Tag Archives: dramatic

Review: ‘The First Time Lauren Pailing Died’ by Alyson Rudd

Lauren Pailing is born in the sixties, and a child of the seventies. She is thirteen years old the first time she dies. 

Lauren Pailing is a teenager in the eighties, becomes a Londoner in the nineties. And each time she dies, new lives begin for the people who loved her – while Lauren enters a brand new life, too.

But in each of Lauren’s lives, a man called Peter Stanning disappears. And, in each of her lives, Lauren sets out to find him.

And so every ending is also a beginning. And with each new beginning, Peter Stanning inches closer to being found…

The premise of ‘The First Time Lauren Pailing Died‘ is an absolute corker. The idea that Lauren can switch from one life to another and the impact her (multiple) deaths have on those close to her is really interesting – and thankfully easy to follow. You might expect to get tied up in knots trying to follow which timeline Rudd is referring to but I genuinely never got confused once.

I liked the small differences in each world – the lack of cats in one, the fact that Britain has never had a female Prime Minister in another. By including these subtle changes, Rudd gives the reader a sense of the displacement and unease that Lauren feels when deposited into a new world.

However, I felt there were missed opportunities in terms of character exploration and dramatic tension at times. I thought there was more potential with certain strands than were exploited. 

Rudd’s strength lies in the nuanced in which way she explores the relationship between Lauren and her ‘final’ husband, Simon – how a half-lived life causes a ripple effect. In addition to this, the way Rudd weaves the mystery of Peter Stanning’s disappearance into each of Lauren’s alternative lives is skilfully done. 

The First Time Lauren Pailing Died‘ is like ‘Sliding Doors’ meets ‘Interstellar’ with a dollop of mystery thrown in.  

It’s out tomorrow, pre-order The First Time Lauren Pailing Died‘ now. 

Vic x

2018 Review: LJ Ross

Merry Christmas!

I have a very special Christmas gift for you today: the fabulous LJ Ross is here to review her 2018 just for us! One of my greatest pleasures this year has been spending more time with Louise and finding a true friend in her. She really is one in a million. 

I hope you all have a wonderful day. My thanks to Louise for sharing her year with us.

Vic x

Do you have a favourite memory professionally from 2018?
I’ve been incredibly lucky this year: all of the books I’ve published in 2018 have been U.K. #1 best-sellers and I recently surpassed the three million sales mark. However, in November, the first ever ‘dramatic’ production of a DCI Ryan was produced by Audible Originals Studios. I wrote the prequel story to the DCI Ryan series, The Infirmary, and it was scripted into an audio-drama featuring an all-star cast including Tom Bateman (Ryan), Kevin Whately (Phillips), Alun Armstrong (Gregson), Hermione Norris (the Narrator), Bertie Carvel (Killer Narrator) and so many more. It was so fantastic to hear the story brought to life in such an exciting way, especially since I’ve admired so many of those actors from afar!

And how about a favourite moment from 2018 generally?
There have been so many lovely moments, but I think it has to be seeing my son (Ethan, who’s now five) really discover the joy of reading completely independently. He’s enjoying C.S. Lewis’ The Magician’s Nephew at the moment and it’s a joy to listen to him read, or to watch him with his nose between the pages. 

Favourite book in 2018?
Eleanor Oliphant is Completely Fine by Gail Honeyman, or The Afterlife of Walter Augustus by H.M. Lynn. They’re both great, uplifting reads.

Favourite film in 2018?
I’m afraid I don’t watch a lot of television these days but, over the past few weeks, I’ve had a bit more time to enjoy some old movies – I rediscovered To Catch a Thief and The 39 Steps, both directed by Hitchcock, and it felt very nostalgic. 

Favourite song of the year?
Probably 1979 by The Smashing Pumpkins. I think my musical taste stalled somewhere back in the early noughties…

Any downsides for you in 2018?
Unless you count the inevitability of growing another year older…not really!

Are you making resolutions for 2019?
My resolutions tend to be the same at the start of every new day, irrespective of the time of year. They are to try to be kind and tolerant of others (especially in rush hour traffic); to work hard and strive to become better at what I do; to be the best mother, daughter, sister, wife and friend I can and never to take more than I give back to the world. It isn’t always possible to do all or any of these things, but I do try. 

What are you hoping for from 2019?
Continued health and happiness for all my friends and family  – in fact, for as many people as possible. There’s a lot of suffering and negativity around the world stage at the moment and I hope 2019 brings with it a more calm, measured and kind approach in politics, communities and nations.

*City Without Stars Blog Tour* Guest Post and Review

I am really delighted to be involved in the blog tour for ‘City Without Stars’ by Tim Baker. 

Tim’s debut thriller, ‘Fever City‘, was shortlisted for the CWA John Creasey New Blood Dagger and the Private Eye Writers of America’s Shamus Award. City Without Stars‘ is published this month by Faber & Faber. 

My thanks to Faber & Faber for including me on the tour and to Tim for taking the time to answer my questions. 

Vic x

Photo by Colin Englert

Tell us about City Without Stars‘.
For the residents of Ciudad Real, in Mexico, the situation is desperate. A deadly war between rival cartels is erupting, hundreds of female sweat-shop workers are being murdered, and union activist, Pilar, is about to risk all; taking social justice into her own hands by organizing illegal lightning strikes in protest.

As his police superiors start shutting down his investigation into the serial killings, a newly assigned homicide detective, Fuentes, suspects most of his colleagues are on the payroll of narco kingpin, El Santo, and turns to Pilar for help. Although she will do anything to stop the murders of her fellow workers, Pilar’s going to have to ignore all her instincts if she is to trust Fuentes enough to work with him. When the name of the city’s saintly orphan rescuer, Padre Márcio, keeps resurfacing, Pilar and Fuentes begin to realise the immensity of the forces aligned against them . . .

What inspired it?
So many elements go into the creation of a novel and every one of them is a form of inspiration. From the first day I arrived in Mexico, I knew I wanted to write about the country, but it took over four years for the major themes to emerge and coalesce into a narrative, including the plight of exploited female workers along the border region with the United States and the vast numbers of these young women who were being abducted and murdered. Why were no suspects being apprehended? Why weren’t the women being offered better protection? And why were authorities refusing to consider the situation as an emergency? There was only one force in the region that could exert such malign control: the cartels. Add to that the growing concerns about the dehumanizing dangers of rampant globalization, and suddenly I had a book.

Where do you get your ideas from?
Perhaps surprisingly, most of my ideas come from either dreams or daydreams when I’m in nature and there’s interplay between elements or light. These moments are not so much a blinding flash as half-formed glimpses or impressions and usually take on greater clarity when I’m doing some kind of physical activity: swimming or walking and not consciously thinking about ideas. It’s a long and imprecise journey and you need to have faith.

Do you have a favourite story / character / scene you’ve written?
I never read any of my books after their final edit because I’m already invested in creating new characters and other stories. There’s only so much space available inside my head so I have to keep the decks clear at all times! So my favourite characters, stories and scenes are always the ones that I’m currently writing, because they will be rewritten, edited, re-imagined and perhaps even deleted. Anything that’s in flux and emerging in surprising ways is always exciting.

What’s the best writing advice you’ve ever been given and who it was from?
It was a great piece of advice from the Canadian author, Mavis Gallant, whom I once interviewed at her home in Paris over a bottle of white Alsatian wine. She told me never to begin a line of dialogue with “Yes” or “No” as it invariably makes redundant everything else that follows, and at the very least robs the sentence of any dramatic tension. Like all great advice, it was simple but effective.

What can readers expect from your books?
I think my novels have a couple of things in common: strong social themes woven around a propulsive, violent story; a powerful sense of place; dark swathes of humour; and an unstinting belief in the endurance of human dignity.

Have you got any advice for aspiring writers?
My own writing journey and the way I write is atypical, so I may not be the best person to offer advice! All I would say is simply to embrace whatever works for you and don’t worry if it’s a little unorthodox. Aspiring writers need tenacity along with talent but they should also be aware that luck plays a strong part in any writer’s career. Luck comes in waves. If something is not working, then don’t become too despondent – put it down, pick up something else, and try it again later on. It worked for me!

What do you like and dislike about writing?
The great thing about writing a novel is that you have this vast canvas upon which to explore ideas, characters and complex concepts such as destiny.  It’s a luxury and a privilege to have that scope for consideration and I never take it for granted. The only thing I dislike about writing is not writing.

Are you writing anything at the moment?
I usually work on several projects at once. At the moment I am completing a dystopian thriller, a first-contact novel set in northwestern Australia, and a thriller about the Algerian war.

What’s your favourite writing-related moment?
It’s exactly the same moment that applies to my life as a reader: leaping into the unknown of a new novel.

Review: ‘City Without Stars
by Tim Baker.

My interest was piqued when I was offered the opportunity to review ‘City Without Stars‘ because I haven’t read many thrillers set in Latin America. I was intrigued to read about the type of crimes that could be an issue in this region. 

Tim Baker’s prose evokes the setting, conjuring the claustrophobic climate beautifully. I read this nuanced story with the action unfolding in my head through a sepia haze. The atmosphere that Baker creates is cloying and claustrophobic, allowing the reader to step into this world and understand exactly what the characters are experiencing. 

Baker’s strong attention to detail helps create the layered, compelling story of cartels, inequality and murder. The action in this story packs a real punch and is certainly not for the faint-hearted. However, I found it insanely compelling. I could stomach the violence because it felt so desperately real. I cared about the characters and was totally invested in Pilar and Fuentes’s struggles. 

The female characters in this novel, on the whole, are very strong – despite their less than idea circumstances. 

I’d be very surprised if ‘City Without Stars‘ didn’t emulate its predecessor’s success. 

Vic x