It is my pleasure today to welcome Louise Mangos to the blog to talk about her intimate knowledge of the setting for her debut psychological thriller ‘Strangers on a Bridge‘.
Louise writes novels, short stories and flash fiction, which have won prizes, been placed on shortlists, and have also been read on BBC radio. Her debut psychological thriller ‘Strangers on a Bridge‘ is published by HQ Digital (Harper Collins) in ebook, paperback and on audio. You can connect with Louise on Facebook and Twitter or visit her website where there are links to more of her stories. Louise lives in Switzerland with her husband and two sons.
The much-travelled author Mark Twain allegedly said “write what you know“. Having spent much of my time in central Switzerland for the past twenty years, the one thing I feel confident in portraying in my novels is the setting. Both my first and second novels are set in and around the Swiss Alps.
Strangers on a Bridge begins with ex-pat Alice Reed out for a jog one morning when she sees a man – Manfred – about to jump from the Lorzentobelbrücke. As this is rather a mouthful for English readers, it is referred to in the novel as the Tobel Bridge. In reality it is a notorious suicide hotspot that has sadly found its way into many local newspaper articles over the years.
The area surrounding the village where my protagonist Alice lives is called the Aegerital, or the Aegeri Valley. It is a cleft of land gouged out of alpine granite with rivers running in and out of the jewel at its centre – the Aegeri Lake. Our family moved there twenty years ago when my first son was six months old. Many of the difficulties Alice faces in Strangers on a Bridge were challenges I also faced when we first moved, speaking no German and pre-occupied with a new baby.
But that’s where the similarities end. I’m happy to report I never witnessed a person wanting to jump from the Tobel Bridge, and I was certainly never stalked by anybody. I should also point out that we worked hard to integrate into the community we now live in. We made an early effort to learn the language, and have experienced friendliness and acceptance from our neighbours ever since.
During the creative and theoretical modules for my Masters in Crime Writing at UEA, two of my professors, Henry Sutton and Tom Benn, talked about the importance of setting in a novel. They encouraged the students to incorporate the setting to such an extent that it effectively becomes one of the characters.
No matter where a crime novel is set, this atmosphere must be conveyed to the reader to enhance the tension. This might include how a setting behaves through the seasons, for example, the environmental influences in extreme weather conditions.
Strangers on a Bridge begins in spring, the perfect opening for any novel. The season of births and beginnings. Alice is out for a spring jog when she sees Manfred on the bridge and is convinced he is about to jump. Her shock jars alarmingly with the beautiful alpine spring surroundings.
A great deal of research was still undertaken to make the narrative of this psychological thriller believable. Although I am familiar with many of the rules and traditions in Switzerland, police and legal procedures had to be subsequently verified and checked.
But with the setting clearly cemented as one of the characters in the narrative, it was a pleasure to embellish the plot to match the drama of the Alps.