Tag Archives: day job

Don’t Quit the Day Job: Nicky Black

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

I read ‘The Prodigal‘ in 2016 and have since got to know Nicky Black quite well. I’ve hosted her at Noir at the Bar Newcastle a few times as well as spending time with her at Bloody Scotland and Newcastle Noir. I’m really thrilled to have Nicky on the blog to discuss how her work life has influenced her writing. 

Thanks, Nicky, for taking the time to chat to us. 

Vic x

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Since self-publishing The Prodigal in 2015, I’ve met a lot of authors, some of whom write full time, some who don’t and many who dream of it. Now I like my own company, not because I’m the wittiest, most interesting person I know, but because I’m comfortable being on my own, but there’s only so much time I can spend in front of my laptop, in my living room, staring at the ugly plastic vent on my chimney breast wall. My day job serves many purposes – office banter (love it), a sense of achievement, and it pays the bills and it keeps me and my kitties fed.

I’ve had a 30 year career, mostly working either in, or in support of, “poor communities,” – firstly with Save the Children, then in urban regeneration and in the latter five years in welfare to work (I’m not going there…). I’ve seen the best and the worst of these communities, whether Cowgate in Newcastle or Hackney in London. The problems are the same: high crime, poor health, low educational achievement (there’s an actual list), and above all, a labelling of these communities as somehow undeserving and undesirable. There are many undesirables for sure, but where there’s a ying, there’s a yang, and I’ve also met the most passionate, fearsome, committed people who have nothing to their name, but who root for their communities and give them a voice. 

So, whilst The Prodigal and Tommy Collins (out this summer) fall within the crime genre, they aren’t police procedural stories (I leave that to those fabulous authors who can create twisty-turny whodunnits). My interest lies in the impact crime has on individuals, families and whole communities, and how that is dealt with by the authorities and the communities themselves. I’ve heard how the police talk about these estates, and I’ve experienced the disdain residents have for the police – both are valid in their own right. The Prodigal was actually inspired by a conversation with a police officer back in the nineties about informants or “grasses”– who are they? Why do they do it? The answer was that it is generally family members, almost always women, and they do it because they want that person they care about to stop. Pop those facts into a scenario where the grass is a woman, in love with a copper who’s after her criminal husband, and you’ve got drama. 

The housing estate itself where the books are set (the fictional Valley Park) is a key character, and I couldn’t have written it with any authenticity without the experience of working for 20 odd years with local residents, and the professionals who think they know what’s best for them (sometimes they do, I can’t argue with that). Valley Park is a grim place in The Prodigal, and even grimmer in Tommy Collins which is set ten years earlier in 1989 – the height of Thatcherism, unemployment and civil unrest. I’ve actually started to feel quite protective of the place and the pretend people who inhabit it, even the bad ones. It’s like the Mothership – a place you can’t escape. Anyway, I’m looking forward to book three which will bring Valley Park bang up to date, and I can have a pop at Beardy Men and gentrification (is there ever a happy medium?).

I’m out of the poverty game now. I left London in 2016 (I lived there for 14 years), had some time off, and now I’m back working pretty much full time again for a hospice charity (there may well be a future novel in that, who knows?). Now, my writing influences my day job in a way. I write grant applications, and this requires delivering a story with heart, hitting all the right notes that make those funders want to read on and see what they’ll get for their money. They’ve got to believe in what you’re doing and get some satisfaction from investing in you – much like readers, I suppose. I must be doing okay, because in eight months I’ve secured over £200,000, which is about £160,000 more than they’ve had in grants in any one year. I’m quite proud of that! 

It doesn’t leave me much time to write, as I do like to keep my social life active, my house clean and my cupboards stocked. That, coupled with my inability to stick to a plot, means my second book is about a year behind. But I’m getting there. You can be sure it’ll be full of grit, inspired by some of the best and worst people I’ve ever met through my day jobs.

Thank you for having me Vic, and hello to those of you reading this 😊 *waves* x

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Don’t Quit the Day Job: Glenda Young

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

A couple of years ago, I went on a writing course in York hosted by ‘The People’s Friend’ magazine. On that course, I met Glenda Young. Since then, Glenda’s career has sky-rocketed – and there are few people who deserve it more than her.

Glenda is here to share a very personal story with us. I’d like to thank Glenda for her honesty. I hope her story inspires many of you.

Vic x

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I didn’t quit my day job, it quit me. 

Sort of. 

It made me really ill. Stress-induced panic attacks, anxiety eating away at me for months. Not sleeping, worrying myself sick about going to work in a job that was making me desperately unhappy. Something had to give. Something had to snap. Unfortunately, it was my mind. 

I called in sick. I thought I’d be all right after a duvet day. I wasn’t. I thought I’d go back the following week. I didn’t. I couldn’t. Weeks turned into months and I still wasn’t right. 

With the help of the NHS I underwent counselling and therapy which helped more than I can tell.  I began to recover. HR were on the phone, wondering when I was coming back. I decided not to return, handed in my notice and left, determined never to put myself through the stress of being in the wrong job ever again in my life. 

Even just thinking about that dark time at the end of 2014, early 2015 I feel my shoulders tense, my jaw grind and my blood pressure rise.

So what was the right job for me, I wondered? Well, I’d always loved writing and had earned money over the years from writing online and for ITV in my spare time. I’d put the word ‘writer’ down on my tax return every year so why not call myself a writer full-time?  Why not … I gulped … give it a try? A proper try? No playing about this time. And so, I changed my twitter profile to say I was a writer.  I announced it to the world. And now there was only one thing I needed to do: 

Write.

In autumn 2015 I joined a creative writing class at Sunderland Women’s Centre, it was a real back to basics writing class, all about expressing emotion and feeling in your work, using your senses. I loved it. I submitted a short story to The People’s Friend magazine and fell off my chair when they emailed to say they wanted to buy it. I wrote another, and another…. 

Over two years on from having that first short story published in a woman’s magazine I’ve had short stories published in three different women’s magazines and have been commissioned by The People’s Friend to write the first ever weekly soap opera for the magazine in its 150 year history. It’s an honour and a privilege to have been asked – and a real joy to write. 

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I’ve also won a local short story competition, been placed second in a national short story competition and been shortlisted and longlisted in various others. My work has been published in anthologies. And the unexpected happened too – I’ve done things I would never have dared while working in my past jobs. I’ve spoken, in public, in front of people. It’s terrifying, but by god, I enjoyed it. 

And the best bit of all, the bit that I am still on cloud nine about, that I still can’t believe is real… I’ve been signed to a literary agent who has sold my debut novel to Headline. I’ve been signed up by Headline on a three-novel deal with my debut novel Belle of the Back Streets published in November 2018.

Being diagnosed with anxiety and mental health problems has changed my life. For the better.  Yes, I still get anxious. Yes, I still get chewed up in knots over the most simple of thing. But – excuse the cliché please – I’ve learned that it really is OK to not be OK. 

It’s horrible, but it’s OK. 

As a full-time writer, of course I have less money coming in than when I was in a salaried role. There’s no pension, no security, just a blank screen that stares at me every morning. It’s a battle to write some days, but once I get going… oh, once I get going.  And I wouldn’t swap it for the world.

I am happy. 

I am a writer.

Don’t Quit the Day Job: Paul Harrison

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

It’s my privilege to welcome Paul Harrison to the blog today to talk about how his work in the criminal justice system has influenced his writing. If Paul’s post catches your interest, drop him a tweet or look him up on Facebook

Vic x

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Thanks for inviting me to speak on the blog. For me, bloggers are one of the most influential part of being a writer these days, so I’m well chuffed to be here talking about my previous life. I’ve been called Britain’s Mindhunter by the world’s media, because of my work with serial killers. However, I much prefer to be Paul Harrison, not some media invention.

When I joined the police service back in the late 1970’s, never, did I anticipate that my working life would be so exciting and filled with mainly positives, there have been a few negatives, but I’ve learned from those. Anyone who believes the British police force is behind its global counterparts, is wrong. I have over a century of policing within the family tree, my grandfather, father, myself and currently my son have been so employed. Even my great grandfather was so employed. Back in Victorian times he was probably the first criminal profiler in history. He’d hang about with criminals and felons and draw up social profiles on the in an attempt to understand who likely victims were likely to be, then he’d sell that intelligence on to the police. He was a big writer and storyteller, so his genes have definitely been passed down to me.

My own police career lasted over three decades and I was fortunate to serve in just about all the specialised fields I aimed for: Dog Handler, Firearms Officer on Special Escort Duties, Promotion, Intelligence Officer and of course, much later, my association with the FBI and profiling. I worked hard to get where I wanted to be, and advise everyone, no matter what they are doing to follow their dreams.

I began writing during my police career, mainly true crime books but the odd football book also crept into print too. These were the days before e-books so it was traditional publishing only, it was difficult trying to sell manuscripts to publishers and hold down a regular job.  I was lucky, I guess, and managed to get seven books published during my time in the police.

When I retired from the job I went to work with the Judiciary at the Royal Courts of Justice in London. What an eye-opener that was! Seeing the criminal justice system from the other side, was shocking. Needless to say, I often questioned judgments and tariffs handed down to serious (vile) offenders. I didn’t last long, and I moved on after a couple of years. I took up work in the voluntary sector, helping child victims and survivors of sexual harm. The scale of the matter was shocking and I set up my own service, called SAM (Systematic Abuse of Males) as a signposting agency directing victims to services in their area. As a result of this I was awarded the Outstanding Individual of the Year Award for my voluntary work in this arena.

All the time I was writing, more true crime and finally I went full time, and have moved onto novels. I’m so proud to be part of the Urbane Books team and have just signed a contract with them that I hope will last several years. Of all the publishers I’ve worked with in my time as a writer, covering thirty four books, Urbane Books stand out head and shoulders above the rest for their care and attention to detail. They like great writers, but are focused on producing quality books for the reader. 

Over the years, I’ve met some of the world’s worst killers, looked evil in the eye and confronted it. Nerve wracking stuff, however, let me tell you, there’s nothing more worrying than waiting for a publisher’s response to a book submission.

Writing has been incredibly cathartic for me, as is the sense of support that runs throughout most of the crime writing community. There’s a lot more books in me yet, and my fictional detective, Will Scott (named after my grandfather) will go on to endure many more adventures.

Don’t Quit the Day Job: K.A. Richardson

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today, the woman whose post gave me the idea for my Don’t Quit the Day Job series – K.A. Richardson – is back again to talk about her career and how it inspired her ‘Forensic Files‘ series. Check out Kerry’s original post from March 2016 about ‘The Real CSI‘.

Vic x

KA Richardson

I had always wanted to be a police officer, however after numerous patella dislocations whilst trying to get fit for the physical entrance test, I eventually realised that being a cop wasn’t on the cards. 

This led to me thinking seriously about what I wanted to do – I still wanted to work for the police. I remember seeing a crime scene investigator van outside a house in the town around this time, and also CSI was all over the TV screens in the various shows. I wondered exactly was entailed. Once I’d gathered an overview, I enrolled at Teesside Uni. The next four years of my life consisted of lectures, working on an evening to pay the bills, and doing project work but I eventually passed my degree – 1% off a distinction with a high 2:1. On obtaining the degree in 2008, I quickly acquired my first CSI job working for Durham Police. 

Even uni didn’t prepare me fully for the reality of it all. Standing for hours in the snow whilst snow wax, the very thing designed to enhance footwear marks in snow, froze before I could use it. Losing my footing on loose floors where the boards had been taken up to steal copper piping, handing tissues to old men who cried because their pigeons had been killed, being threatened by a young boy with a knife on one occasion, and so much more. The contract there was temporary and when it finished after almost a year, I started at Northumbria Police as a volume crime scene investigator. 

I’d been a CSI for about 2 years when I went to see a psychic, Anthony, and after reading for a while and looking very confused, he asked me why I wasn’t writing. He reminded me that writing was my passion – I’d done it since being a kid but never believed for a moment that I could actually be a writer. I went home after that reading and immediately enrolled on my MA Creative Writing. 

I loved doing my MA – I loved the modules, and the creative people I was on the course with. The one blip was a lecturer who I won’t name, telling me that I wouldn’t amount to anything and not to give up the day job. This lecturer even said I’d fail the module before I’d submitted my work. It was a definite confidence knock. For days, I worried that I was wasting my time, that maybe the psychic and I were wrong, that writing wasn’t really my passion or talent. Slowly, though, my determination shone through. I passed that lecturer’s module despite his warning, and passed my MA, using the first 15,000 words of what became my first novel, as my dissertation. 

As I got further into writing With Deadly Intent, government cuts meant that my job was eradicated – the VCSI role no longer would exist at Northumbria Police. Anyone in the field will tell you how hard it is to get a job in CSI – and I knew I’d find it hard getting back in. My options were leave the police force, or move to the communications department and take 999 calls. I chose that one, and in 2011 I started the role. Two years later, I moved back to Durham Police to take calls closer to home. 

I’ll be eternally grateful for working as a CSI and the opportunities that presented themselves after finishing – having that base knowledge and passion for forensics has enabled With Deadly Intent to be the first stand-alone novel (published by Caffeine Nights), which was then followed by a series with Bloodhound Books, now being rebranded as The Forensic Files. Forensics is something that fascinates people – whether they work in the field or have seen it on the telly, people love that science can catch criminals. And I love that I have the knowledge to bring this into my books. 

Naturally, my CSI background impacted on my writing and, in fact, has become a massive part of my crime novels. I love exploring the different aspects of CSI work, the methodology and how that can assist in finding killers. Still working for the police has allowed me to make contacts in other departments too, which is a fab asset in writing. I loved heading to South Shields and speaking with the head of the dive team at Northumbria Police and obtaining facts which I then used in Time to Play. And I equally loved dealing with the fire investigator who helped inspire Watch You Burn.  

I keep my CSI knowledge up to date, and will hopefully enjoy using it as a feature in my novels for years to come. 

Don’t Quit the Day Job: Cathie Devitt

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

My guest today is Cathie Devitt who will be telling us all about how her working life inspired her writing. Cathie’s final novel in the Bernice O’Hanlon trilogy, ‘Don’t Break the Circle’ is due out later this year. Thanks to Cathie for being part of this series.

Vic x

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My working life began at the tender age of 15, I lied and said I was 16 to get the weekend job). 

The children’s clothes shop I went to work in was owned by the female half of a wealthy Italian family for whom the men’s business was ice cream. Yup. Ice cream.

The clothes were all imported from Italy, designer label and very expensive. Parents all want their little angels to look their best, even if it meant paying for the outfits on credit. That, and the regular visits from celebrities and football stars, kept the business going. There were loads of interesting characters to draw on from that experience.

My full-time work varied from working in National (yawn) Savings (yawn) Bank to working in a bakery putting the jam into doughnuts. Mis-shapes were a perk of the job as was overfilling said doughnuts and slurping hot jam as it dribbled down my hand. The characters I have worked with in catering have given me great one-liners and insight.

Life chuntered on and I worked as a waitress, cleaner, in a supermarket, as a civil servant and for youth charities. I was a housing officer for years working in one of the poorest areas of Scotland. Most of the housing was flats within closes, so 8-12 flats in one building. Have you ever seen a tank housing Iguanas fill an entire living space? The fact that the tenant fed them live crickets didn’t go down well with his neighbours who found the critters in their cornflakes and were wakened by a morning chorus of crickets rubbing their legs together. 

I have travelled extensively on high class airlines courtesy of my sister’s staff travel perks and have seen “trolley dollies” in action. Believe me, their lipstick is a badge of honour. Strong characters, strong stomachs. Watching the crew and the travellers was a gift for a writer.

Some people say they long to write full time as a career. For me, with the retirement age going up, I am likely to expire before I retire, but I feel that writers benefit from interaction with other people and what better way than working with the general public?

I currently work in local government and see first-hand the issues faced by people, the way politicians handle situations and the press coverage that can make or break policies. 

I have never blatantly characterised a real person in my writing, but my current trilogy, the life of Bernice O’Hanlon, is loosely based on my friend who is a High Priestess, Wiccan witch. The plot is based on some true events, some are total fiction. That is the power of the pen. I wouldn’t want to expose someone or hurt anyone’s feelings so my characters are all patchwork.

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Don’t Quit the Day Job: James A Tucker

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today, James A Tucker – writer of ‘Space Expectations‘ and member of Elementary Writers – is with us today to talk about his rich and varied career and how they have enabled him to imagine worlds far, far away. 

Vic x

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Some authors seem to collect weird jobs.

Well, I haven’t been an unarmed combat intructor or anything.  I volunteered in a homeless shelter but they sensibly never put me on night shift, so I didn’t see much of the trouble.  I delivered telephone directories around the lanes of Somerset, where the houses were numbered in the order they were built.  I think that has helped writing about isolated and odd almost inaccessible places, but it wasn’t much of a money maker.  To buy a bass amp I spent a while getting up at two thirty am to work in a sandwich factory, doing things like putting four slices of tomato on every bread slice passing by on a conveyor belt, standing inside a giant refridgerator.  I sneezed over one sandwich, but it was gone before I could do anything about it.  I don’t learn, because I still eat ready-made sandwiches.

Had a holiday job at an oceanographic lab.  The most writerly things about that were the isolated setting, the abandoned civil service estate in the forest with its empty houses, the sailor’s tales of worse things happening at sea.  But it also gave me a glimpse into the lost world of employment inhabited by my father: where bosses could be bumbling, relaxed and kindly.

The rest of my employment hasn’t been much like that at all.  But I should probably mention the training.  I am a strange person who was always good at science, physics especially.  So I did a physics degree.  Then, being the contrary person with depression that I am, I decided not to do it for a living.

I like to think that my sci-fi scenarios and hardware are distinctly above par.  On the other, realism and plausibility are not necessarily what people look for in their genre fiction!  It might be a lot better not to spot laughably bad science and plot holes.  But I’m a pedant who reckons that without a working world to stand on, you can’t have a serious story.

Then I worked for ten years as an Occupational Therapist.  The first benefit for a writer was figuring out how to explain what an OT is and what we do; and to realise that the answer depends on the context and the audience.

In a kind of shock therapy, I was plunged into a world of intense human drama, life, death, suffering, resilience, hope and despair.  In the first draft I started writing and couldn’t stop until it was way too long for a column.  So what are the most important things to say?  That if many of the things I saw or experienced were written in anything but a black farce, people would say they were too extreme or unbelievable.  Fiction differs from life in that it has to make sense, and villains have to show depth and complexity.  There might be a redeeming reason why a nurse is covering up patient neglect by smearing other people, but in reality, you’re unlikely to ever find out.
One interesting thing was that I went from a 90% male profession to one that was 90% female.  There I experienced both positive and negative discrimination for being a minority.  Gives you perspective… the sexes really aren’t that much different.

In the end, I burned out from stress and management bullying, and am now unemployed.  Is there a fresh career as an author awaiting?  Let’s find out…

Don’t Quit the Day Job: Chris Ord

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

My friend and client, Chris Ord, has led an interesting life and he’s here to talk about how every job he ever had led him to writing his debut novel ‘Becoming‘. 

Vic x

Chris Ord

I have worked in education most of my career. It has been a major influence on my life and my writing. The most important thing it has given my writing is discipline and structure. These skills are often underestimated. Yes, there are lots of factors involved, but I think these are the most important ones, along with self-belief.

I began my career as an English language teacher, living and working abroad, then taught at Warwick University before moving into education research and policy. I chose education because it represented freedom and that was something I craved as teenager. There weren’t many opportunities for young working class kids in the North East in the eighties. The pits were closing and industry was dying. The service economy hadn’t really found its way up north. Education was my way of taking some control of my life and escaping. After university I decided I wanted to give something back, help influence and inspire others. Education had changed my life, and I believed it had the power to do the same for others.

My move into education policy was my attempt to change the world, or at least a small part of it. I soon realised how misguided and naive I was. Things weren’t as I imagined or would have liked them to be. Education policy was all about putting young people into boxes, training them for the needs of UK PLC. It wasn’t about finding the talent or creativity of young people, but sifting and sorting, spoon feeding them Maths and English.

I believe every child is special. Everyone has a talent and something to offer. It’s the job of education to find that talent, nurture it and help it grow. Every young person needs to find their own sense of freedom and the best way to contribute to their community and society. Education is too narrow and it’s letting our young people down. This was one of the big themes I had in my mind when I gave up my career in education in 2015 and decided to write Becoming. I wanted to write a book about how I felt in my late teens, what my frustrations were, and how difficult it was to make the transition into the adult world. That’s what the book is about. It’s also about young people trying to find who they are, how the adult world treats them, how it fails them.

My eldest son gave me a wonderful piece of advice which I tried to follow – ‘I want to read books written about young people, but not for them.’ I tried to write from that perspective rather than trying to guess what might interest a young person. I wanted to write something exciting that I would enjoy reading, and hopefully others would too. I think if you try to second guess an audience you’re likely to fail. Everyone is so different and you only really know what you like. Just write from your heart and I think your passion and sincerity will come through.