Tag Archives: characters

**One More Lie Blog Tour**

Charlotte wants a new start. This means forgetting her past – including the years she’s spent in prison and her friend Sean. But, even with a new identity, moving on proves to be less than simple. 

Wearing an ankle monitor, Charlotte visits her therapist regularly but her demons begin to close in, dragging her back down a path which takes her closer to the crime that ruined her life. 

From the moment I picked up ‘One More Lie‘, I was utterly compelled by this original premise. Combining an intriguing idea with skilful plotting and rounded characters, Amy Lloyd has written another gem. 

Amy Lloyd writes with real skill – presenting her characters with empathy and depth. I loved the fact that, despite knowing Charlotte had been involved in something hideous, I couldn’t help but care for her. The supporting characters are used excellently to illustrate the difficulties Charlotte experiences – as well as the kindness she is shown. 

The way in which the story is presented ensures that the reader is kept gripped throughout. ‘One More Lie‘ is one of those books that I kept promising myself “one more chapter” at bedtime then finding myself still reading ages later! 

You can download ‘One More Lie‘ now – or pre-order a physical copy. You won’t regret it – ‘One More Lie‘ had me completely hooked.

Vic x

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Review: ‘Critical Incidents’ by Lucie Whitehouse

DI Robin Lyons has been dismissed for misconduct from the Met’s Homicide Command after refusing to follow orders. Unable to pay her bills (or hold down a relationship), she is left with no choice but to move back in with her parents in the city she thought she’d escaped forever at 18. This time, though, Robin has her teenage daughter Lennie in tow. 

In Birmingham, sharing a bunkbed with Lennie and navigating the stormy relationship with her mother, Robin works as a benefit-fraud investigator – to the delight of those wanting to see her cut down to size.

Only Corinna, Robin’s best friend of 20 years, seems happy to have Robin back. But when Corinna’s family is engulfed by violence and her missing husband becomes a murder suspect, Robin can’t bear to stand idly by as the police investigate. As Robin begins her own investigation, she realises there may be a link to the disappearance of a young woman, and she begins to wonder how well we ever know the people we care about. 

Having read Lucie Whitehouse’s ‘The Bed I Made‘ several years ago, I was intrigued to read ‘Critical Incidents which seemed a rather different premise to the ‘The Bed I Made‘. 

As I have come to expect from Lucie Whitehouse’s writing, ‘Critical Incidents‘ is a superb story, with sensitive characterisation and an emotional pull that you often don’t get from crime fiction. I couldn’t put ‘Critical Incidents‘ down. It’s a wonderful blend of pacey plot and intrigue with a touch of humour in the darkness.

There are plenty of interlinking stories here which some may dismiss as “convenient” but I actually enjoyed the story so much that I was happy to suspend my disbelief. 

Whitehouse has a real skill for presenting fictional crime alongside domesticity and I really like that about her writing. She really captures familial tensions perfectly – the tense relationship between Robin and her mother adds plenty to the story.

The way in which Whitehouse portrays Robin is pitch perfect. Despite obviously being a competent officer, Robin’s unwillingness to play by the rules consistently gets her in bother. I like that Robin has her problems but her intentions are good. I could really identify with Robin and her well-intentioned missteps. 

Critical Incidents‘ is a must-read. 

Vic x

**Poetic Justice Blog Tour**

Poetic Justice Blog Tour Poster

Today it’s my pleasure to host husband and wife team R.C. Bridgestock as part of their blog tour for ‘Poetic Justice’, the prequel to the DI Jack Dylan series. 

With almost fifty years of police work between them, Bob and Carol received a number of professional accolades and have translated their experiences into a series of novels as well as consulting on several high profile crime dramas. 

With their DI Jack Dylan series due to be reissued by Dome Press this year, Bob and Carol have graciously given their time to us today to talk about the identification process. My thanks to them both and to Dome Press for allowing me to be involved. 

Vic x

Poetic Justice bc

IDENTIFICATION

The identification of an offender is a key aspect of any criminal conviction. The identification may be done by the victim of the crime, and/or witnesses – if there are any available. The concept of an identification parade, or “ID parade” as it is best known, is to test a witnesses ability to identify someone they have seen previously – typically at the time of an incident. 

If someone can be identified as the offender, this will be one of the first pieces of evidence used in a criminal trial, with both the victim and any witnesses required to repeat the identification in front of the court.

For an investigator, finding a witness or witnesses is very important; especially one who can recall events and recognise suspects.

However, from experience we are aware that witnesses can be highly convincing, but sometimes wrong. Oddly enough others can forget what is obviously visible such as a facial tattoo on an offender, but yet still identify them, and only remember at a later date about the tattoo that might be significant to their identification. Our brains, it appears, will only register so much in a short time frame.

The police identification procedure changed dramatically during our time at West Yorkshire Police, the fourth largest police force in the country. The traditional method of identifying an offender was to use a police identity parade. This involved the suspect being requested to line up alongside others of similar height and appearance, with either the victim or witness able to view the line-up from behind a screen. Often the potential suspects would be required to repeat a sentence that the victim or the witness will have heard. This would enable the victim or the witness to identify the offender both by sight and voice. 

During an identity parade, it would usually be the case that the police were aware of whom the suspect was, due to their investigations, and the ID parade would be used simply as confirmation that the suspect was in fact the offender. A line-up must consist of five people, plus the suspect. If circumstance permit it is ideal to have six, seven or eight others. The more that are present tests the witness further. 

But, did you know that the suspect can refuse, at any time, to take part?  

No longer these days does a police officer go out onto the streets and ask people to take part in a ‘line up’ – often those willing to partake in an ID parade would typically be hard-up students and those out of work who would get a small amount of money for their time. 

Often we (the police) were unable to round-up enough lookalikes. For example, he might have a moustache, or a beard so the volunteers may be asked to wear fake facial hair. Wouldn’t this impede the recognition of the offender by the witness you may ask? One thing someone is unlikely to not recognise is a fake moustache or a beard? The police officers of the time had to work with what they had, and sometimes that was very little. The whole procedure was very time consuming and could be costly. How much do you think half a dozen false beards might cost?  

No longer does the victim or a witness have to ‘walk the line’ and touch on the shoulder, the person they think they’d seen at the time of the incident. This was highly likely to cause emotional issues for victims and witnesses. There was potential for police interference and concerns for the safety of those taking part in the line-up.

No longer can the offender change places on the line, or change clothing after each witness walked by.

No longer can the suspect reject a person chosen on the parade because they aren’t a ‘lookalike’ in their eyes. 

In 2003, a digital system called VIPER was introduced for the visual identification of suspects. The bespoke computerised system – ‘Video Identification Parade Electronic Recording’ – was originally established by West Yorkshire Police, the force in which Bob and I collectively spent 47 years. This became the National database. Approximately 20,000 identifications are carried out each year using this highly successful system.

How does this work? 

Images of lookalikes to the suspect are viewed on a computer screen – no longer do victims or witnesses have to suffer intimidation by the suspect being present. If the offender is convicted then his or her photograph will be on the database.

In our experience, potential witnesses from the yesteryear would typically say after taking part in an ID parade. ‘I think it was No.6, but I couldn’t be one hundred per cent sure.’ More often than not annoying for me, the police officer, the witness was right but the identification for the sake of the enquiry had failed.

An Inspector would control the parades, and the defence solicitor for the prisoner would be present to ensure no foul play.

How good is our own personal recollection and sight? Do you think you could identify someone that you had stood next to you in a shop today? 

Quality CCTV has proved time and time again how it can assist in the detection of crime.

However, did you know people don’t always admit it’s them on CCTV. I can’t recall how many times I’ve heard. ‘Not me!’ And even when the footage has been shown to a parent and the offender is told that they have confirmed the image is of their son/daughter, they will still deny it’s them and often with a, ‘Prove it!’… So of course we do.

Sometimes this can be done by distinctive clothing, facial scars, tattoos and hairstyles but also by a technique called facial mapping where experts using measurements match the person to the video. 

Facial recognition is still in its early stages but is being trialled by the Metropolitan Police. This is a very clever and important tool that will revolutionise our ability to get extremely quick intelligence about someone in a crowd who is wanted by the police, so the police can take whatever action they need to. 

So if you witness something and are asked by the police for your help, please don’t hesitate to become involved. It may be a test of your recollection ability, and make you more aware of what is going around you in the future, but it’s so much more than that. You are helping to stop someone getting away with a crime. Don’t worry, your evidence isn’t the only evidence that will render the suspect guilty but, along with other substantial evidence, it might be the piece of the jigsaw that is missing to use as the ‘belt and braces’ of the case. 

Voice recognition and handwriting can also be used to link people to a crime.

Of course, the well-known resource used today is the formidable technique of DNA – ALL resources available in the detectives toolbox are used to gather ensure a conviction.

However, it’s the SIO who is the person in charge who makes these decisions – people like Bob. 

RC Bridgestock Author Photo.jpg

Review: ‘Poetic Justice’
by R.C. Bridgestock

When Detective Jack Dylan heads home after a residential course, he has no idea that an extraordinary succession of events is about to turn his life upside down. A vicious, unprovoked attack is just the start. Soon his wife is dead and his step-daughter – dangerously depressed – is being expelled from university for drug use. And at work, two teenagers have gone missing.

An ordinary man might break under the strain, but Dylan is no ordinary man. He knows that his survival depends on him carrying on regardless, burying himself in his work.

He is determined to pursue the criminal elements behind the events – both personal and professional – whether his superiors like it or not. And, as his family disintegrates around him, a newcomer to the admin department, Jennifer Jones, seems to offer some sort of salvation.

Life may have changed, but nothing will stand in the way of Dylan’s quest for justice.

Although Jack Dylan has an established fan base, this was my first foray into the series and it definitely won’t be my last. It’s obvious to see why R.C. Bridgestock are story consultants on ‘Happy Valley‘ and ‘Scott and Bailey‘. 

I whipped through ‘Poetic Justice‘, unable to leave the compelling characters alone. By weaving Dylan’s personal narrative alongside an ongoing criminal investigation, there’s plenty for the reader to be invested in. Bridgestock’s experience in West Yorkshire Police shines through – you can tell that Dylan’s difficulties in juggling police work and home life is based on experience. 

This is a realistic portrayal of police life within a domestic setting. ‘Poetic Justice‘ has truly hooked me on Jack Dylan.

Vic x 

Review: ‘The Secretary’ by Renee Knight

Look around you. Who holds the most power in the room? Is it the one who speaks loudest, who looks the part, who has the most money, who commands the most respect?

Or is it someone like Christine Butcher: a meek, overlooked figure, who silently bears witness as secrets are shared  Someone who quietly, perhaps even unwittingly, gathers together the knowledge of the people she’s there to serve – the ones who don’t notice her, the ones who consider themselves to be important.

There’s a fine line between loyalty and obsession. And when someone like Christine Butcher is pushed to her limit, she might become the most dangerous person in the room . . .

Christine is an average wife and mother, who is the personal assistant to Mina Appleton, the chair of a large supermarket chain. Following accusations of unethical practices within Mina’s business, Christine has to decide how far she wants to go to prove her loyalty to her boss in a surprisingly cutthroat industry. 

As ‘The Secretary‘ progresses, told through Christine’s eyes, it was interesting as a reader to work out what had happened to Christine and where she was telling her story from. When this was revealed where she actually was, I was quite surprised. Renee Knight didn’t go for the most obvious explanation and I appreciated that. 

I thought Renee Knight’s characterisation in this novel was very strong. I enjoyed the transformation in Christine as her job became all-encompassing. I thought the character of Mina seemed really believable, her manipulative behaviour certainly seemed to represent what we have come to expect from heads of corporations. In many ways, ‘The Secretary‘ reminded me of ‘The Devil Wears Prada‘. 

I thought the idea of having the central crime in this novel centre around unethical business practices and perverting the course of justice was really original. Although it may not initially seem as compelling as murder, this story seemed really realistic and the behaviour of the characters made me want to read on. This is a character-driven psychological thriller which keeps the tension tight throughout.

Vic x

**Running in Circles Blog Tour**

 

Today we welcome to the blog Claire Gray to the blog as part of the blog tour to celebrate the release of her new novel ‘Running in Circles‘.


Claire Gray lives in
 the South Lakes with her husband and two small children. She studied Creative Writing at the Cumbria Institute of the Arts. She graduated in 2006 and then went on to complete a journalism course at Darlington College. 


That same year
, Claire won a Northern Promise Award from New Writing North, and her work was featured in their anthology, ‘Ten Years On‘. Claire now works as a freelance copywriter and continues to write short stories, some of which have been published in magazines and online. 


Sapere Books published ‘Running in Circles‘ in 2019 and Claire is really excited to have published her first novel!
My thanks to Claire for sharing her experiences with us.


Vic x

Don’t Quit the Day Job: 
Claire Gray

It’s difficult for novelists to make a living purely through their writing. I’m probably only a Google search away from the official statistics, but I would guess only a tiny percentage of authors are able to sit at their desks every day, working on their latest manuscript, without worrying about paying the heating bill or feeding the kids. 


Many
 novelists supplement their income by working in education, or by editing other people’s work or writing for newspapers and magazines. That’s the tier of professional writing that I aspiring to reach, and it still seems very far away. But I don’t think it’s necessarily bad to be in the position that I, and many other writers, are in. We’re the writers who have day jobs; jobs completely unrelated to the creative work we do. While it can be challenging in terms of time management, and occasionally dispiriting because of how far removed it is from what we really want to be doing, having a day job is valuable. To write you need to have life experience. Working is one of the most natural ways to achieve this. 


I studied Creative Writing at college and then found myself
 working in betting shops across Cumbria and the north-east. What started as a weekend job rapidly became full-time as I realised (and probably should have realised much earlier) that Creative Writing is not a vocational course. But it wasn’t all bad. I met some interesting characters amongst the staff and the customers. There was a period in Newcastle-upon-Tyne where I narrowly missed a number of armed robberies, which was horrible but also great fuel for short stories. One of my co-workers was a published poet, and I still have the signed book he gave me as a leaving present. The writing and gambling industries seem to go well together, somehow. 


Eventually
, I enrolled on a Journalism course at Darlington College. Once all the exams were over I was qualified to work as a junior reporter. For various reasons, this didn’t happen. I’d moved to North Devon with my husband who was in the Royal Marines, and there weren’t many local newspapers or junior reporting jobs around. But I’ve worked as a freelance copywriter and my journalism training was certainly not a waste of time. I discovered the power of an opening sentence, how to firmly grab the reader’s attention, and the importance of editing. The main characters in my novel are journalists, and it is good to have background knowledge about the industry.


Since then I have moved around the country a fair bit, working on my novel, doing the odd piece of copywriting, and working in a succession of NHS administration j
obs. Much like the betting shop period of my life, this is a line of work I fell into accidentally, but somehow it stuck. I like working for the NHS because I feel like I’m doing something worthwhile, and it is inherently unpredictable; things rarely get dull. There are stories everywhere inside hospitals. You hear about, and see, some horrible things and some wonderful things. These polar opposites help to fuel my writing when I find time to switch on my laptop in the evenings. 

 

Running in Circles‘ is available now.

Review: The Puppet Show by M.W. Craven

A serial killer is burning people alive in the Lake District’s prehistoric stone circles.

Leaving no clues, the murderer – nicknamed The Immolation Man – is managing to render the police useless. When disgraced detective Washington Poe’s name is discovered carved into the charred remains of the third victim, he’s brought back from suspension despite wanting to be no part of this gruesome investigation. 

Reluctantly partnered with the brilliant, but socially awkward, civilian analyst, Tilly Bradshaw, the mismatched pair uncover a trail that only Poe is meant to see. The elusive killer has a grand plan and for some unknown reason Poe is part of it.

As the body count rises, Poe discovers he has far more invested in the case than he could have possibly imagined. And in a shocking finale that will shatter everything he’s ever believed about himself, Poe will learn that there are things far worse than being burned alive. 

I tore through ‘The Puppet Show‘, unable to pull myself away from this compelling narrative. The characters are well-drawn and Craven appears to have a deep understanding of their back stories and what motivates them. I am, of course, #TeamTilly. Despite this being a dark, violent crime drama, Craven paints Tilly with sensitivity and, in her relationship with Poe, manages to bring some light relief when things get heavy. Craven, a former probation officer, has used his experience to create compelling, realistic characters.

Alongside his obvious understanding of the motivations of his characters, Craven’s experience within the criminal justice system shines through. Craven maintains the fine balance of demonstrating his depth of knowledge while ensuring that the story isn’t bogged down in minutiae. ‘The Puppet Show‘ is a well-plotted, fast-paced read. 

 Setting these grisly murders against the beautiful scenery of the Lake District was a stroke of genius by Craven, too. I really appreciated the experience of reading about somewhere I’m familiar with, turning it from a place of rugged beauty to something far more terrifying.  I honestly cannot recommend this book highly enough. 

The Puppet Show‘ is the first in the Washington Poe series and I can’t wait for the next one. ‘Black Summer‘ is due out later this year. 

Vic x

Getting to Know You: Daniel James

Over the last couple of years, I’ve got to know Daniel James, author of ‘The Unauthorised Biography of Ezra Maas’. I’ve been lucky enough to host him at Noir at the Bar a few times as well as being invited by Daniel to read my own work at his ‘After Dark’ event for Books on Tyne. 

Daniel will be in conversation with Jacky Collins at Waterstones, Newcastle, on Wednesday 30th January. Tickets are £3 and I’m reliably informed that there are a few left – reserve your space now!

My thanks to Daniel for taking the time to chat to us. 

Vic x

daniel james, zurich, october 2017Tell us about your book.
The Unauthorised Biography of Ezra Maas is based on the real life story of Ezra Maas, a British artist who became famous in the late 1960s, but who turned his back on fame and created his greatest artworks from the shadows, before eventually disappearing altogether in mysterious circumstances in the early 2000s. I became interested in telling the true story of Maas’s life and presumed death, but nothing could have prepared me for the truth that the book uncovers.

It quickly occurred to me that in searching for the true story of Maas’s life, travelling around the world to the cities he lived, visiting the galleries where he created his work, and interviewing those who knew and collaborated with him, that my role as biographer was essentially a kind of literary detective. As such, I consciously decided to write these chapters of the book in the style of a detective story, a page-turning mystery thriller through a postmodern, existential lens. However, the book is also very much a biography and there are chapters dedicated to documenting Maas’s life from 1950 onwards in a more journalistic style, accompanied by reproductions of authentic archival material and correspondence, including news clippings, letters, emails, phone transcripts and more. If one half of the book is like a detective story, the other half is a biography written by an investigative journalist. There are a lot of different styles and techniques being employed throughout the text, but they come together to create a new kind of book where readers are challenged to become detectives themselves, following in the footsteps of my investigation, as I attempt to separate fact from fiction and history from myth, page by page, chapter by chapter.

What inspired it?
Ezra Maas’s incredible life story was the inspiration. In 2011, I received an anonymous phone call suggesting the true story of Maas would make an interesting biography and everything led from there. It didn’t take long for my research to reveal a number of contradictions and inconsistencies in the authorised version of Maas’s life, and naturally, the journalist in me began asking questions. The more I asked, the more secrets I uncovered, and I soon found myself being warned off the story. Of course, as soon as that happened, I knew I had found something special and there was no turning back.

Alongside that, I’ve always been interested in the relationship between truth and fiction, the self and reality, as a writer. And in many ways, Maas’s life was the perfect gateway into those subjects and themes. His life, and my interests as a writer, were perfectly aligned and the phone call that set me on the path to writing his biography couldn’t have come at a more ideal moment. I was in the right place at the right time.

I recently read an interview with a writer who described her latest work as ‘existential noir’ because of the way it used the structure of a traditional mystery story to explore unanswerable questions of being and knowing – what can we ever know with any real certainty, about ourselves or the world – and that’s very much the territory I like work in – crafting stories around questions of identity and reality that lead us down the rabbit hole, and force us to confront our deepest subconscious fears.

What do you like most about writing? What do you dislike (if anything)?
I’m happiest when I’m writing regularly because it feels like I’m fulfilling my potential and doing what I’m supposed to be doing with my time. Kafka supposedly said that ‘a writer who isn’t writing, is a monster courting insanity’ and I completely understand what he meant. Whenever I’m not writing, I feel like I should be, and when it’s going well, it’s like electricity flowing through me – it’s a serious high, but more than that, it also provides a deeper sense of purpose and satisfaction.

And on a lighter note, it’s great fun. Who doesn’t want to make up stories and let their imagination run free? I love the freedom that writing gives me. I can create entire worlds, people, and histories. I’ve always been a daydreamer and writing allows me to share my dreams and imaginings with others.

I don’t really dislike anything about writing itself, but like any physical or mental endeavour, there are days when it can really feel like hard work. Over the last few years, I’ve learned to listen to my body and not force myself to write when it isn’t flowing. You can still work on your book without actually writing. You can read for research, visit a location, watch a film, listen to music, take a walk. Professional athletes warm up before an event, they stretch, eat and drink the right things, and get their bodies ready to perform. Writers need to do the same with their minds. Sometimes it’s about clearing your mind to allow space for the ideas to come in, other times it’s about tuning into a certain frequency, atmosphere or mood, and channelling a particular character or scene.

Do you find time to read, if so what are you reading at the moment?
I love reading. It’s one of my great pleasures in life and it’s ultimately the reason I wanted to become a writer myself. I try to get through a novel every couple of weeks if I can. The books I return to the most are detective novels – Raymond Chandler, Ross MacDonald, James M Cain to modern greats like James Lee Burke – and also postmodern works. At university, I specialised in fiction from 1940-1990 and that’s the era I find myself returning to the most when I’m looking for something new to read. I read a lot of comic books and graphic novels too (I practically grew up on Marvel Comics in particular). I’m a fan of Science Fiction and many other genres, and I read quite a bit of non-fiction, mostly literary and cultural theory, but it depends on what I’m working on at the time. I read a lot of books on contemporary art history, biographies and journalism when I was researching Ezra Maas, and I can imagine I’ll do the same with future novels. 

Currently sitting at the top of my to be read list currently are two excellent new novels – Three Dreams in the Key of G by Marc Nash and The Study Circle by Haroun Khan. The last book I bought before those was by the late, great Mark Fisher, a cultural theorist who blogged under the name K-Punk. I highly recommend his work to anyone who has yet to come across it. Mark’s writing introduced me to the concept of Hauntology, which I touch on in my own book.

Earlier this year, I also read the Southern Reach trilogy by Jeff Vandermeer after being intrigued by Alex Garland’s adaptation of the first in the series, Annihilation. I’ve got a huge stack of books waiting to be read though. I love buying books and I love reading, but I do take long breaks when I’m actively writing myself, so this has resulted in an increasingly expanding To Be Read pile that I’ll probably never get through!

Which author(s) has/have had the biggest influence on your writing?
Paul Auster. Raymond Chandler. Samuel Beckett. James Joyce. Thomas Pynchon. Philip Pullman. Philip K Dick. Jorge Luis Borges. Alasdair Grey. Flann O’Brien. David Lynch.

Where do you get your ideas from?
Everywhere. My life. Other people’s lives. History. Dreams. Music. Films. Ideas are all around us, all of the time. You’ve just got to open your eyes, listen and be in the right frame of mind to be inspired.

Do you have a favourite scene/character/story you’ve written?
Well, the novel is the best piece of work I’ve written so far and Ezra Maas is probably the most complex character I’ve brought to life, not just because he is a real person, but because there are so many conflicting stories about him. I’ve tried to reflect this in the book by capturing the multiple, overlapping narratives and descriptions, allowing them to coexist alongside each other so that the emphasis is on the reader of the book to play detective themselves and separate fact from fiction in Ezra’s life.

What are you working on at the moment?
I’m about halfway through a second novel, which I hope to finish within the year. I actually started working on it in 2013, but Ezra Maas took over my life , so I put the other book on hold temporarily. Now that the Unauthorised Biography’ is out, I can focus on new projects, including returning to my work-in-progress second novel. Once that’s completed, I plan to work my way through the other novels I have planned, although I wouldn’t rule out one of those new ideas becoming my second novel – it just depends which idea excites me the most.

What’s the best piece of writing advice you’ve been given (and who was it from)?
“Write the books you want to read.” 

Philip Pullman said that to me when I met him at the Durham Book Festival in 2015. It was very reassuring advice to receive from such a master storyteller, particularly as that’s exactly what I’ve always tried to do. I’ve been writing stories since the age of four or five and have always written for myself. If the story excites and interests me, if I want to keep turning the page to find out what happens next, if I find myself disappearing into the world of the book and thinking about it every waking second, then I know I’m on the right track.

Are you a plotter or a pantster?
I’m somewhere in between. Generally speaking, I like to follow my intuition and let the story guide me, rather than plotting the entire book out in advance. I have a destination and a road map in my mind, but it has enough wide-open space to allow me to go off on unexpected adventures and detours as and when I need to. I might be the author of the book, but it’s a process of discovery for me too. An author is almost like a pioneer heading off into the wilderness. They discover the trail and share it with the readers who follow them.

Of course, The Unauthorised Biography of Ezra Maas is based on real events, so it required several years of research, travel, interviews, and quite meticulous planning. At the same time, I remember the moment when I decided to write the book very vividly and I could already see the story fully formed in my mind. It all came to me in an instant. It was a Big Bang moment. One second there was nothing and then… everything. I knew where to start, how I wanted to present the story, with letters and emails and phone transcripts, and I knew exactly how it would end. But it also surprised me on multiple occasions. It kept me guessing all the way through with its twists and turns. It genuinely had a life of its own, sometimes in quite scary ways, almost as if the story couldn’t be contained on the page and wanted to bleed out into the world. Perhaps because it’s based on a true story, it has a special kind of power that makes it dangerous. I may have written it, but I don’t think even I know the book’s true potential.

This book, more than any other idea I’ve ever had, felt like it had already been written in a strange way and I was simply receiving it, like a transmitter, from somewhere out in the ether and it was my job to put it on the page; bring it to life.

Do you have any advice for aspiring writers?
If writing books is really what you want to do, if it’s genuinely your dream in life, then don’t ever, ever give up. Keep going, keep believing in yourself, and keep writing, no matter what. You can and will make it happen, but only if you keep believing and keep writing.

What’s been your proudest writing-related moment?
The moment I found out the book was going to be published will always stand out in my mind. I didn’t tell anyone – not a single person – for about a week as I was worried I would jinx it somehow. It was something that I wanted so much and so badly that I didn’t want to do anything to jeopardise it. About two years after that, I walked out onto the stage at the Newcastle Book Festival in front of a crowd of about 80 people, including my family and friends, and I read an extract from the book for the very first time. I was introduced on the night by Professor Brian Ward, we premiered a documentary video about Ezra Maas featuring the award-winning writer and artist Bryan Talbot, and we finished up with a Q&A where I was interviewed by Dr Claire Nally. Everything went as planned and afterwards we celebrated with cocktails created especially for the book at a late night after-party in a speakeasy-style basement bar called The Poison Cabinet in Newcastle. I couldn’t have asked for a more perfect night and it was definitely one of my proudest moments.

The long-awaited launch of my novel with a trio of fantastic events in the North East, featuring guest authors and speakers and more than 150 attendees in total. This included a return to Books on Tyne and a special late-night event afterwards entitled Fiction After Dark with cocktails, live music and readings by Elementary Sisterhood. And of course, there was the launch itself at the wonderful Forum Books in Corbridge. It was a really lovely evening and a special moment for me. I can’t recommend Forum Books enough and I think it’s really important to support independent bookstores and local businesses

My next event will be at Waterstones Newcastle – the biggest bookstore in the North East – on Wednesday 30 January at 7pm, so that will be another proud moment. I’ll be reading an extract from the book, answering questions from the brilliant Dr Jacky Collins, and signing copies of my novel at the end. Tickets are £3 and on sale now.