Tag Archives: publishers

2018 Review: Vic Watson

So that was 2018, was it? What a year. First of all, I’d like to thank everyone who has taken the time to read this blog and the people who have contributed to it. Wishing you all a very happy 2019. 

2018 has been a very fun year for me, professionally and, although I have found that there have been lots of highlights, the one thing I am most proud of is finally completing the first draft of my novel, ‘Fix Me Up’. I have lots of people to thank for encouraging me to get it done – my friend Kay Stewart very helpfully set me a 500 words a week goal in 2017 and that helped get me into a rhythm and realise that it wasn’t an insurmountable task.

Stephanie Butland’s retreat at the Garsdale Retreat helped push me on too and I’m ever so grateful. When I’ve read extracts of ‘Fix Me Up’ at events like Noir at the Bar and After Dark, they’ve been really well-received. There are so many people who have encouraged me and kept nagging me to finish it – now I just need to get it in shape to submit to agents and publishers. Seriously, though, I began writing ‘Fix Me Up’ in 2010 as part of my Masters and I thought it would just be 20,000 words – I didn’t believe I could write a full-length novel. The moral of this story is: you can!

With that in mind, I was delighted to be accepted onto the Writers’ Block North East mentoring programme to write a novel in a year. I have an idea for my second novel – provisionally titled ‘Death at Dullahan’ – and I’m looking forward to completing it a lot quicker than the last one! 

It’s been a lot of fun to see Noir at the Bar continue in popularity and I was delighted to be involved with getting it off the ground in Sunderland. Harrogate’s Noir at the Bar was insanely well-attended again, with amazing writers like Steve Cavanagh and Martina Cole in the audience. I also got to meet Peter Rosovsky, the guy responsible for this amazing event. 

I’ve really enjoyed doing more interviews and panels this year. Thanks to Newcastle Noir and North Tyneside Libraries, I’ve interviewed new and established writers including L.J Ross, Mel McGrath and Kate Rhodes. I’ve also been lucky enough to interview A.M. Peacock at his book launch. I really enjoy chatting to authors about their processes and aspirations so I feel really privileged. 

In non-work related joys, I went on my honeymoon with my lovely husband at the beginning of the year and it was a truly wonderful experience. We spent time in Hanoi, Halong Bay, Hoi An and Phuket. I’ve never been to the Far East before and it was brilliant. Going to Vietnam wasn’t top of my list, it was actually a compromise on my part, but I absolutely loved it. When we arrived there, I was convinced I’d never be able to cross the road due to the crazy traffic but it’s funny how quick you adapt to your environment. I loved the whole experience and would definitely like to see more of Vietnam. Thailand was a more laid back, luxurious time and that was equally great but I am just so pleased we visited Vietnam.

Most of my top 2018 memories involve spending time with my husband – we’ve been to Yorkshire, Northumberland and London this year and had a ball no matter where we went. Having said that, it was really special to celebrate my parents’ ruby wedding anniversary with them in July. 

Also, I had pink hair for a while.

Top books that I’ve read this year: ‘Thirteen‘ by Steve Cavanagh, ‘East of Hounslow‘ by Khurrum Rahman, ‘The Rumour‘ by Lesley Kara, ‘Calypso‘ by David Sedaris (who was hilarious when Carly and I went to see him), ‘The Vanishing Act of Esme Lennox‘ and ‘I Am, I Am, I Am‘ by Maggie O’Farrell. There are lots more that I’ve really enjoyed but these are top of the list for me. I think my favourite, though, has been ‘Educated‘ by Tara Westover.

I’m still listening to Michelle Obama narrate ‘Becoming‘ which is everything I hoped it would be. 

I have been wracking my brains as I’m not entirely sure I’ve been to the cinema since January which was to see ‘Star Wars: The Last Jedi‘. I watched ‘Selma‘ recently which was really powerful. I really enjoyed ‘Ladybird‘ and ‘Ocean’s 8‘.

I haven’t watched a lot of films this year, I’ve been going to a lot of gigs instead. I think the best concert I went to was Beyonce and Jay-Z’s OTR2. I went with my friend and we had the best time, I think the car journey to Manchester and back may have been better than the show itself. That said, Katy Perry put on an incredible show too. 

Nobody Knows I’m a Fraud‘ by Grace Petrie. Grace was one of the guests when I went to see ‘The Guilty Feminist’ podcast recording at Northern Stage. I loved her stories, her sense of humour and now I’m totally into her music. 

Downsides? Brexit, Trump, the usual shite. Intolerance, injustice, poverty.

Personally, the slipped disc I suffered over the summer was insanely painful and it made me miss the Britney Spears gig in Blackpool. *sad face*

I don’t tend to make resolutions but I think I would just like to try and remain even-keeled. I read a HuffPost article earlier this week that suggested the resolutions you should make are get more sleep, say no more often, look after yourself etc etc and I think they seem really sensible (but how realistic are they? Time will tell). 

I’d love to forget all about Brexit in 2019 – the EU are fine with us forgetting about it so I am definitely hoping for that shambles to go away. It’s like the shittiest gift that keeps on shitting on you. On a more selfish note, a publishing deal would be very welcome. 

Wishing all of you a very happy, productive and successful 2019. 

Vic x

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Guest Post: Sarah Dobbs on the University of Sunderland Short Story Award

Today I welcome Sarah Dobbs to tell us all about this year’s University of Sunderland short story award. As Sarah says, entries are welcome from all over the world so even if you don’t live in the North East, you can still enter. 
Good luck!
Vic x
Many thanks for hosting us! The University of Sunderland in Association with Waterstones Short Story Award is now in its third year. We have four categories: Adult, 11-17 and Regional (adults and 11-17). The winners in each category receive cash prizes of £300. All shortlisted entries are collected in an anthology by our publishers, Bandit Fiction.
For the 2019 competition, we have promoted a distinct regional category as the prize has always hoped to nurture and support talent in our area. Entrants to the regional category may live, work or study within Northumberland, County Durham and Tyne and Wear. You can enter both the Adult and Regional category, or just one. We also enjoy working with promising young writers after the competition in an aim to nurture talent.

There is no theme, but there is a word count of 2500 for the Adults and Regional categories and 1500 for the 11-17. Stories don’t have to reach the maximum word count however and we enjoy surprising, experimental and hybrid work, as well as a ‘traditionally’ well-crafted story.

Entry fees are £5 for each category, except 11-17, which is free and we welcome entries regardless of where you live, in previous years we’ve had a fair amount of international entries.

In the past we’ve been fortunate to have been supported by judges who are literary agents and publishers, last year we welcomed Professor Ailsa Cox, the world’s first professor in short fiction and this year we’re delighted to have Dr Guy Mankowski, author of An Honest Deceit and recipient of an Arts Council Award to research his novel Letters to Yelena. Guy is also a lecturer at Newcastle University and runs the arts and spoken word night, New Art Social, at Ernest. Nicholas Royle is also on this year’s judging panel.
Entries open on the 17th December 2018 and close on the 1st July 2019. Further details and links to the entry form are on banditfiction.co.uk and it’s worth taking advantage of the fact you can download the 2018 anthology for free.
We look forward to reading your stories!
Sara

**Smart Moves Blog Tour** Extract

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I’ve been chosen to open the blog tour for the lovely Adrian Magson and his new novel ‘Smart Moves‘. Please join me in wishing Adrian, and his publishers Dome Press, a very happy publication day.

International troubleshooter Jake Foreman loses his job, house and wife all in one day. And when an impulsive move lands him in even deeper water – the kind that could lose him his life – he decides it’s time to make some smart decisions.

The trouble is, knowing the right moves and making them is a whole different game. And Jake, who has been happily rubbing along things he always suspected were just a shade away from being dodgy, finds it all too easy to go with the flow.

Now he’s got to start learning new tricks. If he doesn’t, he could end up dead.

It’s my pleasure to present to you a snippet of Adrian’s newest release: ‘Smart Moves‘. I hope this excerpt whets your appetite for more. 

Vic x

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Smart Moves‘ by Adrian Magson:
Extract

I never thought of guys having bad hair days. 

Bad razor days, sure. Relentless stubble and scraped skin is no joke – try kissing my grandmother. Bad head days, too, from much of the wrong kind of booze. But that’s commonplace for anybody with a real life. Some problems, though, can’t be overcome with a slap of skin balm or a handful of pills.

‘You’re laying me off?’ The words dropped into the room like a stun grenade and rolled across the carpet. I stared at my boss, Niall Dunckley, in disbelief.

‘Sign of the times, Jake,’ he replied flatly. ‘Sorry.’ I wondered if that was the beginning of a smile threatening to edge past his bloodless lips. They went well with his fish eyes and the strands of lank hair carefully arranged over his balding head. The overall effect gave him the appearance of an undertaker’s assistant. The kind who stays late at work for all the wrong reasons.

‘Why?’

Pathetic response, I know. But being laid off is having someone say, ‘We don’t need you.’ Or, ‘Get the fuck out of here.’ Or, ‘We found someone we like better.’

Even in this business – what am I saying, especially in this business – it’s akin to a death sentence. A bullet behind the ear. A quiet visit from a bad person on a dark night. I mean, I didn’t know for sure if that had ever happened, but people talk. You hear stuff.

I should explain. I have this oddball kind of job; I work for a side-line operation in a multi-divisional business called HP&P. Nobody knows or cares what the initials stand for, or precisely what the company’s core business is. But I know it has its fingers in a great many pies from civil engineering to shipping to nightclubs – and allegedly, a few things in between. 

It’s the in-betweens which we’re encouraged not to ask about. 

Not that I’m in that sector. I’m a project troubleshooter, and it’s my job to solve problems in faraway places. A gentle talk here, a nudge there, a discreet payment if something gets stuck in the pipeline, that kind of thing. The company operates on a time-sensitive schedule, and delays are unhelpful to the bottom line. As are glitches caused by local officials trying to muscle in and cause problems for their own ends. 

Don’t get me wrong; I don’t use physical pressure – I don’t have to. A sweetener with a local regional governor or a union boss usually does the trick, from Azerbaijan to Zambia. If that doesn’t work, I make a report to Niall Dunckley at HQ in London, and that’s the last I hear of it. Because by then all the talking and offers and mild threats of layoffs will have been exhausted and it’s time to call in the big guns and for me to catch a plane out. I don’t actually know what the big guns are, but that’s where I’m encouraged to turn and look the other way. 

The job pays well and I rarely get to follow up on a previous visit. If I do, it’s usually bad news because the project got canned and there’s a lot of name-calling going in. I’m just there to see that everybody knows whose fault it really is: theirs. 

Over the three years I’ve been doing this I’ve managed to refrain from asking too many questions. It’s one of the main requirements of my job description. Come to think of it, it’s the only requirement. Don’t ask, don’t nose, don’t look. 

And because I find it easier to take the money and not rock the boat, I’ve gone along with it. My bad, as the kids say. Still not sure what that means but it sounds about right. It doesn’t mean I’m dead from the neck up and haven’t occasionally put two and two together and made seven. Being suspicious and doing something about it isn’t always that simple. Or wise. 

Smart Moves‘ is published by Dome Press and is available now. 

**The Gilded Shroud Blog Tour** Author Interview

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It’s my pleasure today to have Elizabeth Bailey, author of ‘The Gilded Shroud‘ on the blog.

Elizabeth Bailey says she feels lucky to have found several paths that have given her immense satisfaction – acting, directing, teaching and, by no means least, writing. 

She has been privileged to work with some wonderful artistic people, and been fortunate enough to find publishers who believed in her and set her on the road.

Elizabeth has kindly taken the time to answer my questions so we can get to know her, and her writing process, better. My thanks to Elizabeth for taking the time to answer my questions. If you fancy getting in touch with her, you can tweet Elizabeth

Vic x

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Tell us about your book(s).
The Gilded Shroud
 is the genesis of Ottilia, Lady Fan, who turns by chance into sleuth extraordinaire and, incidentally, meets the love of her life in the process. It’s a murder mystery set in the late 18th Century, with a dollop of upstairs downstairs and a touch of romance too.

What inspired them?
My original idea was Ottilia as a potential heroine for the first in a series of sweeping romantic historicals which never materialised. My brother one day suggested it might make a detective story, and that set me off thinking. When I finally took the plunge, I intended at first that Ottilia, a wispy retiring sort of female as I thought, would be the brains in the background behind the apparent showy male sleuth, but the moment she set foot on the page she took centre stage and refused to be dislodged. So that was that.

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What do you like most about writing? What do you dislike (if anything)?
I love the way it surprises me with turns and twists I never expected, and I like finding creative ways to express things rather than turning to clichés. I like the process of watching it unrolling as I write what I see, like a film reel projecting onto a screen somewhere in the air around me. 

I hate what we writers call treacle books, when the words won’t flow and you just have to drag them out one by one, sticking with it as you really feel as if you are wading through a sticky sea. You learn to keep at it, and quite often find you do good work in spite of the stop/start nature of the writing. Fortunately, readers can’t usually tell if a book was treacle to write. There’s always the editing process to fix it.

Do you find time to read, if so what are you reading at the moment?
I can’t not read. I started as a reader and reading feeds my imagination. My reading time is an hour or so before I go to sleep – assuming I’m not so hooked I can’t put the book down. I’m just finishing Tarquin Olivier’s book about his famous father, and I’ll be starting on Jodi Taylor’s latest St Mary’s Chronicles, to which I am addicted. My TBR pile is pretty eclectic as I read all sorts of genres, as well as biographies and books that add to my knowledge of my period and other history.

Which author(s) has/have had the biggest influence on your writing?
Primarily Georgette Heyer – of course. Also Daphne du Maurier, who does dark with panache and beauty; Rumer Godden, who is both lyrical and cryptic, as she doesn’t tell you everything. And Dean Koontz, who is so good at surprising twists. Finally, PG Wodehouse for humour. He has the one-liner gag down to a fine art. But I can learn from almost any writer – a turn of phrase, a twist, a different voice. It all goes into the maelstrom and comes out somewhere without my realising it.

Where do you get your ideas from?
They tend to leap out from nowhere. I might catch a rhythm, a fleeting glimpse of some image, song or dream, a snippet in a news item or programme, a phrase or word in a social media post even. The spark might not even reveal itself because the idea wafts in and before I know it the what-if game is on. I do jot ideas in notebooks. If I’m stuck for a plot, I can sift through to see if anything catches my imagination. I think most writers have more ideas than they know what to do with, or will ever write up as stories. The ones that gel will hopefully roll into fodder for readers, if the process goes well.

Do you have a favourite scene/character/story you’ve written?
My current completed book is usually my favourite. Not the one I’m writing because that’s in too much upheaval to be loved. Though I am usually falling in love with my characters in the work in progress. But the one that’s done and dusted, that’s the one I can afford to love until it gets superseded by the next. I do have a few that are perennial favourites and I am rather in love with Lord Francis Fanshawe. As for scenes, when I have occasion to re-read a book, sometimes I find one that really pleases me, and I will wonder how I managed to make it that good.

What are you working on at the moment?
I am writing another Lady Fan mystery, in between my traditional Regency romances. Mysteries take more thought, more time and energy as one must tie everything in together and half the time I don’t know what’s about to happen.

What’s the best piece of writing advice you’ve been given (and who was it from)?
Funnily enough, it was my mother, who is a poet rather than a novelist and my beta reader in my early days, who gave me the best piece of advice. She said one day that she thought I was ending my chapters in the wrong place by running a scene to a conclusion rather than keeping it back. She woke me up to cliffhangers.

Are you a plotter or a pantster?
When I began writing I plotted extensively, but was forever having to adjust the plot as new ideas sprang up. Now I’m a total pantster. Apart from the opening springboard, I have no idea where the story is going and must trust to my inner writer. That is not to say that ideas don’t float about in my head, but when I sit down to write I never know what words are going to come out through my fingers. Still less do I know who committed the murder!

Do you have any advice for aspiring writers?
Keep at it. We all say that. Get the words down any way you can. You can’t edit a blank page. Being a writer is all about persistence. Not just keeping going against the rejections. But keeping going when life throws brickbats at you; when you think you’ll never get to the end; when the deadline is looming and panic strikes; and when you’d honestly do anything – take out the rubbish, clean the car, walk the cat – rather than sit down and write. Successful writers work through every pit stop and drive through to the end. Every time.

What’s been your proudest writing-related moment?
Apart from my very first acceptance which sent me to the ceiling where I remained for days, I think it’s the review of The Gilded Shroud that said: “Georgette Heyer lives – and is writing mysteries as Elizabeth Bailey”. That accolade said it all for me. I grew up on Heyer and still consider her the greatest writer in the Regency genre she spawned. We all wish we could write at her level, so this was to me the best compliment ever.

 

 

Don’t Quit the Day Job: Paul Harrison

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

It’s my privilege to welcome Paul Harrison to the blog today to talk about how his work in the criminal justice system has influenced his writing. If Paul’s post catches your interest, drop him a tweet or look him up on Facebook

Vic x

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Thanks for inviting me to speak on the blog. For me, bloggers are one of the most influential part of being a writer these days, so I’m well chuffed to be here talking about my previous life. I’ve been called Britain’s Mindhunter by the world’s media, because of my work with serial killers. However, I much prefer to be Paul Harrison, not some media invention.

When I joined the police service back in the late 1970’s, never, did I anticipate that my working life would be so exciting and filled with mainly positives, there have been a few negatives, but I’ve learned from those. Anyone who believes the British police force is behind its global counterparts, is wrong. I have over a century of policing within the family tree, my grandfather, father, myself and currently my son have been so employed. Even my great grandfather was so employed. Back in Victorian times he was probably the first criminal profiler in history. He’d hang about with criminals and felons and draw up social profiles on the in an attempt to understand who likely victims were likely to be, then he’d sell that intelligence on to the police. He was a big writer and storyteller, so his genes have definitely been passed down to me.

My own police career lasted over three decades and I was fortunate to serve in just about all the specialised fields I aimed for: Dog Handler, Firearms Officer on Special Escort Duties, Promotion, Intelligence Officer and of course, much later, my association with the FBI and profiling. I worked hard to get where I wanted to be, and advise everyone, no matter what they are doing to follow their dreams.

I began writing during my police career, mainly true crime books but the odd football book also crept into print too. These were the days before e-books so it was traditional publishing only, it was difficult trying to sell manuscripts to publishers and hold down a regular job.  I was lucky, I guess, and managed to get seven books published during my time in the police.

When I retired from the job I went to work with the Judiciary at the Royal Courts of Justice in London. What an eye-opener that was! Seeing the criminal justice system from the other side, was shocking. Needless to say, I often questioned judgments and tariffs handed down to serious (vile) offenders. I didn’t last long, and I moved on after a couple of years. I took up work in the voluntary sector, helping child victims and survivors of sexual harm. The scale of the matter was shocking and I set up my own service, called SAM (Systematic Abuse of Males) as a signposting agency directing victims to services in their area. As a result of this I was awarded the Outstanding Individual of the Year Award for my voluntary work in this arena.

All the time I was writing, more true crime and finally I went full time, and have moved onto novels. I’m so proud to be part of the Urbane Books team and have just signed a contract with them that I hope will last several years. Of all the publishers I’ve worked with in my time as a writer, covering thirty four books, Urbane Books stand out head and shoulders above the rest for their care and attention to detail. They like great writers, but are focused on producing quality books for the reader. 

Over the years, I’ve met some of the world’s worst killers, looked evil in the eye and confronted it. Nerve wracking stuff, however, let me tell you, there’s nothing more worrying than waiting for a publisher’s response to a book submission.

Writing has been incredibly cathartic for me, as is the sense of support that runs throughout most of the crime writing community. There’s a lot more books in me yet, and my fictional detective, Will Scott (named after my grandfather) will go on to endure many more adventures.

Getting to Know You: Judy Penz Sheluk

International Bestselling Author, Judy Penz Sheluk has kindly given us some of her time today. Judy’s debut mystery novel, ‘The Hanged Man’s Noose‘, the first in the ‘Glass Dolphin Mystery’ series, was published in July 2015. The sequel, ‘A Hole In One‘, was released on the 1st of March.

Skeletons in the Attic‘, Judy’s second novel, and the first in her ‘Marketville Mystery’ series, was first published in August 2016 and re-released in December 2017. ‘Past & Present’, the sequel, is scheduled for early 2019.

In her less mysterious pursuits, Judy works as a freelance writer and editor. In addition to all of that, Judy is also a member of a number of crime writing collectives and Crime Writers of Canada, where she serves as Director and Regional Representative for Toronto/Southern Ontario.

As you can see, Judy is a very busy lady and I’m really grateful that she’s taken the time to chat with us. 

Vic x

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Tell us about your books.
I write two amateur sleuth mystery series. The first is the Glass Dolphin Mysteries; the Glass Dolphin is an antiques shop on historic Main Street in the fictional town of Lount’s Landing. The main characters are Arabella Carpenter, owner of the shop, Emily Garland, a journalist, and Levon Larroquette, ex-husband (and occasionally more) to Arabella. Let’s just say they have a complicated relationship. The first book in the series is The Hanged Man’s Noose (which happens to be the name of a pub; Lount’s Landing is named after a real life Canadian politician, Samuel Lount, who was hanged for treason in the nineteenth century). It’s available in e-book, paperback, and audiobook. The sequel, A Hole in One, has just been released in e-book and trade paperback. Audio will follow later this year.

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The other series is the Marketville Mysteries. The first book in the series is Skeletons in the Attic, told in first person by Calamity (Callie) Barnstable. Callie inherits a house from her late father on the condition she moves into the house (which she did not know existed) while investigating who murdered her mother thirty years before. It’s available in e-book, trade paperback and audiobook. The sequel, Past & Present, should be released in early 2019.

Both my series are published by Barking Rain Press.

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What inspired them?
The premise behind Noose is that a greedy developer comes to a small town with plans to build a mega-box store, thereby threatening the livelihoods of the local indie shops. We see that sort of thing happen all the time. I merely took that premise and said, “What if someone was willing to kill to stop it?”

The premise behind Skeletons came to me when my husband and I were waiting in our lawyer’s office. He was delayed in court and we were there to redo our wills. In fact, opening scenes are directly culled from that experience. Let that be your takeaway: everything that happens to an author may well end up in one of their books.

Where do you get your ideas from?
Life. I keep a notebook in my purse, and I’m also jotting down things I’ve seen or overheard. But I also have this wicked imagination. For example, this past summer, I was golfing and the houses along the perimeter of the course were having their roofs done. And I heard the pop-pop of the pneumatic nailers, and I said to my golf buddies, “You know, someone could get shot and everyone would just think it was the roofer.” They did look at me as though I was a bit odd!

Do you have a favourite story / character / scene you’ve written?
I love Arabella Carpenter, the irascible owner of the Glass Dolphin. I even included her in a cameo role in Skeletons in the Attic, the first book in my Marketville series. Arabella’s motto is “authenticity matters” and she lives by that, even when it comes at a high personal cost. I admire that about her.

Are you a plotter or a pantster?
Definitely a pantser. I’ve tried plotting but it just doesn’t work for me. That said, I’m planning to write a non-fiction work, and that will have to be outlined in detail. With fiction, I just let the story go where it wants to go.

Can you read when you’re working on a piece of writing?
Absolutely. Reading is the best teacher. I try to read 30+ books a year. Most are mystery or suspense, but I’ll also read mainstream fiction and I enjoy short story collections. I’m a huge fan of a number of authors, most recently Fiona Barton, who I think is absolutely brilliant.

What’s the best writing advice you’ve ever been given and who it was from?
I always quote Agatha Christie when I’m asked this: “There was a moment when I changed from an amateur to a professional. I assumed the burden of a profession, which is to write even when you don’t want to, don’t much like what you’re writing, and aren’t writing particularly well.”

What can readers expect from your books?
I refer to them as amateur sleuth with an edge. There is the requisite small town, no overt sex, violence or bad language, but there’s also no cats, crafts or cookie recipes. People tell me the plots are more complicated than a typical cozy, and I do have a lot of characters, but they all play a part. They’re not just there for window dressing.

Have you got any advice for aspiring writers?
Make time to write every day. You can’t edit a blank page. And write what you’d like to read, not what you think will sell. By the time you’ve written the next great vampire book, the vampire craze will be long over. Start your own craze.

What do you like and dislike about writing?
Of course I like it best when the words flow like maple syrup, but even when they don’t I’m reminded of Erica Jong, who wrote: “When I sit down at my writing desk, time seems to vanish. I think it’s a wonderful way to spend one’s life.”

Are you writing anything at the moment?
Always. I’m currently working on the third book of the Glass Dolphin series, and a standalone mystery/suspense. And I have a couple of short story ideas I’m mulling over. And the non-fiction work I’m researching. I try to write every day, even if I only have a few minutes, even if it’s Christmas, New Year’s Day or my birthday. It doesn’t always work out that way!

What’s your favourite writing-related moment?
The day I signed my first book contract for The Hanged Man’s Noose. I’d faced the usual rejection from agents and publishers, but I wasn’t giving up. The email came in on July 1, 2014, which happens to be Canada Day. My husband and I popped open a bottle of champagne and danced on our back deck. The book came out July 2015.

Where can we find you?
My website where I write about the writing life, interview other authors, write the occasional book review, and I also have a series called New Release Mondays where I include a brief summary of a new book. Most are mysteries or suspense, but not always, and most of the authors are not well known, but deserve to be better known.

I’m also part of two multi-author blogs: Pens, Paws and Claws and The Stiletto Gang

I’m also on Facebook, and Twitter and Pinterest. 

Review of 2017: Rob Enright

Today we have Rob Enright on the blog to review his very eventful 2017. 

It sounds like it’s been a whirlwind! Thanks to Rob for taking the time out of his manic schedule to chat to us. 

Vic x

Do you have a favourite memory professionally from 2017?
I started a new job outside of my aspiring writing career, working for a private hospital in central London which has been great. But writing wise, my favourite memory was attending the Darker Side of Fiction event in 2017 as an author. Sitting behind a table and signing books and talking to so many amazing people!! I did a few book signings in Waterstones which was always a dream, but to be at a big book event like that was amazing!

And how about a favourite moment from 2017 generally?
I got down on one knee and proposed to my wonderful fiancée, Sophie. So that has to be the highlight! We also became home owners this year! Wow… I really did adulting well in 2017!

Favourite book in 2017?
I got hooked on The Dark Tower series this year! The Drawing of the Three is possibly the greatest piece of fiction I have ever read!! I also massively enjoyed Nameless by David McCaffrey, the sequel to the outstanding Hellbound!

Favourite film in 2017?
Blade Runner 2049
. The sequel to my favourite film and it was absolutely superb. It has polarised a few people, but I thought it was just superb cinema. Closely followed by Logan and Baby Driver.

Favourite song of the year?
It’s been out for literally 3 days, but there are a number of songs on Eminem’s new album that I am listening to on repeat. Like Home, Heat and Believe are on repeat. Outside of that, probably Burning and No Peace by Sam Smith.

Any downsides for you in 2017?
Finally admitting that I was unhappy with my publisher. They released Doorways for me in 2016 and as 2017 went on, I found the whole process quite soul-destroying and really impacted my writing of the sequel. When I decided to request my release to return to self-publishing, I felt amazing. So yeah, it sucked getting that low but I couldn’t be happier now and am writing more than ever and expanding my business knowledge! Bring on 2018!

Are you making resolutions for 2018?
Yup! I completed more runs than ever in 2017 so am redoing all of them again but want to beat the time. I am also doing my first half marathon. Now the books are under my control again and we have got our house, I am going to focus more on my fitness.

Also, am planning on launching THREE books next year. So am throwing my all into it.

What are you hoping for from 2018?
To be as happy as I ended 2017. To have a 4 book series to be promoting next Christmas and to know exactly what I can do with them. Oh, and a dog. I am desperate for a dog!

You can find Rob on Twitter and  Facebook.