Tag Archives: Music

Don’t Quit the Day Job: Jane Risdon

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today my longtime online friend, Jane Risdon is here to share her interesting experiences with us. Thanks Jane, I’ve really enjoyed having you on the blog again.  

Vic x

1-image1

We don’t know what we know, until we sit and think
By Jane Risdon

Write what you know. That’s what we writers are advised. But, you have to wonder where that leaves crime writers – commit a murder, a robbery, a sting and then you know what you are writing about perhaps? Who is going to admit to having a day job involving murder? Yet our lives and experiences do influence our writing, it has to.

How has my ‘day job’ influenced my writing?

I no longer have a ‘day job’ unless you count writing, but I have had two careers both of which greatly influenced my writing. Firstly I worked for government departments and that gave me some insight into the workings of the world of foreign embassies and how our government operates overseas. It spiked my interest in all things espionage in that I worked for a department whose staff were employed in embassies and were not always what they appeared to be, given their job titles. Great fodder for a fertile imagination.

A great deal of my writing, about crime and organised crime, has been influenced by my time working in that environment. It sparked an interest which I continue to feed by reading all I can about the murky world of the secret security services, organised crime and all it entails. Many of my crime stories have elements of covert operations and possible Mafia connections running through them, including my series – Ms Birdsong Investigates. Although I can’t be specific about anything I knew from back then, I can play with the facts and indulge in a great deal of poetic licence.

My second and longest career has been in the international music business, working mainly in Hollywood, Europe and in S. E. Asia. There is nothing like power and money to bring out the worst in people – as we are discovering now with all the sex scandals detailed in the press. Many of my stories have musical elements and are also mixed with organised crime or espionage as I mentioned. I suggest some research and reading if anyone is interested in how the music business and movie business might possibly have anything to do with organised crime. Mixing with the ‘movers and shakers’ in this business has been an amazing experience and, I must admit, it all came as a bit of a shock to me when first working at that level in Hollywood. Nothing in your face of course, all hinted at; I was directed to ‘gen-up’ on who I was working with and was recommended some well-known books to read. All filed away for future reference and as background for my growing interest in being a crime writer. Which I now delve into when necessary.

1-9781783757329_FC.jpg

Yet, crime is not all I’ve found myself writing. My latest co-authored novel with Christina Jones, Only One Woman, is anything but crime. It is a love triangle set in the late 1960’s UK music scene, and my experiences married to a musician and being involved in music all my life, has been a fabulous resource for writing this book. My day jobs back then have given me access to experiences and memories so vivid it has been like writing about something that happened yesterday at times. Total recall provides me with so much to be thankful for as a writer.

Writing what you know. It’s great advice. Sometimes we don’t know what we know, until we sit down and think.

You can find Jane on Facebook, GoodreadsTwitter and her blog. ‘Only One Woman‘ also has its own Facebook page and blog. There is also a playlist to listen to while you listen to ‘Only One Woman‘.  

Advertisements

Don’t Quit the Day Job: Paul Bassett Davies

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today the writer we have with us is Paul Bassett Davies, author of ‘Utter Folly‘ and ‘Dead Writers in Rehab‘. His post is slightly different to the other writers we’ve had on the blog so far but it’s certainly one I can empathise with. I hope that Paul’s post brings comfort and hope to those of you in a similar position. 

Vic x

The job that had the greatest influence on my writing was Hospital Patient. If that seems like an unusual job description, let me explain.

Nearly twenty years ago I was diagnosed with a chronic illness. During the next ten years I underwent a series of surgical operations, and I spent a lot of time in hospital. Eventually it began to seem like a job to me. After all, I was spending about half my life in the role, it was hard work, I didn’t like it, and sometimes I thought it would kill me. So, just like a regular job.

But I flung myself  into my work, determined to be proactive. And, being a writer, I used everything that happened to me as potential material. In the process, I became a novelist.

You get a lot of time to think when you’re a hospital patient, and even more time in the long, slow weeks and months when you’re recuperating, or getting sick again. It’s not exactly free time, because it’s not free from pain, or fatigue or stress. That was why I started to write my first book – to escape all that. I came to writing novels late. I’d done a lot of writing before then, in the way of stage work, short stories, radio plays, movies, corporate films, music videos, short films, and a mountain of comedy for radio and television. But writing a book was something else, and in many ways I’m fortunate that I did it while I was unwell. It made me focus on why I was doing it. Which was, of course, to cheer myself up.

Writing my first novel was like telling myself a long, funny story. During the hours I spent telling it – the hours of writing – I was able to escape the dreary world of my illness, and enter the other world I was creating: a world in which I could, among other things, make other people suffer instead of me, and have a bloody good laugh about it. If that sounds callous or sadistic it probably is, and it’s just one of the many functions of telling stories.

But above all I wrote to give pleasure, firstly to myself and then, hopefully, to readers (although I continue to withhold it from my poor characters). Through all this I began to realise I wasn’t really interested in writing or reading things that didn’t take me out of myself, and change me in some way. I like to think I’m clever, but I’m not concerned with mere cleverness. I’m looking for something else, and the best word for it is delight. I want to delight, and to be delighted.

The work of other people which most often delights me also tends to be completely distinctive. That’s why I’ll always try to see anything the writer and director Robert Lepage does, because it’s not like anything else. The same goes for the music of Patti Smith, Tom Waits or Laurie Anderson. And I’ll always read a book by Magnus Mills or Nell Zink, or watch a Wes Anderson film.

All these people have a unique voice, and I like to think I’m developing mine. My first novel, Utter Folly, was long and sprawling, but my second, Dead Writers in Rehab, published last year, is more contained. And among the good reviews it’s received, those that please me most are the ones that say it’s unclassifiable: that it can’t be categorised, and that it occupies a niche of its own.

My job as a hospital patient allowed me to discover what it is I really want to do with my time, and it changed my ideas about sickness and health. I began to focus less on recovery, and more on discovery. The road to recovery is long and arduous, and its goal is ultimately unattainable: in the end none of us recover from life. But the road to discovery can be enjoyed for itself. It’s all about the journey, and finding delight in every step of the way.

 

*Deep Blue Trouble Blog Tour* Guest Post and Review.

Steph Broadribb, AKA Crime Thriller Girl, is not only a blogger extraordinaire, she is also a Slice Girl as well as the author of the Lori Anderson series – ‘Deep Down Dead‘ and ‘Deep Blue Trouble‘ – and ‘My Little Eye‘ (writing as Stephanie Marland). Identity crisis much, Steph?!

In all seriousness, though, Steph is an absolute star in the making and I wish her every success with her various endeavours. I’m delighted to host her today as part of the ‘Deep Blue Trouble‘ blog tour.  

Steph’s here today to talk about how music inspires her writing. My thanks to Steph for taking the time to share her process with us. 

USING SONGS TO CREATE CHARACTER:
MUSIC TO WRITE LORI BY
By Steph Broadribb

I can’t actually write while listening to music, but I do like to listen to songs to get into the mood of the character before I write. I tend to start writing first thing in the morning, so while I’m drinking my first coffee of the day and eating breakfast I head over to YouTube and listen and watch the songs that get me in the mood.

I find that most of the songs for each book or short story are different (even when it’s the same character) although there might be one or two songs that I use for a specific character.

For Lori Anderson, my single mom Florida bounty hunter, the song I use to get in character for writing her is Fighter by Christina Aguilera. For me, the song is about using the things that try to break you to make you stronger – and that’s something that Lori has had to do her whole life, no matter what obstacles she faces, she doesn’t give up, she learns from her mistakes and fights harder.

In Deep Blue Trouble, to set the mood for writing Lori’s scenes with JT (her ex-mentor and lover) I listened to Elastic Heart by Sia. There’s a lot of tension between Lori and JT. Neither are really able to express their feelings for each other, and they have a complicated and emotion-charged past that often gets in the way of the present. Yet even though they might not say it, they care deeply for each other and are drawn back together time and again. You can listen to the song and watch Julianne and Derek Hough do an incredible dance to it on Dancing With The Stars here.

When Lori is thinking about her nine-year-old daughter Dakota – who she’s apart from for much of the book – I always imagine Angel From Montgomery by Bonnie Raitt playing in the background. I love that song.

And when things aren’t going Lori’s way, when she can’t catch a break tracking the fugitive she needs to find, and she’s feeling low, I listen to Dream On by Aerosmith to get me into her head space.

For the ass kicking action scenes I listen to Pink. While writing Deep Blue Trouble because Lori is constantly coming up against one barrier after another, even from those who should be helping her, I listened to Try. I love Pink’s music – even when her lyrics are vulnerable the way she sings them shows her strength.

Review: ‘Deep Blue Trouble’ by Steph Broadribb.

Deep Blue Trouble‘ is the sequel to Steph Broadribb’s acclaimed ‘Deep Down Dead‘, picking up a few days after the end of the last book. 

Lori Anderson is a single mother. She is also a bounty hunter. Although her daughter Dakota is safe and healthy, for now, Lori needs Dakota’s father JT  – who also happens to be Lori’s former mentor – alive. Her problem, though, is that JT is in prison and on his way to death row. 

In order to save JT, Lori makes a deal with dubious FBI agent Alex Monroe: bring back a criminal who’s on the run and keep it off the radar – achieve that and JT walks free. Can Lori manage it or will her whole world implode? 

I’m not the first person to say it, nor will I be the last, but Steph Broadribb has created a unique, intriguing central character in Lori Anderson. In a profession that remains male-dominated, Lori has to fight tooth and nail to prove herself even though it appears she’s more than capable of holding her own.

What I really love about Lori is that she is both fearless and vulnerable, which is a really tough balance to strike but Steph Broadribb has managed it. 

Deep Blue Trouble‘ sets off at a pace and doesn’t let up until the final page – it’s like a Tarantino movie. Broadribb’s descriptions of both the characters and the settings ensure that the reader can clearly visualise the high-octane action.

Like Lori, ‘Deep Blue Trouble‘ really packs a punch!

Vic x

Review of 2017: Miriam Owen

Since then, our paths have crossed a couple of times and it’s always a pleasure. 

My thanks to Miriam for taking the time to chat to us today.

Vic x


Do you have a favourite memory professionally from 2017?
I chaired panels at Newcastle Noir and Bloody Scotland. Both of these were great memories.  At Newcastle Noir I had the late night slot on the Saturday entitled ‘Presenting The Case.’ I was so pleased the room was full and we had lots of interesting chat and laughs with the panel and audience.  After being involved in this festival for 3 years I finally got to see some of the city, try a stottie and found a wee jazz bar.  There were lots of special moments with friends at Bloody Scotland and I enjoyed trying something different on The Dark Lands panel.  We asked Norwegian author Thomas Enger to play some music he had composed for a character in one of his books which was beautiful. The panel was made even more memorable by Thomas and Icelandic author Ragnar Jonasson marching on to the stage with the Bloody Scotland Football Trophy held high. They both played for the Scottish team this year and we won!  

Photo by @Timea

And how about a favourite moment from 2017 generally?
Finally making it up to the northern Outer Hebrides in the summer of 2017 was great.  I have always wanted to see Luskentyre Beach and it was truly stunning.  We arrived in a storm, struggled to find our accommodation off a single track road then woke up the next day to sunshine and to find Luskentyre was literally over a sand dune from our front door. We also got to spend some quality time on a croft in Uist with friends as well which was long overdue. I went to Dublin for one night to meet friends from Nova Scotia who were over visiting Ireland, that trip was a blast.

Favourite book in 2017?
My favourite book of 2017 was The Man Who Died by Antti Tuomainen.  The story is dark and funny and totally appeared to my sense of humour.  Antti has a twinkle in his eye at the best of times and I can easily imagine him chuckling away to himself as he wrote it. 

Photo by Orenda 

Favourite film in 2017?
Alien Covenant was decent and Series 3 of Fargo was brilliant.  The TV adaptation of Margaret Atwood’s The Handmaids Tale was utterly terrifying.  

Favourite song of the year?
Hearing New Focus play their album On Song live at the Tolbooth in Stirling was amazing.  I also heard Phil Bancroft play Sonny Rollins Freedom Suite in Edinburgh which was quite astounding.

Any downsides for you in 2017?
Brexit plus a conservative MP being elected in my constituency is pretty depressing. Anything involving the words Boris or Trump is utterly unbelievable. The lack of compassion, empathy or responsibility by those in powerful positions frustrates the hell out of me.

Are you making resolutions for 2018?
I don’t make resolutions. Every day brings new challenges. I always try to do my best, remain positive and think about the bigger picture.

What are you hoping for from 2018?
To be happy, healthy, learning and exploring and to have love in my life.
I am also starting a major piece of research around Nordic branding and do-it yourself culture (eg Noir at the Bar) in live literary events in the Marketing Department of Strathclyde Business School in Glasgow. I hope 2018 brings lots of discussion, events to go to and peace and quiet to study. If you want to talk to me about this piece of work please email me.

Review of 2017: Chris Ord

Do you have a favourite memory professionally from 2017?
I’ve had a good year. My debut novel, Becoming has sold well and received widespread acclaim. I’ve visited a number of schools giving talks on writing, and presented at several reading events. I was commissioned by Woodhorn Museum to write some passages for their Wonderfolk interactive family experience. This was a proud moment for me, as I spent my childhood walking up and down the narrow path past the pit where the museum is now. However, my favourite memory has to be completing my second novel, The Storm.

I play solo horn in Newbiggin Brass Band, and a couple of years ago we were involved in a local project ‘Haalin’ the Lines.’ Funded by the BAIT team at Woodhorn Museum, the project was led by the remarkable performer and singer-songwriter, Tim Dalling. Tim was commissioned by BAIT to take historical accounts being gathered by the Newbiggin-by-the-Sea Genealogy Project and put some of the stories to music. The aim was to bring back to life the tales and oral histories of local heroes from the village. One of those heroes was ‘Big’ Philip Jefferson, the first Newbiggin Lifeboat Coxswain who was awarded a clasp to his silver medal for an attempted rescue of the Norwegian brig ‘Embla’ in 1854.

The fascination with ‘Big’ Phil stayed with me after the project and further research revealed what an incredible man he was. The story of the night Phil and a few young men from Newbiggin tried to rescue the ‘Embla’ became the backdrop for the novel. However, the events of that night are only the starting point, as the book weaves this together with a folk tale, and a series of mysterious incidents to create a tense, supernatural thriller.

Setting is so important to my writing and it means a lot to me to write a story set in the village where I grew up. History is filled with tales of kings and queens, leaders and generals. This is the history they teach at school. But the true heroes are all around us. They are the people who built our communities, lived and died for our families, friends, and neighbours. What remains of those heroes is love and memories, and it’s vital we keep those alive. Our folk stories are our heritage and we can still learn from them. Writers and creatives play an important role in raising issues, stimulating debate, and provoking challenging questions. I hope my books are more than stories, but also make people think and reflect on the world.

And how about a favourite moment from 2017 generally?
Music has always been my first love, and my best moment in 2017 is a musical moment. As I said earlier, I play in my village brass band. The past two years have been our most successful and this year we retained our Durham League title, won the North East Regional Championship for the second year running, and qualified for the National Finals in Cheltenham.

We worked hard in preparing for the Finals, but you are playing against the best in the country. Wales, Yorkshire, and the North West all have strong, competitive bands and challenging against them is tough. There were twenty bands in the final and finishing anywhere in the top six placings is considered a success. The draw was not kind to us and as with the year before we had a long wait before we took the stage in nineteenth position. The band performed well, though not quite at our very best, leaving the stage with mixed feelings. Finals are unpredictable and always throw up surprises. Few had us anywhere near the prizes.

The announcements prior to the results were agonising, and full of the usual formal fluff and flannel. Eventually, they got round to revealing the prizes, and we were delighted to be awarded fourth place. This is one of my proudest moments in banding. The band folded many years ago and was only revived in 2010. They’re a great bunch of people and musicians, and to come from nothing and finish fourth at the Nationals is a remarkable achievement. We’ve been promoted and next year brings a whole set of fresh challenges. For the moment, we can enjoy the success.

Favourite book in 2017?
A few years ago I read a book called How to be Free by Tom Hodgkinson. It became a bit of a manifesto for me. I read it every now and then to remind me of some important anchors in my approach your life. I decided to read it again this year.

The book has its flaws and some of the author’s ideas are contradictory and simplistic. However, there’s plenty in there to enjoy and it’s worth reading with an open mind. It’s especially engaging if you’re deliberating a life change. I’ve listed the chapter headings below. They provide an indicator of his anarchic approach to life. I see them as a useful common-sense checklist for embracing a certain kind of freedom. You won’t agree with them all, but they make you think, and a number of them inspired me to focus on new priorities.

  1. Banish anxiety; be carefree
  2. Break the bonds of boredom
  3. The tyranny of bills and the freedom of simplicity
  4. Reject career and all its empty promises
  5. Get out of the city
  6. Cast off your watch
  7. Stop competing
  8. Escape debt
  9. Death to shopping, or fleeing the prison of consumer desire
  10. Smash the fetters of fear
  11. Say no to guilt and free your spirit
  12. No more housework, or the power of the candle
  13. Submit no more to the machine, use your hands
  14. Stop moaning; be merry
  15. Live mortgage free; be a happy wanderer
  16. Disarm pain
  17. Stop worrying about your pension and get a life
  18. Sail away from rudeness and towards a new era of courtesy, civility, and grace
  19. Live free of the supermarkets
  20. The reign of ugly is over; long live beauty, quality, fraternity!
  21. Depose the tyrant wealth
  22. Reject waste; embrace thrift
  23. Stop working, start living!!!

Favourite film in 2017?
I’ve not seen enough films this year. I’ve probably forgotten most of the ones I have. It’s a problem of mine, and my wife is always reminding me that I have seen films I’m convinced I haven’t.

One film that stood out for me was Baby Driver. It’s cool, stylish, full of action and has a great storyline. I enjoy a strong narrative and like to be entertained. There’s a role for challenging and thought provoking character movies, but I tend to fall asleep to a lot of those arthouse flicks. I like escapism, and Baby Driver is a bit of fun. It has an excellent soundtrack too. Thanks to Tarantino it seems to be a necessity these days.

One caveat is Kevin Spacey. Always a terrific presence on screen, his reputation is now in tatters. I suspect the film will be buried now. Some of you won’t want to see it because of him. I respect that. It’s a dilemma facing us all now. Should we separate the art from the artist? I must admit if I erased from my life all the creatives who had deplorable views or behaviour there wouldn’t be much culture left. I tend to leave the judgements to the courts or the gutter press. Perhaps that isn’t good enough.

Favourite album of the year?
My wife, Julie has been listening to the latest album by Hurray for the Riff Raff, The Navigator. I recall loving their last album, and the snippets I was hearing around the house hooked me again. I downloaded The Navigator a few weeks ago and have listened to little else since. Essentially, the band is the creative vehicle for lead singer, Alynda Segarra. Of Puerto Rican descent, the album has a strong Latin flavour. The songs and lyrics are exceptional, but it’s the rhythms and mood that I love most. I’m into drums at the minute and love to hear them used in inventive ways. The standout track is ‘Pa’lante’ which contains the lines, ‘I just wanna prove my worth, on the planet Earth, and be something.’ Those words resonated with me. It’s a sentiment that connects most creatives. I think we all want to leave our mark, and if it doesn’t happen in your lifetime die hoping it will someday. Who knows? Maybe our time is yet to come.

Any downsides for you in 2017?
I’ve had a transitional year, readjusting to moving back into contractual work and finding the time to write. While I wouldn’t describe this as a downside, it has meant that I have had less free time. Writing is about discipline and making the time is a challenge. I’m enjoying my new role. It is rewarding, but my passion is writing. My long-term goal is to reach a point where I am writing most of the time. Many writers speak of how they write because they have to. Once you have caught the bug, the compulsion is overwhelming.

However, sustaining a living as an author is like building a business. It takes a few years to build your experience and reputation. The world of publishing has changed, and whilst this offers many opportunities it also means the financial rewards are not as great. I’m an advocate of the indie route. Why be J.K. Rowling when you can by Joy Division? I also like to be control of my own destiny. The opportunities presented in the mainstream would have come at too high a price for me.

I look at the likes of Louise Ross and Mark Dawson with great admiration. They have been bold and clever enough to build a living doing what they love. My success is far more modest, but the creative rewards are what excite and drive me. Whatever happens artistic integrity and authenticity are my primary goals. If others love what I do that is a bonus. Passion may not be enough to pay the bills, but keep working at what you love and the rewards are great. The important thing is to never give up. A film deal would be welcome though.

Are you making resolutions for 2018?
I’m an obsessive compiler of lists and revel in the opportunity to write my resolutions for the year ahead. I’m still working on my goals for 2018, but my main one is to complete Awakening, the follow up to Becoming. One of my challenges is to strike the right balance between work and writing. It takes discipline to write and finding the time is important. If there is one thing I would love more of it is time. I crave it more than anything. Filling that time with words and music is my idea of heaven. My other goals will revolve around music, travel and running. There are still a few bands I’d still love to see in concert. I go to lots of gigs and there are a few in the diary already. I want to see Sigur Ros, an Icelandic band. I also adore musicals and still haven’t seen ‘Les Miserables’, one of my favourites. I intend to put that right in 2018.

What are you hoping for from 2018?
A top four placing with the band at the Regionals would be great. We’re in a higher section now, so it’s going to be tough. I’m also hoping to visit Berlin this year. I passed through in the early 90s on the way to Poland, and regret not getting off the train for a few days. Croatia is another country I’d love to visit and that’s on my list for the summer. Depending on finances I hope to return to Iceland. It’s a captivating place and I promised myself I would return after a visit in 2016. The costs are eye-watering though and 2018 may be a touch too soon to cram in all this travel. I live in hope though.

Finally, I hope my readers enjoy The Storm. I loved writing it and it would be great if others appreciated the book too. It’s always daunting releasing your work, as you never know what the feedback will be. First and foremost, I see myself as a storyteller. If I can entertain people for a few hours, and make them think that’s all the success I need.

Becoming‘ is available from Amazon in paperback and e-book. ‘The Storm’ will be released in January 2018 and will also be available on Amazon.

To find out more about Chris’s writing you can visit his website or find him on Facebook

Review of 2017: Gill Hoffs

Hello and welcome to day 3 of the 2017 reviews!

Thanks to Rachel Amphlett for yesterday’s review. Following in her shoes today is Gill Hoffs. Lovely Gill has been a long-time friend of this blog and it would be wrong to not see how her year has been. My thanks to Gill for today’s post.

Vic x

Do you have a favourite memory professionally from 2017?
I’ve loved giving talks on shipwrecks and writing for clubs and festivals throughout the UK, but the high point was, without a doubt, signing with Pen & Sword for my third shipwreck book.  The Lost Story of the Ocean Monarch: Fire, Family, and Fidelity will be out in time for the 170th anniversary of this awful accident next summer, and I’m verrrrrry excited about it!

And how about a favourite moment from 2017 generally?
Moving into my new house, a tiny two-up two-down with an outhouse and a friendly ghost.  When I first walked in, it was like stepping into a hug.  Soon afterwards, my folks came to visit from Scotland and helped me get things shipshape.  There’s now an adult-sized swing in the backyard, where I eat breakfast (even when it’s chilly) and sometimes fall asleep after a long shift, and a tiny pond full of leeches and snails.  I have a model lighthouse instead of a hearth or a mantelpiece, and I’ve never felt more at home.

Favourite book in 2017? 
The Children of Green Knowe by Lucy M. Boston, which I first read (and adored) as a child.  I was so relieved to find it just as joyous, sinister, and poignant as I remembered.  This is definitely a book that shaped me, and worth coming to as an adult.  I’ve also been lucky enough to read some crackers from Steve Mosby, Belinda Bauer, and Michael Malone this year.

Favourite film in 2017? 
Guardians of the Galaxy: Vol. 2.  So much so, I have a giant poster of it in my living room and think of the opening scene Baby Groot dicking about to “Mr Blue Sky” if I’m feeling low and need a wee mental lift.  The music, the colours, the humour, the sadness … it all adds up to sheer escapist joy for me.  A close second is Morning Glory, a charity shop find which I enjoy more with every viewing.

Favourite song of the year?
Across the Universe
by the Beatles.  It’s not a song I was very familiar with before now, but for some reason my brain insisted that having this track on repeat was crucial while writing The Lost Story of the Ocean Monarch and I can’t imagine my year without it.  Another song I’ve listened to on repeat throughout the year is Eddie Floyd’s Knock on Wood which my little boy likes to knock along to.  I don’t blame him.

Any downsides for you in 2017?
Everything went a bit wrong this year, in many ways, and I know I’m not alone in feeling that.  I’m now a single mum with a new home and a new job.  But things are on the up, I hope, and when I’m feeling a bit fragile I try and find an opportunity to be kind – making someone a cake, feeding wildlife, clearing overgrown paths – and it seems to help.  As do profiteroles.  Lots of them.

Are you making resolutions for 2018?
I resolve – generally, not specifically for 1 January to 31 December – to find whatever joy I can, wherever I can, as often as I can.  And to make more macaroni cheese (and eat it).

What are you hoping for from 2018?
Success and stability would be nice, but given the state of things in 2017, for the human race to survive at all would be *something*.  But that’s a bit bleak, so how about signing my novel (Lord Of The Flies meets Jaws) with an agent and/or publisher?  That would be SMASHING.