Tag Archives: Elementary Sisterhood

Getting to Know You: Daniel James

Over the last couple of years, I’ve got to know Daniel James, author of ‘The Unauthorised Biography of Ezra Maas’. I’ve been lucky enough to host him at Noir at the Bar a few times as well as being invited by Daniel to read my own work at his ‘After Dark’ event for Books on Tyne. 

Daniel will be in conversation with Jacky Collins at Waterstones, Newcastle, on Wednesday 30th January. Tickets are £3 and I’m reliably informed that there are a few left – reserve your space now!

My thanks to Daniel for taking the time to chat to us. 

Vic x

daniel james, zurich, october 2017Tell us about your book.
The Unauthorised Biography of Ezra Maas is based on the real life story of Ezra Maas, a British artist who became famous in the late 1960s, but who turned his back on fame and created his greatest artworks from the shadows, before eventually disappearing altogether in mysterious circumstances in the early 2000s. I became interested in telling the true story of Maas’s life and presumed death, but nothing could have prepared me for the truth that the book uncovers.

It quickly occurred to me that in searching for the true story of Maas’s life, travelling around the world to the cities he lived, visiting the galleries where he created his work, and interviewing those who knew and collaborated with him, that my role as biographer was essentially a kind of literary detective. As such, I consciously decided to write these chapters of the book in the style of a detective story, a page-turning mystery thriller through a postmodern, existential lens. However, the book is also very much a biography and there are chapters dedicated to documenting Maas’s life from 1950 onwards in a more journalistic style, accompanied by reproductions of authentic archival material and correspondence, including news clippings, letters, emails, phone transcripts and more. If one half of the book is like a detective story, the other half is a biography written by an investigative journalist. There are a lot of different styles and techniques being employed throughout the text, but they come together to create a new kind of book where readers are challenged to become detectives themselves, following in the footsteps of my investigation, as I attempt to separate fact from fiction and history from myth, page by page, chapter by chapter.

What inspired it?
Ezra Maas’s incredible life story was the inspiration. In 2011, I received an anonymous phone call suggesting the true story of Maas would make an interesting biography and everything led from there. It didn’t take long for my research to reveal a number of contradictions and inconsistencies in the authorised version of Maas’s life, and naturally, the journalist in me began asking questions. The more I asked, the more secrets I uncovered, and I soon found myself being warned off the story. Of course, as soon as that happened, I knew I had found something special and there was no turning back.

Alongside that, I’ve always been interested in the relationship between truth and fiction, the self and reality, as a writer. And in many ways, Maas’s life was the perfect gateway into those subjects and themes. His life, and my interests as a writer, were perfectly aligned and the phone call that set me on the path to writing his biography couldn’t have come at a more ideal moment. I was in the right place at the right time.

I recently read an interview with a writer who described her latest work as ‘existential noir’ because of the way it used the structure of a traditional mystery story to explore unanswerable questions of being and knowing – what can we ever know with any real certainty, about ourselves or the world – and that’s very much the territory I like work in – crafting stories around questions of identity and reality that lead us down the rabbit hole, and force us to confront our deepest subconscious fears.

What do you like most about writing? What do you dislike (if anything)?
I’m happiest when I’m writing regularly because it feels like I’m fulfilling my potential and doing what I’m supposed to be doing with my time. Kafka supposedly said that ‘a writer who isn’t writing, is a monster courting insanity’ and I completely understand what he meant. Whenever I’m not writing, I feel like I should be, and when it’s going well, it’s like electricity flowing through me – it’s a serious high, but more than that, it also provides a deeper sense of purpose and satisfaction.

And on a lighter note, it’s great fun. Who doesn’t want to make up stories and let their imagination run free? I love the freedom that writing gives me. I can create entire worlds, people, and histories. I’ve always been a daydreamer and writing allows me to share my dreams and imaginings with others.

I don’t really dislike anything about writing itself, but like any physical or mental endeavour, there are days when it can really feel like hard work. Over the last few years, I’ve learned to listen to my body and not force myself to write when it isn’t flowing. You can still work on your book without actually writing. You can read for research, visit a location, watch a film, listen to music, take a walk. Professional athletes warm up before an event, they stretch, eat and drink the right things, and get their bodies ready to perform. Writers need to do the same with their minds. Sometimes it’s about clearing your mind to allow space for the ideas to come in, other times it’s about tuning into a certain frequency, atmosphere or mood, and channelling a particular character or scene.

Do you find time to read, if so what are you reading at the moment?
I love reading. It’s one of my great pleasures in life and it’s ultimately the reason I wanted to become a writer myself. I try to get through a novel every couple of weeks if I can. The books I return to the most are detective novels – Raymond Chandler, Ross MacDonald, James M Cain to modern greats like James Lee Burke – and also postmodern works. At university, I specialised in fiction from 1940-1990 and that’s the era I find myself returning to the most when I’m looking for something new to read. I read a lot of comic books and graphic novels too (I practically grew up on Marvel Comics in particular). I’m a fan of Science Fiction and many other genres, and I read quite a bit of non-fiction, mostly literary and cultural theory, but it depends on what I’m working on at the time. I read a lot of books on contemporary art history, biographies and journalism when I was researching Ezra Maas, and I can imagine I’ll do the same with future novels. 

Currently sitting at the top of my to be read list currently are two excellent new novels – Three Dreams in the Key of G by Marc Nash and The Study Circle by Haroun Khan. The last book I bought before those was by the late, great Mark Fisher, a cultural theorist who blogged under the name K-Punk. I highly recommend his work to anyone who has yet to come across it. Mark’s writing introduced me to the concept of Hauntology, which I touch on in my own book.

Earlier this year, I also read the Southern Reach trilogy by Jeff Vandermeer after being intrigued by Alex Garland’s adaptation of the first in the series, Annihilation. I’ve got a huge stack of books waiting to be read though. I love buying books and I love reading, but I do take long breaks when I’m actively writing myself, so this has resulted in an increasingly expanding To Be Read pile that I’ll probably never get through!

Which author(s) has/have had the biggest influence on your writing?
Paul Auster. Raymond Chandler. Samuel Beckett. James Joyce. Thomas Pynchon. Philip Pullman. Philip K Dick. Jorge Luis Borges. Alasdair Grey. Flann O’Brien. David Lynch.

Where do you get your ideas from?
Everywhere. My life. Other people’s lives. History. Dreams. Music. Films. Ideas are all around us, all of the time. You’ve just got to open your eyes, listen and be in the right frame of mind to be inspired.

Do you have a favourite scene/character/story you’ve written?
Well, the novel is the best piece of work I’ve written so far and Ezra Maas is probably the most complex character I’ve brought to life, not just because he is a real person, but because there are so many conflicting stories about him. I’ve tried to reflect this in the book by capturing the multiple, overlapping narratives and descriptions, allowing them to coexist alongside each other so that the emphasis is on the reader of the book to play detective themselves and separate fact from fiction in Ezra’s life.

What are you working on at the moment?
I’m about halfway through a second novel, which I hope to finish within the year. I actually started working on it in 2013, but Ezra Maas took over my life , so I put the other book on hold temporarily. Now that the Unauthorised Biography’ is out, I can focus on new projects, including returning to my work-in-progress second novel. Once that’s completed, I plan to work my way through the other novels I have planned, although I wouldn’t rule out one of those new ideas becoming my second novel – it just depends which idea excites me the most.

What’s the best piece of writing advice you’ve been given (and who was it from)?
“Write the books you want to read.” 

Philip Pullman said that to me when I met him at the Durham Book Festival in 2015. It was very reassuring advice to receive from such a master storyteller, particularly as that’s exactly what I’ve always tried to do. I’ve been writing stories since the age of four or five and have always written for myself. If the story excites and interests me, if I want to keep turning the page to find out what happens next, if I find myself disappearing into the world of the book and thinking about it every waking second, then I know I’m on the right track.

Are you a plotter or a pantster?
I’m somewhere in between. Generally speaking, I like to follow my intuition and let the story guide me, rather than plotting the entire book out in advance. I have a destination and a road map in my mind, but it has enough wide-open space to allow me to go off on unexpected adventures and detours as and when I need to. I might be the author of the book, but it’s a process of discovery for me too. An author is almost like a pioneer heading off into the wilderness. They discover the trail and share it with the readers who follow them.

Of course, The Unauthorised Biography of Ezra Maas is based on real events, so it required several years of research, travel, interviews, and quite meticulous planning. At the same time, I remember the moment when I decided to write the book very vividly and I could already see the story fully formed in my mind. It all came to me in an instant. It was a Big Bang moment. One second there was nothing and then… everything. I knew where to start, how I wanted to present the story, with letters and emails and phone transcripts, and I knew exactly how it would end. But it also surprised me on multiple occasions. It kept me guessing all the way through with its twists and turns. It genuinely had a life of its own, sometimes in quite scary ways, almost as if the story couldn’t be contained on the page and wanted to bleed out into the world. Perhaps because it’s based on a true story, it has a special kind of power that makes it dangerous. I may have written it, but I don’t think even I know the book’s true potential.

This book, more than any other idea I’ve ever had, felt like it had already been written in a strange way and I was simply receiving it, like a transmitter, from somewhere out in the ether and it was my job to put it on the page; bring it to life.

Do you have any advice for aspiring writers?
If writing books is really what you want to do, if it’s genuinely your dream in life, then don’t ever, ever give up. Keep going, keep believing in yourself, and keep writing, no matter what. You can and will make it happen, but only if you keep believing and keep writing.

What’s been your proudest writing-related moment?
The moment I found out the book was going to be published will always stand out in my mind. I didn’t tell anyone – not a single person – for about a week as I was worried I would jinx it somehow. It was something that I wanted so much and so badly that I didn’t want to do anything to jeopardise it. About two years after that, I walked out onto the stage at the Newcastle Book Festival in front of a crowd of about 80 people, including my family and friends, and I read an extract from the book for the very first time. I was introduced on the night by Professor Brian Ward, we premiered a documentary video about Ezra Maas featuring the award-winning writer and artist Bryan Talbot, and we finished up with a Q&A where I was interviewed by Dr Claire Nally. Everything went as planned and afterwards we celebrated with cocktails created especially for the book at a late night after-party in a speakeasy-style basement bar called The Poison Cabinet in Newcastle. I couldn’t have asked for a more perfect night and it was definitely one of my proudest moments.

The long-awaited launch of my novel with a trio of fantastic events in the North East, featuring guest authors and speakers and more than 150 attendees in total. This included a return to Books on Tyne and a special late-night event afterwards entitled Fiction After Dark with cocktails, live music and readings by Elementary Sisterhood. And of course, there was the launch itself at the wonderful Forum Books in Corbridge. It was a really lovely evening and a special moment for me. I can’t recommend Forum Books enough and I think it’s really important to support independent bookstores and local businesses

My next event will be at Waterstones Newcastle – the biggest bookstore in the North East – on Wednesday 30 January at 7pm, so that will be another proud moment. I’ll be reading an extract from the book, answering questions from the brilliant Dr Jacky Collins, and signing copies of my novel at the end. Tickets are £3 and on sale now.

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2018 Review: Emma Whitehall

Today’s guest is Emma Whitehall, member of Elementary Writers and editor of ‘Sisterhood‘. Like many of our guests, Emma has had a rather eventful year but I’ll let her tell you all about it.

My thanks to Emma for her honesty and for taking the time to review her 2018.

Vic x

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Do you have a favourite memory professionally from 2018?
The first half of this year was dedicated to putting together Sisterhood, which is an anthology of fiction featuring some absolutely phenomenal women writers. I came up with the idea around this time last year – I wanted to celebrate female friendship, and put some good out into the world at the same time, and the idea hit me like a lightning bolt. I have to say, working on Sisterhood is probably one of the best things I’ve ever done. So far, we’ve raised more than £300 for Newcastle Women’s Aid (a charity that helps women and children who are survivors of domestic abuse), and, on a personal note, I got to know nine truly wonderful, talented women, who have inspired me so much this year at times when I really wanted to throw in the towel. I am so, so proud of what we accomplished, and want to say thank you to all the girls – long live Elementary Sisterhood!  

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And how about a favourite moment from 2018 generally?
Anyone who knows me knows that the musical Hamilton has a very special place in my heart. For my birthday back in May, my mam and I travelled down to London to see the West End production, and it was incredible. I was sobbing before the first song was over, and essentially didn’t stop for nearly three hours. It was my first time in London, too! We did a little sightseeing the next day, and saw the city from the top of the London Eye, but being in the second row at a West End show, watching my favourite musical, was simply beyond compare. My mam was a good sport, too – seeing as she commented, about a month before we went down, that she “hates rap music”…

 Favourite book in 2018?
I also started a new job this year, working as a Bookseller at Waterstones, and one of the first books I read “for work” was The House With Chicken Legs, by Sophie Anderson. I hadn’t dipped into children’s fiction since I was a child myself, and this book rekindled my love of the genre. It’s a beautiful book, about a girl who is torn between following in her grandmother’s magical footsteps helping spirits pass on to the next life, and living a normal life on her own. I love it so much, and I was so happy to see it on the Blue Peter Book of the Year shortlist. Now, almost everything I read is “middle grade” fiction! 

Favourite film in 2018?
I’d have to go for The Shape of Water. A lot of the film was beauty for beauty’s sake, I thought – but that doesn’t mean it’s not worth watching. Plus, I love a strange, sad monster story – it’s all I write about!

Favourite song of the year?
This has been a year for fluffy pop on my Spotify playlist, if I’m being honest. My top two plays have been Cut to the Feeling by Carly Rae Jepsen, and Be Alright by Ariana Grande. I’ve had a lot of stress this year, and my usual crashing rock music or melodramatic Broadway numbers haven’t helped a lot – but both of these songs are light, happy, and leave me dancing, even just a little.

Any downsides for you in 2018?
This year has been non-stop, for me. I edited an anthology, changed jobs, nearly moved to London, and now I’m in the process of buying my first flat. I have to admit, this summer I had a very bad time with my anxiety. Luckily, I have some very good friends who set me on the right path when things were at their bleakest. Thanks to them, I went to counselling, made some tough choices, and I’m leaving the year feeling more positive. 

Are you making resolutions for 2019?
To be kind to myself. The main thing I took away from my counselling was that I’m not very good at that. So my main resolution for 2019 is to stop giving myself a hard time, accept compliments when I get them, and try to stick to the new thought patterns my counsellor taught me. 

What are you hoping for from 2019?
I want to do more with Sisterhood. I always said to the girls that I’d love it to become a regular publication, and to open submissions up to everyone who identifies as a woman. But, in the short term, I just want to get settled into my new home, and get it looking how I want it to. I get to have a study, and I can’t wait to have a special place just for writing!

A year on…

One year and one day ago, I woke early and looked at Twitter – horrified by the news from Manchester Arena. I spent the day with friends, counting my blessings.

It was a gloriously sunny day and, as more news emerged about the victims, I reflected on how I’d feel if someone I loved had been involved. How would you feel if you’d had an argument then never got the chance to make up? Or, perhaps worse in some respects, you’d parted on perfectly fine terms but never got to tell them how much you loved or respected them?

That was when I decided to start writing to friends for no other reason than to tell them how much I loved them. My friend Emily, who moved home to the US, and I had been corresponding the old-fashioned way for a little while but that attack in Manchester made me realise that although I spend lots of time with my friends, I don’t tell them how much I appreciate them – because it’s implied. Well, I decided to make it explicit.

All we seem to get in the post these days (oh, how I’m showing my age) is bills and junk but when someone receives a heartfelt message in the post, it makes them feel valued. Ever since then, I’ve sent card and postcards and letters in the post and the feedback I’ve had has been lovely. People have reciprocated, of course, which was never the plan – I but it is a glorious feeling, knowing someone has taken the time to think about you then put pen to paper.

To me, a letter (or postcard or even an email) shows that the writer has thought about this. They have not just hugged you because you were standing in front of them, they are writing to you because they were thinking of you when you weren’t even with them. They have taken time out of their day to write to you.

I am not a tactile person – quite the opposite, in fact – but I am able to express myself with words far better than I ever could face-to-face. On the odd occasion that I found myself on the wrong side of my parents when I was a child, I would write a letter to apologise. Weird, I know.

I know some people wouldn’t feel able to express themselves fully through writing. To this I say: choose whatever works for you and do it.

Emma Whitehall once said to me that Elementary Sisterhood was partly borne out out of the support she had felt from receiving messages of support and encouragement through the post.

Yesterday, I had a massive wobble. Something inconsequential happened but it really threw me for a loop. However, when I messaged the sisterhood to tell them, the words of love and understanding I received heartened me. The people – in the sisterhood and beyond – who rushed to tell me what they felt for me and how I’d helped them really made me see the positive impact I’ve had on others.

So, in short, the message of this post is: if you feel something, say something.

Vic x