Lauren Pailing is born in the sixties, and a child of the seventies. She is thirteen years old the first time she dies.
Lauren Pailing is a teenager in the eighties, becomes a Londoner in the nineties. And each time she dies, new lives begin for the people who loved her – while Lauren enters a brand new life, too.
But in each of Lauren’s lives, a man called Peter Stanning disappears. And, in each of her lives, Lauren sets out to find him.
And so every ending is also a beginning. And with each new beginning, Peter Stanning inches closer to being found…
The premise of ‘The First Time Lauren Pailing Died‘ is an absolute corker. The idea that Lauren can switch from one life to another and the impact her (multiple) deaths have on those close to her is really interesting – and thankfully easy to follow. You might expect to get tied up in knots trying to follow which timeline Rudd is referring to but I genuinely never got confused once.
I liked the small differences in each world – the lack of cats in one, the fact that Britain has never had a female Prime Minister in another. By including these subtle changes, Rudd gives the reader a sense of the displacement and unease that Lauren feels when deposited into a new world.
However, I felt there were missed opportunities in terms of character exploration and dramatic tension at times. I thought there was more potential with certain strands than were exploited.
Rudd’s strength lies in the nuanced in which way she explores the relationship between Lauren and her ‘final’ husband, Simon – how a half-lived life causes a ripple effect. In addition to this, the way Rudd weaves the mystery of Peter Stanning’s disappearance into each of Lauren’s alternative lives is skilfully done.
‘The First Time Lauren Pailing Died‘ is like ‘Sliding Doors’ meets ‘Interstellar’ with a dollop of mystery thrown in.
It’s out tomorrow, pre-order ‘The First Time Lauren Pailing Died‘ now.
Charlotte wants a new start. This means forgetting her past – including the years she’s spent in prison and her friend Sean. But, even with a new identity, moving on proves to be less than simple.
Wearing an ankle monitor, Charlotte visits her therapist regularly but her demons begin to close in, dragging her back down a path which takes her closer to the crime that ruined her life.
From the moment I picked up ‘One More Lie‘, I was utterly compelled by this original premise. Combining an intriguing idea with skilful plotting and rounded characters, Amy Lloyd has written another gem.
Amy Lloyd writes with real skill – presenting her characters with empathy and depth. I loved the fact that, despite knowing Charlotte had been involved in something hideous, I couldn’t help but care for her. The supporting characters are used excellently to illustrate the difficulties Charlotte experiences – as well as the kindness she is shown.
The way in which the story is presented ensures that the reader is kept gripped throughout. ‘One More Lie‘ is one of those books that I kept promising myself “one more chapter” at bedtime then finding myself still reading ages later!
You can download ‘One More Lie‘ now – or pre-order a physical copy. You won’t regret it – ‘One More Lie‘ had me completely hooked.
It’s been many years since I last read a Marian Keyes book and now I can’t stop asking myself why I left it so long. I bought ‘The Break‘ after going to see Marian Keyes in Newcastle. I found her funny and engaging and her explanation of the premise of ‘The Break‘ had me intrigued.
Amy’s husband Hugh wants to take a break. Not the romantic, coupley kind but a break from their marriage. Hugh wants six months away from Amy, their family and their commitment to one another in order to ‘find himself’ and promises that, after those six months are up, he’ll come back and they’ll be together again. OK, so he’s not saying he wants to break up but his departure leaves Amy reeling. Will Hugh come back? And if he does, will he still be the man she married? And will she still be the woman he left behind?
Marian Keyes writes prose the way she talks – she intertwines serious subjects with humour and humanity. ‘The Break‘ doesn’t just dissect a marriage; it also questions what it’s like to parent in the 21st Century, what it means to be a modern working woman, how to navigate the minefield of female friendships as well as exploring a larger social issue of abortion laws in Ireland.
Marian Keyes manages to do what the second series of TV show ‘Doctor Foster’ failed to do: make the characters sympathetic. Even when they’re doing things that you might disagree with, you cannot help but be on their side. In several interviews I’ve heard, Marian Keyes has said she hopes to show that these characters – and the situations they find themselves in (whether through choice or by chance) – are nuanced and I think she does that admirably.
The cast of characters is large and varied and I can’t help but think that many of the family scenes are influenced in part by Keyes’s own extended family. I loved Locmof (read the book and you’ll understand) and Amy was fantastically real to me. I also adored the delicate Sofie and the sage Kiara.
Although there are plenty of laugh-out-loud moments in ‘The Break‘, they are tempered with sadness and anger. It may be a bit of a cliche but I genuinely laughed and cried while reading this novel and I think the reason for that is not just Keyes’s accessible writing style but because she creates characters that are as real as the people we share lives with.
‘The Break‘ is an absolute triumph of a book and I can’t help but hope we see these lovely, warm, realistic characters again.
Just going to leave this here…