Tag Archives: editing

2018 Review: Gytha Lodge

When I went to Theakstons Old Peculier Crime Festival earlier this year, I saw a lot of buzz flying around about a book called ‘She Lies in Wait‘ so I made it my goal that weekend to get my mitts on a copy. I had to Twitter-stalk the author, Gytha Lodge, but I managed it!
I will be reviewing ‘She Lies in Wait‘ in 2019 but I can tell you guys that you will want to read this novel. 
My thanks to Gytha, one of my newest chums, for taking the time to review her 2018.
Vic x
Do you have a favourite memory professionally from 2018?
I’ve had such a strange and wonderful year, the pinnacle of which was probably back in January when I was offered a three-book contract with Michael Joseph of Penguin for the first three instalments in a mystery series. It’s been my very focused ambition for the last twenty years, ever since I first wrote an awful novel when I should have been doing work at school. Other great moments have included the US rights selling shortly afterwards, but it was that initial offer that felt like a dream come true.
 
And how about a favourite moment from 2018 generally?
There have been lots, so I think I’m pretty lucky just now. My 8-year-old starting a new school and suddenly loving learning again was pretty epic, I have to say. That first day when he came home and said “Loved it” after a year of being miserable was amazing. 
Favourite book in 2018? 
THIS IS SO DIFFICULT!! I was very lucky to read several that come out next year, and I think two of those may have won out. Those are The Whisper Man by Alex North, a deliciously creepy thriller, and The Glass Woman by Caroline Lea, which is like a 1600s Icelandic Rebecca. Wonderful. 
 
Favourite film in 2018? 
Fantastic Beasts Part 2 for me… I’m such a Potterhead. I’ve also watched a lot more TV than I usually manage, including The Bridge, which was SO good, the awesome Killing Eve, and Little Drummer Girl, which I obsessed over just as much. TV is definitely the new film. 
 
Favourite song of the year? 
It’s not at all new, but I love A Town Called Malice by The Jam as a pick-me-up. It gets me in such a good writing mood, and having been editing a book set in 1983, it was pretty perfect.
Any downsides for you in 2018?
I had flu for the first time, and just recently managed to spend a full six weeks ill. Both of these sucked, particularly as I missed a lot of rowing coaching and fitness training of my own, and now feel like the least fit person on the planet. Always a blow to the self-esteem… I’ve countered this by spending obscene amounts of money on make-up and trying to work out how to contour. Which generally ends with me looking like I have sideburns. Win!
Are you making resolutions for 2019?
I’m never that great on resolutions. I think I might try to manage my work/down-time balance a bit better to avoid the ills again.
What are you hoping for from 2019?
Lots of book sales, please please!! I’m sure I should say something much more humble or less egocentric, but one of my creative writing tutors always said to aim high, as otherwise, how will you find the energy to keep going when it’s tough? So with that in mind, I’m thinking “An Oscar for the screenplay I adapted from my own book.” Ha! You don’t get much bigger than that!
More realistically, I’m hoping that I’ll have a lot of fun and not worry about anyone giving me a one-star review, or any other stuff that doesn’t actually matter in the grand scheme of things. I’m happy just to live the dream and hopefully get plenty of time around that to play RPG games with my 8-year-old. Bliss.
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2018 Review: Chris Ord

Today’s special guest is Chris Ord, writer of ‘Becoming’ and ‘The Storm’. Earlier this year, I had the pleasure of chairing a panel featuring Chris, Danielle Ramsay and William Prince. 

You can find Chris on Facebook. My thanks to Chris for taking the time to review his year, it’s always a pleasure hosting you, Chris.

Vic x

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Do you have a favourite memory professionally from 2018?
I released my second novel, The Storm in January. It is based on a true story and was inspired by a musical project I was involved in. It is about ‘Big’ Philip Jefferson, the first Newbiggin Lifeboat Coxswain who was awarded a clasp to his silver medal for an attempted rescue of the Norwegian brig ‘Embla’ in 1854. The rescue is the backdrop for the novel, however, the events of that night are only the starting point, as the book weaves this together with a folk tale, and a series of mysterious incidents to create a tense, supernatural thriller.

It’s gone really well. After the customary book launch I’ve appeared at several reading events and featured in regional and national magazines. They ran an article in Living North about it and gave it a glowing review. I was proud of that one. These things make all the difference for a writer. You plough away in self-doubt and isolation writing the story you love, and your hope is that others will love it too. When the feedback tells you the risk and sacrifice, the blood and tears were all worthwhile. It’s priceless.     

And how about a favourite moment from 2018 generally?
I saw ELO recently. It was at the arena which is not a good music venue in my opinion. Initially it put me off, but I bought a top whack ticket at the last minute. I was bang in the centre, in the fourth row, a cracking seat. They were incredible, one of the best live musical experiences I’ve witnessed. I go to a lot of gigs and have seen some of the very best artists over the years, and they were up there without question. Jeff Lynne still has the voice and, of course the wall to wall hit tunes. He has surrounded himself with musicians of the highest quality and capped it off with a superb light show. 

My dad loved ELO, and introduced me to them in the first place, many years ago. It was a moving concert for me for that, and lots of other reasons. Perfect. Music always provides my annual highlights. I can’t think of anything better than music. 

Favourite book in 2018?
Don’t Skip Out On Me by Willy Vlautin. Willy is the singer and main songwriter of the bands Richmond Fontaine and The Delines. I love his music and writing. There was a film released this year based on one of his novels, Lean on Pete. But for me Don’t Skip Out On Me is his best yet. It’s about a young Mexican Ranch hand who dreams of becoming a boxer. He leaves a loving elderly farming couple, who have taken him in as their own, to pursue his dream with tragic outcomes. It’s a terrific novel with well-drawn characters that creep under your skin. 

So much of modern literature is style over substance, but this is traditional storytelling of the highest order. It reminded me a lot of John Steinbeck, who I love. I’m always far more interested in story than style. Literary work has its place, but I read to escape, be thrilled and entertained. A lot of literature seems to be pumped up by the marketing machines, and prize winning circuits and gains momentum via the in-crowd. Just give me a good yarn that takes me to another world for a few hours, makes me laugh, cry, scares or excites me. I aspire to be an accomplished storyteller as much as a writer. 

Favourite film in 2018?
I loved You Were Never Really There with Joaquin Phoenix. It’s a dark and brutal film about a hitman with a hammer who gets himself into a tricky situation when he takes on a job which spirals out of his control. Phoenix makes the movie with another captivating performance. I can’t think of a better screen actor at this moment. He’s one of those I will watch the film simply because of him. Some may find the film too brutal, but I’ve never been put off by gore or brutality. Readers of my work will know this.

Favourite album of the year?
God’s Favourite Customer by Father John Misty. What can I say other than I adore everything Josh Tillman does. He’s adopted the persona of Father John Misty in order to liberate himself creatively. I find this intriguing and it reminds me of my favourites artists like Bowie, Gabriel, and Bush all of whom have played theatrical roles in their work.

People have often asked me if I would write under a pseudonym. Who knows, maybe I have! It’s an interesting proposition and not something I’m averse to. It has risks commercially as you have built up your fanbase and people will engage with your work because of who you are, and what you have written before. However, it could offer the opportunity to take a few more risks and try different things. 

Integrity is everything for me. It’s what attracts me about the indie route above all else. All creatives are searching for the truth, their own truth. You hope that others will relate to that truth and there is a degree of universality to the human experience you have captured. Adopting a persona would allow you to explore a different perspective and present the story from an alternative world view. It may compromise on authenticity, which is part of the risk. I’m more and more attracted by the thought when I encounter artists like Tillman. 

Seeing the world in new ways is an important part of our development as people. I believe one of the main problems today is that so many struggle to see the world from other perspectives, or at least recognise the validity of different views. There are too many that think theirs is the one and only accepted truth and should be everyones. Tolerance and respect are being undermined by populists and illiberal liberals alike. Maybe we all need to try a different persona now and again, or show a bit more empathy and compassion at least. I saw a powerful quote this year which stayed with me, ‘Stay kind. It makes you beautiful.’ I’m going to try and remember that one.  

Any downsides for you in 2018?
I haven’t written as much as I would have liked this year. Like many writers I’m only able to sustain myself financially in bursts. It’s feast then fallow. I wish at times it was different, but few write to be rich, it’s more important to seek the integrity I spoke of earlier. Integrity doesn’t pay yet bills though. As such, I have to take on contract work to meet all my family commitments, and I have a large family of four boys!

It’s difficult to find the time to write when you’re working, but I’m also a musician and play in a band. I love playing and it’s important to me. By the time I get in from work, do all the family things, and practice my horn, there isn’t much time remaining to write. However, I have hit a bit of momentum again of late. This has been driven by the passion and excitement I have for my latest work in progress. These are the moments you look for and have to make the best of. So things are looking positive again, and sometimes you need the lows as a reminder and a springboard to greater things.

Are you making resolutions for 2019?
Yes, I’m an obsessive planner do the New Year offers ample opportunity for me to indulge in ‘things to do’ lists. I will be finding more time to write, and play my music. I run regularly and hope to get a couple of half marathons done this year. I also want to go to a few more gigs. I go to watch music a lot, but this year has been a bit quiet. There have been some highlights, but I think I may need to look further afield this year. So family, music, writing, running. In that order. Same as it ever was.

What are you hoping for from 2019?
I have two books on the go at the moment. One is the follow up to my debut novel, Becoming, the other is something new. If I get my act together both may see the light of day in 2019. One is at the editing stage, but needs a bit more polish. I need to keep up the momentum I have found and find a regular pattern for writing, make the time, little and often. Hard work and discipline are talents in themselves. You need both to be a writer or the words never get anywhere. I need to keep reminding myself of that in 2019. I will. It’s going to be a good year. I promise.

 

Getting to Know You: Adam Peacock

Drum roll please! May I introduce you to Adam Peacock, a member of Elementary Writers and author of ‘Open Grave‘.

Because Adam is a debut author, I wanted to introduce him to you as I suspect you will be reading Adam’s novels for many years to come.

My thanks to Adam for taking the time to answer my questions.

Vic x

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Tell us about your book(s).
My novel Open Grave is a crime thriller set in the North East of England. The protagonist, DCI Jack Lambert, is different to most other detectives within the genre in that he is gay. On a personal level, this is something he is struggling with, having only recently made this admission at the beginning of the book.

The main ‘crime’ within the story is that of a serial killer who is murdering people in pairs, burying them and then digging them up so that they can be found. Alongside this, gang warfare is about to break out between rival criminal groups and a well-known local celebrity reports that she is being stalked. I wanted to create a sprawling world within my book with multiple threads, the idea being that nothing ever resolves neatly, with certain storylines and characters crossing over into future novels.

What inspired your novel?
I read a lot of crime and so it felt natural to write something within that genre. The inspiration for Open Grave came about from an image I had in my head of a crime scene in which a member of the public stumbles across two bodies in an open grave (strange, I know). The story unfolded from there.

What do you like most about writing? What do you dislike (if anything)?
I quite enjoy editing, which is a good thing as there’s always plenty to do when you don’t intricately plot your book before beginning! Knowing that I am whipping something up into shape is a great feeling.

The thing I dislike most about writing is just how easy it is to fall out of your routine when it comes to putting words onto the page. Like most things in life, a few days away from the computer can easily stretch into weeks and this can lead to unnecessary procrastination.

Do you find time to read, if so what are you reading at the moment?
I do find the time to read. As I prefer to write in the mornings, I dedicate time to read most evenings. I’m currently reading Martina Cole’s Dangerous Lady.

Which author(s) has/have had the biggest influence on your writing?
As a writer, I would have to say Stephen King and Jo Nesbo. I would also include Lee Child in that list. With regards to Stephen King, I read his book On Writing before I penned so much as a character profile and I use the template he gives in terms of how to go about writing. I also enjoy reading his books!

As for Jo Nesbo, I find the protagonist Harry Hole to be a wonderfully complex character. He has many of the traits that we see in crime fiction from such detectives but I find myself invested in Harry in a way that I rarely find in other books. I also like that Nesbo leaves certain threads open between books, which always leaves me wanting to read more. With Lee Child, it has to be his pacing. I find myself flying through his books and every page carries a tension with it. This is something I am hoping to refine in my own work moving forward.

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Where do you get your ideas from?
Usually they just pop into my head either as an image – like happened with Open Grave –  or as a question. I like the idea of concocting a problem, in the form of a question, which seemingly makes no sense initially. Within my own writing, I basically keep asking a number of questions until an answer presents itself. This helps create misdirection.

Do you have a favourite scene/character/story you’ve written?
I enjoy the opening scene from Open Grave, mainly because it is the opening chapter of my first published novel. In terms of a character, it would have to be gangland boss Dorian McGuinness, my protagonist’s former employer. I feel like his character has a lot of room to grow and that there are all manner of skeletons in his closet which may or may not be revealed in future…

What are you working on at the moment?
I’m currently writing the second novel in the DCI Jack Lambert series and I’m excited to see where it will go. This novel is a little more focused around one event and, with characters having already been established in the first novel, I am keen to see how they react to the hurdles put before them.

What’s the best piece of writing advice you’ve been given (and who was it from)?
In a non-direct sense, Stephen King’s ‘just get an idea and go with it’ has had the biggest impact on me. Whilst this can lead to a lot of editing, it minimises the scope for procrastination and I find myself able to get on with things. I also try to stick to his mantra of completing 1,000 words a day with varying degrees of success.

Are you a plotter or a pantster?
I’m definitely not a plotter! Get the idea and run with it. Of course, as I work through a novel, ideas spring into my head in terms of where I want things to go, but you won’t find any colour-coded charts or timelines pinned to my wall. I should point out, that’s not a judgement on writers that do spend time plotting, I’m merely saying that it doesn’t work for me.

Do you have any advice for aspiring writers?
Yes! Read Stephen King’s On Writing, get yourself along to a writing group and don’t fret about giving it a go. Most writers I meet begin by being somewhat self-conscious about their work, often talking down their ability and/or experience. I’d say just get stuck in and see what happens. If you can get into some kind of writing routine, you’ll soon see huge improvements in your work.

What’s been your proudest writing-related moment?
Until recent times it would have been winning the Writers’ Forum monthly magazine short story competition. However, opening the email from Bloodhound Books to find that they believed in my work and wanted to publish Open Grave has definitely topped all other writing-related moments!

You can order/download Open Grave‘ now. You can also follow Adam on Twitter and on Facebook

**The Gilded Shroud Blog Tour** Author Interview

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It’s my pleasure today to have Elizabeth Bailey, author of ‘The Gilded Shroud‘ on the blog.

Elizabeth Bailey says she feels lucky to have found several paths that have given her immense satisfaction – acting, directing, teaching and, by no means least, writing. 

She has been privileged to work with some wonderful artistic people, and been fortunate enough to find publishers who believed in her and set her on the road.

Elizabeth has kindly taken the time to answer my questions so we can get to know her, and her writing process, better. My thanks to Elizabeth for taking the time to answer my questions. If you fancy getting in touch with her, you can tweet Elizabeth

Vic x

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Tell us about your book(s).
The Gilded Shroud
 is the genesis of Ottilia, Lady Fan, who turns by chance into sleuth extraordinaire and, incidentally, meets the love of her life in the process. It’s a murder mystery set in the late 18th Century, with a dollop of upstairs downstairs and a touch of romance too.

What inspired them?
My original idea was Ottilia as a potential heroine for the first in a series of sweeping romantic historicals which never materialised. My brother one day suggested it might make a detective story, and that set me off thinking. When I finally took the plunge, I intended at first that Ottilia, a wispy retiring sort of female as I thought, would be the brains in the background behind the apparent showy male sleuth, but the moment she set foot on the page she took centre stage and refused to be dislodged. So that was that.

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What do you like most about writing? What do you dislike (if anything)?
I love the way it surprises me with turns and twists I never expected, and I like finding creative ways to express things rather than turning to clichés. I like the process of watching it unrolling as I write what I see, like a film reel projecting onto a screen somewhere in the air around me. 

I hate what we writers call treacle books, when the words won’t flow and you just have to drag them out one by one, sticking with it as you really feel as if you are wading through a sticky sea. You learn to keep at it, and quite often find you do good work in spite of the stop/start nature of the writing. Fortunately, readers can’t usually tell if a book was treacle to write. There’s always the editing process to fix it.

Do you find time to read, if so what are you reading at the moment?
I can’t not read. I started as a reader and reading feeds my imagination. My reading time is an hour or so before I go to sleep – assuming I’m not so hooked I can’t put the book down. I’m just finishing Tarquin Olivier’s book about his famous father, and I’ll be starting on Jodi Taylor’s latest St Mary’s Chronicles, to which I am addicted. My TBR pile is pretty eclectic as I read all sorts of genres, as well as biographies and books that add to my knowledge of my period and other history.

Which author(s) has/have had the biggest influence on your writing?
Primarily Georgette Heyer – of course. Also Daphne du Maurier, who does dark with panache and beauty; Rumer Godden, who is both lyrical and cryptic, as she doesn’t tell you everything. And Dean Koontz, who is so good at surprising twists. Finally, PG Wodehouse for humour. He has the one-liner gag down to a fine art. But I can learn from almost any writer – a turn of phrase, a twist, a different voice. It all goes into the maelstrom and comes out somewhere without my realising it.

Where do you get your ideas from?
They tend to leap out from nowhere. I might catch a rhythm, a fleeting glimpse of some image, song or dream, a snippet in a news item or programme, a phrase or word in a social media post even. The spark might not even reveal itself because the idea wafts in and before I know it the what-if game is on. I do jot ideas in notebooks. If I’m stuck for a plot, I can sift through to see if anything catches my imagination. I think most writers have more ideas than they know what to do with, or will ever write up as stories. The ones that gel will hopefully roll into fodder for readers, if the process goes well.

Do you have a favourite scene/character/story you’ve written?
My current completed book is usually my favourite. Not the one I’m writing because that’s in too much upheaval to be loved. Though I am usually falling in love with my characters in the work in progress. But the one that’s done and dusted, that’s the one I can afford to love until it gets superseded by the next. I do have a few that are perennial favourites and I am rather in love with Lord Francis Fanshawe. As for scenes, when I have occasion to re-read a book, sometimes I find one that really pleases me, and I will wonder how I managed to make it that good.

What are you working on at the moment?
I am writing another Lady Fan mystery, in between my traditional Regency romances. Mysteries take more thought, more time and energy as one must tie everything in together and half the time I don’t know what’s about to happen.

What’s the best piece of writing advice you’ve been given (and who was it from)?
Funnily enough, it was my mother, who is a poet rather than a novelist and my beta reader in my early days, who gave me the best piece of advice. She said one day that she thought I was ending my chapters in the wrong place by running a scene to a conclusion rather than keeping it back. She woke me up to cliffhangers.

Are you a plotter or a pantster?
When I began writing I plotted extensively, but was forever having to adjust the plot as new ideas sprang up. Now I’m a total pantster. Apart from the opening springboard, I have no idea where the story is going and must trust to my inner writer. That is not to say that ideas don’t float about in my head, but when I sit down to write I never know what words are going to come out through my fingers. Still less do I know who committed the murder!

Do you have any advice for aspiring writers?
Keep at it. We all say that. Get the words down any way you can. You can’t edit a blank page. Being a writer is all about persistence. Not just keeping going against the rejections. But keeping going when life throws brickbats at you; when you think you’ll never get to the end; when the deadline is looming and panic strikes; and when you’d honestly do anything – take out the rubbish, clean the car, walk the cat – rather than sit down and write. Successful writers work through every pit stop and drive through to the end. Every time.

What’s been your proudest writing-related moment?
Apart from my very first acceptance which sent me to the ceiling where I remained for days, I think it’s the review of The Gilded Shroud that said: “Georgette Heyer lives – and is writing mysteries as Elizabeth Bailey”. That accolade said it all for me. I grew up on Heyer and still consider her the greatest writer in the Regency genre she spawned. We all wish we could write at her level, so this was to me the best compliment ever.

 

 

Getting to Know You: Charlie Laidlaw.

Today it’s my pleasure to host writer Charlie Laidlaw on the blog. My thanks to Charlie for sharing his time and experiences with us. 

Vic x

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Tell us about your books, what inspired them?
My first book, The Herbal Detective (Ringwood Publishing) was inspired by the seventeenth century witch craze. Back then, it was a crime not to believe in witchcraft. What, I thought, would happen now if someone still did believe in witchcraft? That said, to make this improbable tale work, it had to be a bit of a Benny Hill romp. It’s a fun book.

My second, The Things We Learn When We’re Dead (Accent Press), while a gentle comedy, is darker. It’s really a reworking of The Wizard of Oz – young woman gets knocked on the head, remembers her life in flashback, and emerges from the experience as a different person. It’s a book about the power of memory and how, if we remember things in a different way, we can be changed by that experience.

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Where do you get your ideas from?
Good question because I have no idea. The basic inspiration for my second book came on a train from Edinburgh to London, which was apt as Edinburgh is the only city in the world to have named its main railway station after a book. When I got home, I wrote the first and last chapters. The first has changed beyond all recognition, but the last chapter is pretty much the same.

Do you have a favourite story / character / scene you’ve written?
Not really, no. I tend to be something of a perfectionist and am constantly editing and rewriting. I hope that, for the reader, it comes across as effortless. From my perspective, everything is hard work – so I tend to like most of the stuff that eventually makes it into the final cut!

Are you a plotter or a pantster?
Not entirely sure what you mean. But I think that good books need good characters, a good plot, and good narrative and dialogue. Those are at least some of the basics. However, as I’ve mentioned the word “plot” I suppose I’m a plotter.

Can you read when you’re working on a piece of writing?
I’m always reading because I take inspiration from other writers, and the world and the characters they create. You can’t write if you don’t read.  Simples.

What’s the best writing advice you’ve ever been given and who it was from?
I can’t remember who gave me this advice but, like most advice, it’s both blindingly obvious and wise. Simply: you can’t edit a blank page. In other words, it doesn’t matter if you’re writing gibberish. You can go back to it later and turn it into English. The important thing is to keep writing.

What can readers expect from your books?
I hope, to be entertained. But also, maybe, to be taken on a slightly mad thought-provoking journey. I like books that are not too deep, entertain me, and make me smile. I hope that’s what mine do.

Have you got any advice for aspiring writers?
Keep writing and don’t give up. I honestly believe that some of the best books ever written will be mouldering at the bottom of landfill because their authors received one too many rejection. If you genuinely think that what you’ve written has merit, stick with it.

What do you like and dislike about writing?
I like the way that one idea can lead onto another and then another. I dislike it when those ideas turn out to be bad ideas, and I’ve wasted days or weeks of my life. I try now to plan well ahead, with an ending in sight.

Are you writing anything at the moment?
It’s complete and provisionally entitled The Space Between Time. While (again) a gentle comedy, it’s also about mental illness and how we can grow up with false impressions of the people closest to us. It was a difficult book to write, because it has to balance lighter elements with tragedy and poignancy.  It will be published late this year or early in 2019.

What’s your favourite writing-related moment?
I’d like to say, putting in the final full stop. But that just provokes me to go back into the manuscript and edit, edit, edit. So, perhaps the best moment is when your editor and proofreader tell you that no further changes can be made!

Getting to Know You: Roz Watkins

I’m delighted to welcome the lovely Roz Watkins to the blog today. You can follow Roz on Twitter – and I strongly recommend that you do. 

Roz’s debut novel ‘The Devil’s Dice‘ is available now and I can’t tell you how much I’m looking forward to reading it. I was gutted to miss the launch party in London a couple of weeks ago so I’m hoping to catch up with Roz soon to celebrate her success. 

My thanks to Roz today for sharing her experiences with us. 

Vic x

Roz Watkins

Tell us about your book. What inspired it? 
The initial impetus came from my dog’s foul habits. We were walking in the woods near to my house in the Peak District when I saw him running towards me with something in his mouth. It was swinging side-to-side, and from a distance it looked like a human spine. I thought, Oh Christ, the dog’s found a body! 

When he got closer, I could see it was in fact a hare (they are surprisingly large) but it got me thinking. What would it be like to come upon a body when walking the dog? And that’s what happens in my first book. A greedy Labrador sniffs out a corpse in a cave. 

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This is the day the dog found a hare. At least it wasn’t a corpse!

Where do you get your ideas from?
I mercilessly mine my life and the lives of those around me. My partner complains that he can’t now write the book he was going to write (when he gets a spare half hour) because I’ve stolen all his best stories. This is of course not true, but I do use my life experiences. I was previously a patent attorney so I enjoyed killing one in my first book. I trained as a hypnotherapist, so in book 2, a therapist has to deal with a girl who seems to be remembering the death of her heart donor. I’m an animal trainer, so clicker-trained killer pigs may feature in book 3. Or they may not. My mum was a GP so receives calls along the lines of, If you wanted to kill someone using… She loves it. 

Do you have a favourite story/ character/ scene you’ve written?
I do love the scene where I try to kill my main character in an underground labyrinth with water rising all around her. As I edited the book, the level of torture increased with each re-write, and it was fun! 

Are you a plotter or a pantster?
A bit of a mixture. I try to plot, but then it all goes horribly wrong as I start writing. I haven’t really worked out a system and it doesn’t seem to be getting any easier! I write in a tiny room that’s impossible to keep tidy, surrounded by piles of paper and post-it notes and stray animals. But I fantasise about owning a huge loft apartment with acres of space where my mind would magically be clear and organised… 

Can you read when you’re working on a piece of writing?
I always read. At the moment I’m feeling guilty about all the authors who’ve said nice things about my book and whose books I haven’t yet read, because my TBR pile has become so huge! So I’m concentrating on reading proofs at the moment. Sometimes the style of a particular writer seeps into my writing, but not in a way which causes a problem. 

What’s the best writing advice you’ve ever been given and who was it from?
That’s a toughie. I was struck by someone (it may have been Matt Bird) talking about how at the start of a book, we don’t care much about the characters so we’re not really bothered if they’re in jeopardy. You can dangle them off a cliff or throw them under a train and the reader doesn’t necessarily care very much. But we’re wired to want answers to questions, no matter how banal. On my local radio station, they have this thing where they say something like, 35% of men admit to doing this. And you have to carry on listening to find out what it is. Even though it’s a matter of total irrelevance to your life.  You have to listen. Do they not change their underpants every day? Do they pluck their ear hair? WHAT IS IT? I learnt a lot from that. Pose questions on page 1. 

What can readers expect from your books?
Hopefully a detective they can relate to because she’s a normal woman who worries about normal stuff and is a little bit fat and possibly has cat hair on her clothes. A few possibly supernatural goings-on and a touch of classic whodunit, plus a little bit of sardonic humour (I’m told!) 

THE DEVILS DICE

Have you got any advice for aspiring writers?
Write about what makes you angry or emotional, because it keeps you going when things get tough.  And treat writing a publishable novel as a learnable skill, rather than something you should just be able to do. I started off writing absolute junk, but I devoured books on writing craft and sought feedback all over the place. 

What do you like and dislike about writing?
I find the first draft feels a bit like pulling teeth, although I do love coming up with the ideas. I enjoyed the first draft of my first book (done without a deadline!) but now I get obsessed with word-counts and how behind I am! I like editing. 

Are you writing anything at the moment?
I’m on book 3 (and behind where I should be…) A woman goes missing from an abattoir, and all the evidence points to her having been killed and fed to pigs. 

What’s your favourite writing-related moment?
I’ve been so lucky there have been many over the last couple of years, but I’m going to choose standing in a piazza in Venice and receiving a call from my agent about a life-changing offer from a German publisher. 

 

Review of 2017: Rob Walton

Our final guest today is the rather brilliant Rob Walton.

Many people on the North-East writing scene will know Rob thanks to his performances at The Stanza as well as his involvement with Free as a Bard. 

I’ve had the pleasure of working with Rob this year for our Christmas ghost stories at Old Low Light. 

As you may notice, Rob has added in a few extra questions – we hope you enjoy them. My thanks to Rob for taking the time to share his year with us. 

Vic x

Do you have a favourite memory professionally from 2017?
It’s difficult to pinpoint a moment, so I’ll go for a time of year.  Autumn going into winter was great in that I had several acceptances and publications in magazines and anthologies within a short apace of time.  What was particularly gratifying was that (a) people were liking things I’d reworked or sent out again after editing and (b) a range of stuff was accepted – a children’s poem, creative non-fiction, poetry, short stories and flash fictions.  All felt right with my writing world.  Until the next rejection of course.

Also, there were many lovely performance nights with wonderful hosts.  Once again I gate-crashed one of the lovely Vic Watson’s evenings, this time I read a Dickens’ mash-up Christmas ghost story.  I had some quirky firsts too.  I worked with Russ Coleman to cast some words in concrete.

Then there was a concrete poem in a wonderful quirky book and an aperture poem courtesy of Sidekick Books.

And how about a favourite moment from 2017 generally?
This straddles the personal and the professional.  Not a moment, but rather the ongoing friendship and support from various writerly people hereabouts.  I hope they know who they are.

Favourite book in 2017?
I read and really enjoyed some great work by writer friends, but I wouldn’t want to miss any of them out – Paul Summers has got a vicious temper and Harry Gallagher’s got a bow and arrow –  so I’ll go further afield.  Not all of these were released this year, but I read them in 2017.

Jan Carson’s Postcard Stories from the Emma Press was also great.  Every day in 2015 she wrote a story on a postcard and sent it to a friend.  The highlights are collected in the book.

Short stories: I’m going for Danielle McLaughlin’s Dinosaurs On Other Planets.  My partner heard one on Radio 4 and got me to listen to it, and then bought it for my birthday.  It’s bloody brilliant.  Spend your Christmas money on it, whatever Christmas money is.

Ali Smith’s Public Library and other stories also went down a treat.  I think she’s brilliant.

Poetry: I found a copy of Kim Moore’s The Art of Falling in North Shields Library, and was seriously impressed.

Memoir: it has to be Thatcher Stole My Trousers by Alexei Sayle.

Favourite film of the year? 
It’s go to be The Florida Project.  I saw it at the Tyneside with a load of older folk eating sandwiches.  Of course I wouldn’t do that – I had sandwiches and crisps.

Favourite song of the year?
I don’t know about a specific song but there were some real gems in Luke Haines’ set at The Cluny 2 in May and, continuing with the live theme, Sleaford Mods were great in the autumn at the old Poly Union building, whatever it’s called these days.

Favourite sports team of the year?
Yet again it’s Scunthorpe United.

Favourite cake of the year?
That would be the rhubarb crumble one with the sticks Steve and Sam gave us, grown in the City of Culture.

Any downsides for you in 2017?
I discovered that a woman in Lerwick is challenging my claim to being the inventor of cheese.  And my right hamstring’s been tighter than I would like.  Then there was the Untied Kingdom thing. 

Are you making resolutions for 2018?
Going to keep more secrets, and be sick in more handbags (and deny all knowledge).

What are you hoping for from 2018?
Professionally: get a flash fiction collection together.
Personally: hope my daughters’ transitions from primary to secondary, and secondary to sixth form go smoothly.
Pugilistically: take it on the chin.