Tag Archives: debut

Review: ‘The Rumour’ by Lesley Kara

When Joanna, a single mum, hears a rumour at the school gates, she doesn’t intend to share it with anyone. But, when she mentions it in passing at her book club, word starts to spread. Apparently, there’s an infamous child killer living in their midst under an assumed identity and now the residents of Flintstead-on-Sea want to know who Sally McGowan, who killed young Robbie Harris almost fifty years ago, is now. 

Lesley Kara has come up with a truly original premise. The idea of how dangerous one throw-away comment can be is a really interesting one in this time of social media. Not only is ‘The Rumour‘ a study of society but it is, at heart, an intriguing mystery. 

This novel is a compelling story which features an important message regarding the impact that the past can have on the present. 

The characters in ‘The Rumour‘ are well-drawn and Kara manages to make the reader question everyone’s motives. Kara’s characters are really believable and, despite everyone potentially being a suspect, they are still empathetic. I could absolutely sympathise with Joanna’s suspicion of everyone and her inability to trust anyone. 

Kara’s debut novel has plenty of twists and turns. It’s fast-paced which mirrors the panic felt by Joanna. 

The Rumour‘ is one of the best books I have had the privilege of reading this year. I couldn’t put it down. It’s available for download now. 

Vic x

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2018 Review: Chris Ord

Today’s special guest is Chris Ord, writer of ‘Becoming’ and ‘The Storm’. Earlier this year, I had the pleasure of chairing a panel featuring Chris, Danielle Ramsay and William Prince. 

You can find Chris on Facebook. My thanks to Chris for taking the time to review his year, it’s always a pleasure hosting you, Chris.

Vic x

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Do you have a favourite memory professionally from 2018?
I released my second novel, The Storm in January. It is based on a true story and was inspired by a musical project I was involved in. It is about ‘Big’ Philip Jefferson, the first Newbiggin Lifeboat Coxswain who was awarded a clasp to his silver medal for an attempted rescue of the Norwegian brig ‘Embla’ in 1854. The rescue is the backdrop for the novel, however, the events of that night are only the starting point, as the book weaves this together with a folk tale, and a series of mysterious incidents to create a tense, supernatural thriller.

It’s gone really well. After the customary book launch I’ve appeared at several reading events and featured in regional and national magazines. They ran an article in Living North about it and gave it a glowing review. I was proud of that one. These things make all the difference for a writer. You plough away in self-doubt and isolation writing the story you love, and your hope is that others will love it too. When the feedback tells you the risk and sacrifice, the blood and tears were all worthwhile. It’s priceless.     

And how about a favourite moment from 2018 generally?
I saw ELO recently. It was at the arena which is not a good music venue in my opinion. Initially it put me off, but I bought a top whack ticket at the last minute. I was bang in the centre, in the fourth row, a cracking seat. They were incredible, one of the best live musical experiences I’ve witnessed. I go to a lot of gigs and have seen some of the very best artists over the years, and they were up there without question. Jeff Lynne still has the voice and, of course the wall to wall hit tunes. He has surrounded himself with musicians of the highest quality and capped it off with a superb light show. 

My dad loved ELO, and introduced me to them in the first place, many years ago. It was a moving concert for me for that, and lots of other reasons. Perfect. Music always provides my annual highlights. I can’t think of anything better than music. 

Favourite book in 2018?
Don’t Skip Out On Me by Willy Vlautin. Willy is the singer and main songwriter of the bands Richmond Fontaine and The Delines. I love his music and writing. There was a film released this year based on one of his novels, Lean on Pete. But for me Don’t Skip Out On Me is his best yet. It’s about a young Mexican Ranch hand who dreams of becoming a boxer. He leaves a loving elderly farming couple, who have taken him in as their own, to pursue his dream with tragic outcomes. It’s a terrific novel with well-drawn characters that creep under your skin. 

So much of modern literature is style over substance, but this is traditional storytelling of the highest order. It reminded me a lot of John Steinbeck, who I love. I’m always far more interested in story than style. Literary work has its place, but I read to escape, be thrilled and entertained. A lot of literature seems to be pumped up by the marketing machines, and prize winning circuits and gains momentum via the in-crowd. Just give me a good yarn that takes me to another world for a few hours, makes me laugh, cry, scares or excites me. I aspire to be an accomplished storyteller as much as a writer. 

Favourite film in 2018?
I loved You Were Never Really There with Joaquin Phoenix. It’s a dark and brutal film about a hitman with a hammer who gets himself into a tricky situation when he takes on a job which spirals out of his control. Phoenix makes the movie with another captivating performance. I can’t think of a better screen actor at this moment. He’s one of those I will watch the film simply because of him. Some may find the film too brutal, but I’ve never been put off by gore or brutality. Readers of my work will know this.

Favourite album of the year?
God’s Favourite Customer by Father John Misty. What can I say other than I adore everything Josh Tillman does. He’s adopted the persona of Father John Misty in order to liberate himself creatively. I find this intriguing and it reminds me of my favourites artists like Bowie, Gabriel, and Bush all of whom have played theatrical roles in their work.

People have often asked me if I would write under a pseudonym. Who knows, maybe I have! It’s an interesting proposition and not something I’m averse to. It has risks commercially as you have built up your fanbase and people will engage with your work because of who you are, and what you have written before. However, it could offer the opportunity to take a few more risks and try different things. 

Integrity is everything for me. It’s what attracts me about the indie route above all else. All creatives are searching for the truth, their own truth. You hope that others will relate to that truth and there is a degree of universality to the human experience you have captured. Adopting a persona would allow you to explore a different perspective and present the story from an alternative world view. It may compromise on authenticity, which is part of the risk. I’m more and more attracted by the thought when I encounter artists like Tillman. 

Seeing the world in new ways is an important part of our development as people. I believe one of the main problems today is that so many struggle to see the world from other perspectives, or at least recognise the validity of different views. There are too many that think theirs is the one and only accepted truth and should be everyones. Tolerance and respect are being undermined by populists and illiberal liberals alike. Maybe we all need to try a different persona now and again, or show a bit more empathy and compassion at least. I saw a powerful quote this year which stayed with me, ‘Stay kind. It makes you beautiful.’ I’m going to try and remember that one.  

Any downsides for you in 2018?
I haven’t written as much as I would have liked this year. Like many writers I’m only able to sustain myself financially in bursts. It’s feast then fallow. I wish at times it was different, but few write to be rich, it’s more important to seek the integrity I spoke of earlier. Integrity doesn’t pay yet bills though. As such, I have to take on contract work to meet all my family commitments, and I have a large family of four boys!

It’s difficult to find the time to write when you’re working, but I’m also a musician and play in a band. I love playing and it’s important to me. By the time I get in from work, do all the family things, and practice my horn, there isn’t much time remaining to write. However, I have hit a bit of momentum again of late. This has been driven by the passion and excitement I have for my latest work in progress. These are the moments you look for and have to make the best of. So things are looking positive again, and sometimes you need the lows as a reminder and a springboard to greater things.

Are you making resolutions for 2019?
Yes, I’m an obsessive planner do the New Year offers ample opportunity for me to indulge in ‘things to do’ lists. I will be finding more time to write, and play my music. I run regularly and hope to get a couple of half marathons done this year. I also want to go to a few more gigs. I go to watch music a lot, but this year has been a bit quiet. There have been some highlights, but I think I may need to look further afield this year. So family, music, writing, running. In that order. Same as it ever was.

What are you hoping for from 2019?
I have two books on the go at the moment. One is the follow up to my debut novel, Becoming, the other is something new. If I get my act together both may see the light of day in 2019. One is at the editing stage, but needs a bit more polish. I need to keep up the momentum I have found and find a regular pattern for writing, make the time, little and often. Hard work and discipline are talents in themselves. You need both to be a writer or the words never get anywhere. I need to keep reminding myself of that in 2019. I will. It’s going to be a good year. I promise.

 

2018 Review: Theresa Talbot

Yesterday’s 2018 reviewer was Harry Gallagher. Today, we welcome Theresa Talbot. Like Harry, Theresa has had a very eventful year.

My thanks to her for sharing her experiences with us. 

Vic x

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Do you have a favourite memory professionally from 2018?
For me 2018 has been the best year ever – in so many ways. Professionally, I signed with a new publisher Aria, and new agent Nicola Barr which was super. Aria re-released my debut crime novel in April of this year, and gave it a total revamp including new title & new cover. It’s now The Lost Children – it was re-edited too which for me gave it a whole new dimension and helped established the characters for the follow-up novel. Which allows me to seamlessly mention Keep Her Silent, which was released in August. I also do a lot of chairing work for other writers and been lucky enough to chair Marian Keyes,  MC Beaton (the writer of Agatha Raisin), Ashley Jenson (the star of Agatha Raisin) and (drum roll…) Graham Norton who was an absolute dream, they all were. So it’s been a pretty whirlwind year.

And how about a favourite moment from 2018 generally?
Oh crikey, where do I start? Bloke-With-Beard (aka my partner) proposed in May, which came completely out of the blue. We’d been friends twenty-five years ago but lost touch. We reconnected through Facebook and had our first date in Italy of all places. Long story short he lived in Liverpool, I was in Glasgow and it seemed like the best place to meet up – the other choice was the services at Tebay as it was equidistant. Anyhoo, less than a year later he popped the question. I suppose at our age it doesn’t do to hang about! We went back to Italy to get married in September. As I say, no point it dawdling over these things. Anyway, I had a very short window given the dress I’d chosen – another year and I was in danger of looking like Bette Davis in Whatever Happened To Baby Jane. I think that day we got married truly was the most special moment, not just of the year but of my life. It was magical.

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Favourite book in 2018?
I have to say Douglas Skelton’s The Janus Run. I know Douglas, he’s a pal – a rather grumpy pal – but very lovely none the less. This is a bit of a breakaway for him and deserves to put him in the running as one of Scotland’s best crime writers.

Favourite film in 2018?
I don’t think I’ve actually seen a movie that was released this year. It’s been a bit mental and busy and, now that you’ve mentioned it, I actually don’t think I’ve been to the movies once. I LOVE films, one of my favourites that I watched this year was Kind Hearts & Coronets – a 1949 black comedy starring Dennis Price & Alec Guiness. It’s hilarious. I stuck on the DVD – Bloke-With-Beard had never seen it & I was really excited that he was going to experience this brilliance for the first time. Anyway, I was helpless with laughter and he fell asleep! He wasn’t that impressed as it turned out. This was before the wedding – but the dress was bought and the flights booked so…

 Favourite song of the year?
There are so many I could choose – but I’m going to go with La Vie en Rose – The Louis Armstong version. I walked down the aisle to this (it wasn’t quite an aisle – we got married on a vineyard) and the words are so beautiful: ‘and when you speak angels sing from above, every day words seem to turn into love songs ...give your heart & soul to me, and life will always be, la vie en rose…’  My favourite version is by Edith Piaf whom I actually adore – but it didn’t lend itself as well to the occasion, and Bloke-With-Beard can’t stand Piaf’s voice! But the flights had been booked etc… see above! But TBH Satchmo’s trumpet nailed it for me.

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Any downsides for you in 2018?
It’s been a really whirlwind year with so many happy memories. Politically, I’m heartbroken at what’s happening in our world. The racism, misogyny, poverty…

Are you making resolutions for 2019?
I make resolutions every week, every month and every new year. I think this year I’ll endeavour to write every single day – and go back to my Italian classes. I’ve been trying to learn Italian for the best part of three years and all I can say is ‘Per favore, posso avere un prosecco?’ Which means, ‘Please may I have a prosecco.’ I can, of course, expand my repertoire to two, three or four proseccos. I never bothered learning the word for five as after that the waiter usually knows what I’m looking for.

What are you hoping for from 2019?
I’m busy writing the third in the Oonagh O’Neil Trilogy which should be out in April 2019. I’d also like to write a completely different strand – but who knows.

Thanks so much for letting me be part of this Vic, it’s been a pleasure reliving so many lovely memories. I hope you share your favourite moments of 2018 also – and all the love and luck for 2019. 

T.T.

Review: ‘My Name is Anna’ by Lizzy Barber

On Anna’s eighteenth birthday she defies her Mamma’s rules to visit Astroland, Florida’s biggest theme park, despite her mother’s ban on the place. When she arrives, though, Astroland seems familiar. On the same day, Anna receives a mysterious letter she receives and she starts to question her whole life.

In London, Rosie has grown up in the shadow of the missing sister she barely remembers.  With the fifteenth anniversary of her sister’s disappearance looming, the media circus starts up again, and Rosie uncovers some information that threatens to tear her family apart. Will Rosie uncover the truth before her family implodes?

I enjoyed ‘My Name is Anna‘ from the outset, my attention was grabbed by the intriguing prologue and beautiful prose. Lizzy Barber manages to balance a compelling narrative with excellent attention to detail and exquisite descriptions.

Told from two points of view, ‘My Name is Anna‘ is an interesting study of self-discovery. By having eighteen year old Anna and Rosie, who is sixteen, Barber evokes a time every reader can understand: adolescence. Combining typical coming-of-age drama with a serious crime is an effective tactic, I thought this was particularly inventive. 

The characters are well-drawn and, thanks to Barber’s descriptions, I could see them in my mind’s eye. Anna’s mamma, in particular, was brilliantly evoked.

My Name is Anna‘ is such an intelligently-written book. It covers all sorts of issues including religion, coercion and the repercussions of past mistakes. It’s fast-paced yet sensitive, with several layers. 

If I had to compare ‘My Name is Anna‘ with other books, I’d say ‘Carrie‘ meets ‘Sharp Objects‘ with a sprinkling of ‘The Couple Next Door‘. 

My Name is Anna‘ is Lizzy Barber’s debut novel and is available to download now. The paperback is released in January 2019. 

Vic x

Guest Post: Louise Mangos on Writing What You Know

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It is my pleasure today to welcome Louise Mangos to the blog to talk about her intimate knowledge of the setting for her debut psychological thriller ‘Strangers on a Bridge‘.

Louise writes novels, short stories and flash fiction, which have won prizes, been placed on shortlists, and have also been read on BBC radio. Her debut psychological thriller ‘Strangers on a Bridge‘ is published by HQ Digital (Harper Collins) in ebook, paperback and on audio. You can connect with Louise on Facebook and Twitter or visit her website where there are links to more of her stories. Louise lives in Switzerland with her husband and two sons.

Vic x

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The much-travelled author Mark Twain allegedly said “write what you know. Having spent much of my time in central Switzerland for the past twenty years, the one thing I feel confident in portraying in my novels is the setting. Both my first and second novels are set in and around the Swiss Alps. 

Strangers on a Bridge begins with ex-pat Alice Reed out for a jog one morning when she sees a man – Manfred – about to jump from the Lorzentobelbrücke. As this is rather a mouthful for English readers, it is referred to in the novel as the Tobel Bridge. In reality it is a notorious suicide hotspot that has sadly found its way into many local newspaper articles over the years.

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A quick trip on the bike to re-visit the setting for the first scene on the Tobel Bridges.

The area surrounding the village where my protagonist Alice lives is called the Aegerital, or the Aegeri Valley. It is a cleft of land gouged out of alpine granite with rivers running in and out of the jewel at its centre – the Aegeri Lake. Our family moved there twenty years ago when my first son was six months old. Many of the difficulties Alice faces in Strangers on a Bridge were challenges I also faced when we first moved, speaking no German and pre-occupied with a new baby. 

But that’s where the similarities end. I’m happy to report I never witnessed a person wanting to jump from the Tobel Bridge, and I was certainly never stalked by anybody. I should also point out that we worked hard to integrate into the community we now live in. We made an early effort to learn the language, and have experienced friendliness and acceptance from our neighbours ever since.

During the creative and theoretical modules for my Masters in Crime Writing at UEA, two of my professors, Henry Sutton and Tom Benn, talked about the importance of setting in a novel. They encouraged the students to incorporate the setting to such an extent that it effectively becomes one of the characters. 

No matter where a crime novel is set, this atmosphere must be conveyed to the reader to enhance the tension. This might include how a setting behaves through the seasons, for example, the environmental influences in extreme weather conditions.

Strangers on a Bridge begins in spring, the perfect opening for any novel. The season of births and beginnings. Alice is out for a spring jog when she sees Manfred on the bridge and is convinced he is about to jump. Her shock jars alarmingly with the beautiful alpine spring surroundings.

A great deal of research was still undertaken to make the narrative of this psychological thriller believable. Although I am familiar with many of the rules and traditions in Switzerland, police and legal procedures had to be subsequently verified and checked.

But with the setting clearly cemented as one of the characters in the narrative, it was a pleasure to embellish the plot to match the drama of the Alps.

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The view of the Aegerital from Alice’s running trail in spring.

Don’t Quit the Day Job: Nicola Ford

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today’s guest is Nicola Ford. Nic’s here to talk to us about her double life and how that influenced her to write her debut novel ‘The Hidden Bones‘. My thanks to Nic for sharing her knowledge and experience with us. 

Vic x

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I love writing. I’ve always loved writing. And I’ve always loved reading crime fiction. So when I decided to turn my hand to writing fiction there was only ever going to be one genre for me. And I’m among the most fortunate of people because after much time spent applying my backside to my office chair and, as seems compulsory for all writers more than a smattering of self-doubt, my debut crime novel The Hidden Bones was published in June this year. 

So I have a job I love – crime writer. But that’s not the end of the story, or maybe I should say it’s not really even the beginning; because like many writers I lead a double life. By night I’m crime fiction writer Nicola Ford but by day I’m Dr Nick Snashall, National Trust Archaeologist for the Stonehenge and Avebury World Heritage Site. 

So I live a life steeped in the distant past. Wiltshire, the place that I’ve called home for a decade and a half is thronging with ancient burial mounds and prehistoric stone circles. And much of my time is spent digging up their secrets and delving into the mysteries that lie buried deep within museum archives.

Some writers may dream of giving up the day job, but for me I’m an archaeologist to my core. It’s one half of who I am and provides not only the backdrop, but also the inspiration for my crime writing. The Hidden Bones is set amid the chalk uplands of the Marlborough Downs an area I know intimately as I’ve spent the last fifteen years of my life working there. 

Often rural is equated with ‘cosy’, but for those of us who live and work here we know that life in the countryside is anything but. If you’re born without money or means, or elderly and alone, rural life can be tough. And the shock waves left behind by violent crime can have a deep resonance that persists down through the generations in small, sometimes isolated communities.

The Hidden Bones delves into the secrets of one such community.  Clare Hills returns to Wiltshire in search of new direction in her life after the death of her husband in a car crash. She’s only too glad to take up old college friend, Dr David Barbrook’s offer of helping sift through the effects of recently deceased archaeologist Gerald Hart. When they discover the finds and journals from Gerald’s most glittering excavation, they think they’ve found every archaeologist’s dream. But the dream quickly becomes a nightmare as the pair unearth a disturbing discovery, putting them at the centre of a murder inquiry and in the path of a dangerous killer determined to bury the truth forever.

In both halves of my working life I spend my time dealing with the dead. And in trying to figure out how they came to die, I’ve found that the most important clues are often found in understanding how they lived. I’m fascinated by the imprint that choices made by people in the – sometimes far distant – past leave on our lives, in ways we may never understand. And many of the scientific techniques I draw upon in my day job form the fundamental building blocks of modern police investigations. So Nicola Ford crime writer is inextricably interlinked with Dr Nick Snashall archaeologist. Two halves, one whole – and I wouldn’t have it any other way.  

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Review: ‘The Tall Man’ by Phoebe Locke

Almost thirty years ago, three young girls devote themselves to a shadowy figure in the woods. Ten years later, a young mother disappears, leaving her husband and baby behind. In 2018, a teenager captures the world’s imagination when she is charged with murder. These three terrifying events are all connected by one shadow that looms large. 

Where do I start?! Well, if you enjoy novels like ‘Gone Girl‘ and ‘The Girls‘, then you’ll love The Tall Man‘. I whipped through this novel – it’s achingly on point and I found it totally compelling. The characterisation in this novel is so skilled, I found myself utterly taken in by the key players in this story.  

The Tall Man‘ examines the blurring of the lines between criminal and superstar. You can see that Phoebe Locke has been inspired by real events – I was reminded of the media’s obsession with Amanda Knox and the Slender Man mythology – but the culmination of this is an absolute corker of a novel.

Phoebe Locke’s debut novel plays with the grey area between reality and psychosis. What is it that links these characters through the years? Is it something paranormal or is it something psychological? Locke builds up a relentless atmosphere of unease throughout the story and it left me questioning what was real. 

Standing alongside novels like ‘Hydra‘ and ‘The Bone Keeper‘, ‘The Tall Man‘ promises that once he’s with you, he won’t leave you alone. 

The plotting in this novel is masterful and it all comes together to leave the reader afraid to turn out the light. 

I implore you to read this book – but only in daylight. 

Vic x