Tag Archives: novel

Review: ‘The Secretary’ by Renee Knight

Look around you. Who holds the most power in the room? Is it the one who speaks loudest, who looks the part, who has the most money, who commands the most respect?

Or is it someone like Christine Butcher: a meek, overlooked figure, who silently bears witness as secrets are shared  Someone who quietly, perhaps even unwittingly, gathers together the knowledge of the people she’s there to serve – the ones who don’t notice her, the ones who consider themselves to be important.

There’s a fine line between loyalty and obsession. And when someone like Christine Butcher is pushed to her limit, she might become the most dangerous person in the room . . .

Christine is an average wife and mother, who is the personal assistant to Mina Appleton, the chair of a large supermarket chain. Following accusations of unethical practices within Mina’s business, Christine has to decide how far she wants to go to prove her loyalty to her boss in a surprisingly cutthroat industry. 

As ‘The Secretary‘ progresses, told through Christine’s eyes, it was interesting as a reader to work out what had happened to Christine and where she was telling her story from. When this was revealed where she actually was, I was quite surprised. Renee Knight didn’t go for the most obvious explanation and I appreciated that. 

I thought Renee Knight’s characterisation in this novel was very strong. I enjoyed the transformation in Christine as her job became all-encompassing. I thought the character of Mina seemed really believable, her manipulative behaviour certainly seemed to represent what we have come to expect from heads of corporations. In many ways, ‘The Secretary‘ reminded me of ‘The Devil Wears Prada‘. 

I thought the idea of having the central crime in this novel centre around unethical business practices and perverting the course of justice was really original. Although it may not initially seem as compelling as murder, this story seemed really realistic and the behaviour of the characters made me want to read on. This is a character-driven psychological thriller which keeps the tension tight throughout.

Vic x

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**Running in Circles Blog Tour**

 

Today we welcome to the blog Claire Gray to the blog as part of the blog tour to celebrate the release of her new novel ‘Running in Circles‘.


Claire Gray lives in
 the South Lakes with her husband and two small children. She studied Creative Writing at the Cumbria Institute of the Arts. She graduated in 2006 and then went on to complete a journalism course at Darlington College. 


That same year
, Claire won a Northern Promise Award from New Writing North, and her work was featured in their anthology, ‘Ten Years On‘. Claire now works as a freelance copywriter and continues to write short stories, some of which have been published in magazines and online. 


Sapere Books published ‘Running in Circles‘ in 2019 and Claire is really excited to have published her first novel!
My thanks to Claire for sharing her experiences with us.


Vic x

Don’t Quit the Day Job: 
Claire Gray

It’s difficult for novelists to make a living purely through their writing. I’m probably only a Google search away from the official statistics, but I would guess only a tiny percentage of authors are able to sit at their desks every day, working on their latest manuscript, without worrying about paying the heating bill or feeding the kids. 


Many
 novelists supplement their income by working in education, or by editing other people’s work or writing for newspapers and magazines. That’s the tier of professional writing that I aspiring to reach, and it still seems very far away. But I don’t think it’s necessarily bad to be in the position that I, and many other writers, are in. We’re the writers who have day jobs; jobs completely unrelated to the creative work we do. While it can be challenging in terms of time management, and occasionally dispiriting because of how far removed it is from what we really want to be doing, having a day job is valuable. To write you need to have life experience. Working is one of the most natural ways to achieve this. 


I studied Creative Writing at college and then found myself
 working in betting shops across Cumbria and the north-east. What started as a weekend job rapidly became full-time as I realised (and probably should have realised much earlier) that Creative Writing is not a vocational course. But it wasn’t all bad. I met some interesting characters amongst the staff and the customers. There was a period in Newcastle-upon-Tyne where I narrowly missed a number of armed robberies, which was horrible but also great fuel for short stories. One of my co-workers was a published poet, and I still have the signed book he gave me as a leaving present. The writing and gambling industries seem to go well together, somehow. 


Eventually
, I enrolled on a Journalism course at Darlington College. Once all the exams were over I was qualified to work as a junior reporter. For various reasons, this didn’t happen. I’d moved to North Devon with my husband who was in the Royal Marines, and there weren’t many local newspapers or junior reporting jobs around. But I’ve worked as a freelance copywriter and my journalism training was certainly not a waste of time. I discovered the power of an opening sentence, how to firmly grab the reader’s attention, and the importance of editing. The main characters in my novel are journalists, and it is good to have background knowledge about the industry.


Since then I have moved around the country a fair bit, working on my novel, doing the odd piece of copywriting, and working in a succession of NHS administration j
obs. Much like the betting shop period of my life, this is a line of work I fell into accidentally, but somehow it stuck. I like working for the NHS because I feel like I’m doing something worthwhile, and it is inherently unpredictable; things rarely get dull. There are stories everywhere inside hospitals. You hear about, and see, some horrible things and some wonderful things. These polar opposites help to fuel my writing when I find time to switch on my laptop in the evenings. 

 

Running in Circles‘ is available now.

Review: ‘Blood Orange’ by Harriet Tyce

Alison has it all. A doting husband, adorable daughter, and a career on the rise – she’s just been given her first murder case to defend. But all is never as it seems…

Alison drinks too much. She’s neglecting her family. And she’s having an affair with a colleague whose taste for pushing boundaries is becoming more than she can handle.

The woman who Alison’s defending doesn’t deny that she stabbed her husband – she wants to plead guilty but something about her story is deeply amiss. Saving this woman may be the first step to Alison saving herself.

Someone knows Alison’s secrets. Someone who wants to make her pay for what she’s done, and who won’t stop until she’s lost everything….

Ever since I first saw people talking about ‘Blood Orange‘ on Twitter last summer, I was desperate to read it. I was lucky enough to get a very early review copy last year – then to host Harriet Tyce’s first public reading of it at Noir at the Bar in October. Harriet had the audience absolutely transfixed with the excerpt she read aloud and I can promise you that the entire novel is as compelling.

Blood Orange‘ is a thoroughly intriguing domestic thriller. Tyce’s prose is tight and the plot of the novel is an incredibly twisty rollercoaster. ‘Blood Orange‘ is a riveting read centring around revenge, lust and obsession. It’s bound to draw comparisons with ‘The Girl on the Train‘ but, in my opinion, ‘Blood Orange‘ is far superior. 

Harriet Tyce has created a compelling, complex central character perfect for the #MeToo generation. I love how, despite Alison’s flaws, the reader is given an insight into the myriad ways women are subjugated by men. I found myself absolutely livid throughout much of this book because it brought into crystal clear focus how women are abused, dominated or undermined regardless of their personal situation. 

A timely, excellently-plotted novel. Harriet Tyce’s debut is sure to be the smash hit of 2019. 

Vic x

Don’t Quit the Day Job: Desmond P. Ryan

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today it’s the turn of Desmond P. Ryan to tell us about how his work has influenced his writing. My thanks to Des for sharing his experience with us.

Vic x

For almost thirty years, every day of my working life began with either a victim waiting in a hospital emergency room to report a violent crime, or a call from a bystander, witness, or sometimes even the perpetrator to a street corner or a ransacked, often blood-soaked room where someone had been left for dead. Murder, assaults on a level that defied humanity, sexual violations intended to demean, shame, and haunt the individuals who were no more than objects to the offenders: all in a day’s work. 

It was exhilarating, exhausting, and often heartbreaking.

    As a Detective with the Toronto Police Service, I wrote thousands of reports detailing the people, places, and events that led up to the moment I came along. I investigated the crimes and wrote synopses for guilty pleas detailing the circumstances that brought the accused individuals before the Courts. I also wrote a number of files to have individuals deemed either Not Criminally Responsible due to mental incapacity, or Dangerous Offenders to be held in custody indefinitely.       

    Now, as a retired investigator with three decades of research opportunities under my belt, I write crime fiction. And, when Vic asked me to contribute to her blog, you can imagine that I jumped at the opportunity to share my story of how my job has influenced (just a tad!) my writing. You could say that I have an unusual skill set that makes me particularly prone to writing crime fiction.

In fact, I started writing my Mike O’Shea Crime series while I was still working as a police detective. As you can imagine, in real life, things don’t always turn out the way youmight like, and the people I dealt with didn’t always find the justice they deserved. Writing was my way of giving voice to those whom the justice system had silenced. 

When I retired, I was a bit afraid that I’d become that guy in the corner at the pub who tells old cop stories to no one in particular. The obvious alternative was to continue on with my writing and get the series off the ground. After several months of writing, I found the police procedural format of the Mike O’Shea Crime series feeling too much like work (a good thing for my readers!), so I began a cozy mystery series featuring Mike O’Shea’s mother, Mary Margaret, as the sleuth. Now THAT was a lot of fun to write. 

Check out my website at RealDesmondRyan.com and be sure to order your copy of 10-33 Assist PC, the first in my six-book series.

Getting to Know You: Daniel James

Over the last couple of years, I’ve got to know Daniel James, author of ‘The Unauthorised Biography of Ezra Maas’. I’ve been lucky enough to host him at Noir at the Bar a few times as well as being invited by Daniel to read my own work at his ‘After Dark’ event for Books on Tyne. 

Daniel will be in conversation with Jacky Collins at Waterstones, Newcastle, on Wednesday 30th January. Tickets are £3 and I’m reliably informed that there are a few left – reserve your space now!

My thanks to Daniel for taking the time to chat to us. 

Vic x

daniel james, zurich, october 2017Tell us about your book.
The Unauthorised Biography of Ezra Maas is based on the real life story of Ezra Maas, a British artist who became famous in the late 1960s, but who turned his back on fame and created his greatest artworks from the shadows, before eventually disappearing altogether in mysterious circumstances in the early 2000s. I became interested in telling the true story of Maas’s life and presumed death, but nothing could have prepared me for the truth that the book uncovers.

It quickly occurred to me that in searching for the true story of Maas’s life, travelling around the world to the cities he lived, visiting the galleries where he created his work, and interviewing those who knew and collaborated with him, that my role as biographer was essentially a kind of literary detective. As such, I consciously decided to write these chapters of the book in the style of a detective story, a page-turning mystery thriller through a postmodern, existential lens. However, the book is also very much a biography and there are chapters dedicated to documenting Maas’s life from 1950 onwards in a more journalistic style, accompanied by reproductions of authentic archival material and correspondence, including news clippings, letters, emails, phone transcripts and more. If one half of the book is like a detective story, the other half is a biography written by an investigative journalist. There are a lot of different styles and techniques being employed throughout the text, but they come together to create a new kind of book where readers are challenged to become detectives themselves, following in the footsteps of my investigation, as I attempt to separate fact from fiction and history from myth, page by page, chapter by chapter.

What inspired it?
Ezra Maas’s incredible life story was the inspiration. In 2011, I received an anonymous phone call suggesting the true story of Maas would make an interesting biography and everything led from there. It didn’t take long for my research to reveal a number of contradictions and inconsistencies in the authorised version of Maas’s life, and naturally, the journalist in me began asking questions. The more I asked, the more secrets I uncovered, and I soon found myself being warned off the story. Of course, as soon as that happened, I knew I had found something special and there was no turning back.

Alongside that, I’ve always been interested in the relationship between truth and fiction, the self and reality, as a writer. And in many ways, Maas’s life was the perfect gateway into those subjects and themes. His life, and my interests as a writer, were perfectly aligned and the phone call that set me on the path to writing his biography couldn’t have come at a more ideal moment. I was in the right place at the right time.

I recently read an interview with a writer who described her latest work as ‘existential noir’ because of the way it used the structure of a traditional mystery story to explore unanswerable questions of being and knowing – what can we ever know with any real certainty, about ourselves or the world – and that’s very much the territory I like work in – crafting stories around questions of identity and reality that lead us down the rabbit hole, and force us to confront our deepest subconscious fears.

What do you like most about writing? What do you dislike (if anything)?
I’m happiest when I’m writing regularly because it feels like I’m fulfilling my potential and doing what I’m supposed to be doing with my time. Kafka supposedly said that ‘a writer who isn’t writing, is a monster courting insanity’ and I completely understand what he meant. Whenever I’m not writing, I feel like I should be, and when it’s going well, it’s like electricity flowing through me – it’s a serious high, but more than that, it also provides a deeper sense of purpose and satisfaction.

And on a lighter note, it’s great fun. Who doesn’t want to make up stories and let their imagination run free? I love the freedom that writing gives me. I can create entire worlds, people, and histories. I’ve always been a daydreamer and writing allows me to share my dreams and imaginings with others.

I don’t really dislike anything about writing itself, but like any physical or mental endeavour, there are days when it can really feel like hard work. Over the last few years, I’ve learned to listen to my body and not force myself to write when it isn’t flowing. You can still work on your book without actually writing. You can read for research, visit a location, watch a film, listen to music, take a walk. Professional athletes warm up before an event, they stretch, eat and drink the right things, and get their bodies ready to perform. Writers need to do the same with their minds. Sometimes it’s about clearing your mind to allow space for the ideas to come in, other times it’s about tuning into a certain frequency, atmosphere or mood, and channelling a particular character or scene.

Do you find time to read, if so what are you reading at the moment?
I love reading. It’s one of my great pleasures in life and it’s ultimately the reason I wanted to become a writer myself. I try to get through a novel every couple of weeks if I can. The books I return to the most are detective novels – Raymond Chandler, Ross MacDonald, James M Cain to modern greats like James Lee Burke – and also postmodern works. At university, I specialised in fiction from 1940-1990 and that’s the era I find myself returning to the most when I’m looking for something new to read. I read a lot of comic books and graphic novels too (I practically grew up on Marvel Comics in particular). I’m a fan of Science Fiction and many other genres, and I read quite a bit of non-fiction, mostly literary and cultural theory, but it depends on what I’m working on at the time. I read a lot of books on contemporary art history, biographies and journalism when I was researching Ezra Maas, and I can imagine I’ll do the same with future novels. 

Currently sitting at the top of my to be read list currently are two excellent new novels – Three Dreams in the Key of G by Marc Nash and The Study Circle by Haroun Khan. The last book I bought before those was by the late, great Mark Fisher, a cultural theorist who blogged under the name K-Punk. I highly recommend his work to anyone who has yet to come across it. Mark’s writing introduced me to the concept of Hauntology, which I touch on in my own book.

Earlier this year, I also read the Southern Reach trilogy by Jeff Vandermeer after being intrigued by Alex Garland’s adaptation of the first in the series, Annihilation. I’ve got a huge stack of books waiting to be read though. I love buying books and I love reading, but I do take long breaks when I’m actively writing myself, so this has resulted in an increasingly expanding To Be Read pile that I’ll probably never get through!

Which author(s) has/have had the biggest influence on your writing?
Paul Auster. Raymond Chandler. Samuel Beckett. James Joyce. Thomas Pynchon. Philip Pullman. Philip K Dick. Jorge Luis Borges. Alasdair Grey. Flann O’Brien. David Lynch.

Where do you get your ideas from?
Everywhere. My life. Other people’s lives. History. Dreams. Music. Films. Ideas are all around us, all of the time. You’ve just got to open your eyes, listen and be in the right frame of mind to be inspired.

Do you have a favourite scene/character/story you’ve written?
Well, the novel is the best piece of work I’ve written so far and Ezra Maas is probably the most complex character I’ve brought to life, not just because he is a real person, but because there are so many conflicting stories about him. I’ve tried to reflect this in the book by capturing the multiple, overlapping narratives and descriptions, allowing them to coexist alongside each other so that the emphasis is on the reader of the book to play detective themselves and separate fact from fiction in Ezra’s life.

What are you working on at the moment?
I’m about halfway through a second novel, which I hope to finish within the year. I actually started working on it in 2013, but Ezra Maas took over my life , so I put the other book on hold temporarily. Now that the Unauthorised Biography’ is out, I can focus on new projects, including returning to my work-in-progress second novel. Once that’s completed, I plan to work my way through the other novels I have planned, although I wouldn’t rule out one of those new ideas becoming my second novel – it just depends which idea excites me the most.

What’s the best piece of writing advice you’ve been given (and who was it from)?
“Write the books you want to read.” 

Philip Pullman said that to me when I met him at the Durham Book Festival in 2015. It was very reassuring advice to receive from such a master storyteller, particularly as that’s exactly what I’ve always tried to do. I’ve been writing stories since the age of four or five and have always written for myself. If the story excites and interests me, if I want to keep turning the page to find out what happens next, if I find myself disappearing into the world of the book and thinking about it every waking second, then I know I’m on the right track.

Are you a plotter or a pantster?
I’m somewhere in between. Generally speaking, I like to follow my intuition and let the story guide me, rather than plotting the entire book out in advance. I have a destination and a road map in my mind, but it has enough wide-open space to allow me to go off on unexpected adventures and detours as and when I need to. I might be the author of the book, but it’s a process of discovery for me too. An author is almost like a pioneer heading off into the wilderness. They discover the trail and share it with the readers who follow them.

Of course, The Unauthorised Biography of Ezra Maas is based on real events, so it required several years of research, travel, interviews, and quite meticulous planning. At the same time, I remember the moment when I decided to write the book very vividly and I could already see the story fully formed in my mind. It all came to me in an instant. It was a Big Bang moment. One second there was nothing and then… everything. I knew where to start, how I wanted to present the story, with letters and emails and phone transcripts, and I knew exactly how it would end. But it also surprised me on multiple occasions. It kept me guessing all the way through with its twists and turns. It genuinely had a life of its own, sometimes in quite scary ways, almost as if the story couldn’t be contained on the page and wanted to bleed out into the world. Perhaps because it’s based on a true story, it has a special kind of power that makes it dangerous. I may have written it, but I don’t think even I know the book’s true potential.

This book, more than any other idea I’ve ever had, felt like it had already been written in a strange way and I was simply receiving it, like a transmitter, from somewhere out in the ether and it was my job to put it on the page; bring it to life.

Do you have any advice for aspiring writers?
If writing books is really what you want to do, if it’s genuinely your dream in life, then don’t ever, ever give up. Keep going, keep believing in yourself, and keep writing, no matter what. You can and will make it happen, but only if you keep believing and keep writing.

What’s been your proudest writing-related moment?
The moment I found out the book was going to be published will always stand out in my mind. I didn’t tell anyone – not a single person – for about a week as I was worried I would jinx it somehow. It was something that I wanted so much and so badly that I didn’t want to do anything to jeopardise it. About two years after that, I walked out onto the stage at the Newcastle Book Festival in front of a crowd of about 80 people, including my family and friends, and I read an extract from the book for the very first time. I was introduced on the night by Professor Brian Ward, we premiered a documentary video about Ezra Maas featuring the award-winning writer and artist Bryan Talbot, and we finished up with a Q&A where I was interviewed by Dr Claire Nally. Everything went as planned and afterwards we celebrated with cocktails created especially for the book at a late night after-party in a speakeasy-style basement bar called The Poison Cabinet in Newcastle. I couldn’t have asked for a more perfect night and it was definitely one of my proudest moments.

The long-awaited launch of my novel with a trio of fantastic events in the North East, featuring guest authors and speakers and more than 150 attendees in total. This included a return to Books on Tyne and a special late-night event afterwards entitled Fiction After Dark with cocktails, live music and readings by Elementary Sisterhood. And of course, there was the launch itself at the wonderful Forum Books in Corbridge. It was a really lovely evening and a special moment for me. I can’t recommend Forum Books enough and I think it’s really important to support independent bookstores and local businesses

My next event will be at Waterstones Newcastle – the biggest bookstore in the North East – on Wednesday 30 January at 7pm, so that will be another proud moment. I’ll be reading an extract from the book, answering questions from the brilliant Dr Jacky Collins, and signing copies of my novel at the end. Tickets are £3 and on sale now.

Review: ‘Help Me!: One Woman’s Quest to Find Out if Self-Help Really Can Change Her Life’ by Marianne Power

I’d heard great things about ‘Help Me!‘ and decided to give it a read on the run-up to the new year – what better time to consider a little self-improvement, right? 

Marianne Power wanted to improve her life. Sick of out-of-control debt, Netflix binges, anxiety and hangovers, she turned to the tomes that have lined her bookshelves for years. Marianne wanted a perfect life where she floated around town, full of energy and happiness, on the arm of her dream man. She made vision boards and sent her dreams out to the universe. She did yoga and drank green things. But did any of it really make her happier? 

I absolutely adored this book. Marianne writes in such an engaging way that I could not put it down. Although it is non-fiction, ‘Help Me!‘ is written in such a way that it reads like the best kind of chick lit novel.

The concept initially seems like it’s going to provide a lot of laughs – and it does – but the real surprise for me was how honest Power was about the process and its impact on her life. She laid everything bare – even the parts that didn’t paint her in the most positive light. Not only did I chuckle through ‘Help Me!‘ but I wept during some of it, too. This book went way beyond my expectations. 

I felt like I had found a new friend in Marianne. I was rooting for Marianne throughout the book despite, sometimes, also being massively frustrated with her. I totally identified with her and a lot of the issues she was experiencing are ones me and my friends have been through too. This book is about the struggle to find happiness and realising that perfection is a myth.  

Fans of Bridget Jones will love ‘Help Me!

Vic x

2018 Review: Vic Watson

So that was 2018, was it? What a year. First of all, I’d like to thank everyone who has taken the time to read this blog and the people who have contributed to it. Wishing you all a very happy 2019. 

2018 has been a very fun year for me, professionally and, although I have found that there have been lots of highlights, the one thing I am most proud of is finally completing the first draft of my novel, ‘Fix Me Up’. I have lots of people to thank for encouraging me to get it done – my friend Kay Stewart very helpfully set me a 500 words a week goal in 2017 and that helped get me into a rhythm and realise that it wasn’t an insurmountable task.

Stephanie Butland’s retreat at the Garsdale Retreat helped push me on too and I’m ever so grateful. When I’ve read extracts of ‘Fix Me Up’ at events like Noir at the Bar and After Dark, they’ve been really well-received. There are so many people who have encouraged me and kept nagging me to finish it – now I just need to get it in shape to submit to agents and publishers. Seriously, though, I began writing ‘Fix Me Up’ in 2010 as part of my Masters and I thought it would just be 20,000 words – I didn’t believe I could write a full-length novel. The moral of this story is: you can!

With that in mind, I was delighted to be accepted onto the Writers’ Block North East mentoring programme to write a novel in a year. I have an idea for my second novel – provisionally titled ‘Death at Dullahan’ – and I’m looking forward to completing it a lot quicker than the last one! 

It’s been a lot of fun to see Noir at the Bar continue in popularity and I was delighted to be involved with getting it off the ground in Sunderland. Harrogate’s Noir at the Bar was insanely well-attended again, with amazing writers like Steve Cavanagh and Martina Cole in the audience. I also got to meet Peter Rosovsky, the guy responsible for this amazing event. 

I’ve really enjoyed doing more interviews and panels this year. Thanks to Newcastle Noir and North Tyneside Libraries, I’ve interviewed new and established writers including L.J Ross, Mel McGrath and Kate Rhodes. I’ve also been lucky enough to interview A.M. Peacock at his book launch. I really enjoy chatting to authors about their processes and aspirations so I feel really privileged. 

In non-work related joys, I went on my honeymoon with my lovely husband at the beginning of the year and it was a truly wonderful experience. We spent time in Hanoi, Halong Bay, Hoi An and Phuket. I’ve never been to the Far East before and it was brilliant. Going to Vietnam wasn’t top of my list, it was actually a compromise on my part, but I absolutely loved it. When we arrived there, I was convinced I’d never be able to cross the road due to the crazy traffic but it’s funny how quick you adapt to your environment. I loved the whole experience and would definitely like to see more of Vietnam. Thailand was a more laid back, luxurious time and that was equally great but I am just so pleased we visited Vietnam.

Most of my top 2018 memories involve spending time with my husband – we’ve been to Yorkshire, Northumberland and London this year and had a ball no matter where we went. Having said that, it was really special to celebrate my parents’ ruby wedding anniversary with them in July. 

Also, I had pink hair for a while.

Top books that I’ve read this year: ‘Thirteen‘ by Steve Cavanagh, ‘East of Hounslow‘ by Khurrum Rahman, ‘The Rumour‘ by Lesley Kara, ‘Calypso‘ by David Sedaris (who was hilarious when Carly and I went to see him), ‘The Vanishing Act of Esme Lennox‘ and ‘I Am, I Am, I Am‘ by Maggie O’Farrell. There are lots more that I’ve really enjoyed but these are top of the list for me. I think my favourite, though, has been ‘Educated‘ by Tara Westover.

I’m still listening to Michelle Obama narrate ‘Becoming‘ which is everything I hoped it would be. 

I have been wracking my brains as I’m not entirely sure I’ve been to the cinema since January which was to see ‘Star Wars: The Last Jedi‘. I watched ‘Selma‘ recently which was really powerful. I really enjoyed ‘Ladybird‘ and ‘Ocean’s 8‘.

I haven’t watched a lot of films this year, I’ve been going to a lot of gigs instead. I think the best concert I went to was Beyonce and Jay-Z’s OTR2. I went with my friend and we had the best time, I think the car journey to Manchester and back may have been better than the show itself. That said, Katy Perry put on an incredible show too. 

Nobody Knows I’m a Fraud‘ by Grace Petrie. Grace was one of the guests when I went to see ‘The Guilty Feminist’ podcast recording at Northern Stage. I loved her stories, her sense of humour and now I’m totally into her music. 

Downsides? Brexit, Trump, the usual shite. Intolerance, injustice, poverty.

Personally, the slipped disc I suffered over the summer was insanely painful and it made me miss the Britney Spears gig in Blackpool. *sad face*

I don’t tend to make resolutions but I think I would just like to try and remain even-keeled. I read a HuffPost article earlier this week that suggested the resolutions you should make are get more sleep, say no more often, look after yourself etc etc and I think they seem really sensible (but how realistic are they? Time will tell). 

I’d love to forget all about Brexit in 2019 – the EU are fine with us forgetting about it so I am definitely hoping for that shambles to go away. It’s like the shittiest gift that keeps on shitting on you. On a more selfish note, a publishing deal would be very welcome. 

Wishing all of you a very happy, productive and successful 2019. 

Vic x