Tag Archives: mystery

Review: ‘The Silent House’ by Nell Pattison

If someone was in your house, you’d know … Wouldn’t you?

But the Hunter family are deaf, and don’t hear a thing when a shocking crime takes place in the middle of the night. The following morning, they wake up to their worst nightmare: the murder of their daughter, Lexi.

The police call Paige Northwood to the scene to interpret for the witnesses. They’re in shock, but Paige senses the Hunters are hiding something.

One by one, people from Paige’s community start to fall under suspicion. But who would kill a little girl? An intruder? Or someone closer to home?

The Silent House‘ is a great read thanks to its intriguing mystery and the community in which it is set. Having a British Sign Language interpreter as the main character was a really original idea. Using Paige as an intermediary ensures that the reader is privy to information that she may or may not share with the investigating officers. 

Not only is ‘The Silent House‘ a great mystery but it also gives an insight into a community that many people may not be familiar with. The reader is introduced to the deaf club as well as being shown the difficulties faced by members of the deaf community when communicating with people. Pattison demonstrates real skill, weaving the story around the characters and their needs – I felt I learned a lot about the deaf community but this didn’t detract from the story at all. In fact, it made the story richer and more layered.

There are plenty of potential suspects for Lexi’s murder, all with their own motivations and secrets. Pattison ramps up the suspense with her skilled storytelling, interspersing Paige’s perspective as the narrative unfolds with chapters detailing what certain characters were doing hours before the murder. 

In addition to the crime element, there is also the hint of a love triangle, leaving the door open for romantic complications later in the series. 

The Silent House‘ is a unique police procedural featuring a diverse cast of characters and I’m really looking forward to the next novel by Nell Pattison.

Vic x

Review: ‘One Christmas Night’ by Hayley Webster

Christmas is ruined on Newbury Street, Norwich, following a spate of burglaries. Rumours are swirling that the thief may even live on the street. Instead of festive cheer, the residents are filled with suspicion and dread. 

The police have increased their presence on Newbury Street and as Christmas creeps closer, their investigations reveal that everyone has something to hide. 

But Christmas is a time for miracles… and if they open up their hearts and look out for each other, they might discover the biggest miracle of all.

Hayley Webster has written a lovely book with believable characters that the reader roots for. I really enjoyed the fact that ‘One Christmas Night‘ combines a mystery with heartwarming subplots.

As the story went on, I got more and more involved in the lives of these characters. I really admire that Webster manages to move the reader without being overly-sentimental. 

Although it’s an easy read, ‘One Christmas Night‘ tackles serious subjects like racism, fraud and coercive control. I haven’t read a book with such a compelling cast of characters since ‘The Casual Vacancy‘.

I couldn’t put ‘One Christmas Night‘ down – it is the perfect festive read. 

Vic x

**I Will Miss You Tomorrow Blog Tour**

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I’m really pleased to be taking part in the blog tour for Heine Bakkeid’s ‘I Will Miss You Tomorrow‘, the first in a new Norwegian crime series.

Fresh out of prison and a stint in a psychiatric hospital, disgraced ex-Chief Inspector Thorkild Aske only wants to lose himself in drugged dreams of Frei, the woman he loved but has lost forever. 

Yet when Frei’s young cousin goes missing off the Norwegian coast and Thorkild is called in by the family to help find him, dead or alive, Thorkild cannot refuse. He owes them this.

Tormented by his past, Thorkild soon finds himself deep in treacherous waters. He’s lost his reputation – will he now lose his life?

My thanks to Raven Books for inviting me to be a part of the tour and to Heine for taking the time to answer my questions. 

Vic x

Tell us a little about yourself…
I grew up in the North of Norway, in a place called Belnes. Just five houses, with the polar night looming above, the mountains behind us and the sea in front. It’s the kind of place where, as a kid, you can run around all day, play, and not see another human being. I used to read a lot, and developed a sturdy imagination, something that resulted in me getting lost I my own thoughts whenever and wherever I was. I still get lost in my own thoughts, usually thinking about characters I have created/want to get to know better, scenes I want to write, plots, and forget that I’m with other people, people that expect me to answer back when they talk to me. (My wife especially, finds this hilarious😊) Growing up in such a small place, you kind of get to be comfortable in your own skin and being on your own. Becoming a writer was therefore the perfect match for me, also because writers are often easily forgiven for being kind of weird sometimes, so …

And what can you tell us about ‘I Will Miss You Tomorrow’? 
One of the things that has always fascinated me is how men, the kind of men I grew up around, handled their problems. It’s kind of expected that you sort yourself out and get on with your day. The main characters in crime fiction always seem to have certain traits; when you first meet them, they are broken in some way or form, and I always wondered why. How did they get there, to this point? So, when I first started writing about Thorkild Aske, I knew that this was something that I wanted to explore in the series. But also, what happens with a lone investigator-type, who doesn’t even want to fix himself, who can’t put himself together and just get on with it, but who actively sabotages his own well-being. So, when we first meet Thorkild in ‘I Will Miss You Tomorrow‘ he’s just been released from prison, has lost his job as an Interrogation Officer with the Internal Affairs and is heavily abusing the pain medication his psychiatrist has given him. He is then forced to travel to the far north to investigate the disappearance of a young man who was renovating an old light house. What he then finds, is a young woman without a face in the breaking sea.

How long have you been writing? 
I started writing in my late twenties in 2003. I was studying programming in Stavanger and was well on my way to become a System Developer. Being a writer isn’t really something people from where I come from see as an option. Programming is as close to the inner circles of hell as you can get; it’s so structured, narrow, and has no freedom to go beyond the boundaries of the programming language, and I hated it.
One night, I had been hung up on this scene with this character (which later became Thorkild Aske) for a whole week and couldn’t sleep, so I just got up and started writing, hoping the scene would go away so that I could get some sleep. I wrote about fifty pages the following days, but quickly realized that I was way too young to write about such a character and decided that I was going to wait with the Thorkild Aske books until I got older.
But I still loved writing, this new-found way to escape the pains of programming, so I just kept writing and finished my first novel for young adults the same month as I completed my bachelor’s degree. I told myself that if the manuscript got published, I would become a writer, and if not, I would go on to my Master’s degree and slowly die, one day at a time, in some stupid office.

What was your journey to publication like?
I still know by heart the first line in the official letter from the publishing house that took on my manuscript. They had sent the manuscript to a well-known Norwegian YA-author who was consulting for them. “Finally, something that is pure gold, in an otherwise regular work day where everything is just so-so.” (I’m really butchering the English language on this one😊) So, with those words in mind I felt that I had moved a couple of inches away from that office space in hell, and decided to tell my wife that I was starting over again, from scratch with only my student debt in my backpack. I was going to become a writer. The book got published in 2005, and three years and three books later, in March 2008, I quit my day job and became a writer full-time.

Are you working on anything at the moment? Can you tell us about it?
Right now, I’m working on the fourth installment of the Thorkild Aske series. The story takes place in Stavanger, where the police have just dug up the body of one of their own, a dirty cop who went missing in 2011, a man that Thorkild Aske shares a personal past with. This one is going to get pretty intense.

What do you like most about writing?
As I said in the beginning, for as long as I can remember, I have been reading and making up my own stories and creating scenes in my head. Becoming a writer was the perfect outlet for this affliction. Telling stories is also the one thing that makes me truly happy.

What do you like least?
Editing. If I find a better way to tell a story, I will go and rewrite. This makes the editing process longer and more painful.

What are you reading at the moment?
The Secret History‘ by Donna Tartt. Very promising😊

Who has been the biggest influence on your writing?
The Norwegian writer and poet André Bjerke. He wrote children’s books, poems and psychological mystery novels in the 1940’s.

Do you have any advice for aspiring writers?
I did these writing courses for school kids in Norway after I got published and saw all the raw talents that were out there, young girls and boys that reminded me of myself at that age. I used to tell them to forget the “good student” type of writing and find their own expression, their own way to tell a story, to portray characters, their emotions and so on. Because that is what readers (and publishers) are looking for: something unique, different. That, and to edit, edit, edit and edit.

What’s been your proudest moment as a writer?
This one, most definitely😊 Being published in the UK, the land of Agatha Christie, Colin Dexter and C. J. Sansom, among so many others. Though, I must admit that my new favourite author is actually Irish: Adrian McKinty. The Sean Duffy series: wow, just … wow!

Review: ‘Have You Seen Her’ by Lisa Hall

Nanny Anna only takes her eyes off Laurel for a second, thinking Laurel was following her mum through the crowds. But in a heartbeat, Laurel is gone.

Laurel’s parents are frantic. As is Anna. But as the hours pass, and Laurel isn’t found, suspicion grows. Someone knows what happened to Laurel but they’re not telling.

My mum recommended ‘Have You Seen Her‘ to me and I could not put it down. The narrative is simple yet effective, sucking the reader in. 

Set in a small village, ‘Have You Seen Her‘ explores the reaction of a community after a child goes missing. Sadly, it seemed an all-too-familiar scenario which added some realism to the story. 

Alongside evocative descriptions of place, Hall’s exploration of her characters sets up a great mystery where anyone could be guilty. I thought her descriptions of Laurel’s parents and their relationship were particularly strong.

Have You Seen Her‘ is the first of Lisa Hall’s novels that I’ve read but it certainly won’t be the last. 

Vic x

Review: ‘The First Time Lauren Pailing Died’ by Alyson Rudd

Lauren Pailing is born in the sixties, and a child of the seventies. She is thirteen years old the first time she dies. 

Lauren Pailing is a teenager in the eighties, becomes a Londoner in the nineties. And each time she dies, new lives begin for the people who loved her – while Lauren enters a brand new life, too.

But in each of Lauren’s lives, a man called Peter Stanning disappears. And, in each of her lives, Lauren sets out to find him.

And so every ending is also a beginning. And with each new beginning, Peter Stanning inches closer to being found…

The premise of ‘The First Time Lauren Pailing Died‘ is an absolute corker. The idea that Lauren can switch from one life to another and the impact her (multiple) deaths have on those close to her is really interesting – and thankfully easy to follow. You might expect to get tied up in knots trying to follow which timeline Rudd is referring to but I genuinely never got confused once.

I liked the small differences in each world – the lack of cats in one, the fact that Britain has never had a female Prime Minister in another. By including these subtle changes, Rudd gives the reader a sense of the displacement and unease that Lauren feels when deposited into a new world.

However, I felt there were missed opportunities in terms of character exploration and dramatic tension at times. I thought there was more potential with certain strands than were exploited. 

Rudd’s strength lies in the nuanced in which way she explores the relationship between Lauren and her ‘final’ husband, Simon – how a half-lived life causes a ripple effect. In addition to this, the way Rudd weaves the mystery of Peter Stanning’s disappearance into each of Lauren’s alternative lives is skilfully done. 

The First Time Lauren Pailing Died‘ is like ‘Sliding Doors’ meets ‘Interstellar’ with a dollop of mystery thrown in.  

It’s out tomorrow, pre-order The First Time Lauren Pailing Died‘ now. 

Vic x

**Come Back for Me Blog Tour**

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Evergreen Island
9 September 1993

We left in a storm. The sea was rising in sharp clumps of angry waves, rain hitting my feet like bullets. Dad must have known we shouldn’t be making the crossing to the mainland, yet he stood on the boat, one hand frantically flapping for one of us to reach out and take it. The hood of  his red mac had whipped off his head, the rain plastering his hair to his scalp. He yelled over the wind for us to get in, but we wouldn’t move froam the end of the jetty. 

The boat rocked violently as it tugged at the rope that kept it tethered to the dock, and I noticed Dad’s other hand gripping tighter to the steel railing of the steps. ‘Get in, Stella,’ he shouted. Thunder cracked overhead and the sky lit up with magnificent streaks of light. Behind me our house flashed bright between the silhouettes of our tall pines, making it look like something from a horror film. I pushed my hands deeper inside my raincoat, clutching Grey Bear harder to my chest. I didn’t want to leave the only home I had ever known, but I had never seen my dad so determined. His jaw was set, his teeth bared. It wasn’t like him to be so persistent, so unrelenting, and I found myself  shrinking further back.

‘I’m not going anywhere,’ Bonnie screamed from beside me. ‘We’ll all die if we do.’ My sister held her hood tightly against her head but I could just make out the paleness of her face in the moonlight. Bonnie had yearned to leave the island for years, but this wasn’t the way she wanted to go. 

‘We will not die and we need to go,’ Dad yelled back. He turned to me and added more softly, ‘I promise you. It’s fine. We’ll be safe.’ Dad owned the small ferry that he was demanding we board, and he’d run the thirty-minute crossing between Evergreen and Poole Harbour every day for the last sixteen years. If anyone could take us to the mainland safely, it was him, but we’d never dared attempted a crossing in weather like this before. Mum wouldn’t usually let us out of the house when it was this bad.

‘Why can’t we wait till morning?’ Bonnie was begging. I stared at the water, its white foam bubbling and spitting in rage. ‘Because—’ Dad shouted. ‘God, will you both just get in?’ He flapped his hand again, his gaze drifting over my shoulder to where Mum was coming down the jetty. Her head was low, arms tucked inside a plastic poncho as she trailed a suitcase behind her.

‘Where’s Danny?’ he yelled as another flash of lightning lit up the sky, making both Bonnie and me jump. I counted, too quickly, only reaching two before thunder roared overhead. The storm was creeping closer. My brother trailed behind Mum, shrouded in a shapeless black coat that hung over his bulky body, reaching the ground.

Bonnie started shouting again, gesturing at the sea as it rose and dipped, higher and lower than I’d ever seen it go. Another loud crack filled the air and I yelped as the branch of one of the pines fell to the ground beside me. I jumped out of its way as the wind carelessly tossed it along the jetty. For a brief moment, Dad stopped yelling and stared at the branch. My tears were already bleeding into the rainwater that soaked my face, but my heart twisted every time I thought of leaving my beloved island. All I wished was for Dad to realise that whatever we were doing, it wasn’t worth it.

Come Back For Me Hi-Res Cover

An isolated island community is shocked by the discovery of a long-buried body.

For Stella Harvey the news is doubly shocking. The body has been found in the garden of her childhood home – the home her family fled without explanation twenty-five years ago.

Now, desperate to unearth the truth and questioning her whole life, Stella returns to the tiny island against her sister’s advice. But she quickly finds that the community she left isn’t as welcoming as she remembers – and that the residents will go to any length to protect their secrets.

 

I really enjoyed ‘Come Back for Me‘. It’s a compelling mystery and it kept me guessing until the very end. 

Heidi Perks uses the flashback technique to great effect during this story, slowly unfurling the truth as Stella investigates the reason her family left the island in such a rush. The characters are well-drawn and Perks manages to capture the idea of Stella seeing certain things but perhaps not understanding them or the significance they hold. 

The island setting ramps up the tension perfectly, sometimes leaving Stella with no means of escape while not knowing who to trust. The isolation alongside the small-minded residents who are keen to keep their own counsel leaves the reader in no doubt how Stella must be feeling. 

As with other books I’ve read recently, I really enjoyed the wider social context that drives the narrative. ‘Come Back for Me‘ masterfully explores the ripple effect of long-kept secrets and the lengths people will go to to protect them. 

Vic x

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Getting to Know You: Daniel James

Over the last couple of years, I’ve got to know Daniel James, author of ‘The Unauthorised Biography of Ezra Maas’. I’ve been lucky enough to host him at Noir at the Bar a few times as well as being invited by Daniel to read my own work at his ‘After Dark’ event for Books on Tyne. 

Daniel will be in conversation with Jacky Collins at Waterstones, Newcastle, on Wednesday 30th January. Tickets are £3 and I’m reliably informed that there are a few left – reserve your space now!

My thanks to Daniel for taking the time to chat to us. 

Vic x

daniel james, zurich, october 2017Tell us about your book.
The Unauthorised Biography of Ezra Maas is based on the real life story of Ezra Maas, a British artist who became famous in the late 1960s, but who turned his back on fame and created his greatest artworks from the shadows, before eventually disappearing altogether in mysterious circumstances in the early 2000s. I became interested in telling the true story of Maas’s life and presumed death, but nothing could have prepared me for the truth that the book uncovers.

It quickly occurred to me that in searching for the true story of Maas’s life, travelling around the world to the cities he lived, visiting the galleries where he created his work, and interviewing those who knew and collaborated with him, that my role as biographer was essentially a kind of literary detective. As such, I consciously decided to write these chapters of the book in the style of a detective story, a page-turning mystery thriller through a postmodern, existential lens. However, the book is also very much a biography and there are chapters dedicated to documenting Maas’s life from 1950 onwards in a more journalistic style, accompanied by reproductions of authentic archival material and correspondence, including news clippings, letters, emails, phone transcripts and more. If one half of the book is like a detective story, the other half is a biography written by an investigative journalist. There are a lot of different styles and techniques being employed throughout the text, but they come together to create a new kind of book where readers are challenged to become detectives themselves, following in the footsteps of my investigation, as I attempt to separate fact from fiction and history from myth, page by page, chapter by chapter.

What inspired it?
Ezra Maas’s incredible life story was the inspiration. In 2011, I received an anonymous phone call suggesting the true story of Maas would make an interesting biography and everything led from there. It didn’t take long for my research to reveal a number of contradictions and inconsistencies in the authorised version of Maas’s life, and naturally, the journalist in me began asking questions. The more I asked, the more secrets I uncovered, and I soon found myself being warned off the story. Of course, as soon as that happened, I knew I had found something special and there was no turning back.

Alongside that, I’ve always been interested in the relationship between truth and fiction, the self and reality, as a writer. And in many ways, Maas’s life was the perfect gateway into those subjects and themes. His life, and my interests as a writer, were perfectly aligned and the phone call that set me on the path to writing his biography couldn’t have come at a more ideal moment. I was in the right place at the right time.

I recently read an interview with a writer who described her latest work as ‘existential noir’ because of the way it used the structure of a traditional mystery story to explore unanswerable questions of being and knowing – what can we ever know with any real certainty, about ourselves or the world – and that’s very much the territory I like work in – crafting stories around questions of identity and reality that lead us down the rabbit hole, and force us to confront our deepest subconscious fears.

What do you like most about writing? What do you dislike (if anything)?
I’m happiest when I’m writing regularly because it feels like I’m fulfilling my potential and doing what I’m supposed to be doing with my time. Kafka supposedly said that ‘a writer who isn’t writing, is a monster courting insanity’ and I completely understand what he meant. Whenever I’m not writing, I feel like I should be, and when it’s going well, it’s like electricity flowing through me – it’s a serious high, but more than that, it also provides a deeper sense of purpose and satisfaction.

And on a lighter note, it’s great fun. Who doesn’t want to make up stories and let their imagination run free? I love the freedom that writing gives me. I can create entire worlds, people, and histories. I’ve always been a daydreamer and writing allows me to share my dreams and imaginings with others.

I don’t really dislike anything about writing itself, but like any physical or mental endeavour, there are days when it can really feel like hard work. Over the last few years, I’ve learned to listen to my body and not force myself to write when it isn’t flowing. You can still work on your book without actually writing. You can read for research, visit a location, watch a film, listen to music, take a walk. Professional athletes warm up before an event, they stretch, eat and drink the right things, and get their bodies ready to perform. Writers need to do the same with their minds. Sometimes it’s about clearing your mind to allow space for the ideas to come in, other times it’s about tuning into a certain frequency, atmosphere or mood, and channelling a particular character or scene.

Do you find time to read, if so what are you reading at the moment?
I love reading. It’s one of my great pleasures in life and it’s ultimately the reason I wanted to become a writer myself. I try to get through a novel every couple of weeks if I can. The books I return to the most are detective novels – Raymond Chandler, Ross MacDonald, James M Cain to modern greats like James Lee Burke – and also postmodern works. At university, I specialised in fiction from 1940-1990 and that’s the era I find myself returning to the most when I’m looking for something new to read. I read a lot of comic books and graphic novels too (I practically grew up on Marvel Comics in particular). I’m a fan of Science Fiction and many other genres, and I read quite a bit of non-fiction, mostly literary and cultural theory, but it depends on what I’m working on at the time. I read a lot of books on contemporary art history, biographies and journalism when I was researching Ezra Maas, and I can imagine I’ll do the same with future novels. 

Currently sitting at the top of my to be read list currently are two excellent new novels – Three Dreams in the Key of G by Marc Nash and The Study Circle by Haroun Khan. The last book I bought before those was by the late, great Mark Fisher, a cultural theorist who blogged under the name K-Punk. I highly recommend his work to anyone who has yet to come across it. Mark’s writing introduced me to the concept of Hauntology, which I touch on in my own book.

Earlier this year, I also read the Southern Reach trilogy by Jeff Vandermeer after being intrigued by Alex Garland’s adaptation of the first in the series, Annihilation. I’ve got a huge stack of books waiting to be read though. I love buying books and I love reading, but I do take long breaks when I’m actively writing myself, so this has resulted in an increasingly expanding To Be Read pile that I’ll probably never get through!

Which author(s) has/have had the biggest influence on your writing?
Paul Auster. Raymond Chandler. Samuel Beckett. James Joyce. Thomas Pynchon. Philip Pullman. Philip K Dick. Jorge Luis Borges. Alasdair Grey. Flann O’Brien. David Lynch.

Where do you get your ideas from?
Everywhere. My life. Other people’s lives. History. Dreams. Music. Films. Ideas are all around us, all of the time. You’ve just got to open your eyes, listen and be in the right frame of mind to be inspired.

Do you have a favourite scene/character/story you’ve written?
Well, the novel is the best piece of work I’ve written so far and Ezra Maas is probably the most complex character I’ve brought to life, not just because he is a real person, but because there are so many conflicting stories about him. I’ve tried to reflect this in the book by capturing the multiple, overlapping narratives and descriptions, allowing them to coexist alongside each other so that the emphasis is on the reader of the book to play detective themselves and separate fact from fiction in Ezra’s life.

What are you working on at the moment?
I’m about halfway through a second novel, which I hope to finish within the year. I actually started working on it in 2013, but Ezra Maas took over my life , so I put the other book on hold temporarily. Now that the Unauthorised Biography’ is out, I can focus on new projects, including returning to my work-in-progress second novel. Once that’s completed, I plan to work my way through the other novels I have planned, although I wouldn’t rule out one of those new ideas becoming my second novel – it just depends which idea excites me the most.

What’s the best piece of writing advice you’ve been given (and who was it from)?
“Write the books you want to read.” 

Philip Pullman said that to me when I met him at the Durham Book Festival in 2015. It was very reassuring advice to receive from such a master storyteller, particularly as that’s exactly what I’ve always tried to do. I’ve been writing stories since the age of four or five and have always written for myself. If the story excites and interests me, if I want to keep turning the page to find out what happens next, if I find myself disappearing into the world of the book and thinking about it every waking second, then I know I’m on the right track.

Are you a plotter or a pantster?
I’m somewhere in between. Generally speaking, I like to follow my intuition and let the story guide me, rather than plotting the entire book out in advance. I have a destination and a road map in my mind, but it has enough wide-open space to allow me to go off on unexpected adventures and detours as and when I need to. I might be the author of the book, but it’s a process of discovery for me too. An author is almost like a pioneer heading off into the wilderness. They discover the trail and share it with the readers who follow them.

Of course, The Unauthorised Biography of Ezra Maas is based on real events, so it required several years of research, travel, interviews, and quite meticulous planning. At the same time, I remember the moment when I decided to write the book very vividly and I could already see the story fully formed in my mind. It all came to me in an instant. It was a Big Bang moment. One second there was nothing and then… everything. I knew where to start, how I wanted to present the story, with letters and emails and phone transcripts, and I knew exactly how it would end. But it also surprised me on multiple occasions. It kept me guessing all the way through with its twists and turns. It genuinely had a life of its own, sometimes in quite scary ways, almost as if the story couldn’t be contained on the page and wanted to bleed out into the world. Perhaps because it’s based on a true story, it has a special kind of power that makes it dangerous. I may have written it, but I don’t think even I know the book’s true potential.

This book, more than any other idea I’ve ever had, felt like it had already been written in a strange way and I was simply receiving it, like a transmitter, from somewhere out in the ether and it was my job to put it on the page; bring it to life.

Do you have any advice for aspiring writers?
If writing books is really what you want to do, if it’s genuinely your dream in life, then don’t ever, ever give up. Keep going, keep believing in yourself, and keep writing, no matter what. You can and will make it happen, but only if you keep believing and keep writing.

What’s been your proudest writing-related moment?
The moment I found out the book was going to be published will always stand out in my mind. I didn’t tell anyone – not a single person – for about a week as I was worried I would jinx it somehow. It was something that I wanted so much and so badly that I didn’t want to do anything to jeopardise it. About two years after that, I walked out onto the stage at the Newcastle Book Festival in front of a crowd of about 80 people, including my family and friends, and I read an extract from the book for the very first time. I was introduced on the night by Professor Brian Ward, we premiered a documentary video about Ezra Maas featuring the award-winning writer and artist Bryan Talbot, and we finished up with a Q&A where I was interviewed by Dr Claire Nally. Everything went as planned and afterwards we celebrated with cocktails created especially for the book at a late night after-party in a speakeasy-style basement bar called The Poison Cabinet in Newcastle. I couldn’t have asked for a more perfect night and it was definitely one of my proudest moments.

The long-awaited launch of my novel with a trio of fantastic events in the North East, featuring guest authors and speakers and more than 150 attendees in total. This included a return to Books on Tyne and a special late-night event afterwards entitled Fiction After Dark with cocktails, live music and readings by Elementary Sisterhood. And of course, there was the launch itself at the wonderful Forum Books in Corbridge. It was a really lovely evening and a special moment for me. I can’t recommend Forum Books enough and I think it’s really important to support independent bookstores and local businesses

My next event will be at Waterstones Newcastle – the biggest bookstore in the North East – on Wednesday 30 January at 7pm, so that will be another proud moment. I’ll be reading an extract from the book, answering questions from the brilliant Dr Jacky Collins, and signing copies of my novel at the end. Tickets are £3 and on sale now.