Tag Archives: mystery

Review: ‘The First Time Lauren Pailing Died’ by Alyson Rudd

Lauren Pailing is born in the sixties, and a child of the seventies. She is thirteen years old the first time she dies. 

Lauren Pailing is a teenager in the eighties, becomes a Londoner in the nineties. And each time she dies, new lives begin for the people who loved her – while Lauren enters a brand new life, too.

But in each of Lauren’s lives, a man called Peter Stanning disappears. And, in each of her lives, Lauren sets out to find him.

And so every ending is also a beginning. And with each new beginning, Peter Stanning inches closer to being found…

The premise of ‘The First Time Lauren Pailing Died‘ is an absolute corker. The idea that Lauren can switch from one life to another and the impact her (multiple) deaths have on those close to her is really interesting – and thankfully easy to follow. You might expect to get tied up in knots trying to follow which timeline Rudd is referring to but I genuinely never got confused once.

I liked the small differences in each world – the lack of cats in one, the fact that Britain has never had a female Prime Minister in another. By including these subtle changes, Rudd gives the reader a sense of the displacement and unease that Lauren feels when deposited into a new world.

However, I felt there were missed opportunities in terms of character exploration and dramatic tension at times. I thought there was more potential with certain strands than were exploited. 

Rudd’s strength lies in the nuanced in which way she explores the relationship between Lauren and her ‘final’ husband, Simon – how a half-lived life causes a ripple effect. In addition to this, the way Rudd weaves the mystery of Peter Stanning’s disappearance into each of Lauren’s alternative lives is skilfully done. 

The First Time Lauren Pailing Died‘ is like ‘Sliding Doors’ meets ‘Interstellar’ with a dollop of mystery thrown in.  

It’s out tomorrow, pre-order The First Time Lauren Pailing Died‘ now. 

Vic x

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**Come Back for Me Blog Tour**

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Evergreen Island
9 September 1993

We left in a storm. The sea was rising in sharp clumps of angry waves, rain hitting my feet like bullets. Dad must have known we shouldn’t be making the crossing to the mainland, yet he stood on the boat, one hand frantically flapping for one of us to reach out and take it. The hood of  his red mac had whipped off his head, the rain plastering his hair to his scalp. He yelled over the wind for us to get in, but we wouldn’t move froam the end of the jetty. 

The boat rocked violently as it tugged at the rope that kept it tethered to the dock, and I noticed Dad’s other hand gripping tighter to the steel railing of the steps. ‘Get in, Stella,’ he shouted. Thunder cracked overhead and the sky lit up with magnificent streaks of light. Behind me our house flashed bright between the silhouettes of our tall pines, making it look like something from a horror film. I pushed my hands deeper inside my raincoat, clutching Grey Bear harder to my chest. I didn’t want to leave the only home I had ever known, but I had never seen my dad so determined. His jaw was set, his teeth bared. It wasn’t like him to be so persistent, so unrelenting, and I found myself  shrinking further back.

‘I’m not going anywhere,’ Bonnie screamed from beside me. ‘We’ll all die if we do.’ My sister held her hood tightly against her head but I could just make out the paleness of her face in the moonlight. Bonnie had yearned to leave the island for years, but this wasn’t the way she wanted to go. 

‘We will not die and we need to go,’ Dad yelled back. He turned to me and added more softly, ‘I promise you. It’s fine. We’ll be safe.’ Dad owned the small ferry that he was demanding we board, and he’d run the thirty-minute crossing between Evergreen and Poole Harbour every day for the last sixteen years. If anyone could take us to the mainland safely, it was him, but we’d never dared attempted a crossing in weather like this before. Mum wouldn’t usually let us out of the house when it was this bad.

‘Why can’t we wait till morning?’ Bonnie was begging. I stared at the water, its white foam bubbling and spitting in rage. ‘Because—’ Dad shouted. ‘God, will you both just get in?’ He flapped his hand again, his gaze drifting over my shoulder to where Mum was coming down the jetty. Her head was low, arms tucked inside a plastic poncho as she trailed a suitcase behind her.

‘Where’s Danny?’ he yelled as another flash of lightning lit up the sky, making both Bonnie and me jump. I counted, too quickly, only reaching two before thunder roared overhead. The storm was creeping closer. My brother trailed behind Mum, shrouded in a shapeless black coat that hung over his bulky body, reaching the ground.

Bonnie started shouting again, gesturing at the sea as it rose and dipped, higher and lower than I’d ever seen it go. Another loud crack filled the air and I yelped as the branch of one of the pines fell to the ground beside me. I jumped out of its way as the wind carelessly tossed it along the jetty. For a brief moment, Dad stopped yelling and stared at the branch. My tears were already bleeding into the rainwater that soaked my face, but my heart twisted every time I thought of leaving my beloved island. All I wished was for Dad to realise that whatever we were doing, it wasn’t worth it.

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An isolated island community is shocked by the discovery of a long-buried body.

For Stella Harvey the news is doubly shocking. The body has been found in the garden of her childhood home – the home her family fled without explanation twenty-five years ago.

Now, desperate to unearth the truth and questioning her whole life, Stella returns to the tiny island against her sister’s advice. But she quickly finds that the community she left isn’t as welcoming as she remembers – and that the residents will go to any length to protect their secrets.

 

I really enjoyed ‘Come Back for Me‘. It’s a compelling mystery and it kept me guessing until the very end. 

Heidi Perks uses the flashback technique to great effect during this story, slowly unfurling the truth as Stella investigates the reason her family left the island in such a rush. The characters are well-drawn and Perks manages to capture the idea of Stella seeing certain things but perhaps not understanding them or the significance they hold. 

The island setting ramps up the tension perfectly, sometimes leaving Stella with no means of escape while not knowing who to trust. The isolation alongside the small-minded residents who are keen to keep their own counsel leaves the reader in no doubt how Stella must be feeling. 

As with other books I’ve read recently, I really enjoyed the wider social context that drives the narrative. ‘Come Back for Me‘ masterfully explores the ripple effect of long-kept secrets and the lengths people will go to to protect them. 

Vic x

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Getting to Know You: Daniel James

Over the last couple of years, I’ve got to know Daniel James, author of ‘The Unauthorised Biography of Ezra Maas’. I’ve been lucky enough to host him at Noir at the Bar a few times as well as being invited by Daniel to read my own work at his ‘After Dark’ event for Books on Tyne. 

Daniel will be in conversation with Jacky Collins at Waterstones, Newcastle, on Wednesday 30th January. Tickets are £3 and I’m reliably informed that there are a few left – reserve your space now!

My thanks to Daniel for taking the time to chat to us. 

Vic x

daniel james, zurich, october 2017Tell us about your book.
The Unauthorised Biography of Ezra Maas is based on the real life story of Ezra Maas, a British artist who became famous in the late 1960s, but who turned his back on fame and created his greatest artworks from the shadows, before eventually disappearing altogether in mysterious circumstances in the early 2000s. I became interested in telling the true story of Maas’s life and presumed death, but nothing could have prepared me for the truth that the book uncovers.

It quickly occurred to me that in searching for the true story of Maas’s life, travelling around the world to the cities he lived, visiting the galleries where he created his work, and interviewing those who knew and collaborated with him, that my role as biographer was essentially a kind of literary detective. As such, I consciously decided to write these chapters of the book in the style of a detective story, a page-turning mystery thriller through a postmodern, existential lens. However, the book is also very much a biography and there are chapters dedicated to documenting Maas’s life from 1950 onwards in a more journalistic style, accompanied by reproductions of authentic archival material and correspondence, including news clippings, letters, emails, phone transcripts and more. If one half of the book is like a detective story, the other half is a biography written by an investigative journalist. There are a lot of different styles and techniques being employed throughout the text, but they come together to create a new kind of book where readers are challenged to become detectives themselves, following in the footsteps of my investigation, as I attempt to separate fact from fiction and history from myth, page by page, chapter by chapter.

What inspired it?
Ezra Maas’s incredible life story was the inspiration. In 2011, I received an anonymous phone call suggesting the true story of Maas would make an interesting biography and everything led from there. It didn’t take long for my research to reveal a number of contradictions and inconsistencies in the authorised version of Maas’s life, and naturally, the journalist in me began asking questions. The more I asked, the more secrets I uncovered, and I soon found myself being warned off the story. Of course, as soon as that happened, I knew I had found something special and there was no turning back.

Alongside that, I’ve always been interested in the relationship between truth and fiction, the self and reality, as a writer. And in many ways, Maas’s life was the perfect gateway into those subjects and themes. His life, and my interests as a writer, were perfectly aligned and the phone call that set me on the path to writing his biography couldn’t have come at a more ideal moment. I was in the right place at the right time.

I recently read an interview with a writer who described her latest work as ‘existential noir’ because of the way it used the structure of a traditional mystery story to explore unanswerable questions of being and knowing – what can we ever know with any real certainty, about ourselves or the world – and that’s very much the territory I like work in – crafting stories around questions of identity and reality that lead us down the rabbit hole, and force us to confront our deepest subconscious fears.

What do you like most about writing? What do you dislike (if anything)?
I’m happiest when I’m writing regularly because it feels like I’m fulfilling my potential and doing what I’m supposed to be doing with my time. Kafka supposedly said that ‘a writer who isn’t writing, is a monster courting insanity’ and I completely understand what he meant. Whenever I’m not writing, I feel like I should be, and when it’s going well, it’s like electricity flowing through me – it’s a serious high, but more than that, it also provides a deeper sense of purpose and satisfaction.

And on a lighter note, it’s great fun. Who doesn’t want to make up stories and let their imagination run free? I love the freedom that writing gives me. I can create entire worlds, people, and histories. I’ve always been a daydreamer and writing allows me to share my dreams and imaginings with others.

I don’t really dislike anything about writing itself, but like any physical or mental endeavour, there are days when it can really feel like hard work. Over the last few years, I’ve learned to listen to my body and not force myself to write when it isn’t flowing. You can still work on your book without actually writing. You can read for research, visit a location, watch a film, listen to music, take a walk. Professional athletes warm up before an event, they stretch, eat and drink the right things, and get their bodies ready to perform. Writers need to do the same with their minds. Sometimes it’s about clearing your mind to allow space for the ideas to come in, other times it’s about tuning into a certain frequency, atmosphere or mood, and channelling a particular character or scene.

Do you find time to read, if so what are you reading at the moment?
I love reading. It’s one of my great pleasures in life and it’s ultimately the reason I wanted to become a writer myself. I try to get through a novel every couple of weeks if I can. The books I return to the most are detective novels – Raymond Chandler, Ross MacDonald, James M Cain to modern greats like James Lee Burke – and also postmodern works. At university, I specialised in fiction from 1940-1990 and that’s the era I find myself returning to the most when I’m looking for something new to read. I read a lot of comic books and graphic novels too (I practically grew up on Marvel Comics in particular). I’m a fan of Science Fiction and many other genres, and I read quite a bit of non-fiction, mostly literary and cultural theory, but it depends on what I’m working on at the time. I read a lot of books on contemporary art history, biographies and journalism when I was researching Ezra Maas, and I can imagine I’ll do the same with future novels. 

Currently sitting at the top of my to be read list currently are two excellent new novels – Three Dreams in the Key of G by Marc Nash and The Study Circle by Haroun Khan. The last book I bought before those was by the late, great Mark Fisher, a cultural theorist who blogged under the name K-Punk. I highly recommend his work to anyone who has yet to come across it. Mark’s writing introduced me to the concept of Hauntology, which I touch on in my own book.

Earlier this year, I also read the Southern Reach trilogy by Jeff Vandermeer after being intrigued by Alex Garland’s adaptation of the first in the series, Annihilation. I’ve got a huge stack of books waiting to be read though. I love buying books and I love reading, but I do take long breaks when I’m actively writing myself, so this has resulted in an increasingly expanding To Be Read pile that I’ll probably never get through!

Which author(s) has/have had the biggest influence on your writing?
Paul Auster. Raymond Chandler. Samuel Beckett. James Joyce. Thomas Pynchon. Philip Pullman. Philip K Dick. Jorge Luis Borges. Alasdair Grey. Flann O’Brien. David Lynch.

Where do you get your ideas from?
Everywhere. My life. Other people’s lives. History. Dreams. Music. Films. Ideas are all around us, all of the time. You’ve just got to open your eyes, listen and be in the right frame of mind to be inspired.

Do you have a favourite scene/character/story you’ve written?
Well, the novel is the best piece of work I’ve written so far and Ezra Maas is probably the most complex character I’ve brought to life, not just because he is a real person, but because there are so many conflicting stories about him. I’ve tried to reflect this in the book by capturing the multiple, overlapping narratives and descriptions, allowing them to coexist alongside each other so that the emphasis is on the reader of the book to play detective themselves and separate fact from fiction in Ezra’s life.

What are you working on at the moment?
I’m about halfway through a second novel, which I hope to finish within the year. I actually started working on it in 2013, but Ezra Maas took over my life , so I put the other book on hold temporarily. Now that the Unauthorised Biography’ is out, I can focus on new projects, including returning to my work-in-progress second novel. Once that’s completed, I plan to work my way through the other novels I have planned, although I wouldn’t rule out one of those new ideas becoming my second novel – it just depends which idea excites me the most.

What’s the best piece of writing advice you’ve been given (and who was it from)?
“Write the books you want to read.” 

Philip Pullman said that to me when I met him at the Durham Book Festival in 2015. It was very reassuring advice to receive from such a master storyteller, particularly as that’s exactly what I’ve always tried to do. I’ve been writing stories since the age of four or five and have always written for myself. If the story excites and interests me, if I want to keep turning the page to find out what happens next, if I find myself disappearing into the world of the book and thinking about it every waking second, then I know I’m on the right track.

Are you a plotter or a pantster?
I’m somewhere in between. Generally speaking, I like to follow my intuition and let the story guide me, rather than plotting the entire book out in advance. I have a destination and a road map in my mind, but it has enough wide-open space to allow me to go off on unexpected adventures and detours as and when I need to. I might be the author of the book, but it’s a process of discovery for me too. An author is almost like a pioneer heading off into the wilderness. They discover the trail and share it with the readers who follow them.

Of course, The Unauthorised Biography of Ezra Maas is based on real events, so it required several years of research, travel, interviews, and quite meticulous planning. At the same time, I remember the moment when I decided to write the book very vividly and I could already see the story fully formed in my mind. It all came to me in an instant. It was a Big Bang moment. One second there was nothing and then… everything. I knew where to start, how I wanted to present the story, with letters and emails and phone transcripts, and I knew exactly how it would end. But it also surprised me on multiple occasions. It kept me guessing all the way through with its twists and turns. It genuinely had a life of its own, sometimes in quite scary ways, almost as if the story couldn’t be contained on the page and wanted to bleed out into the world. Perhaps because it’s based on a true story, it has a special kind of power that makes it dangerous. I may have written it, but I don’t think even I know the book’s true potential.

This book, more than any other idea I’ve ever had, felt like it had already been written in a strange way and I was simply receiving it, like a transmitter, from somewhere out in the ether and it was my job to put it on the page; bring it to life.

Do you have any advice for aspiring writers?
If writing books is really what you want to do, if it’s genuinely your dream in life, then don’t ever, ever give up. Keep going, keep believing in yourself, and keep writing, no matter what. You can and will make it happen, but only if you keep believing and keep writing.

What’s been your proudest writing-related moment?
The moment I found out the book was going to be published will always stand out in my mind. I didn’t tell anyone – not a single person – for about a week as I was worried I would jinx it somehow. It was something that I wanted so much and so badly that I didn’t want to do anything to jeopardise it. About two years after that, I walked out onto the stage at the Newcastle Book Festival in front of a crowd of about 80 people, including my family and friends, and I read an extract from the book for the very first time. I was introduced on the night by Professor Brian Ward, we premiered a documentary video about Ezra Maas featuring the award-winning writer and artist Bryan Talbot, and we finished up with a Q&A where I was interviewed by Dr Claire Nally. Everything went as planned and afterwards we celebrated with cocktails created especially for the book at a late night after-party in a speakeasy-style basement bar called The Poison Cabinet in Newcastle. I couldn’t have asked for a more perfect night and it was definitely one of my proudest moments.

The long-awaited launch of my novel with a trio of fantastic events in the North East, featuring guest authors and speakers and more than 150 attendees in total. This included a return to Books on Tyne and a special late-night event afterwards entitled Fiction After Dark with cocktails, live music and readings by Elementary Sisterhood. And of course, there was the launch itself at the wonderful Forum Books in Corbridge. It was a really lovely evening and a special moment for me. I can’t recommend Forum Books enough and I think it’s really important to support independent bookstores and local businesses

My next event will be at Waterstones Newcastle – the biggest bookstore in the North East – on Wednesday 30 January at 7pm, so that will be another proud moment. I’ll be reading an extract from the book, answering questions from the brilliant Dr Jacky Collins, and signing copies of my novel at the end. Tickets are £3 and on sale now.

2018 Review: Gytha Lodge

When I went to Theakstons Old Peculier Crime Festival earlier this year, I saw a lot of buzz flying around about a book called ‘She Lies in Wait‘ so I made it my goal that weekend to get my mitts on a copy. I had to Twitter-stalk the author, Gytha Lodge, but I managed it!
I will be reviewing ‘She Lies in Wait‘ in 2019 but I can tell you guys that you will want to read this novel. 
My thanks to Gytha, one of my newest chums, for taking the time to review her 2018.
Vic x
Do you have a favourite memory professionally from 2018?
I’ve had such a strange and wonderful year, the pinnacle of which was probably back in January when I was offered a three-book contract with Michael Joseph of Penguin for the first three instalments in a mystery series. It’s been my very focused ambition for the last twenty years, ever since I first wrote an awful novel when I should have been doing work at school. Other great moments have included the US rights selling shortly afterwards, but it was that initial offer that felt like a dream come true.
 
And how about a favourite moment from 2018 generally?
There have been lots, so I think I’m pretty lucky just now. My 8-year-old starting a new school and suddenly loving learning again was pretty epic, I have to say. That first day when he came home and said “Loved it” after a year of being miserable was amazing. 
Favourite book in 2018? 
THIS IS SO DIFFICULT!! I was very lucky to read several that come out next year, and I think two of those may have won out. Those are The Whisper Man by Alex North, a deliciously creepy thriller, and The Glass Woman by Caroline Lea, which is like a 1600s Icelandic Rebecca. Wonderful. 
 
Favourite film in 2018? 
Fantastic Beasts Part 2 for me… I’m such a Potterhead. I’ve also watched a lot more TV than I usually manage, including The Bridge, which was SO good, the awesome Killing Eve, and Little Drummer Girl, which I obsessed over just as much. TV is definitely the new film. 
 
Favourite song of the year? 
It’s not at all new, but I love A Town Called Malice by The Jam as a pick-me-up. It gets me in such a good writing mood, and having been editing a book set in 1983, it was pretty perfect.
Any downsides for you in 2018?
I had flu for the first time, and just recently managed to spend a full six weeks ill. Both of these sucked, particularly as I missed a lot of rowing coaching and fitness training of my own, and now feel like the least fit person on the planet. Always a blow to the self-esteem… I’ve countered this by spending obscene amounts of money on make-up and trying to work out how to contour. Which generally ends with me looking like I have sideburns. Win!
Are you making resolutions for 2019?
I’m never that great on resolutions. I think I might try to manage my work/down-time balance a bit better to avoid the ills again.
What are you hoping for from 2019?
Lots of book sales, please please!! I’m sure I should say something much more humble or less egocentric, but one of my creative writing tutors always said to aim high, as otherwise, how will you find the energy to keep going when it’s tough? So with that in mind, I’m thinking “An Oscar for the screenplay I adapted from my own book.” Ha! You don’t get much bigger than that!
More realistically, I’m hoping that I’ll have a lot of fun and not worry about anyone giving me a one-star review, or any other stuff that doesn’t actually matter in the grand scheme of things. I’m happy just to live the dream and hopefully get plenty of time around that to play RPG games with my 8-year-old. Bliss.

Guest Post: Bea Davenport on ‘The Power of the Witch’

Today I’m delighted to have Bea Davenport on the blog today. 

Bea Davenport is the pen-name of former newspaper and BBC journalist Barbara Henderson. She holds a Creative Writing PhD and is the author of five published novels: ‘In Too Deep‘ and ‘This Little Piggy‘ (Legend Press), ‘The Serpent House‘ (Curious Fox), ‘My Cousin Faustina‘ (ReadZone Books) and ‘The Misper‘ (The Conrad Press). She divides her time between Berwick upon Tweed and Leeds and she teaches journalism and creative writing. 

Barbara has been an incredible supporter of mine for many years and I’m thrilled to have her on the blog to talk about everyone’s interest in witchcraft. My thanks to Barbara for taking the time to talk to us. 

Vic x

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The Power of the Witch:
Bea Davenport talks about her latest novel,
 The Misper.

Everyone’s talking about witchcraft. Why are more young women suddenly being drawn to it, why is it all over Instagram, why does it feature in so many current autumn dramas on TV? A piece in The Observer asks these questions,  and it comes shortly after Radio 4’s Woman’s Hour explored exactly the same subject. 

It’s fascinating to see this sudden spike in interest. My children’s novels have all featured some elements of magic, be it time travel (The Serpent House, 2014) or shape-shifting (My Cousin Faustina, 2015). My latest teen/YA novel The Misper began as a story about a girl who goes missing, and it was going to be a realist novel set in Normal Town. But then two of the main characters started dabbling in magic and it was impossible to stop them (teenagers, you know – what’re you going to do?). 

In the novel, Zoe tries witchcraft as a way of bringing control into her troubled life. Anna is led along, even though it scares her. At first it appears to be working – but then things go horribly wrong. I leave it up to the reader to decide whether the magic is real or all in the girls’ heads.

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I have to confess to a bit of irritation at the suggestion in some of the coverage that this is a new phenomenon. Many are suggesting that the attraction to the witch as a feminist figure is the reason behind the recent lure of the occult, particularly for young women. That’s actually a change that came about as long ago as the 1970s, when writers (particularly in children’s fiction) started to reimagine the witch not as an evil, child-eating old hag of traditional fairytales, but as a figure of strength, wisdom and knowledge, a rule-breaker and a healer. These are the books I read as a child.

During those formative years, there were other inspiring resources for me to draw on (including the fabulous Bewitched series!). Now that my generation is grown up and writing drama and fiction, it’s perhaps not surprising that strong and interesting witch figures tend to feature. And now that young women can access like-minded people online, it’s hardly surprising that they’re forging communities out of these shared interests.

In The Misper, magic (or is it?) can’t help to bring back a missing teenage girl and so the novel is also about the effects on those who have to cope with a friend or family member who’s simply disappeared. So although there are some elements of magic (or not, depending on your interpretation!), the story is at heart about a real situation.

For me as a writer, it combined two of my interests: crime/mystery and magic. The intended teenage readership – a new one for me – meant I could go a little darker with the content than I would for a younger audience. It was an enormously satisfying book to write! I hope readers will enjoy it too.

The Misper‘ is available now. 

Review: ‘The Lingering’ by SJI Holliday

Married couple Jack and Ali Gardiner move to a self-sufficient commune in the English Fens, desperate for fresh start. The village is known for the witches who once resided there and Rosalind House, where the commune is based, is a former psychiatric home, with a disturbing history.

When Jack and Ali arrive, a chain of unexpected and unexplained events is set in motion, and it becomes clear that all is not what it seems. As the residents become nervous, and the villagers suspicious, events from the past come back to haunt them, while someone seeks revenge. 

Susi Holliday has taken the trend for combining crime with gothic horror and has produced a tantalising story that will thrill readers. ‘The Lingering‘ features a cast of compelling characters living within what is potentially a cult. 

Throughout the novel, there is a creeping sense of discomfort that sits with the reader as they delve deeper into this intriguing mystery. The tension created by the creepy setting and unsettling events is insidious and often had me turning around to check what was behind me. 

Holliday has come up with a highly original concept, interesting characters and captures the sense of place perfectly. 

This story will linger with you long after you turn the final page… 

Vic x

Guest Post: Judy Penz Sheluk on Using your Past to Create your Present

I’m pleased to have Judy Penz Sheluk here today to talk about her forthcoming release ‘Past & Present‘ and how her own family’s journey inspired it.

I’m so grateful to Judy for sharing such a personal experience with us. 

Vic x

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I’m Canadian, born and raised in Toronto, and I’ve lived within a two-hour drive of that city all my life. My parents, on the other hand, were first generation Canadians, having immigrated to Canada in the early 1950s.

Their stories are similar to so many of the time. My father was born in Apatin, Yugoslavia, a small town on the Danube that is now part of Serbia. My mother was born in Stettin, Germany, now known as Szczecin and part of Poland. Both of them, teenagers during the war, and displaced after, made their way to England and settled in Nottingham for a period of time. 

By the time they met at a local dance, my father was set to immigrate to Toronto, Canada, in February of 1952 (such a brave soul—Toronto in February is, at best, cold and snowy, and at worst, colder and snowier). At any rate, it must have been love at first sight, because my mother applied for her own papers and arrived in Toronto in July 1952, on a hot, humid day. They married that October. 

Fast forward to September 21, 2016, when my mother, Anneliese, passed away from complications of COPD, following my father, Anton “Toni” Penz, who had died of stomach cancer in 1970 at the age of 42. Among her things was an old train case, and within it, her old passport, immigration papers, and documents and postcards from the T.S.S. Canberra, the ship she sailed over on. My mother had never talked much about her life “before Canada” and I became fascinated with finding out everything I could. The resulting research sparked an idea for a book, and my protagonist’s research into the past often mirrors my own, right down to the frustrating bits.

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T.S.S. Canberra postcard, c. 1950s.

I’ve dedicated Past & Present to my mother, and the release date of September 21, 2018, falls exactly two years after her passing. I like to think she’s with my father again, watching over me as my journey continues. 

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About Past & Present:

Sometimes the past reaches out to the present…

It’s been thirteen months since Calamity (Callie) Barnstable inherited a house in Marketville under the condition that she search for the person who murdered her mother thirty years earlier. She solves the mystery, but what next? Unemployment? Another nine-to-five job in Toronto? 

Callie decides to set down roots in Marketville, take the skills and knowledge she acquired over the past year, and start her own business: Past & Present Investigations.

It’s not long before Callie and her new business partner, best friend Chantelle Marchand, get their first client: a woman who wants to find out everything she can about her grandmother, Anneliese Prei, and how she came to a “bad end” in 1956. It sounds like a perfect first assignment. Except for one thing: Anneliese’s past winds its way into Callie’s present, and not in a manner anyone—least of all Callie—could have predicted. 

About the author: Judy Penz Sheluk is the Amazon international bestselling author of the Glass Dolphin Mysteries and the Marketville Mysteries. Her short stories appear in several collections.

Judy is also a member of Sisters in Crime International, International Thriller Writers, Inc., the South Simcoe Arts Council, the Short Mystery Fiction Society, and Crime Writers of Canada, where she serves on the Board of Directors, representing Toronto and  Southwestern Ontario.

Judy Penz Sheluk’s latest book in her Marketville Mystery series, Past & Present’, is now available for pre-order on Amazon in trade paperback and on Kindle.