Tag Archives: creative

Guest Post: Louise Mangos on Writing What You Know

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It is my pleasure today to welcome Louise Mangos to the blog to talk about her intimate knowledge of the setting for her debut psychological thriller ‘Strangers on a Bridge‘.

Louise writes novels, short stories and flash fiction, which have won prizes, been placed on shortlists, and have also been read on BBC radio. Her debut psychological thriller ‘Strangers on a Bridge‘ is published by HQ Digital (Harper Collins) in ebook, paperback and on audio. You can connect with Louise on Facebook and Twitter or visit her website where there are links to more of her stories. Louise lives in Switzerland with her husband and two sons.

Vic x

Portrait with orange dress

The much-travelled author Mark Twain allegedly said “write what you know. Having spent much of my time in central Switzerland for the past twenty years, the one thing I feel confident in portraying in my novels is the setting. Both my first and second novels are set in and around the Swiss Alps. 

Strangers on a Bridge begins with ex-pat Alice Reed out for a jog one morning when she sees a man – Manfred – about to jump from the Lorzentobelbrücke. As this is rather a mouthful for English readers, it is referred to in the novel as the Tobel Bridge. In reality it is a notorious suicide hotspot that has sadly found its way into many local newspaper articles over the years.

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A quick trip on the bike to re-visit the setting for the first scene on the Tobel Bridges.

The area surrounding the village where my protagonist Alice lives is called the Aegerital, or the Aegeri Valley. It is a cleft of land gouged out of alpine granite with rivers running in and out of the jewel at its centre – the Aegeri Lake. Our family moved there twenty years ago when my first son was six months old. Many of the difficulties Alice faces in Strangers on a Bridge were challenges I also faced when we first moved, speaking no German and pre-occupied with a new baby. 

But that’s where the similarities end. I’m happy to report I never witnessed a person wanting to jump from the Tobel Bridge, and I was certainly never stalked by anybody. I should also point out that we worked hard to integrate into the community we now live in. We made an early effort to learn the language, and have experienced friendliness and acceptance from our neighbours ever since.

During the creative and theoretical modules for my Masters in Crime Writing at UEA, two of my professors, Henry Sutton and Tom Benn, talked about the importance of setting in a novel. They encouraged the students to incorporate the setting to such an extent that it effectively becomes one of the characters. 

No matter where a crime novel is set, this atmosphere must be conveyed to the reader to enhance the tension. This might include how a setting behaves through the seasons, for example, the environmental influences in extreme weather conditions.

Strangers on a Bridge begins in spring, the perfect opening for any novel. The season of births and beginnings. Alice is out for a spring jog when she sees Manfred on the bridge and is convinced he is about to jump. Her shock jars alarmingly with the beautiful alpine spring surroundings.

A great deal of research was still undertaken to make the narrative of this psychological thriller believable. Although I am familiar with many of the rules and traditions in Switzerland, police and legal procedures had to be subsequently verified and checked.

But with the setting clearly cemented as one of the characters in the narrative, it was a pleasure to embellish the plot to match the drama of the Alps.

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The view of the Aegerital from Alice’s running trail in spring.

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**The Gilded Shroud Blog Tour** Author Interview

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It’s my pleasure today to have Elizabeth Bailey, author of ‘The Gilded Shroud‘ on the blog.

Elizabeth Bailey says she feels lucky to have found several paths that have given her immense satisfaction – acting, directing, teaching and, by no means least, writing. 

She has been privileged to work with some wonderful artistic people, and been fortunate enough to find publishers who believed in her and set her on the road.

Elizabeth has kindly taken the time to answer my questions so we can get to know her, and her writing process, better. My thanks to Elizabeth for taking the time to answer my questions. If you fancy getting in touch with her, you can tweet Elizabeth

Vic x

Elizabeth Bailey (002)

Tell us about your book(s).
The Gilded Shroud
 is the genesis of Ottilia, Lady Fan, who turns by chance into sleuth extraordinaire and, incidentally, meets the love of her life in the process. It’s a murder mystery set in the late 18th Century, with a dollop of upstairs downstairs and a touch of romance too.

What inspired them?
My original idea was Ottilia as a potential heroine for the first in a series of sweeping romantic historicals which never materialised. My brother one day suggested it might make a detective story, and that set me off thinking. When I finally took the plunge, I intended at first that Ottilia, a wispy retiring sort of female as I thought, would be the brains in the background behind the apparent showy male sleuth, but the moment she set foot on the page she took centre stage and refused to be dislodged. So that was that.

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What do you like most about writing? What do you dislike (if anything)?
I love the way it surprises me with turns and twists I never expected, and I like finding creative ways to express things rather than turning to clichés. I like the process of watching it unrolling as I write what I see, like a film reel projecting onto a screen somewhere in the air around me. 

I hate what we writers call treacle books, when the words won’t flow and you just have to drag them out one by one, sticking with it as you really feel as if you are wading through a sticky sea. You learn to keep at it, and quite often find you do good work in spite of the stop/start nature of the writing. Fortunately, readers can’t usually tell if a book was treacle to write. There’s always the editing process to fix it.

Do you find time to read, if so what are you reading at the moment?
I can’t not read. I started as a reader and reading feeds my imagination. My reading time is an hour or so before I go to sleep – assuming I’m not so hooked I can’t put the book down. I’m just finishing Tarquin Olivier’s book about his famous father, and I’ll be starting on Jodi Taylor’s latest St Mary’s Chronicles, to which I am addicted. My TBR pile is pretty eclectic as I read all sorts of genres, as well as biographies and books that add to my knowledge of my period and other history.

Which author(s) has/have had the biggest influence on your writing?
Primarily Georgette Heyer – of course. Also Daphne du Maurier, who does dark with panache and beauty; Rumer Godden, who is both lyrical and cryptic, as she doesn’t tell you everything. And Dean Koontz, who is so good at surprising twists. Finally, PG Wodehouse for humour. He has the one-liner gag down to a fine art. But I can learn from almost any writer – a turn of phrase, a twist, a different voice. It all goes into the maelstrom and comes out somewhere without my realising it.

Where do you get your ideas from?
They tend to leap out from nowhere. I might catch a rhythm, a fleeting glimpse of some image, song or dream, a snippet in a news item or programme, a phrase or word in a social media post even. The spark might not even reveal itself because the idea wafts in and before I know it the what-if game is on. I do jot ideas in notebooks. If I’m stuck for a plot, I can sift through to see if anything catches my imagination. I think most writers have more ideas than they know what to do with, or will ever write up as stories. The ones that gel will hopefully roll into fodder for readers, if the process goes well.

Do you have a favourite scene/character/story you’ve written?
My current completed book is usually my favourite. Not the one I’m writing because that’s in too much upheaval to be loved. Though I am usually falling in love with my characters in the work in progress. But the one that’s done and dusted, that’s the one I can afford to love until it gets superseded by the next. I do have a few that are perennial favourites and I am rather in love with Lord Francis Fanshawe. As for scenes, when I have occasion to re-read a book, sometimes I find one that really pleases me, and I will wonder how I managed to make it that good.

What are you working on at the moment?
I am writing another Lady Fan mystery, in between my traditional Regency romances. Mysteries take more thought, more time and energy as one must tie everything in together and half the time I don’t know what’s about to happen.

What’s the best piece of writing advice you’ve been given (and who was it from)?
Funnily enough, it was my mother, who is a poet rather than a novelist and my beta reader in my early days, who gave me the best piece of advice. She said one day that she thought I was ending my chapters in the wrong place by running a scene to a conclusion rather than keeping it back. She woke me up to cliffhangers.

Are you a plotter or a pantster?
When I began writing I plotted extensively, but was forever having to adjust the plot as new ideas sprang up. Now I’m a total pantster. Apart from the opening springboard, I have no idea where the story is going and must trust to my inner writer. That is not to say that ideas don’t float about in my head, but when I sit down to write I never know what words are going to come out through my fingers. Still less do I know who committed the murder!

Do you have any advice for aspiring writers?
Keep at it. We all say that. Get the words down any way you can. You can’t edit a blank page. Being a writer is all about persistence. Not just keeping going against the rejections. But keeping going when life throws brickbats at you; when you think you’ll never get to the end; when the deadline is looming and panic strikes; and when you’d honestly do anything – take out the rubbish, clean the car, walk the cat – rather than sit down and write. Successful writers work through every pit stop and drive through to the end. Every time.

What’s been your proudest writing-related moment?
Apart from my very first acceptance which sent me to the ceiling where I remained for days, I think it’s the review of The Gilded Shroud that said: “Georgette Heyer lives – and is writing mysteries as Elizabeth Bailey”. That accolade said it all for me. I grew up on Heyer and still consider her the greatest writer in the Regency genre she spawned. We all wish we could write at her level, so this was to me the best compliment ever.

 

 

Don’t Quit the Day Job: K.A. Richardson

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today, the woman whose post gave me the idea for my Don’t Quit the Day Job series – K.A. Richardson – is back again to talk about her career and how it inspired her ‘Forensic Files‘ series. Check out Kerry’s original post from March 2016 about ‘The Real CSI‘.

Vic x

KA Richardson

I had always wanted to be a police officer, however after numerous patella dislocations whilst trying to get fit for the physical entrance test, I eventually realised that being a cop wasn’t on the cards. 

This led to me thinking seriously about what I wanted to do – I still wanted to work for the police. I remember seeing a crime scene investigator van outside a house in the town around this time, and also CSI was all over the TV screens in the various shows. I wondered exactly was entailed. Once I’d gathered an overview, I enrolled at Teesside Uni. The next four years of my life consisted of lectures, working on an evening to pay the bills, and doing project work but I eventually passed my degree – 1% off a distinction with a high 2:1. On obtaining the degree in 2008, I quickly acquired my first CSI job working for Durham Police. 

Even uni didn’t prepare me fully for the reality of it all. Standing for hours in the snow whilst snow wax, the very thing designed to enhance footwear marks in snow, froze before I could use it. Losing my footing on loose floors where the boards had been taken up to steal copper piping, handing tissues to old men who cried because their pigeons had been killed, being threatened by a young boy with a knife on one occasion, and so much more. The contract there was temporary and when it finished after almost a year, I started at Northumbria Police as a volume crime scene investigator. 

I’d been a CSI for about 2 years when I went to see a psychic, Anthony, and after reading for a while and looking very confused, he asked me why I wasn’t writing. He reminded me that writing was my passion – I’d done it since being a kid but never believed for a moment that I could actually be a writer. I went home after that reading and immediately enrolled on my MA Creative Writing. 

I loved doing my MA – I loved the modules, and the creative people I was on the course with. The one blip was a lecturer who I won’t name, telling me that I wouldn’t amount to anything and not to give up the day job. This lecturer even said I’d fail the module before I’d submitted my work. It was a definite confidence knock. For days, I worried that I was wasting my time, that maybe the psychic and I were wrong, that writing wasn’t really my passion or talent. Slowly, though, my determination shone through. I passed that lecturer’s module despite his warning, and passed my MA, using the first 15,000 words of what became my first novel, as my dissertation. 

As I got further into writing With Deadly Intent, government cuts meant that my job was eradicated – the VCSI role no longer would exist at Northumbria Police. Anyone in the field will tell you how hard it is to get a job in CSI – and I knew I’d find it hard getting back in. My options were leave the police force, or move to the communications department and take 999 calls. I chose that one, and in 2011 I started the role. Two years later, I moved back to Durham Police to take calls closer to home. 

I’ll be eternally grateful for working as a CSI and the opportunities that presented themselves after finishing – having that base knowledge and passion for forensics has enabled With Deadly Intent to be the first stand-alone novel (published by Caffeine Nights), which was then followed by a series with Bloodhound Books, now being rebranded as The Forensic Files. Forensics is something that fascinates people – whether they work in the field or have seen it on the telly, people love that science can catch criminals. And I love that I have the knowledge to bring this into my books. 

Naturally, my CSI background impacted on my writing and, in fact, has become a massive part of my crime novels. I love exploring the different aspects of CSI work, the methodology and how that can assist in finding killers. Still working for the police has allowed me to make contacts in other departments too, which is a fab asset in writing. I loved heading to South Shields and speaking with the head of the dive team at Northumbria Police and obtaining facts which I then used in Time to Play. And I equally loved dealing with the fire investigator who helped inspire Watch You Burn.  

I keep my CSI knowledge up to date, and will hopefully enjoy using it as a feature in my novels for years to come. 

Review of 2017: Chris Ord

Do you have a favourite memory professionally from 2017?
I’ve had a good year. My debut novel, Becoming has sold well and received widespread acclaim. I’ve visited a number of schools giving talks on writing, and presented at several reading events. I was commissioned by Woodhorn Museum to write some passages for their Wonderfolk interactive family experience. This was a proud moment for me, as I spent my childhood walking up and down the narrow path past the pit where the museum is now. However, my favourite memory has to be completing my second novel, The Storm.

I play solo horn in Newbiggin Brass Band, and a couple of years ago we were involved in a local project ‘Haalin’ the Lines.’ Funded by the BAIT team at Woodhorn Museum, the project was led by the remarkable performer and singer-songwriter, Tim Dalling. Tim was commissioned by BAIT to take historical accounts being gathered by the Newbiggin-by-the-Sea Genealogy Project and put some of the stories to music. The aim was to bring back to life the tales and oral histories of local heroes from the village. One of those heroes was ‘Big’ Philip Jefferson, the first Newbiggin Lifeboat Coxswain who was awarded a clasp to his silver medal for an attempted rescue of the Norwegian brig ‘Embla’ in 1854.

The fascination with ‘Big’ Phil stayed with me after the project and further research revealed what an incredible man he was. The story of the night Phil and a few young men from Newbiggin tried to rescue the ‘Embla’ became the backdrop for the novel. However, the events of that night are only the starting point, as the book weaves this together with a folk tale, and a series of mysterious incidents to create a tense, supernatural thriller.

Setting is so important to my writing and it means a lot to me to write a story set in the village where I grew up. History is filled with tales of kings and queens, leaders and generals. This is the history they teach at school. But the true heroes are all around us. They are the people who built our communities, lived and died for our families, friends, and neighbours. What remains of those heroes is love and memories, and it’s vital we keep those alive. Our folk stories are our heritage and we can still learn from them. Writers and creatives play an important role in raising issues, stimulating debate, and provoking challenging questions. I hope my books are more than stories, but also make people think and reflect on the world.

And how about a favourite moment from 2017 generally?
Music has always been my first love, and my best moment in 2017 is a musical moment. As I said earlier, I play in my village brass band. The past two years have been our most successful and this year we retained our Durham League title, won the North East Regional Championship for the second year running, and qualified for the National Finals in Cheltenham.

We worked hard in preparing for the Finals, but you are playing against the best in the country. Wales, Yorkshire, and the North West all have strong, competitive bands and challenging against them is tough. There were twenty bands in the final and finishing anywhere in the top six placings is considered a success. The draw was not kind to us and as with the year before we had a long wait before we took the stage in nineteenth position. The band performed well, though not quite at our very best, leaving the stage with mixed feelings. Finals are unpredictable and always throw up surprises. Few had us anywhere near the prizes.

The announcements prior to the results were agonising, and full of the usual formal fluff and flannel. Eventually, they got round to revealing the prizes, and we were delighted to be awarded fourth place. This is one of my proudest moments in banding. The band folded many years ago and was only revived in 2010. They’re a great bunch of people and musicians, and to come from nothing and finish fourth at the Nationals is a remarkable achievement. We’ve been promoted and next year brings a whole set of fresh challenges. For the moment, we can enjoy the success.

Favourite book in 2017?
A few years ago I read a book called How to be Free by Tom Hodgkinson. It became a bit of a manifesto for me. I read it every now and then to remind me of some important anchors in my approach your life. I decided to read it again this year.

The book has its flaws and some of the author’s ideas are contradictory and simplistic. However, there’s plenty in there to enjoy and it’s worth reading with an open mind. It’s especially engaging if you’re deliberating a life change. I’ve listed the chapter headings below. They provide an indicator of his anarchic approach to life. I see them as a useful common-sense checklist for embracing a certain kind of freedom. You won’t agree with them all, but they make you think, and a number of them inspired me to focus on new priorities.

  1. Banish anxiety; be carefree
  2. Break the bonds of boredom
  3. The tyranny of bills and the freedom of simplicity
  4. Reject career and all its empty promises
  5. Get out of the city
  6. Cast off your watch
  7. Stop competing
  8. Escape debt
  9. Death to shopping, or fleeing the prison of consumer desire
  10. Smash the fetters of fear
  11. Say no to guilt and free your spirit
  12. No more housework, or the power of the candle
  13. Submit no more to the machine, use your hands
  14. Stop moaning; be merry
  15. Live mortgage free; be a happy wanderer
  16. Disarm pain
  17. Stop worrying about your pension and get a life
  18. Sail away from rudeness and towards a new era of courtesy, civility, and grace
  19. Live free of the supermarkets
  20. The reign of ugly is over; long live beauty, quality, fraternity!
  21. Depose the tyrant wealth
  22. Reject waste; embrace thrift
  23. Stop working, start living!!!

Favourite film in 2017?
I’ve not seen enough films this year. I’ve probably forgotten most of the ones I have. It’s a problem of mine, and my wife is always reminding me that I have seen films I’m convinced I haven’t.

One film that stood out for me was Baby Driver. It’s cool, stylish, full of action and has a great storyline. I enjoy a strong narrative and like to be entertained. There’s a role for challenging and thought provoking character movies, but I tend to fall asleep to a lot of those arthouse flicks. I like escapism, and Baby Driver is a bit of fun. It has an excellent soundtrack too. Thanks to Tarantino it seems to be a necessity these days.

One caveat is Kevin Spacey. Always a terrific presence on screen, his reputation is now in tatters. I suspect the film will be buried now. Some of you won’t want to see it because of him. I respect that. It’s a dilemma facing us all now. Should we separate the art from the artist? I must admit if I erased from my life all the creatives who had deplorable views or behaviour there wouldn’t be much culture left. I tend to leave the judgements to the courts or the gutter press. Perhaps that isn’t good enough.

Favourite album of the year?
My wife, Julie has been listening to the latest album by Hurray for the Riff Raff, The Navigator. I recall loving their last album, and the snippets I was hearing around the house hooked me again. I downloaded The Navigator a few weeks ago and have listened to little else since. Essentially, the band is the creative vehicle for lead singer, Alynda Segarra. Of Puerto Rican descent, the album has a strong Latin flavour. The songs and lyrics are exceptional, but it’s the rhythms and mood that I love most. I’m into drums at the minute and love to hear them used in inventive ways. The standout track is ‘Pa’lante’ which contains the lines, ‘I just wanna prove my worth, on the planet Earth, and be something.’ Those words resonated with me. It’s a sentiment that connects most creatives. I think we all want to leave our mark, and if it doesn’t happen in your lifetime die hoping it will someday. Who knows? Maybe our time is yet to come.

Any downsides for you in 2017?
I’ve had a transitional year, readjusting to moving back into contractual work and finding the time to write. While I wouldn’t describe this as a downside, it has meant that I have had less free time. Writing is about discipline and making the time is a challenge. I’m enjoying my new role. It is rewarding, but my passion is writing. My long-term goal is to reach a point where I am writing most of the time. Many writers speak of how they write because they have to. Once you have caught the bug, the compulsion is overwhelming.

However, sustaining a living as an author is like building a business. It takes a few years to build your experience and reputation. The world of publishing has changed, and whilst this offers many opportunities it also means the financial rewards are not as great. I’m an advocate of the indie route. Why be J.K. Rowling when you can by Joy Division? I also like to be control of my own destiny. The opportunities presented in the mainstream would have come at too high a price for me.

I look at the likes of Louise Ross and Mark Dawson with great admiration. They have been bold and clever enough to build a living doing what they love. My success is far more modest, but the creative rewards are what excite and drive me. Whatever happens artistic integrity and authenticity are my primary goals. If others love what I do that is a bonus. Passion may not be enough to pay the bills, but keep working at what you love and the rewards are great. The important thing is to never give up. A film deal would be welcome though.

Are you making resolutions for 2018?
I’m an obsessive compiler of lists and revel in the opportunity to write my resolutions for the year ahead. I’m still working on my goals for 2018, but my main one is to complete Awakening, the follow up to Becoming. One of my challenges is to strike the right balance between work and writing. It takes discipline to write and finding the time is important. If there is one thing I would love more of it is time. I crave it more than anything. Filling that time with words and music is my idea of heaven. My other goals will revolve around music, travel and running. There are still a few bands I’d still love to see in concert. I go to lots of gigs and there are a few in the diary already. I want to see Sigur Ros, an Icelandic band. I also adore musicals and still haven’t seen ‘Les Miserables’, one of my favourites. I intend to put that right in 2018.

What are you hoping for from 2018?
A top four placing with the band at the Regionals would be great. We’re in a higher section now, so it’s going to be tough. I’m also hoping to visit Berlin this year. I passed through in the early 90s on the way to Poland, and regret not getting off the train for a few days. Croatia is another country I’d love to visit and that’s on my list for the summer. Depending on finances I hope to return to Iceland. It’s a captivating place and I promised myself I would return after a visit in 2016. The costs are eye-watering though and 2018 may be a touch too soon to cram in all this travel. I live in hope though.

Finally, I hope my readers enjoy The Storm. I loved writing it and it would be great if others appreciated the book too. It’s always daunting releasing your work, as you never know what the feedback will be. First and foremost, I see myself as a storyteller. If I can entertain people for a few hours, and make them think that’s all the success I need.

Becoming‘ is available from Amazon in paperback and e-book. ‘The Storm’ will be released in January 2018 and will also be available on Amazon.

To find out more about Chris’s writing you can visit his website or find him on Facebook

Don’t Quit the Day Job: Dave Sivers

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we’ll talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today as part of ‘Don’t Quit the Day Job’, we have Dave Sivers here to talk to us about how being a civil servant helped inspire him to write the Archer and Baines novels. Yes, really! 

My thanks to Dave for taking the time to share his experiences with us. You can find Dave on Twitter and Facebook

Vic x

I’ve pretty much always been a writer, ever since I was six years old. But for 40 years, before I took the plunge into indie authorship, and before the Archer and Baines novels, I was a career civil servant.

Every morning, I’d put on a suit and either catch the train to London or drive off to a meeting somewhere. You’re probably already imagining a grey office, full of grey people, some of them covered in cobwebs, drinking copious cups of tea and churning out dry-as-dust papers on even drier subjects.

It’s a caricature with a grain of accuracy in it, but I mostly enjoyed that career and was usually happy enough to get out of bed in the morning. I worked on a wide range of policy issues, and no two days were the same. I got some great travel opportunities and got to do some interesting things. I also met all kinds of characters, including quite a few military people, and some serious game players who knew exactly how to get their way.

Every writer’s everyday life is grist to the creative mill. What I didn’t know at the time, though, was how much the day job was preparing me a new career, after early retirement, when I’d be writing police procedurals.

Writing those papers was in itself an invaluable writing discipline: adopting the right voice for the right circumstances, drafting and redrafting, writing to a length and deadline. But it’s only recently that I’ve come to realise just how much more I owe to those Whitehall days.

As a storyteller, I’m far more pantster than plotter. When I start a book, I invariably have a body. I (usually) know who did it. But I will have either a hazy idea, or no idea at all, of how the killer will get caught. That comes out in the writing. Effectively, I sit on my cops’ shoulders and watch their investigation unfold. And it’s my civil service instincts that are telling me what they need to do.

For a start, I worked in teams as do the police, in a hierarchy that more or less mirrored the police ranking system. And we might not have unmasking murderers, but there was a lot of problem solving involved – which meant gathering information, and knowing what questions to ask, and whom to ask them of.

Of course, I still need to make calls and do internet searches to check whether what they get up to is plausible, or even legal, as well as checking out some of the smaller details I sprinkle around. But it turns out that all those years in a suit were invaluable training for imagining myself into the briefing room at Aylesbury nick and deciding what Archer and Baines need to do next to catch their killer.

My old day job included drafting answers to Parliamentary Questions, and some unkind souls have suggested – unfairly, obviously – that I was always a fiction writer! I’m saying nothing.

The latest book in the Archer & Baines series – ‘The Blood that Binds’ – is available now. 

Getting to Know You: Caroline Roberts

Next month, I will be interviewing Stephanie Butland and Caroline Roberts at Berwick Literary Festival. Today, I’m warming up by getting to know Caroline.

Thanks to Caroline for taking the time to speak with us today. 

Vic x

Tell us about your novels.
I have 4 published novels all set in Northumberland:

The Torn Up Marriage is about love, loss, betrayal and family – a story about ‘messy’ love, and how hard relationships can be when we tear our own worlds apart.

The Cosy Teashop in the Castle and The Cosy Christmas Teashop, its sequel, are romantic comedy novels set in a quirky Northumberland Castle inspired by the wonderful Chillingham Castle near to where I live. My friend ran the tea rooms there for seven years. It’s a story about striving for your dreams, finding your identity, with a host of delightful characters and of course  lots of tea, cake and romance.

My Summer of Magic Moments is a love story about rediscovering those special moments in life, especially after a gruelling time. Claire has recently finished breast cancer treatment and escapes to a cottage on the Northumberland coast. I particularly love the setting at Bamburgh which is one of my all-time favourite places. It’s a story about love, healing, and finding your way through life.

I think through all my books I’m trying to explore love in words, not just romantic, sexual love, but the love between family and friendships too.

What inspired them?
My interest in relationships sparks it all off – things I see in real life, read about in magazines or newspapers. And the settings are very much inspired by my wonderful home county of Northumberland where I have lived for fifteen years, its rolling hills, castles and stunning coastline.

Where do you get your ideas from?
My ideas come from things I have seen, read, overheard, experienced, then I let my imagination take over. A real place can start me thinking about what might happen there. I knew I wanted to set a book at the cottages I used to jog past, nestled right beside the beach between Bamburgh and Seahouses – that became My Summer of Magic Moments.

Do you have a favourite story / character / scene you’ve written?
My favourite novel is my latest, My Summer of Magic Moments. It is particularly special to me as it was informed by a wonderful lady who herself had gone through breast cancer. It also has lots of real moments included from my family and friends. This book carries a little piece of my heart, and I feel so thankful to have had it published.

What’s the best writing advice you’ve ever been given and who it was
from?
“Don’t get it right, get it written”, a friend from the Romantic Novelists’ Association told me that (I think originally it may have been from Dorothea Brande’s book). It’s so true and stops you procrastinating about getting it perfect first time, which I think can cripple many a writer. Just let the creative juices flow and get the story out. Later is the time for editing.

What can readers expect from your books?
A really good love story, with fun, family, friends and food, set against something sad such as loss, grief and betrayal – the hard stuff that affects us all at times in life, all in a beautiful Northumberland setting.

Have you got any advice for aspiring writers?

  • Write what you are passionate about. If you love what you write this will make the writing process so much easier, and it will come through to readers (and hopefully publishers/agents if you are looking to be published) and spark their imagination and interest too.
  • Finish the book! Don’t pressure yourself that it has to be perfect. Just keep going forward and get the story out. Make time to write regularly, and you will get there. Editing is for later.
  • Submitting – If publication is your aim, finish the book, polish up your first 3 chapters, spend time on your synopsis and cover letter, and only then start sending it out. Try and be as professional as possible. Do your research on who you are submitting to – and send exactly what they ask for. Do try and personalise your cover letter to show you have spent time finding out about them/their company.
  • Persevere – the submission process can be long and hard, and rejection is never easy. Try not to take it too personally – easier said than done, I know – but keep going and try and learn from any critical feedback you might get.
  • Link up with other writers. Look for local groups, or link with groups in your genre. The support and friendship within organisations such as the Romantic Novelists’ Association is invaluable. It was only by taking a deep breath and pitching at the RNA Conference that I got my book deal offers.

What do you like and dislike about writing?
I love the creative process – getting lost in my imaginary worlds where the scenes unroll and the characters seem so real. I also really like meeting and chatting with readers.
Dislikes: Deadlines, writing a novel to a short deadline set by the publisher can feel somewhat stifling. Marketing and publicity can also be challenging and time-consuming too, I really didn’t have a clue how much the author is expected to do of this themselves before I got published, though I’m much more comfortable with this side of things now.

Are you writing anything at the moment?
I’m on the final edit stage of my next book, The Cosy Christmas Chocolate Shop,  a romantic comedy set in a fictional Northumberland harbour village that’s a mash-up of Craster with Warkworth plus a few tweaks of my own. I had great fun researching all things chocolate for this book, and was inspired and helped by two fabulous local chocolatiers.

What’s your favourite writing-related moment?
Holding the first paperback copy of my debut novel, The Torn Up Marriage, in my hands. That was such a special feeling. I had spent over ten years trying to get my novels published and it was a real ‘I Did It!’ moment. A dream come true.

I review my 2016

I really enjoy running the annual reviews, they get wonderful feedback from readers and it’s always a pleasure to spend time with the participants so thanks to everyone who’s taken part this year. Here’s to a wonderful 2017!

Victoria

In 2016, I have had some really cracking professional successes. Noir at the Bar is a real highlight for me, having run two in Newcastle and participated in ones in Harrogate and Edinburgh. I have Graham Smith and Jay Stringer to thank for encouraging me to set up the Newcastle chapter. Special thanks must also go to Jacky Collins – organiser of Newcastle Noir – for assisting me with the running of NatB NE. The turnout for the events in Newcastle has been fantastic and it’s really gathering great support, it’s a really wonderful thing to be involved in. I’m really looking forward to the next one on Wednesday, 22nd February.

My friend Luca introduces me

Elementary Writers continue to go from strength to strength. This year, we’ve released a book – Blood from the Quill – and a pamphlet – Wish You Were Here. We’ve also done performances for Burns Night, Heritage Open Days and Halloween. It is a pleasure to work with such talented writers.

The writers that I’ve worked with as a copy-editor this year have had some great success. I loved going to Chris Ord’s book launch for his excellent novel Becoming and it’s great to see that Nicole Helfrich’s book Descent to Hell has been released internationally. Similarly, it’s great to see Paul McDonagh and Graham Bain‘s books available to buy now.

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Oh, and I started working on my novel again. I’ve written more in the last three months than I have done in six years. That’s a pretty good feeling. The feedback I’ve had from performing extracts and sharing the work has been awesome and has really spurred me on to actually finish it. It’s not easy but I’m actually really enjoying spending time with the characters and delving deeper into their lives. A couple of weeks ago, Mike Cockburn of Sogno Ltd did a session with Elementary Writers on Myers-Briggs Personality Types and that’s given me a lot of food for thought.

Personally, I’ve also had one of the best years of my life. The Boy Wonder and I moved into our first house together in August and, on 14th November in Oman, he asked me to marry him! I honestly couldn’t be happier.

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It was a true thrill going to see my dad be awarded an MBE for services to welfare reform and charity. It was such a special day, going to Buckingham Palace with my parents and brother to see my dad’s hard work rewarded. I’ve never felt so proud in my life. We enjoyed a lovely afternoon tea at the Grosvenor Hotel in London afterwards.

A very proud day

In other news, I finally hit my Slimming World target as well as being nominated – and winning – Woman of the Year and Miss Slinky at my group. I’ve made some great friends at the group and I will continue to go in order to control my weight.

Favourite film by a country mile was GhostbustersI didn’t want to see it as I was worried it would be a disappointed but I loved it. Kate McKinnon is my hero!

I’ve read so many fantastic books this year in a range of genres. I loved Roald Dahl’s Book of Ghost Stories which was a collection of his favourite chilling tales. Big Magic by Elizabeth Gilbert was a real inspiration – any creative person should read this fantastic book. I read my first ever Agatha Christie this year and I’m proud to boast that I guessed who was responsible for The Murder of Roger Ackroyd very early on. The Yellow Wallpaper was an utter revelation. There are loads of other wonderful books that have stayed with me this year – you can check them out on my Goodreads page.

That has got to be Formation by Beyonce although I have been known to sing it as ‘Ok, ladies, now let’s get information’. The Boy Wonder and I went to see Hans Zimmer Live and that concert just took my breath away. Seeing him perform the music from The Dark Knight as well as being introduced to The Electro Suite and other incredible compositions has stayed with me ever since.

At the start of 2016, I’d been made redundant and a house purchase had fallen through. That was not a great start but since then, I’ve never looked back. Looking outward, I’m devastated by the events all over the world. Syria, the US election, the EU referendum in Britain and the fallout have just been terrifying. Every year, I worry that we – as humans – are losing touch with humanity. I can’t believe the way people are behaving towards one another – usually because of difference. That’s just heartbreaking.

My resolutions for 2017 are too try not to over-commit. I get very excited by the opportunities offered to me and find it difficult to say no but sometimes that negatively impacts on me.

I’m hoping 2017 will be a better year for people. I really hope we can find a way to work together to bring about positive change in the world – regardless of difference.