Tag Archives: love

**Summer at Hollyhock House Blog Tour**

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Today I’m pleased to welcome Cathy Bussey, the author of ‘Summer at Hollyhock House‘ to the blog to talk about writing a realistic heroine. This topic is of particular interest to me and I hope it’ll be of use to you too when considering how to make original, realistic characters. 

Cathy is an author, journalist and hopeless romantic who wrote her first book at the tender age of six. Entitled ‘Tarka the Otter‘, according to Cathy it was a shameless rip-off of the Henry Williamson classic of the same name, and the manuscript was lost after she sent it to her penpal and never heard a jot from her since. 

Fortunately reception to her writing became more favourable and she spent ten years working for a range of newspapers and magazines covering everything from general elections and celebrity scandals to cats stuck up trees and village fetes. She has been freelance since 2011 and written for ‘The Telegraph’, ‘Red Online’, ‘Total Women’s Cycling’ and other lifestyle and cycling publications and websites. 

She is the author of three non-fiction books and her debut and thankfully non-plagiarised novel ‘Summer at Hollyhock House‘ has been published by Sapere Books. 

Cathy lives on the leafy London/Surrey border with her husband, two children and a dog with only two facial expressions: hungry and guilty. Her hobbies include mountain biking, photography, wandering around outside getting lost, fantasising about getting her garden under control, reading, looking at pretty things on Instagram and drinking tea. You can find her there, on Twitter or visit her website. 

My thanks to Cathy for sharing her experience with us. 

Vic x

Cathy Bussey

Writing the heroine you want to be
By Cathy Bussey

The stories of women’s lives have always gripped and fascinated me. I grew up with chick lit and I’m firmly part of the Bridget Jones generation. The Shopaholic series, Sex and the City – these were the cornerstones of my literary and emotional education.

I adore the intelligence with which women write about the issues that affect us all. Love and romance, friendship and family, mental and physical health, children, ageing parents – there’s so much in everyday life to explore that I’ve never tired of the women’s fiction genre. But. 

There’s always a but, isn’t there?

I always struggled to find heroines with whom I could truly identify. 

The classic city girl who can’t get a hair out of place and screams at the sight of a spider – that ain’t me. 

I can’t walk in high heels since I had children, nor do I want to. Glossy shopping sprees, makeovers, shoes, handbags, manicures, Prosecco, spa weekends, nights out with the girls – the stereotypical setting of chick-lit doesn’t reflect my internal reality. I’ve never once fantasised about moving to New York.

I have only once found a heroine that spoke to my other, wilder side. 

One of the best romcoms I ever read was called Going Ape and it came free with a copy of Cosmo. I can’t even find it on Google so I assume it’s out of print, but it had an enormous impact on me. It was set on a monkey sanctuary and the heroine was a scientist. I adored her. She was no less flawed and quirky and adorable than Bridget, Becky, Carrie et al, but she got her hands dirty. Very dirty, actually. 

So when I came to create my own heroine, Faith, I wanted to write her for women like me. For girls like the girl I used to be. 

She’s a nature girl, a bit of a wildflower, she’s outdoorsy and active and energetic. She rides bikes down gnarly trails and digs ponds with a shovel. She gets the guy – or does she? – on her own terms. 

She represents a different definition of femininity, and one with which I can both identify, and aspire to. I created her for me, and I really hope somewhere out there other women might feel that I created her a little bit for them, too. 

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**The Gilded Shroud Blog Tour** Author Interview

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It’s my pleasure today to have Elizabeth Bailey, author of ‘The Gilded Shroud‘ on the blog.

Elizabeth Bailey says she feels lucky to have found several paths that have given her immense satisfaction – acting, directing, teaching and, by no means least, writing. 

She has been privileged to work with some wonderful artistic people, and been fortunate enough to find publishers who believed in her and set her on the road.

Elizabeth has kindly taken the time to answer my questions so we can get to know her, and her writing process, better. My thanks to Elizabeth for taking the time to answer my questions. If you fancy getting in touch with her, you can tweet Elizabeth

Vic x

Elizabeth Bailey (002)

Tell us about your book(s).
The Gilded Shroud
 is the genesis of Ottilia, Lady Fan, who turns by chance into sleuth extraordinaire and, incidentally, meets the love of her life in the process. It’s a murder mystery set in the late 18th Century, with a dollop of upstairs downstairs and a touch of romance too.

What inspired them?
My original idea was Ottilia as a potential heroine for the first in a series of sweeping romantic historicals which never materialised. My brother one day suggested it might make a detective story, and that set me off thinking. When I finally took the plunge, I intended at first that Ottilia, a wispy retiring sort of female as I thought, would be the brains in the background behind the apparent showy male sleuth, but the moment she set foot on the page she took centre stage and refused to be dislodged. So that was that.

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What do you like most about writing? What do you dislike (if anything)?
I love the way it surprises me with turns and twists I never expected, and I like finding creative ways to express things rather than turning to clichés. I like the process of watching it unrolling as I write what I see, like a film reel projecting onto a screen somewhere in the air around me. 

I hate what we writers call treacle books, when the words won’t flow and you just have to drag them out one by one, sticking with it as you really feel as if you are wading through a sticky sea. You learn to keep at it, and quite often find you do good work in spite of the stop/start nature of the writing. Fortunately, readers can’t usually tell if a book was treacle to write. There’s always the editing process to fix it.

Do you find time to read, if so what are you reading at the moment?
I can’t not read. I started as a reader and reading feeds my imagination. My reading time is an hour or so before I go to sleep – assuming I’m not so hooked I can’t put the book down. I’m just finishing Tarquin Olivier’s book about his famous father, and I’ll be starting on Jodi Taylor’s latest St Mary’s Chronicles, to which I am addicted. My TBR pile is pretty eclectic as I read all sorts of genres, as well as biographies and books that add to my knowledge of my period and other history.

Which author(s) has/have had the biggest influence on your writing?
Primarily Georgette Heyer – of course. Also Daphne du Maurier, who does dark with panache and beauty; Rumer Godden, who is both lyrical and cryptic, as she doesn’t tell you everything. And Dean Koontz, who is so good at surprising twists. Finally, PG Wodehouse for humour. He has the one-liner gag down to a fine art. But I can learn from almost any writer – a turn of phrase, a twist, a different voice. It all goes into the maelstrom and comes out somewhere without my realising it.

Where do you get your ideas from?
They tend to leap out from nowhere. I might catch a rhythm, a fleeting glimpse of some image, song or dream, a snippet in a news item or programme, a phrase or word in a social media post even. The spark might not even reveal itself because the idea wafts in and before I know it the what-if game is on. I do jot ideas in notebooks. If I’m stuck for a plot, I can sift through to see if anything catches my imagination. I think most writers have more ideas than they know what to do with, or will ever write up as stories. The ones that gel will hopefully roll into fodder for readers, if the process goes well.

Do you have a favourite scene/character/story you’ve written?
My current completed book is usually my favourite. Not the one I’m writing because that’s in too much upheaval to be loved. Though I am usually falling in love with my characters in the work in progress. But the one that’s done and dusted, that’s the one I can afford to love until it gets superseded by the next. I do have a few that are perennial favourites and I am rather in love with Lord Francis Fanshawe. As for scenes, when I have occasion to re-read a book, sometimes I find one that really pleases me, and I will wonder how I managed to make it that good.

What are you working on at the moment?
I am writing another Lady Fan mystery, in between my traditional Regency romances. Mysteries take more thought, more time and energy as one must tie everything in together and half the time I don’t know what’s about to happen.

What’s the best piece of writing advice you’ve been given (and who was it from)?
Funnily enough, it was my mother, who is a poet rather than a novelist and my beta reader in my early days, who gave me the best piece of advice. She said one day that she thought I was ending my chapters in the wrong place by running a scene to a conclusion rather than keeping it back. She woke me up to cliffhangers.

Are you a plotter or a pantster?
When I began writing I plotted extensively, but was forever having to adjust the plot as new ideas sprang up. Now I’m a total pantster. Apart from the opening springboard, I have no idea where the story is going and must trust to my inner writer. That is not to say that ideas don’t float about in my head, but when I sit down to write I never know what words are going to come out through my fingers. Still less do I know who committed the murder!

Do you have any advice for aspiring writers?
Keep at it. We all say that. Get the words down any way you can. You can’t edit a blank page. Being a writer is all about persistence. Not just keeping going against the rejections. But keeping going when life throws brickbats at you; when you think you’ll never get to the end; when the deadline is looming and panic strikes; and when you’d honestly do anything – take out the rubbish, clean the car, walk the cat – rather than sit down and write. Successful writers work through every pit stop and drive through to the end. Every time.

What’s been your proudest writing-related moment?
Apart from my very first acceptance which sent me to the ceiling where I remained for days, I think it’s the review of The Gilded Shroud that said: “Georgette Heyer lives – and is writing mysteries as Elizabeth Bailey”. That accolade said it all for me. I grew up on Heyer and still consider her the greatest writer in the Regency genre she spawned. We all wish we could write at her level, so this was to me the best compliment ever.

 

 

A year on…

One year and one day ago, I woke early and looked at Twitter – horrified by the news from Manchester Arena. I spent the day with friends, counting my blessings.

It was a gloriously sunny day and, as more news emerged about the victims, I reflected on how I’d feel if someone I loved had been involved. How would you feel if you’d had an argument then never got the chance to make up? Or, perhaps worse in some respects, you’d parted on perfectly fine terms but never got to tell them how much you loved or respected them?

That was when I decided to start writing to friends for no other reason than to tell them how much I loved them. My friend Emily, who moved home to the US, and I had been corresponding the old-fashioned way for a little while but that attack in Manchester made me realise that although I spend lots of time with my friends, I don’t tell them how much I appreciate them – because it’s implied. Well, I decided to make it explicit.

All we seem to get in the post these days (oh, how I’m showing my age) is bills and junk but when someone receives a heartfelt message in the post, it makes them feel valued. Ever since then, I’ve sent card and postcards and letters in the post and the feedback I’ve had has been lovely. People have reciprocated, of course, which was never the plan – I but it is a glorious feeling, knowing someone has taken the time to think about you then put pen to paper.

To me, a letter (or postcard or even an email) shows that the writer has thought about this. They have not just hugged you because you were standing in front of them, they are writing to you because they were thinking of you when you weren’t even with them. They have taken time out of their day to write to you.

I am not a tactile person – quite the opposite, in fact – but I am able to express myself with words far better than I ever could face-to-face. On the odd occasion that I found myself on the wrong side of my parents when I was a child, I would write a letter to apologise. Weird, I know.

I know some people wouldn’t feel able to express themselves fully through writing. To this I say: choose whatever works for you and do it.

Emma Whitehall once said to me that Elementary Sisterhood was partly borne out out of the support she had felt from receiving messages of support and encouragement through the post.

Yesterday, I had a massive wobble. Something inconsequential happened but it really threw me for a loop. However, when I messaged the sisterhood to tell them, the words of love and understanding I received heartened me. The people – in the sisterhood and beyond – who rushed to tell me what they felt for me and how I’d helped them really made me see the positive impact I’ve had on others.

So, in short, the message of this post is: if you feel something, say something.

Vic x

Don’t Quit the Day Job: Lucy Cameron

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today, my friend Lucy Cameron is sharing her thoughts with us. Her experiences may not be what you might expect…

Vic x

When I shouted ‘Pick me, Pick me’ to be included in this blog series I hadn’t really thought it through. I am a crime/horror writer, but my day job in no way connects to what I write, or ever has.

I am not a solicitor or barrister, I have only ever been in a police station to ask if they rent out uniforms to film makers (they don’t) and I have never been in a court house, if that’s even what they are called outside of films. As for ever committing a crime…? Okay, I once had a parking ticket. In short, I have never worked within, or outside of, the law.

What about medicine? Were I ever to see heavy blood flow I have little doubt I would faint, my uncle works in the local funeral parlour, but I’m not sure that counts.

Other avenues into the field of crime writing? I have never been a journalist, or an editor, or even written for a student magazine. I have never taught creative writing, nor have any qualifications in the above.

For a long time I believed you had to have done one of the aforementioned to even consider writing a crime novel. I was wrong.

What did I do to while away the hours before becoming a writer, and by this I mean pay the bills and mortgage, was work as a Convenience Store Manager for a food retailer. For anyone that’s ever worked in a public-facing job, if that doesn’t put you in situations where you want to kill people, or indeed meet people on a daily basis that could easily commit a crime, I don’t know what will.

I loved every minute. Okay I loved half of the minutes I worked in food retail, it was fast, it was busy, it was a minimum of sixty hours a week. The teams I worked with over the years were like family and we shared plenty of laughs and tears, and it’s this people experience I draw on when writing.

Writing I can do now that I have left my glittering career in food retail far behind me. Days were full of little interactions with customers, throwaway comments overheard. Once you have the characters in a story, once you have the idea, you can go and find out about the procedures and any and every job allows you to do this.

Now I am a writer, what do I do to while away the hours that I should be writing, and by this still I mean pay the bills and mortgage? I work as a Business Administrator for a local theatre, this time a job I do love every minute of, and that allows me the time to write. If you want to be a writer, you can be, whatever your background and this sounds like great news to me, and a future full of varied and interesting books.

Write because you love it, not for the money, and don’t worry if your job doesn’t seem to fit with ‘write what you know’, fiction is after all, exactly that.

You can catch up with Lucy on Twitter, Facebook and Instagram

Review: ‘Dark Skies’ by LJ Ross

One fateful, clear-skied night, three friends embark on a secret trip. Only two return home. Thirty years later, the body of a teenage boy rises from the depths of England’s biggest reservoir and threatens to expose a killer who has lain dormant…until now.

Detective Chief Inspector Ryan is back following an idyllic honeymoon with the love of his life but returns to danger from all sides. In the depths of Kielder Forest, a murderer has evaded justice for decades and will do anything to keep it that way. Meanwhile, back at CID, an old adversary has taken the reins and is determined to destroy Ryan whatever the cost.

As usual, LJ Ross excels in her descriptions of the landscape where the story is set. What I really like about the DCI Ryan series is that LJ Ross sets macabre discoveries and heinous crimes in beautiful locations, ‘Dark Skies‘ is no different in that respect.

Add to that a number of intriguing sub-plots and a recurring cast of compelling characters and it’s no wonder that this series is one of the most successful in recent times. 

With ‘Dark Skies‘, however, there’s a new element to the series with malevolent forces within the force bringing extra tension to the narrative. 

As with the previous novels in the series, there are some unresolved issues which will undoubtedly keep readers hungry for more. 

Vic x

Review: ‘This Family of Things’ by Alison Jameson

Bird Keegan, a lonely farmer, and his two sisters have lived an isolated existence in the same community their whole lives but when Midge O’Connor – a young woman abused by her drunken father – appears, his world is disrupted beyond his wildest imagination. By taking in Midge, Bird is mocked by his sisters and neighbours. Despite bringing one another consolation, the pair’s relationship is thrown into doubt by the influence of others.

Alison Jameson’s prose captures the reader’s attention with this story of love and redemption. The lives of the three siblings are explored with sensitivity. The isolation and misery are represented skillfully. Jameson’s writing features some very powerful imagery as well as excellent descriptions. I could really imagine the setting thanks to the author’s florid language. The multi-layered characters are examined in a thoughtful manner.

Fans of Kate Kerrigan will like ‘This Family of Things.

Vic x

Review: ‘Moth Smoke’ by Mohsin Hamid.

As many of you who read this blog regularly will know, I was left speechless after reading Mohsin Hamid’s novel ‘The Reluctant Fundamentalist’ and this, his debut novel, didn’t disappoint.

This story features Daru, a banker in Lahore who loses his job and falls into a world of drugs and crime. Daru narrates the novel with a growing bitterness towards his former classmates and finds comfort in his best friend’s wife.

Hamid has the wonderful ability of describing places and people. His angry young man is becoming a staple of his novels, akin to JD Sallinger’s Holden Caulfield. This is a well-written, intelligent story. I like the fact that he frames this story of moral decay alongside the 1998 nuclear tests. Another asset is Hamid’s ability to describe Lahore – a place which is almost entirely neglected in literature.

Vic x

‘Moth Smoke’ is available in paperback here: http://amzn.to/yzBbI8

You can download ‘Moth Smoke’ to your Kindle here: http://amzn.to/xL77KB