Tag Archives: imagination

Getting to Know You: Daniel James

Over the last couple of years, I’ve got to know Daniel James, author of ‘The Unauthorised Biography of Ezra Maas’. I’ve been lucky enough to host him at Noir at the Bar a few times as well as being invited by Daniel to read my own work at his ‘After Dark’ event for Books on Tyne. 

Daniel will be in conversation with Jacky Collins at Waterstones, Newcastle, on Wednesday 30th January. Tickets are £3 and I’m reliably informed that there are a few left – reserve your space now!

My thanks to Daniel for taking the time to chat to us. 

Vic x

daniel james, zurich, october 2017Tell us about your book.
The Unauthorised Biography of Ezra Maas is based on the real life story of Ezra Maas, a British artist who became famous in the late 1960s, but who turned his back on fame and created his greatest artworks from the shadows, before eventually disappearing altogether in mysterious circumstances in the early 2000s. I became interested in telling the true story of Maas’s life and presumed death, but nothing could have prepared me for the truth that the book uncovers.

It quickly occurred to me that in searching for the true story of Maas’s life, travelling around the world to the cities he lived, visiting the galleries where he created his work, and interviewing those who knew and collaborated with him, that my role as biographer was essentially a kind of literary detective. As such, I consciously decided to write these chapters of the book in the style of a detective story, a page-turning mystery thriller through a postmodern, existential lens. However, the book is also very much a biography and there are chapters dedicated to documenting Maas’s life from 1950 onwards in a more journalistic style, accompanied by reproductions of authentic archival material and correspondence, including news clippings, letters, emails, phone transcripts and more. If one half of the book is like a detective story, the other half is a biography written by an investigative journalist. There are a lot of different styles and techniques being employed throughout the text, but they come together to create a new kind of book where readers are challenged to become detectives themselves, following in the footsteps of my investigation, as I attempt to separate fact from fiction and history from myth, page by page, chapter by chapter.

What inspired it?
Ezra Maas’s incredible life story was the inspiration. In 2011, I received an anonymous phone call suggesting the true story of Maas would make an interesting biography and everything led from there. It didn’t take long for my research to reveal a number of contradictions and inconsistencies in the authorised version of Maas’s life, and naturally, the journalist in me began asking questions. The more I asked, the more secrets I uncovered, and I soon found myself being warned off the story. Of course, as soon as that happened, I knew I had found something special and there was no turning back.

Alongside that, I’ve always been interested in the relationship between truth and fiction, the self and reality, as a writer. And in many ways, Maas’s life was the perfect gateway into those subjects and themes. His life, and my interests as a writer, were perfectly aligned and the phone call that set me on the path to writing his biography couldn’t have come at a more ideal moment. I was in the right place at the right time.

I recently read an interview with a writer who described her latest work as ‘existential noir’ because of the way it used the structure of a traditional mystery story to explore unanswerable questions of being and knowing – what can we ever know with any real certainty, about ourselves or the world – and that’s very much the territory I like work in – crafting stories around questions of identity and reality that lead us down the rabbit hole, and force us to confront our deepest subconscious fears.

What do you like most about writing? What do you dislike (if anything)?
I’m happiest when I’m writing regularly because it feels like I’m fulfilling my potential and doing what I’m supposed to be doing with my time. Kafka supposedly said that ‘a writer who isn’t writing, is a monster courting insanity’ and I completely understand what he meant. Whenever I’m not writing, I feel like I should be, and when it’s going well, it’s like electricity flowing through me – it’s a serious high, but more than that, it also provides a deeper sense of purpose and satisfaction.

And on a lighter note, it’s great fun. Who doesn’t want to make up stories and let their imagination run free? I love the freedom that writing gives me. I can create entire worlds, people, and histories. I’ve always been a daydreamer and writing allows me to share my dreams and imaginings with others.

I don’t really dislike anything about writing itself, but like any physical or mental endeavour, there are days when it can really feel like hard work. Over the last few years, I’ve learned to listen to my body and not force myself to write when it isn’t flowing. You can still work on your book without actually writing. You can read for research, visit a location, watch a film, listen to music, take a walk. Professional athletes warm up before an event, they stretch, eat and drink the right things, and get their bodies ready to perform. Writers need to do the same with their minds. Sometimes it’s about clearing your mind to allow space for the ideas to come in, other times it’s about tuning into a certain frequency, atmosphere or mood, and channelling a particular character or scene.

Do you find time to read, if so what are you reading at the moment?
I love reading. It’s one of my great pleasures in life and it’s ultimately the reason I wanted to become a writer myself. I try to get through a novel every couple of weeks if I can. The books I return to the most are detective novels – Raymond Chandler, Ross MacDonald, James M Cain to modern greats like James Lee Burke – and also postmodern works. At university, I specialised in fiction from 1940-1990 and that’s the era I find myself returning to the most when I’m looking for something new to read. I read a lot of comic books and graphic novels too (I practically grew up on Marvel Comics in particular). I’m a fan of Science Fiction and many other genres, and I read quite a bit of non-fiction, mostly literary and cultural theory, but it depends on what I’m working on at the time. I read a lot of books on contemporary art history, biographies and journalism when I was researching Ezra Maas, and I can imagine I’ll do the same with future novels. 

Currently sitting at the top of my to be read list currently are two excellent new novels – Three Dreams in the Key of G by Marc Nash and The Study Circle by Haroun Khan. The last book I bought before those was by the late, great Mark Fisher, a cultural theorist who blogged under the name K-Punk. I highly recommend his work to anyone who has yet to come across it. Mark’s writing introduced me to the concept of Hauntology, which I touch on in my own book.

Earlier this year, I also read the Southern Reach trilogy by Jeff Vandermeer after being intrigued by Alex Garland’s adaptation of the first in the series, Annihilation. I’ve got a huge stack of books waiting to be read though. I love buying books and I love reading, but I do take long breaks when I’m actively writing myself, so this has resulted in an increasingly expanding To Be Read pile that I’ll probably never get through!

Which author(s) has/have had the biggest influence on your writing?
Paul Auster. Raymond Chandler. Samuel Beckett. James Joyce. Thomas Pynchon. Philip Pullman. Philip K Dick. Jorge Luis Borges. Alasdair Grey. Flann O’Brien. David Lynch.

Where do you get your ideas from?
Everywhere. My life. Other people’s lives. History. Dreams. Music. Films. Ideas are all around us, all of the time. You’ve just got to open your eyes, listen and be in the right frame of mind to be inspired.

Do you have a favourite scene/character/story you’ve written?
Well, the novel is the best piece of work I’ve written so far and Ezra Maas is probably the most complex character I’ve brought to life, not just because he is a real person, but because there are so many conflicting stories about him. I’ve tried to reflect this in the book by capturing the multiple, overlapping narratives and descriptions, allowing them to coexist alongside each other so that the emphasis is on the reader of the book to play detective themselves and separate fact from fiction in Ezra’s life.

What are you working on at the moment?
I’m about halfway through a second novel, which I hope to finish within the year. I actually started working on it in 2013, but Ezra Maas took over my life , so I put the other book on hold temporarily. Now that the Unauthorised Biography’ is out, I can focus on new projects, including returning to my work-in-progress second novel. Once that’s completed, I plan to work my way through the other novels I have planned, although I wouldn’t rule out one of those new ideas becoming my second novel – it just depends which idea excites me the most.

What’s the best piece of writing advice you’ve been given (and who was it from)?
“Write the books you want to read.” 

Philip Pullman said that to me when I met him at the Durham Book Festival in 2015. It was very reassuring advice to receive from such a master storyteller, particularly as that’s exactly what I’ve always tried to do. I’ve been writing stories since the age of four or five and have always written for myself. If the story excites and interests me, if I want to keep turning the page to find out what happens next, if I find myself disappearing into the world of the book and thinking about it every waking second, then I know I’m on the right track.

Are you a plotter or a pantster?
I’m somewhere in between. Generally speaking, I like to follow my intuition and let the story guide me, rather than plotting the entire book out in advance. I have a destination and a road map in my mind, but it has enough wide-open space to allow me to go off on unexpected adventures and detours as and when I need to. I might be the author of the book, but it’s a process of discovery for me too. An author is almost like a pioneer heading off into the wilderness. They discover the trail and share it with the readers who follow them.

Of course, The Unauthorised Biography of Ezra Maas is based on real events, so it required several years of research, travel, interviews, and quite meticulous planning. At the same time, I remember the moment when I decided to write the book very vividly and I could already see the story fully formed in my mind. It all came to me in an instant. It was a Big Bang moment. One second there was nothing and then… everything. I knew where to start, how I wanted to present the story, with letters and emails and phone transcripts, and I knew exactly how it would end. But it also surprised me on multiple occasions. It kept me guessing all the way through with its twists and turns. It genuinely had a life of its own, sometimes in quite scary ways, almost as if the story couldn’t be contained on the page and wanted to bleed out into the world. Perhaps because it’s based on a true story, it has a special kind of power that makes it dangerous. I may have written it, but I don’t think even I know the book’s true potential.

This book, more than any other idea I’ve ever had, felt like it had already been written in a strange way and I was simply receiving it, like a transmitter, from somewhere out in the ether and it was my job to put it on the page; bring it to life.

Do you have any advice for aspiring writers?
If writing books is really what you want to do, if it’s genuinely your dream in life, then don’t ever, ever give up. Keep going, keep believing in yourself, and keep writing, no matter what. You can and will make it happen, but only if you keep believing and keep writing.

What’s been your proudest writing-related moment?
The moment I found out the book was going to be published will always stand out in my mind. I didn’t tell anyone – not a single person – for about a week as I was worried I would jinx it somehow. It was something that I wanted so much and so badly that I didn’t want to do anything to jeopardise it. About two years after that, I walked out onto the stage at the Newcastle Book Festival in front of a crowd of about 80 people, including my family and friends, and I read an extract from the book for the very first time. I was introduced on the night by Professor Brian Ward, we premiered a documentary video about Ezra Maas featuring the award-winning writer and artist Bryan Talbot, and we finished up with a Q&A where I was interviewed by Dr Claire Nally. Everything went as planned and afterwards we celebrated with cocktails created especially for the book at a late night after-party in a speakeasy-style basement bar called The Poison Cabinet in Newcastle. I couldn’t have asked for a more perfect night and it was definitely one of my proudest moments.

The long-awaited launch of my novel with a trio of fantastic events in the North East, featuring guest authors and speakers and more than 150 attendees in total. This included a return to Books on Tyne and a special late-night event afterwards entitled Fiction After Dark with cocktails, live music and readings by Elementary Sisterhood. And of course, there was the launch itself at the wonderful Forum Books in Corbridge. It was a really lovely evening and a special moment for me. I can’t recommend Forum Books enough and I think it’s really important to support independent bookstores and local businesses

My next event will be at Waterstones Newcastle – the biggest bookstore in the North East – on Wednesday 30 January at 7pm, so that will be another proud moment. I’ll be reading an extract from the book, answering questions from the brilliant Dr Jacky Collins, and signing copies of my novel at the end. Tickets are £3 and on sale now.

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**The Silk Road Blog Tour** #LoveBooksGroupTours @Mark_Leggatt @FledglingPress

silk-road.jpgI’m delighted to be taking part in the blog tour for Mark Leggatt’s latest release: ‘The Silk Road‘, the third book in the Connor Montrose series. I’ve known Mark for a couple of years and it’s a pleasure to have him on the blog to chat about how his day job has influenced his writing. 

Mark Leggatt was born in Lochee, Dundee and lives in Edinburgh. A former specialist in Disaster Recovery for oil companies and global banks, his career has taken him around Europe, especially Paris, where he lived for a number of years. History and modern global conspiracy lie at the heart of his work, and are the backdrop for the adventures of CIA technician Connor Montrose. Leggatt is a member of the Crime Writers Association in the UK, and the International Thriller Writers in the USA. 

Before that, though, allow me to whet your appetite with a little bit about ‘The Silk Road’:

Ex-CIA technician Connor Montrose tracks two suspected terrorists to a deserted mountain village in Tuscany, where he witnesses an attack on a US Air Force troop plane, using a ground-breaking portable Surface to Air (SAM) missile. Unaware that the CIA were also monitoring the suspects, Montrose is blamed for the attack and narrowly escapes. The CIA receive orders from Washington to shoot him on sight, and a shadowy organisation begins to track his every move.

Then a spate of terror attacks threatens the fabric of NATO and the entire Western alliance. Civilian airlines are the new target, and the overwhelming evidence points to a CIA false flag plan to bring down aircraft and blame it on Moscow-backed terrorists. Montrose’s investigations lead him to underground arms sales on The Silk Road, the secret marketplace of the internet, hidden deep in the Dark Web. Montrose must assimilate himself into the society of the European aristocracy and the ultra-rich fascists, assisted by Kirsty Rhys, to pose as a middleman for the purchase of arms on The Silk Road and find the remaining cache of missiles. Montrose uncovers the layers of duplicity between governments and arms dealers, leading first to the CIA in Rome, and eventually to the palaces of the last Russia Tsar and the new oligarchs. Montrose must discover the remaining cache of missiles before the CIA catch up with him, and before carnage is unleashed over the skies of Europe.

My thanks to Mark for taking the time to chat to us, and to the lovely Kelly Lacey at Love Books Group for allowing me to be part of the tour. 

Vic x

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I am, at heart, a very disorganised person. If I had to describe my normal thought process, it would be me on a unicycle, going down a steep hill, while juggling cats, while the cats are on fire, and heading for a fireworks factory at the bottom of the hill. Next to the orphanage.

I need order in my life, and in my previous role as a Project Manager, that’s exactly what I got. It’s a bit ironic that the kind of person, who when asked to describe his job as a Consultant Project Manager in Technology for global banks and oil companies would instantly reply “Spanner, cheese and monkey wibble”. But if I am prepared, and planned, I can answer in a much more professional manner, which prevents people screaming and running from the room.

I am not short of imagination. But I am short of organisation, and I know it. Therefore, all the planning and delivery skills I learned as a project manager, become very useful when it comes to writing a book. It’s all very well to start a story where a man is outside a bank with a gun, but if that chapters ends up with fourteen clowns from Fife naked from the waist down on the back of a lorry in New Orleans singing ‘Delilah’ then the story may have deviated slightly from what you had originally had in mind.

This is my dilemma. This is how my day job helps me to rein in the excesses of my imagination, and stick to the bloody story. It’s a man outside a bank with a gun. He doesn’t have a space hopper. He’s there to rob the bank, and not rub himself against the windows while reciting his own, dreadful haikus. 

So, I’ll never give up the day job. I’ll be a project manager to myself, or chaos will ensue. And I’ll never get any bloody books written.

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**Sky’s the Limit Blog Tour**

Sky's the Limit Blog Tour Poster

Looking for a feel-good summer read this weekend? Check out ‘Sky’s the Limit‘ by Janie Millman. 

I’m delighted to be taking part in Janie’s blog tour today. She’s kindly agreed to answer my questions so that we can get to know her better. My thanks to Janie and Dome Press for allowing me to be involved. 

Vic x

Janie Millman Headshot

Tell us about your books, what inspired them?
We went on holiday to Marrakech and fell in love with the place. We met some amazing characters, stayed in a fabulously quirky riad with a beautiful but eccentric owner and gradually the germ of Sky’s the Limit was born.

I live in South West France in a town called Castillon La Bataille.  We are in the middle of one of the most famous wine regions of the world, so I guess it was only a matter of time before I incorporated that into a book too.

Where do you get your ideas from?
Locations inspire me. I love discovering new places and meeting new people. I guess subconsciously I am always thinking about stories and characters. They just seem to pop into my head – I’ve always had a very vivid imagination – sometimes too vivid for my own good!

I am also co-owner of Chez Castillon – we host writing & painting courses and retreats and when we are not hosting those we take in wedding guests from a nearby chateau – I have enough ammunition from the characters that pass through our door for the next ten novels!

Do you have a favourite story / character / scene you’ve written?
I don’t really have a favourite character – I really love Elf in Sky’s the Limit and I loved George and Drew – aka Miss Honey Berry – in my first novel Life’s A Drag.

Are you a plotter or a pantster?
If by ‘pantster’ you mean flying by the seat of my pants then a bit of both really. 

I do have a rough idea of the plot. I like to know where the story is going, but I also like to be flexible – I like it when things suddenly happen – when new characters suddenly emerge and take me in a different direction.

Can you read when you’re working on a piece of writing?
Yes, I can read when I am writing but I usually choose something that is a million miles away from what I am working on – unless of course I am reading for research.

What’s the best piece of writing advice you’ve ever been given and who was it from?
One of the best pieces of advice I’ve been given is: ‘you cannot edit a blank page.’ I cannot actually remember for certain who told me that, but I think it may have been the lovely author Jane Wenham-Jones.

What can readers expect from your books?
They can certainly expect the unexpected! 

I hope that readers will love my characters, and I hope they find themselves experiencing new locations, new sounds, smells and tastes.  

I hope they lose themselves in the plot, and I very much hope that they don’t want the book to end and that the stories and cast stay with them for a long while.

I want them to laugh and cry and I want them to think.

Have you got any advice for aspiring writers?
Just Write. Get words on the page – don’t be frightened – you need to enjoy the whole experience.

What do you like and dislike about writing?
I love it when the story starts to come together; I love it when the unexpected happens; I also love it when the characters misbehave  – although not too much!

I don’t like the solitude, the doubts that creep in and the frustration when the words don’t flow and the characters appear one-dimensional. But that passes…. usually!

Are you writing anything at the moment?
Yes I have just finished my third book – well the first draft, so we are still some way from the finishing line. It is another dual location novel, set in Cambridge and Crete.

What’s your favourite writing-related moment?
When I wrote The End to my fist novel Life’s A Drag. I finished it in Bordeaux station when on our way to Arcachon for a few days holiday.

I remember crying because it was the first book I had ever written and I hadn’t really known if I could do it. My husband bought champagne and I spent the holiday dreaming of bestsellers and films… though, that was before the reality set in!

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Sky’s the Limit:
Review.

Sky is devastated when she finds that her husband is in love with her oldest friend Nick. Believing she has lost the two most important people in her life, she travels to Marrakesh on her own. During the trip, Sky meets up with Gail who’s on a mission to track down the father of her child. 

Sky’s the Limit is a great summer read. It takes readers to Morocco and France with an interesting cast of characters who jump off the page. Throughout the story, the vivid characters experience joys they didn’t expect to find which makes this a heart-warming read. 

The description of the places is evocative and atmospheric, and the Moroccan heat seeps out of every line. Millman’s descriptions are rich and her attention to detail is very strong. 

Sky’s the Limit is a light read that’s perfect for the beach. Even if you don’t have a beach, read this novel and prepare to be transported. 

**The Gilded Shroud Blog Tour** Author Interview

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It’s my pleasure today to have Elizabeth Bailey, author of ‘The Gilded Shroud‘ on the blog.

Elizabeth Bailey says she feels lucky to have found several paths that have given her immense satisfaction – acting, directing, teaching and, by no means least, writing. 

She has been privileged to work with some wonderful artistic people, and been fortunate enough to find publishers who believed in her and set her on the road.

Elizabeth has kindly taken the time to answer my questions so we can get to know her, and her writing process, better. My thanks to Elizabeth for taking the time to answer my questions. If you fancy getting in touch with her, you can tweet Elizabeth

Vic x

Elizabeth Bailey (002)

Tell us about your book(s).
The Gilded Shroud
 is the genesis of Ottilia, Lady Fan, who turns by chance into sleuth extraordinaire and, incidentally, meets the love of her life in the process. It’s a murder mystery set in the late 18th Century, with a dollop of upstairs downstairs and a touch of romance too.

What inspired them?
My original idea was Ottilia as a potential heroine for the first in a series of sweeping romantic historicals which never materialised. My brother one day suggested it might make a detective story, and that set me off thinking. When I finally took the plunge, I intended at first that Ottilia, a wispy retiring sort of female as I thought, would be the brains in the background behind the apparent showy male sleuth, but the moment she set foot on the page she took centre stage and refused to be dislodged. So that was that.

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What do you like most about writing? What do you dislike (if anything)?
I love the way it surprises me with turns and twists I never expected, and I like finding creative ways to express things rather than turning to clichés. I like the process of watching it unrolling as I write what I see, like a film reel projecting onto a screen somewhere in the air around me. 

I hate what we writers call treacle books, when the words won’t flow and you just have to drag them out one by one, sticking with it as you really feel as if you are wading through a sticky sea. You learn to keep at it, and quite often find you do good work in spite of the stop/start nature of the writing. Fortunately, readers can’t usually tell if a book was treacle to write. There’s always the editing process to fix it.

Do you find time to read, if so what are you reading at the moment?
I can’t not read. I started as a reader and reading feeds my imagination. My reading time is an hour or so before I go to sleep – assuming I’m not so hooked I can’t put the book down. I’m just finishing Tarquin Olivier’s book about his famous father, and I’ll be starting on Jodi Taylor’s latest St Mary’s Chronicles, to which I am addicted. My TBR pile is pretty eclectic as I read all sorts of genres, as well as biographies and books that add to my knowledge of my period and other history.

Which author(s) has/have had the biggest influence on your writing?
Primarily Georgette Heyer – of course. Also Daphne du Maurier, who does dark with panache and beauty; Rumer Godden, who is both lyrical and cryptic, as she doesn’t tell you everything. And Dean Koontz, who is so good at surprising twists. Finally, PG Wodehouse for humour. He has the one-liner gag down to a fine art. But I can learn from almost any writer – a turn of phrase, a twist, a different voice. It all goes into the maelstrom and comes out somewhere without my realising it.

Where do you get your ideas from?
They tend to leap out from nowhere. I might catch a rhythm, a fleeting glimpse of some image, song or dream, a snippet in a news item or programme, a phrase or word in a social media post even. The spark might not even reveal itself because the idea wafts in and before I know it the what-if game is on. I do jot ideas in notebooks. If I’m stuck for a plot, I can sift through to see if anything catches my imagination. I think most writers have more ideas than they know what to do with, or will ever write up as stories. The ones that gel will hopefully roll into fodder for readers, if the process goes well.

Do you have a favourite scene/character/story you’ve written?
My current completed book is usually my favourite. Not the one I’m writing because that’s in too much upheaval to be loved. Though I am usually falling in love with my characters in the work in progress. But the one that’s done and dusted, that’s the one I can afford to love until it gets superseded by the next. I do have a few that are perennial favourites and I am rather in love with Lord Francis Fanshawe. As for scenes, when I have occasion to re-read a book, sometimes I find one that really pleases me, and I will wonder how I managed to make it that good.

What are you working on at the moment?
I am writing another Lady Fan mystery, in between my traditional Regency romances. Mysteries take more thought, more time and energy as one must tie everything in together and half the time I don’t know what’s about to happen.

What’s the best piece of writing advice you’ve been given (and who was it from)?
Funnily enough, it was my mother, who is a poet rather than a novelist and my beta reader in my early days, who gave me the best piece of advice. She said one day that she thought I was ending my chapters in the wrong place by running a scene to a conclusion rather than keeping it back. She woke me up to cliffhangers.

Are you a plotter or a pantster?
When I began writing I plotted extensively, but was forever having to adjust the plot as new ideas sprang up. Now I’m a total pantster. Apart from the opening springboard, I have no idea where the story is going and must trust to my inner writer. That is not to say that ideas don’t float about in my head, but when I sit down to write I never know what words are going to come out through my fingers. Still less do I know who committed the murder!

Do you have any advice for aspiring writers?
Keep at it. We all say that. Get the words down any way you can. You can’t edit a blank page. Being a writer is all about persistence. Not just keeping going against the rejections. But keeping going when life throws brickbats at you; when you think you’ll never get to the end; when the deadline is looming and panic strikes; and when you’d honestly do anything – take out the rubbish, clean the car, walk the cat – rather than sit down and write. Successful writers work through every pit stop and drive through to the end. Every time.

What’s been your proudest writing-related moment?
Apart from my very first acceptance which sent me to the ceiling where I remained for days, I think it’s the review of The Gilded Shroud that said: “Georgette Heyer lives – and is writing mysteries as Elizabeth Bailey”. That accolade said it all for me. I grew up on Heyer and still consider her the greatest writer in the Regency genre she spawned. We all wish we could write at her level, so this was to me the best compliment ever.

 

 

**The Dark Web Blog Tour** Author Interview

As part of ‘The Dark Web‘ blog tour, I’d like to welcome Christopher Lowery to the blog. ‘The Dark Web‘ is the final part in ‘The African Diamonds Trilogy‘. 

My thanks to Christopher for taking the time to answer my questions. 

Vic x

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Tell us about your books.
My first three books comprise The African Diamonds Trilogy, an adventure/thriller series, featuring a principal female protagonist, Jenny Bishop, and a number of other key characters who appear in more than one book. All of the stories have multiple plots and take place in many countries all over the world.

The Angolan Clan begins in Portugal at the time of the 1974 ‘Revolution of the Carnations’, a bloodless overthrow of the fascist regime by the army, which was then hijacked by communists. This had devastating consequences for Portugal and its colonies, Angola, Mozambique etc, and led to bloody civil wars which lasted up to 25 years. An event occurs which creates a series of murders 40 years later.

The Rwandan Hostage is based upon the genocide of one million Tutsis by the Hutus in 1994. A raped Tutsi girl dies while giving birth to a child. The consequences manifest themselves 15 years later, when a boy is abducted in Johannesburg.

The Dark Web is the story of a political power play in the form of a devastating cyber-attack by a malicious, corrupt foreign power aimed at neighboring countries. A young computer scientist discovers the conspiracy and risks his life to prevent it and avoid a global conflict.

What inspired them?
All the stories are based upon my own life and career experiences and those of my family over the last 40 years and are semi-autobiographical/historical/factual. Together we have lived through a number of world-changing events in many countries around the world. 

What do you like most about writing?
Creating fictional stories from factual and often personally witnessed events. Extensive research to refresh/enhance personal knowledge.

What do you dislike (if anything)?
Typing. 

Do you find time to read? If so what are you reading at the moment?
I read very few modern books and still enjoy reading old ones.

Which author(s) has/have had the biggest influence on your writing?
Wilkie Collins, Frederick Forsythe, JRR Tolkien, Tom Clancy, Neville Shute, Ken Follett, H Rider Haggard, John Buchan, PG Wodehouse.

Where do you get your ideas from?
My life and my imagination.

What is the favourite scene, character and story you’ve written?
In The Angolan Clan; at the diamond mine when Olivier and friends turn the tables on Gomez and his army bodyguards.
Lord Arthur Dudley, from The Rwandan Hostage, a brilliant, amoral, ruthless, but likeable villain.
I think The Angolan Clan is a successful example of twin stories, which finally converge at the climax.

What are you working on at the moment?
The Mosul Legacy
, about the retaking of Mosul by the coalition forces in 2016. Again a twin story contrasting the comparative ease with which terrorists can cross the Schengen Zone to commit atrocities in Western Europe and the dreadful obstacles and dangers facing innocent refugees seeking peace and safety. 

What’s the best piece of writing advice you’ve been given (and who was it from)?
My daughter, Kerry-Jane: ‘Make your books shorter.’

Are you a plotter or a pantser?
I’m a jigsaw builder. I envisage the overall picture/plot, then I let my characters find the pieces to complete it.

Do you have any advice for aspiring writers?
Ensure you have another means of earning a living.

What’s been your proudest writing-related moment?
When Matthew Smith, at Urbane Publications agreed to publish The Angolan Clan.

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About ‘The Dark Web

The tentacles of the Dark Web are tightening their grip around the world. From Moscow to Shanghai, Washington, UK, the Middle East and Europe, nowhere is beyond their reach.

When a computer scientist dies mysteriously in Dubai, Jenny Bishop’s nephew, Leo Stewart, is hired to replace him. Leo’s life is soon in danger, but he is the only person who can find the key to prevent an impending global cyber-attack. With the help of Jenny and old and new friends, he must neutralise the threat before the world’s vital services are brought to a halt in a flagrant attempt to once again redraw the borders of Europe and Asia. Can the deadly conspiracy be exposed before the world is thrust into a new Cold War?

Christopher Lowery delivers a gripping final chapter in the bestselling African Diamonds trilogy, with a thriller that is powerfully resonant of today’s global dangers, hidden behind the ever-changing technological landscape.

The perfect read for fans of Gerald Seymour, Wilbur Smith and Frederick Forsyth.

 

Don’t Quit the Day Job: Jane Risdon

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today my longtime online friend, Jane Risdon is here to share her interesting experiences with us. Thanks Jane, I’ve really enjoyed having you on the blog again.  

Vic x

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We don’t know what we know, until we sit and think
By Jane Risdon

Write what you know. That’s what we writers are advised. But, you have to wonder where that leaves crime writers – commit a murder, a robbery, a sting and then you know what you are writing about perhaps? Who is going to admit to having a day job involving murder? Yet our lives and experiences do influence our writing, it has to.

How has my ‘day job’ influenced my writing?

I no longer have a ‘day job’ unless you count writing, but I have had two careers both of which greatly influenced my writing. Firstly I worked for government departments and that gave me some insight into the workings of the world of foreign embassies and how our government operates overseas. It spiked my interest in all things espionage in that I worked for a department whose staff were employed in embassies and were not always what they appeared to be, given their job titles. Great fodder for a fertile imagination.

A great deal of my writing, about crime and organised crime, has been influenced by my time working in that environment. It sparked an interest which I continue to feed by reading all I can about the murky world of the secret security services, organised crime and all it entails. Many of my crime stories have elements of covert operations and possible Mafia connections running through them, including my series – Ms Birdsong Investigates. Although I can’t be specific about anything I knew from back then, I can play with the facts and indulge in a great deal of poetic licence.

My second and longest career has been in the international music business, working mainly in Hollywood, Europe and in S. E. Asia. There is nothing like power and money to bring out the worst in people – as we are discovering now with all the sex scandals detailed in the press. Many of my stories have musical elements and are also mixed with organised crime or espionage as I mentioned. I suggest some research and reading if anyone is interested in how the music business and movie business might possibly have anything to do with organised crime. Mixing with the ‘movers and shakers’ in this business has been an amazing experience and, I must admit, it all came as a bit of a shock to me when first working at that level in Hollywood. Nothing in your face of course, all hinted at; I was directed to ‘gen-up’ on who I was working with and was recommended some well-known books to read. All filed away for future reference and as background for my growing interest in being a crime writer. Which I now delve into when necessary.

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Yet, crime is not all I’ve found myself writing. My latest co-authored novel with Christina Jones, Only One Woman, is anything but crime. It is a love triangle set in the late 1960’s UK music scene, and my experiences married to a musician and being involved in music all my life, has been a fabulous resource for writing this book. My day jobs back then have given me access to experiences and memories so vivid it has been like writing about something that happened yesterday at times. Total recall provides me with so much to be thankful for as a writer.

Writing what you know. It’s great advice. Sometimes we don’t know what we know, until we sit down and think.

You can find Jane on Facebook, GoodreadsTwitter and her blog. ‘Only One Woman‘ also has its own Facebook page and blog. There is also a playlist to listen to while you listen to ‘Only One Woman‘.  

Getting to Know You: Judy Penz Sheluk

International Bestselling Author, Judy Penz Sheluk has kindly given us some of her time today. Judy’s debut mystery novel, ‘The Hanged Man’s Noose‘, the first in the ‘Glass Dolphin Mystery’ series, was published in July 2015. The sequel, ‘A Hole In One‘, was released on the 1st of March.

Skeletons in the Attic‘, Judy’s second novel, and the first in her ‘Marketville Mystery’ series, was first published in August 2016 and re-released in December 2017. ‘Past & Present’, the sequel, is scheduled for early 2019.

In her less mysterious pursuits, Judy works as a freelance writer and editor. In addition to all of that, Judy is also a member of a number of crime writing collectives and Crime Writers of Canada, where she serves as Director and Regional Representative for Toronto/Southern Ontario.

As you can see, Judy is a very busy lady and I’m really grateful that she’s taken the time to chat with us. 

Vic x

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Tell us about your books.
I write two amateur sleuth mystery series. The first is the Glass Dolphin Mysteries; the Glass Dolphin is an antiques shop on historic Main Street in the fictional town of Lount’s Landing. The main characters are Arabella Carpenter, owner of the shop, Emily Garland, a journalist, and Levon Larroquette, ex-husband (and occasionally more) to Arabella. Let’s just say they have a complicated relationship. The first book in the series is The Hanged Man’s Noose (which happens to be the name of a pub; Lount’s Landing is named after a real life Canadian politician, Samuel Lount, who was hanged for treason in the nineteenth century). It’s available in e-book, paperback, and audiobook. The sequel, A Hole in One, has just been released in e-book and trade paperback. Audio will follow later this year.

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The other series is the Marketville Mysteries. The first book in the series is Skeletons in the Attic, told in first person by Calamity (Callie) Barnstable. Callie inherits a house from her late father on the condition she moves into the house (which she did not know existed) while investigating who murdered her mother thirty years before. It’s available in e-book, trade paperback and audiobook. The sequel, Past & Present, should be released in early 2019.

Both my series are published by Barking Rain Press.

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What inspired them?
The premise behind Noose is that a greedy developer comes to a small town with plans to build a mega-box store, thereby threatening the livelihoods of the local indie shops. We see that sort of thing happen all the time. I merely took that premise and said, “What if someone was willing to kill to stop it?”

The premise behind Skeletons came to me when my husband and I were waiting in our lawyer’s office. He was delayed in court and we were there to redo our wills. In fact, opening scenes are directly culled from that experience. Let that be your takeaway: everything that happens to an author may well end up in one of their books.

Where do you get your ideas from?
Life. I keep a notebook in my purse, and I’m also jotting down things I’ve seen or overheard. But I also have this wicked imagination. For example, this past summer, I was golfing and the houses along the perimeter of the course were having their roofs done. And I heard the pop-pop of the pneumatic nailers, and I said to my golf buddies, “You know, someone could get shot and everyone would just think it was the roofer.” They did look at me as though I was a bit odd!

Do you have a favourite story / character / scene you’ve written?
I love Arabella Carpenter, the irascible owner of the Glass Dolphin. I even included her in a cameo role in Skeletons in the Attic, the first book in my Marketville series. Arabella’s motto is “authenticity matters” and she lives by that, even when it comes at a high personal cost. I admire that about her.

Are you a plotter or a pantster?
Definitely a pantser. I’ve tried plotting but it just doesn’t work for me. That said, I’m planning to write a non-fiction work, and that will have to be outlined in detail. With fiction, I just let the story go where it wants to go.

Can you read when you’re working on a piece of writing?
Absolutely. Reading is the best teacher. I try to read 30+ books a year. Most are mystery or suspense, but I’ll also read mainstream fiction and I enjoy short story collections. I’m a huge fan of a number of authors, most recently Fiona Barton, who I think is absolutely brilliant.

What’s the best writing advice you’ve ever been given and who it was from?
I always quote Agatha Christie when I’m asked this: “There was a moment when I changed from an amateur to a professional. I assumed the burden of a profession, which is to write even when you don’t want to, don’t much like what you’re writing, and aren’t writing particularly well.”

What can readers expect from your books?
I refer to them as amateur sleuth with an edge. There is the requisite small town, no overt sex, violence or bad language, but there’s also no cats, crafts or cookie recipes. People tell me the plots are more complicated than a typical cozy, and I do have a lot of characters, but they all play a part. They’re not just there for window dressing.

Have you got any advice for aspiring writers?
Make time to write every day. You can’t edit a blank page. And write what you’d like to read, not what you think will sell. By the time you’ve written the next great vampire book, the vampire craze will be long over. Start your own craze.

What do you like and dislike about writing?
Of course I like it best when the words flow like maple syrup, but even when they don’t I’m reminded of Erica Jong, who wrote: “When I sit down at my writing desk, time seems to vanish. I think it’s a wonderful way to spend one’s life.”

Are you writing anything at the moment?
Always. I’m currently working on the third book of the Glass Dolphin series, and a standalone mystery/suspense. And I have a couple of short story ideas I’m mulling over. And the non-fiction work I’m researching. I try to write every day, even if I only have a few minutes, even if it’s Christmas, New Year’s Day or my birthday. It doesn’t always work out that way!

What’s your favourite writing-related moment?
The day I signed my first book contract for The Hanged Man’s Noose. I’d faced the usual rejection from agents and publishers, but I wasn’t giving up. The email came in on July 1, 2014, which happens to be Canada Day. My husband and I popped open a bottle of champagne and danced on our back deck. The book came out July 2015.

Where can we find you?
My website where I write about the writing life, interview other authors, write the occasional book review, and I also have a series called New Release Mondays where I include a brief summary of a new book. Most are mysteries or suspense, but not always, and most of the authors are not well known, but deserve to be better known.

I’m also part of two multi-author blogs: Pens, Paws and Claws and The Stiletto Gang

I’m also on Facebook, and Twitter and Pinterest.