Another of our Saint Nicks is Nick Quantrill. Nick has kindly been contributing to the annual reviews on this very blog since they started in 2012.
Nick has been a friend of mine for many years and he’s an absolute star. Thankfully Nick’s talent and hard work is being recognised but I’ll let him explain more.
Merry Christmas, Nick, here’s to a brilliant 2018!
Do you have a favourite memory professionally from 2017?
It has to be Hull Noir, a crime writing festival I worked on alongside Nick Triplow and Nikki East as part of the UK City of Culture celebrations. It was something that was on the radar from the moment Hull was shortlisted for the award in 2013, but it took up a huge amount of time and effort as the year progressed. Looking back, to entice the likes of Martina Cole, Mark Billingham, John Connolly and many others to take part was incredible. The turnout and reception the festival received was also incredible, so we’ve got some serious thinking to do about what might come next.
And how about a favourite moment from 2017 generally?
The whole 2017 UK City of Culture programme in Hull has been amazing. Plenty people either mocked or scratched their heads when my city was announced as the host, and maybe with good cause, but it feels like perceptions are changing. The city has had a real buzz about it this year and I know Hull Noir visitors enjoyed their stay.
Favourite book in 2017?
I’ve been lucky to have so much great reading pushed my way via chairing and interviewing at various events and festivals. The year started strongly with The Fatal Tree by Jake Arnott, took in brilliant debuts like, Sirens by Joseph Knox and featured some reading for pleasure from the likes of Stav Sherez and Michael Connelly. I’ve also received some proofs of exciting 2018 titles. Keep your eyes peeled for This Is How It Ends by Eva Dolan and Thirteen by Steve Cavanagh.
Favourite film in 2017?
It’s bad, but I’m not even sure I saw a new film at the cinema this year. Box set wise, The Deuce from David Simon and George Pelecanos tackled a tough subject admirably. Peaky Blinders seems to have rediscovered its mojo and Bosch continues to impress.
Favourite song of the year?
I’m old-school enough to think in terms of albums and even buy them on vinyl. The Navigator by Hurray For The Riff Raff blew me away. Alynda Segarra is the business. It’s an album that mixes up folk, country, doo wop, post-punk and everything in between, but has a fire and anger to it about the state of the world.
Any downsides for you in 2017?
On a personal level, Hull Noir and various other writing projects saw my own novel writing grind to a bit of a halt. There were a couple of false starts, which were totally my fault, but generally, it hasn’t been a good year in terms of producing new material. On the plus side, I’ve developed new skills and I’m proud of the feature pieces I produced for the 2017 UK City of Culture website, but I know what I need to do in 2018.
Words can’t describe the loss of Helen Cadbury to the writing world, but as readers and writers we’ve lost a friend and colleague. Writers are lucky to live on through their words, and there’s some comfort to be found in Helen’s final novel and poetry collection, but it’s not enough.
Are you making resolutions for 2018?
Nope. I know what I need to do, but I think formalising them as resolutions adds a layer of pressure that isn’t necessarily healthy.
What are you hoping for from 2018?
The priority is to get a new novel finished. I’ve broken ground on it and maybe a sort-of enforced break hasn’t hurt, but I’m ready to be a writer again. I enjoy the chairing opportunities that come my way, so hope to receive a few more invites. I also want to play my part in Hull building on such a positive year.