Tag Archives: characters

**Sky’s the Limit Blog Tour**

Sky's the Limit Blog Tour Poster

Looking for a feel-good summer read this weekend? Check out ‘Sky’s the Limit‘ by Janie Millman. 

I’m delighted to be taking part in Janie’s blog tour today. She’s kindly agreed to answer my questions so that we can get to know her better. My thanks to Janie and Dome Press for allowing me to be involved. 

Vic x

Janie Millman Headshot

Tell us about your books, what inspired them?
We went on holiday to Marrakech and fell in love with the place. We met some amazing characters, stayed in a fabulously quirky riad with a beautiful but eccentric owner and gradually the germ of Sky’s the Limit was born.

I live in South West France in a town called Castillon La Bataille.  We are in the middle of one of the most famous wine regions of the world, so I guess it was only a matter of time before I incorporated that into a book too.

Where do you get your ideas from?
Locations inspire me. I love discovering new places and meeting new people. I guess subconsciously I am always thinking about stories and characters. They just seem to pop into my head – I’ve always had a very vivid imagination – sometimes too vivid for my own good!

I am also co-owner of Chez Castillon – we host writing & painting courses and retreats and when we are not hosting those we take in wedding guests from a nearby chateau – I have enough ammunition from the characters that pass through our door for the next ten novels!

Do you have a favourite story / character / scene you’ve written?
I don’t really have a favourite character – I really love Elf in Sky’s the Limit and I loved George and Drew – aka Miss Honey Berry – in my first novel Life’s A Drag.

Are you a plotter or a pantster?
If by ‘pantster’ you mean flying by the seat of my pants then a bit of both really. 

I do have a rough idea of the plot. I like to know where the story is going, but I also like to be flexible – I like it when things suddenly happen – when new characters suddenly emerge and take me in a different direction.

Can you read when you’re working on a piece of writing?
Yes, I can read when I am writing but I usually choose something that is a million miles away from what I am working on – unless of course I am reading for research.

What’s the best piece of writing advice you’ve ever been given and who was it from?
One of the best pieces of advice I’ve been given is: ‘you cannot edit a blank page.’ I cannot actually remember for certain who told me that, but I think it may have been the lovely author Jane Wenham-Jones.

What can readers expect from your books?
They can certainly expect the unexpected! 

I hope that readers will love my characters, and I hope they find themselves experiencing new locations, new sounds, smells and tastes.  

I hope they lose themselves in the plot, and I very much hope that they don’t want the book to end and that the stories and cast stay with them for a long while.

I want them to laugh and cry and I want them to think.

Have you got any advice for aspiring writers?
Just Write. Get words on the page – don’t be frightened – you need to enjoy the whole experience.

What do you like and dislike about writing?
I love it when the story starts to come together; I love it when the unexpected happens; I also love it when the characters misbehave  – although not too much!

I don’t like the solitude, the doubts that creep in and the frustration when the words don’t flow and the characters appear one-dimensional. But that passes…. usually!

Are you writing anything at the moment?
Yes I have just finished my third book – well the first draft, so we are still some way from the finishing line. It is another dual location novel, set in Cambridge and Crete.

What’s your favourite writing-related moment?
When I wrote The End to my fist novel Life’s A Drag. I finished it in Bordeaux station when on our way to Arcachon for a few days holiday.

I remember crying because it was the first book I had ever written and I hadn’t really known if I could do it. My husband bought champagne and I spent the holiday dreaming of bestsellers and films… though, that was before the reality set in!

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Sky’s the Limit:
Review.

Sky is devastated when she finds that her husband is in love with her oldest friend Nick. Believing she has lost the two most important people in her life, she travels to Marrakesh on her own. During the trip, Sky meets up with Gail who’s on a mission to track down the father of her child. 

Sky’s the Limit is a great summer read. It takes readers to Morocco and France with an interesting cast of characters who jump off the page. Throughout the story, the vivid characters experience joys they didn’t expect to find which makes this a heart-warming read. 

The description of the places is evocative and atmospheric, and the Moroccan heat seeps out of every line. Millman’s descriptions are rich and her attention to detail is very strong. 

Sky’s the Limit is a light read that’s perfect for the beach. Even if you don’t have a beach, read this novel and prepare to be transported. 

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Review: ‘Cut to the Bone’ by Alex Caan

Ruby is a vlogger, the heroine of millions of teenage girls. In the world of YouTube and social media, Ruby’s profile couldn’t get much higher but now she’s missing and a video showing Ruby begging for her life is uploaded for the world to see. 

Detective Inspector Kate Riley, head of a new team of policing superstars at the Met, and Zain Harris, the face of multiracial policing, are drafted in to try to find Ruby. Has time run out? Can Kate trust Harris? And more importantly, can she trust herself? As pressure from fans and the media builds, Harris and Riley find out just how dark the web can be. 

After hearing Alex Caan talk about his characters Kate Riley and Zain Harris at Newcastle Noir, I had to read ‘Cut to the Bone‘. 

Alex Caan has written an up-to-the-minute technocentric thriller which will simultaneously terrify and excite readers. This may be a traditional crime book but I have never read anything quite so of its time. It’s clear a lot of research went into Caan’s premise. ‘Cut to the Bone‘ is an intelligent, modern crime novel that covers a number of themes that are relevant to today’s society. 

Combining short chapters with cliffhanger after cliffhanger, Caan manages to keep the reader holding their breath pretty much for the duration of the novel. The intertwining narratives work well to keep the reader engaged. 

Both Kate Riley and Zain Harris are complex characters and I can see them featuring in  book after book. Riley’s backstory, in particular, was very intriguing and original. 

If you’re looking for a fresh, fast-paced police procedural to get your teeth into, ‘Cut to the Bone‘ is for you.

Vic x

**Dancing on the Grave Blog Tour** Guest Post

I’m delighted to be part of the blog tour for Zoe Sharp‘s latest novel ‘Dancing on the Grave‘. Zoe has kindly chosen to chat to us today about the real-life events that inspired her writing. 

Please be warned that this post contains information on real criminal cases so some may find it upsetting.

Vic x

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Death and Beauty: the story behind the story of standalone crime thriller, Dancing On The Grave
By Zoë Sharp

I came up with the idea behind my latest standalone crime thriller, Dancing On The Grave, around sixteen years ago, when John Allen Muhammad and his seventeen-year-old accomplice, Lee Boyd Malvo, shot 27 people with a Bushmaster sniper rifle, killing 17 of them. This became known as the Washington Sniper incident, although the killings took place in Maryland, Virginia and Arizona, as well as Washington DC.

I wanted to explore the motivations for a similar sniper but set on UK soil, where most types of firearms have been banned since the shootings at Hungerford and Dunblane. Also, I didn’t know what truly motivated Muhammad and Malvo, but I wanted to see if I could find a reason that my characters felt they could live with.

The sniper in my book is not a mystery man in that we meet him early on, but working out who he really is, and what really drives him, is not an easy task. I’ve always thought that defining good guys and bad guys is very much a grey area. Good guys are rarely all good, and bad guys so often have significant redeeming features. There was loyalty and a twisted honour involved here, as well as a sense of betrayal and guilt. By the end of it, I felt I could understand my sniper, even if I didn’t necessarily agree with him.

Not so easy are the driving forces behind the disturbed teenage girl who becomes his spotter. Edith is a fantasist and underachiever who is trapped in a dead-end existence and is desperate to be somebody—anybody. For her, almost anything is better than being invisible and forgotten.

The motivations of my police characters were in some ways simpler, and in other ways more complicated to work out. Grace, my CSI, is recently divorced from a wealthy husband who still loves her. She is determined to escape his smothering embrace and make her own way, but her background means few of her colleagues take her seriously, or realise the guilt she carries with her into the job.

And the young Detective Constable she ends up working with, Nick Weston, is an outsider. He came into a new area following the mother of his baby daughter, who promptly split up with him. He’s prickly in the face of resentment from his fellow officers, not to mention hiding the fact that his disastrous last undercover job cost him his nerve.

In 2010, just as I finished the first incarnation of the story that would become Dancing On The Grave, Derrick Bird went on the rampage in west Cumbria, killing twelve people and injuring a further eleven before killing himself. It made me put the novel aside for a long time and it was only recently, with the distance provided by time, that I was able to get it out and work on it again. Even so, there are aspects of the story that stay with me. It’s one of those that gets its teeth into you and doesn’t seem to want to let go.

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Zoë Sharp was born in Nottinghamshire, but spent her childhood living aboard a catamaran on the northwest coast of England. She co-built a house in the Eden Valley area of the Lake District, where ‘Dancing On The Grave‘ is set. She now lives a peripatetic lifestyle, based around writing, sailing, house renovation, and looking after other people’s pets. 

Don’t Quit the Day Job: Alan Parkinson

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Earlier this year, I had the pleasure of hosting the first ever Noir at the Bar in Sunderland as part of Sunderland’s Creative Writing Festival. One of the writers on the bill that night was the lovely Alan Parkinson

Alan is here today to talk about how his work life has affected his writing. If you haven’t read any of Alan’s work, I strongly recommend that you do. You can also catch Alan on Twitter and Facebook

Vic x

IMG_5043.jpgTwo years ago, I gave up the day job to become a full-time writer and there were many things I took into consideration. Could I afford it? Despite the romanticised image of life as a writer, it is generally a poorly paid profession.

Would I be taken seriously? I’d self-published two novels at that stage. They’d done well but was that enough to sustain a career in writing?

Would my friends ever stop thinking I was unemployed? The answer to that one is no, they still ask if I’ve got a ‘proper job’.

One thing I hadn’t considered, and possibly the most crucial thing of all, was would I lose my most valuable source of material?

Writing is all about observation. Noticing the small detail in things and shaping it into your own little world. I thrive on seeing humour in every situation, even the darkest moments, and thinking about how I can use it in a future story.

Whether they realise it or not, my workmates were a deep well of idiosyncrasies, amusing phrases and peculiar behaviours. As were the hundreds of people I saw on my commute each day and the thousands I encountered on my daily lunchtime wander around Newcastle. I was giving that up to sit at my posh writing desk, on my posh writing chair (I soon moved to the settee) and meet and talk to nobody other than the Amazon delivery driver and my elderly neighbour asking me to fix her laptop again.

This is why you see so many dull novels where the protagonist is a writer struggling to put words on a page; by becoming a writer they have lost their inspiration.

Leg It

That’s not to say I’ve ever taken person wholesale and put them in a book; I’ve yet to meet anybody interesting enough. I steal one characteristic and match it with another, and another from somebody else, and shape a new character.

I do the same with situations. I’ll take real life situations, adapt and exaggerate them with different characters to make my story come alive.

When I worked for one of the world’s largest banks. In a period of months, we had one colleague locked up for murder, one for attempted murder and another for a dodgy internet history. I’ve never considered any of them worthy of writing about because they are all a bit ‘obvious’.  It’s the little things that are funny and give your story life.

It’s over fifteen years since I worked in a call centre but my short time there has inspired two novels, Idle Threats and my current work in progress, Troll Life. Anybody who has ever worked in a call centre or phoned one will recognise the utter despair and understand how it can drive people to extremes. 

Idle Threats

I’ve never been in an armed siege, or dressed as a Mexican, or dealt with an irate customer in their pyjamas but my experience in a call centre helped me make this unlikely scenario realistic.

I don’t regret my decision for a minute but every now and then I long for a workmate who would say “I wish Andrea would move to one side, so I can get a good blast of her fan.”

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Getting to Know You: Kate Rhodes

Earlier this year, I was fortunate enough to chair a panel of three fabulous crime writers at my local library. It was such an honour to interview Kate Rhodes along with Rachel Abbott and Mel McGrath and I’m absolutely delighted to have Kate on the blog today to talk about writing. 

My thanks to Kate for taking the time to answer my questions.

Vic x

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Tell us about your books, what inspired them?
My latest books, Hell Bay and Ruin Beach are inspired by childhood holidays. I was lucky enough to visit the Isles of Scilly often as a kid. It’s only as an adult that I realised they would make the perfect setting for crime novels. There are just five inhabited islands, and Hell Bay is set on Bryher, which has just eighty permanent inhabitants. In winter the islands are surrounded by the raging Atlantic, and travel to the mainland becomes difficult. They’re beautiful but supremely isolated, 45 kilometres from the mainland.

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Where do you get your ideas from?
Interesting real life places and events are my usual starting point. My first novel, Crossbones Yard began after I stumbled across the only sex workers graveyard in London, which seemed like an ideal place to start a crime novel.

Do you have a favourite story / character / scene you’ve written?
I’m very fond of my current hero, DI Ben Kitto. He’s a fifth generation islander, but has served ten years with the Murder Squad in London. Since the death of his colleague he has been lumbered with looking after her very intelligent wolfdog called Shadow, who tends to complicate his life. I like characters with believable quirks, so Kitto has a few interests and obsessions that may people should be able to relate to.

Are you a plotter or a pantster?
A bit of both! I try to plot diligently, but my stories tend to develop a life of their own, veering off in unexpected directions!

Can you read when you’re working on a piece of writing?
It’s a struggle. I tend not to read crime novels while I’m writing one, or plots get tangled and ideas get lost. I read a lot of biographies and factual books, and listen to the World Service or podcasts like This American Life instead.

What’s the best writing advice you’ve ever been given and who it was from?
Very early in my career Julian Barnes told me not to give up, and to write every single day, even if I could only find an hour of clear time. Both suggestions have helped me ever since.

What can readers expect from your books?
Setting matters a great deal to me, so they can expect to be immersed in Scilly Isles scenery, which is so important in my recent books that the landscape becomes like another character. I also want to tell gripping stories that keep my readers guessing until the very last page.

Have you got any advice for aspiring writers?
Treat writing like learning a musical instrument. There are no short cuts; the more you do it, the better you get.

What do you like and dislike about writing?
I like the sense of absolute focus that comes when you’re immersed in spinning a story. I dislike deadlines! I’d love to be able to take ages over every book, but it’s important to write a book every year if you’re building a series, but that can be a real challenge if the rest of your life gets in the way.

Are you writing anything at the moment?
I’ve just finished the third book in my Hell Bay series. It’s called Burnt Island and it’s set on the tiny island of St Agnes, which is less than a mile long, with less than a hundred inhabitants. It’s been a pure pleasure, from start to finish, and I got fly down to the island on a tiny eight-seater plane, which was a brilliant experience.

What’s your favourite writing-related moment?
Winning the Ruth Rendell short story prize back in 2014, because I got to meet one of my favourite writers shortly before she died. In more recent times, it has been very exciting that my Hell Bay series has been optioned for TV.

 

Review: ‘The Tall Man’ by Phoebe Locke

Almost thirty years ago, three young girls devote themselves to a shadowy figure in the woods. Ten years later, a young mother disappears, leaving her husband and baby behind. In 2018, a teenager captures the world’s imagination when she is charged with murder. These three terrifying events are all connected by one shadow that looms large. 

Where do I start?! Well, if you enjoy novels like ‘Gone Girl‘ and ‘The Girls‘, then you’ll love The Tall Man‘. I whipped through this novel – it’s achingly on point and I found it totally compelling. The characterisation in this novel is so skilled, I found myself utterly taken in by the key players in this story.  

The Tall Man‘ examines the blurring of the lines between criminal and superstar. You can see that Phoebe Locke has been inspired by real events – I was reminded of the media’s obsession with Amanda Knox and the Slender Man mythology – but the culmination of this is an absolute corker of a novel.

Phoebe Locke’s debut novel plays with the grey area between reality and psychosis. What is it that links these characters through the years? Is it something paranormal or is it something psychological? Locke builds up a relentless atmosphere of unease throughout the story and it left me questioning what was real. 

Standing alongside novels like ‘Hydra‘ and ‘The Bone Keeper‘, ‘The Tall Man‘ promises that once he’s with you, he won’t leave you alone. 

The plotting in this novel is masterful and it all comes together to leave the reader afraid to turn out the light. 

I implore you to read this book – but only in daylight. 

Vic x

**The Boy Who Wasn’t There Blog Tour** Guest Post

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It’s the second day on the blog tour for ‘The Boy Who Wasn’t There‘ by Emma Clapperton. I’m really thrilled to be supporting Emma on this mini tour for the latest story in her Patrick McLaughlin series. Emma’s here to tell us more about her latest project. 

My thanks to Emma for having me involved.

Vic x

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I had the idea for a supernatural crime series back in 2010, when I created the characters Patrick and Jodie McLaughlin, two psychic mediums living in Glasgow. 

Since 2012, I have released two full novels and two short stories as part of the series, The Suicide Plan is the first in the series. Then we had Beyond Evidence, The Dead Whisper and now, The Boy Who Wasn’t There. 

The Boy Who Wasn’t There came to me on the idea of children who have the gift and I wondered what would happen if the child were to present behaviours similar to that of an adult who was able to communicate with the dead. 

The Boy Who Wasn’t There is a story of betrayal and loss and how one event in your life can change your course. Without giving too much away, I actually really like the character, Rita. She is at the lowest point she can be at and needs comfort from the bottle. 

I like writing with two or more storylines running adjacent to one another and then merging them, because I love the idea that this could really happen. 

I write in the style of what I like to read and that’s how I created The Boy Who Wasn’t There. I also work with young children in the early years sector and so adding that element was fun. 

The novella is a short read at just 17,000 words and I really love writing in short bursts like this. 

I plan on creating a whole range of short stories, but I am also working on a new novel under my own name and a novel under my pseudonym, Alex Kane. 

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