from a nearby chateau – I have enough ammunition from the characters that pass through our door for the next ten novels!

Do you have a favourite story / character / scene you’ve written?
I don’t really have a favourite character – I really love Elf in Sky’s the Limit and I loved George and Drew – aka Miss Honey Berry – in my first novel Life’s A Drag.

Are you a plotter or a pantster?
If by ‘pantster’ you mean flying by the seat of my pants then a bit of both really. 

I do have a rough idea of the plot. I like to know where the story is going, but I also like to be flexible – I like it when things suddenly happen – when new characters suddenly emerge and take me in a different direction.

Can you read when you’re working on a piece of writing?
Yes, I can read when I am writing but I usually choose something that is a million miles away from what I am working on – unless of course I am reading for research.

What’s the best piece of writing advice you’ve ever been given and who was it from?
One of the best pieces of advice I’ve been given is: ‘you cannot edit a blank page.’ I cannot actually remember for certain who told me that, but I think it may have been the lovely author Jane Wenham-Jones.

What can readers expect from your books?
They can certainly expect the unexpected! 

I hope that readers will love my characters, and I hope they find themselves experiencing new locations, new sounds, smells and tastes.  

I hope they lose themselves in the plot, and I very much hope that they don’t want the book to end and that the stories and cast stay with them for a long while.

I want them to laugh and cry and I want them to think.

Have you got any advice for aspiring writers?
Just Write. Get words on the page – don’t be frightened – you need to enjoy the whole experience.

What do you like and dislike about writing?
I love it when the story starts to come together; I love it when the unexpected happens; I also love it when the characters misbehave  – although not too much!

I don’t like the solitude, the doubts that creep in and the frustration when the words don’t flow and the characters appear one-dimensional. But that passes…. usually!

Are you writing anything at the moment?
Yes I have just finished my third book – well the first draft, so we are still some way from the finishing line. It is another dual location novel, set in Cambridge and Crete.

What’s your favourite writing-related moment?
When I wrote The End to my fist novel Life’s A Drag. I finished it in Bordeaux station when on our way to Arcachon for a few days holiday.

I remember crying because it was the first book I had ever written and I hadn’t really known if I could do it. My husband bought champagne and I spent the holiday dreaming of bestsellers and films… though, that was before the reality set in!

Sky's the Limit bc.jpg

Sky’s the Limit:
Review.

Sky is devastated when she finds that her husband is in love with her oldest friend Nick. Believing she has lost the two most important people in her life, she travels to Marrakesh on her own. During the trip, Sky meets up with Gail who’s on a mission to track down the father of her child. 

Sky’s the Limit is a great summer read. It takes readers to Morocco and France with an interesting cast of characters who jump off the page. Throughout the story, the vivid characters experience joys they didn’t expect to find which makes this a heart-warming read. 

The description of the places is evocative and atmospheric, and the Moroccan heat seeps out of every line. Millman’s descriptions are rich and her attention to detail is very strong. 

Sky’s the Limit is a light read that’s perfect for the beach. Even if you don’t have a beach, read this novel and prepare to be transported. 

Advertisements

Don’t Quit the Day Job: Alan Parkinson

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Earlier this year, I had the pleasure of hosting the first ever Noir at the Bar in Sunderland as part of Sunderland’s Creative Writing Festival. One of the writers on the bill that night was the lovely Alan Parkinson

Alan is here today to talk about how his work life has affected his writing. If you haven’t read any of Alan’s work, I strongly recommend that you do. You can also catch Alan on Twitter and Facebook

Vic x

IMG_5043.jpgTwo years ago, I gave up the day job to become a full-time writer and there were many things I took into consideration. Could I afford it? Despite the romanticised image of life as a writer, it is generally a poorly paid profession.

Would I be taken seriously? I’d self-published two novels at that stage. They’d done well but was that enough to sustain a career in writing?

Would my friends ever stop thinking I was unemployed? The answer to that one is no, they still ask if I’ve got a ‘proper job’.

One thing I hadn’t considered, and possibly the most crucial thing of all, was would I lose my most valuable source of material?

Writing is all about observation. Noticing the small detail in things and shaping it into your own little world. I thrive on seeing humour in every situation, even the darkest moments, and thinking about how I can use it in a future story.

Whether they realise it or not, my workmates were a deep well of idiosyncrasies, amusing phrases and peculiar behaviours. As were the hundreds of people I saw on my commute each day and the thousands I encountered on my daily lunchtime wander around Newcastle. I was giving that up to sit at my posh writing desk, on my posh writing chair (I soon moved to the settee) and meet and talk to nobody other than the Amazon delivery driver and my elderly neighbour asking me to fix her laptop again.

This is why you see so many dull novels where the protagonist is a writer struggling to put words on a page; by becoming a writer they have lost their inspiration.

Leg It

That’s not to say I’ve ever taken person wholesale and put them in a book; I’ve yet to meet anybody interesting enough. I steal one characteristic and match it with another, and another from somebody else, and shape a new character.

I do the same with situations. I’ll take real life situations, adapt and exaggerate them with different characters to make my story come alive.

When I worked for one of the world’s largest banks. In a period of months, we had one colleague locked up for murder, one for attempted murder and another for a dodgy internet history. I’ve never considered any of them worthy of writing about because they are all a bit ‘obvious’.  It’s the little things that are funny and give your story life.

It’s over fifteen years since I worked in a call centre but my short time there has inspired two novels, Idle Threats and my current work in progress, Troll Life. Anybody who has ever worked in a call centre or phoned one will recognise the utter despair and understand how it can drive people to extremes. 

Idle Threats

I’ve never been in an armed siege, or dressed as a Mexican, or dealt with an irate customer in their pyjamas but my experience in a call centre helped me make this unlikely scenario realistic.

I don’t regret my decision for a minute but every now and then I long for a workmate who would say “I wish Andrea would move to one side, so I can get a good blast of her fan.”

Life In The Balance.jpg

Getting to Know You: Kate Rhodes

Earlier this year, I was fortunate enough to chair a panel of three fabulous crime writers at my local library. It was such an honour to interview Kate Rhodes along with Rachel Abbott and Mel McGrath and I’m absolutely delighted to have Kate on the blog today to talk about writing. 

My thanks to Kate for taking the time to answer my questions.

Vic x

Kate Rhodes, by John Godwin 2014.jpg

 

Tell us about your books, what inspired them?
My latest books, Hell Bay and Ruin Beach are inspired by childhood holidays. I was lucky enough to visit the Isles of Scilly often as a kid. It’s only as an adult that I realised they would make the perfect setting for crime novels. There are just five inhabited islands, and Hell Bay is set on Bryher, which has just eighty permanent inhabitants. In winter the islands are surrounded by the raging Atlantic, and travel to the mainland becomes difficult. They’re beautiful but supremely isolated, 45 kilometres from the mainland.

9003140D2DD44CF88B9E15F194C69986

Where do you get your ideas from?
Interesting real life places and events are my usual starting point. My first novel, Crossbones Yard began after I stumbled across the only sex workers graveyard in London, which seemed like an ideal place to start a crime novel.

Do you have a favourite story / character / scene you’ve written?
I’m very fond of my current hero, DI Ben Kitto. He’s a fifth generation islander, but has served ten years with the Murder Squad in London. Since the death of his colleague he has been lumbered with looking after her very intelligent wolfdog called Shadow, who tends to complicate his life. I like characters with believable quirks, so Kitto has a few interests and obsessions that may people should be able to relate to.

Are you a plotter or a pantster?
A bit of both! I try to plot diligently, but my stories tend to develop a life of their own, veering off in unexpected directions!

Can you read when you’re working on a piece of writing?
It’s a struggle. I tend not to read crime novels while I’m writing one, or plots get tangled and ideas get lost. I read a lot of biographies and factual books, and listen to the World Service or podcasts like This American Life instead.

What’s the best writing advice you’ve ever been given and who it was from?
Very early in my career Julian Barnes told me not to give up, and to write every single day, even if I could only find an hour of clear time. Both suggestions have helped me ever since.

What can readers expect from your books?
Setting matters a great deal to me, so they can expect to be immersed in Scilly Isles scenery, which is so important in my recent books that the landscape becomes like another character. I also want to tell gripping stories that keep my readers guessing until the very last page.

Have you got any advice for aspiring writers?
Treat writing like learning a musical instrument. There are no short cuts; the more you do it, the better you get.

What do you like and dislike about writing?
I like the sense of absolute focus that comes when you’re immersed in spinning a story. I dislike deadlines! I’d love to be able to take ages over every book, but it’s important to write a book every year if you’re building a series, but that can be a real challenge if the rest of your life gets in the way.

Are you writing anything at the moment?
I’ve just finished the third book in my Hell Bay series. It’s called Burnt Island and it’s set on the tiny island of St Agnes, which is less than a mile long, with less than a hundred inhabitants. It’s been a pure pleasure, from start to finish, and I got fly down to the island on a tiny eight-seater plane, which was a brilliant experience.

What’s your favourite writing-related moment?
Winning the Ruth Rendell short story prize back in 2014, because I got to meet one of my favourite writers shortly before she died. In more recent times, it has been very exciting that my Hell Bay series has been optioned for TV.

 

Don’t Quit the Day Job: Nicky Black

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

I read ‘The Prodigal‘ in 2016 and have since got to know Nicky Black quite well. I’ve hosted her at Noir at the Bar Newcastle a few times as well as spending time with her at Bloody Scotland and Newcastle Noir. I’m really thrilled to have Nicky on the blog to discuss how her work life has influenced her writing. 

Thanks, Nicky, for taking the time to chat to us. 

Vic x

14440769_10153882538581629_47232356134959017_n

Since self-publishing The Prodigal in 2015, I’ve met a lot of authors, some of whom write full time, some who don’t and many who dream of it. Now I like my own company, not because I’m the wittiest, most interesting person I know, but because I’m comfortable being on my own, but there’s only so much time I can spend in front of my laptop, in my living room, staring at the ugly plastic vent on my chimney breast wall. My day job serves many purposes – office banter (love it), a sense of achievement, and it pays the bills and it keeps me and my kitties fed.

I’ve had a 30 year career, mostly working either in, or in support of, “poor communities,” – firstly with Save the Children, then in urban regeneration and in the latter five years in welfare to work (I’m not going there…). I’ve seen the best and the worst of these communities, whether Cowgate in Newcastle or Hackney in London. The problems are the same: high crime, poor health, low educational achievement (there’s an actual list), and above all, a labelling of these communities as somehow undeserving and undesirable. There are many undesirables for sure, but where there’s a ying, there’s a yang, and I’ve also met the most passionate, fearsome, committed people who have nothing to their name, but who root for their communities and give them a voice. 

So, whilst The Prodigal and Tommy Collins (out this summer) fall within the crime genre, they aren’t police procedural stories (I leave that to those fabulous authors who can create twisty-turny whodunnits). My interest lies in the impact crime has on individuals, families and whole communities, and how that is dealt with by the authorities and the communities themselves. I’ve heard how the police talk about these estates, and I’ve experienced the disdain residents have for the police – both are valid in their own right. The Prodigal was actually inspired by a conversation with a police officer back in the nineties about informants or “grasses”– who are they? Why do they do it? The answer was that it is generally family members, almost always women, and they do it because they want that person they care about to stop. Pop those facts into a scenario where the grass is a woman, in love with a copper who’s after her criminal husband, and you’ve got drama. 

The housing estate itself where the books are set (the fictional Valley Park) is a key character, and I couldn’t have written it with any authenticity without the experience of working for 20 odd years with local residents, and the professionals who think they know what’s best for them (sometimes they do, I can’t argue with that). Valley Park is a grim place in The Prodigal, and even grimmer in Tommy Collins which is set ten years earlier in 1989 – the height of Thatcherism, unemployment and civil unrest. I’ve actually started to feel quite protective of the place and the pretend people who inhabit it, even the bad ones. It’s like the Mothership – a place you can’t escape. Anyway, I’m looking forward to book three which will bring Valley Park bang up to date, and I can have a pop at Beardy Men and gentrification (is there ever a happy medium?).

I’m out of the poverty game now. I left London in 2016 (I lived there for 14 years), had some time off, and now I’m back working pretty much full time again for a hospice charity (there may well be a future novel in that, who knows?). Now, my writing influences my day job in a way. I write grant applications, and this requires delivering a story with heart, hitting all the right notes that make those funders want to read on and see what they’ll get for their money. They’ve got to believe in what you’re doing and get some satisfaction from investing in you – much like readers, I suppose. I must be doing okay, because in eight months I’ve secured over £200,000, which is about £160,000 more than they’ve had in grants in any one year. I’m quite proud of that! 

It doesn’t leave me much time to write, as I do like to keep my social life active, my house clean and my cupboards stocked. That, coupled with my inability to stick to a plot, means my second book is about a year behind. But I’m getting there. You can be sure it’ll be full of grit, inspired by some of the best and worst people I’ve ever met through my day jobs.

Thank you for having me Vic, and hello to those of you reading this 😊 *waves* x

The Prodigal 4.12.2016 (2).jpg

Getting to Know You: David Ahern

I’m here to introduce readers of the blog to writer to David Ahern, author of the Madam Tulip Mysteries. I hope you enjoy learning about David and his work and find some of his advice helpful. 

Thanks to David for sparing some time to chat to us.

Vic x

DavidAhern 300X375

Tell us about your books.
The Madam Tulip Mysteries follow a young actress who moonlights as a fortune teller at celebrity events. Fortune tellers get told the most surprising things. But where you have money and secrets you’ll soon have trouble and crime. 

What inspired them?
Actors are wonderful people, dedicated to their art but who have a hard time making a living.  What do you do to pay the rent if you act and you’re a teeny bit psychic?

Where do you get your ideas from?
Staring into space, mostly. If I stare for long enough, ideas will come just so I can get something to eat.

BonesofChanceEbook476X762@72

Do you have a favourite story / character / scene you’ve written?
All of the Madam Tulip books have hilarious scenes between Derry’s divorced parents, her Irish artist father and her stupendously successful American art dealer mother.  Readers love them, and I do too.

Are you a plotter or a pantster?
Both. A bit of plotting and bit of pantsing. I write character-driven stories, so I have to let the characters take me where they want to go.  On the other hand, a mystery has to be cleverly put together, so you need to plan.

Can you read when you’re working on a piece of writing?
Not fiction, but I devour non-fiction. 

What’s the best writing advice you’ve ever been given and who it was from?
My mother (who is a wonderful actress and writer) said: ‘Apply seat of pants to seat of chair.’ It works.

What can readers expect from your books?
The most believable heroine out there, lots of laughs and page-turning tension.  

Have you got any advice for aspiring writers?
Learn to punctuate fluently.  You won’t believe the freedom it will give you.

What do you like and dislike about writing?
Love making myself laugh out loud (or blub). Hate being stuck at a desk.

Are you writing anything at the moment?
Madam Tulip Book #4.

What’s your favourite writing-related moment?
Seeing the galley proof for the first time.

Review: ‘The Curious Heart of Ailsa Rae’ by Stephanie Butland

For many people, including me, a stand-out read of 2017 was ‘Lost For Words‘ by Stephanie Butland so it was with excitable trepidation that I began reading ‘The Curious Heart of Ailsa Rae‘.

I needn’t have worried. Stephanie’s latest novel surpassed my expectations – I did not want to stop reading this heart-warming tale of Ailsa Rae, a young woman who, following a lifetime of illness, has to learn a new way of navigating her way through the world while struggling with grief and survivor’s guilt.

Once again, Stephanie Butland has created inimitable characters that I’d happily be friends with. One of Butland’s skills is to make her characters rounded, creating light and shade in both the narrative and within the characters.

Ailsa, in particular, seems completely real to me. After suffering from a heart condition since birth, Ailsa finally undergoes a heart transplant and afterwards feels somewhat lost – her identity no longer revolves around being ill, but she’s not sure what it should revolved around. Despite her apparently hard exterior, it was lovely to peel back Ailsa’s layers and see a more vulnerable side to her. Stephanie Butland really seems to have a talent for creating seemingly tough characters with soft centres.

It was easy for me to fall into this story, I was totally invested in the characters – Seb was particularly appealing to me. The once-close relationship between Ailsa and her mum is portrayed sensitively and realistically as both mother and daughter struggle to come to terms with their new roles.

I felt that having a novel revolving around organ donation was a bold move and it absolutely works. The amount of research undertaken by Butland shows but it’s the human element of this story that makes it utterly compelling.

Although it’s an enjoyable read, ‘The Curious Heart of Ailsa Rae‘ has a very important message behind it – the incredible difference organ donation can make to someone when your organs are no longer of use to you.

Vic x

**Friends and Traitors Blog Tour** Getting to Know John Lawton.

Today it’s my pleasure to welcome John Lawton to the blog. His latest novel ‘Friends and Traitors‘ is available now. 

Many thanks to John for taking the time to answer my questions today.

Vic x

Nick Shot Close

Tell us about your books, what inspired them?
I really don’t know. I’ve written most of my life. Certainly since 1957 when I first encountered Shakespeare’s history plays. And in the years that followed, since you can’t imitate Shakespeare’s dialogue unless you’re Tom Stoppard (and whoever watched or read him for his plots?), I came under the influence of writers who were writing stunning dialogue. My first sight of a Pinter play about three years later is still vivid.

Peter Cook’s EL Wisty monologues were compulsive and when the Dagenham Dialogues with Dudley Moore came along … well, I think I learnt as much from them as I did from Pinter. The really odd thing is the switch from writing drama to writing novels, which happened about 1983 … cause? … failure. Wasn’t getting anywhere as a playwright. That said, much of what I write, certainly in earlier drafts, strikes me as reading like a two-hander play. That’s how most of my books begin  … two voices talking in my head.

A taste for dialogue, a course in Russian at University, reading Gorky Park, watching Ian McEwan’s The Imitation Game (not the recent film of the same name) all fuelled the plot line that became my first Troy novel.

Where do you get your ideas from?
Dunno where they come from, but I know where they arrive. Usually in trains, and almost as often out walking. I do a lot of walking.

Do you have a favourite story / character / scene you’ve written?
I think my favourite scene might be towards the end of A Little White Death, when Tara Ffitch takes about a page to slam the morality that put her in court. I stand by every word of that. And I’m quite partial to the scene in Friends and Traitors when Guy Burgess rattles off the list of things he misses in his Russian exile. My favourite characters would be among the minor figures … Fish Wally in two or three novels, and Swift Eddie in most of them — a part I wrote hoping Warren Clarke would play him one day.

Are you a plotter or a pantster?
Not sure I quite understand the question, but I usually have a plot fully worked out in my head before I write a word. Only book I’ve ever plotted on paper was Black Out.

Can you read when you’re working on a piece of writing?
Yes. But not books by anyone doing what I’m doing.

I spent last autumn on a Mick Herron binge, and I think I’ve just begun a Timothy Hallinan binge. Neither of them write historicals.

I keep picking up and putting down Illusions Perdues. I think I might have to wait for a new, better translation, but if that theory works why do I have six different translations of Ovid?

What’s the best writing advice you’ve ever been given and who it was from?
“Write a book a year and take control of your life” – Gore Vidal. Somewhere I still have the letter.

I’ve never been able to do that of course. Come to think of it, I turned down a book-a-year offer from Penguin ages ago. I’m a fan of Philip Kerr’s Bernie Gunther series which appears very regularly and I don’t know how he does it. My ‘mentor’ Ariana Franklin got up to a book a year in her seventies, but I honestly think it was exhausting for her. With hindsight I wish she’d slowed down. So good advice as yet unheeded.

What can readers expect from your books?
Writer vanity prompts me to say that I hope I can shatter expectations with the odd surprise, but a running character creates expectations otherwise she/he would be rather inconsistent. So expect politics, romance, a touch of mayhem. Do not expect a who-dunnit, as my books can bang on for another fifty pages after the who of dunnit is obvious. I cannot change Troy’s character, he will change only as the time-setting of the novels change (and I’ve never liked the idea of fiction existing outside of time …  Troy ages and hence changes) but I quite deliberately move the locations around. Black Out is set entirely in London, with Old Flames I went rural and in Friends & Traitors has a lengthy continental journey before settling back in London.

Have you got any advice for aspiring writers?
Yep. Abandon all social media. Leave it to Trump, he’s welcome to it. I am looking forward to his ‘Twitts from Prison’. Shut down your twitt and bookface accounts, resign from your readers & writers group, bin your iphone, stop talking about writing and write.

If anyone asks why they haven’t seen much of you lately tell them you’ve been studying for the civil service entry exam and are hoping for a job with the ministry of [fill in blank as appropriate]. My usual choice is the ‘White Fish Authority.’ Such a wonderful name for a government ministry, alas it shut up shop in 1981. I wonder if there was ever a ‘Chips and Mushy Peas Marketing Board’?

What do you like and dislike about writing?
Like … the doing of it. One of the best narcotics around and it’s free.

Dislike … promoting a book. Best regarded as a necessary evil. I hate being photographed. (Sorry, Ali Karim.)

Are you writing anything at the moment?
Yep. Third book in the Wilderness trilogy. And another game of with Zoë Sharp. All done by email as we live in different countries.

What’s your favourite writing-related moment?
Dunno. I live by writing, which I consider most fortunate, but to say my moment was the first time I received a fat cheque would be both crass and untrue. I’m not interested in prizes, the gongs and daggers, and winning one didn’t engage with me much. I think it has to be ‘finishing-summat-that-had-me really-foxed’  … which has happened from time to time, but I’m not saying which book or books it was.