Tag Archives: reading

Getting to Know You: Mac Logan

Earlier this year, when reading at Noir at the Bar in Edinburgh, I was introduced to a certain Mr Mac Logan who was also there to read from his novel ‘Angels Cut‘. He’s on the blog today to talk writing with us.

My thanks to Mac for taking the time to chat to us – I look forward to welcoming him at Noir at the Bar Newcastle sometime!

Vic x


Tell us about your books.
In addition to my poetry, I’m writing two fiction series and business non-fiction:

  • The Angels Share series: Angels’ CutDark ArtDevils Due and more to come, see my website for more info on upcoming releases. 

My inspiration comes from personal experience of corruption and greed in both the public and private sectors. Sad to say, this has impacted on my life. However, vengeance in the real world is not acceptable and I wouldn’t wish to harm anyone for real.

In spite of past experience, crime fiction provides a means of pursuing nasty people with satisfying and inventive robustness. My thrillers offer a sense of recourse against the corrupt people and cadres who screw us, steal our money and, what’s more, they provide an insight into what might well be going on.

  •  The Reborn Tree series: I’m currently writing Protector and there are more in the series to come.

My inspiration comes from the time of the five good emperors of Rome. This work is a history-based fantasy.

In the north of Britain the tribes of what is now Scotland (and Irish their cousins) stood against Roman expansionism. The Pictish/Celts faced a massive challenge to their survival as a culture protecting a way of life and their spiritual values and beliefs. Imagine lethal confrontations with the materialistic greed of Rome as well as unexpected friends… and enemies. 

  • Business Non-fiction: I am working on a series of simple explanatory books on topics around the human aspects of work. There are two titles so far on Time and Mentoring (co-written a specialist from St Andrews University). 

Where do you get your ideas from?
Experience, reading and emotional connections. When I watch grown people weep in anguish over cruel circumstances, or hear dishonesty splatter from the mouths of politicians, I am affected. Similarly, when I play with my grandchildren and we laugh, do exciting things and make a noise, I am affected. Such feelings energise me. 

I believe powerful emotions – good and bad – generate ideas. These in turn stimulate my muse and, via the predispositions of my personality, create a tangible output. 

Do you have a favourite story / character / scene you’ve written?
The adventure in Dark Art, where Eilidh, is coming to terms with the harsh, deadly world in which she finds herself springs to mind. She starts off dependent yet, like a child, she develops skills and insights essential to her survival. She builds relationships and earns respect on her journey. There is humour and the inevitable mistakes and risks she must navigate to survive. 

What’s the best writing advice you’ve ever been given and who it was from?
Write every day. It’s pretty common advice, but practise is key. To that I’d add get it read. My editor is a solid, constructive and fearless critic. She tells me good things and bad with clarity.

What can readers expect from your books?
Pace. Action. Violence. Realism. Humanity. Love. Flaws. Hatred. Greed. People worth caring for. Evil villains that’ll make skin your crawl.


Have you got any advice for aspiring writers?
Write. Be yourself. Take criticism on the chin and, soon as you can, learn from it. However: remember that not all criticism is correct.

What do you like and dislike about writing?
I can’t think of much I dislike except my own procrastination. I love writing and sharing my work. I enjoy readings.
I’ve done a couple of “shows” where I’ve had an audience there to meet me alone, and talk, read from my books and poetry and generally have fun. It’s nourishing.
A biggie is when my granddaughter climbs on my knee and says “Grandpa, tell me a story with your heart.” Making stories up, on request, for young children is an unique compliment.


Are you writing anything at the moment?
Devils Due (Angels’ Share series) is underway and the pressure is mounting for me to finish it. My editor is booked for Protector (Reborn Tree series). She’s expecting it for the end of this month, OMG.

What’s your favourite writing-related moment?
A business man I know bought 25 copies of Angels’ Cut as Christmas presents. He loves my writing. When he asked me to sign them it felt fantastic.

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Don’t Quit the Day Job – Neil Broadfoot on Working with Words.

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we’ll talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today as part of ‘Don’t Quit the Day Job’, Neil Broadfoot is here to talk to us about how his work life has inspired his fiction.

Earlier this year, it was confirmed in ‘The Bookseller‘ that Neil had signed a three-book deal with Constable for a new crime series set in Stirling. The first in the series, ‘No Man’s Land‘ is due out in hardback in July 2018. 

Vic x

I always wanted to be a writer. Since the day my primary school teacher passed me an empty jotter with a scalded-pink cardboard cover (which I’m sure my mum still has) it’s all I ever wanted to do. My mum was convinced I would be a doctor or a lawyer. My teachers in high school advised a career in history or IT. But, no, I knew. Writing. That was where my future lay.

It was that certainty that led me into journalism. I wanted to write, I wanted to work with words until the day came when I could do a Stephen King (my childhood literary hero), get a deal and write full-time. It hasn’t quite worked out like that – I’ve still got a day job and I write mostly at night – but you know what, I wouldn’t change a thing.

Why? Because journalism taught me how to write. And, more importantly, it kicked the ego out of me early on.

Let me explain. I get asked a lot about how I write a book. How do you start? Where do you get your ideas? How do you find time? The truth is there’s no magic formula, no muse waiting to sprinkle fairy dust on you and set you on the way. Writing is a job. OK, for me it’s a job that never feels like work, but it is a job. You have to sit down, and hammer out the words. Sentence by sentence, paragraph by paragraph, page by page, day by day. In newspapers, there’s no time to sit and stare blankly out of the window seeking inspiration. A page lead (the main story on the page) might run to 500 words. And you need to write three of them. To a tight deadline. A splash (front page)? That’s 800-1000 words (more if it spreads over multiple pages in the paper). And you have to write it. The single best thing I got out of being a journalist (other than my wife, but that’s a different story) was the ability to see writing as a job. You have a word count and a deadline and you hit it.

But there’s more. Working in newspapers is also a masterclass in the mechanics of story telling. All stories should address six key points – who, what, when, where, how and, most importantly, why. In my first novel, Falling Fast, I had nothing more than the what and the where when I started. I was walking through Princes Street, saw the Scott Monument and had the idea that someone should fall from there into the crowds below (what can I say, I was having a bad day at work).

That was it. I wrote the opening chapter, sat back and thought “What next?” I didn’t have a clue, so I approached the story like a journalist: asking questions, following leads, filling in the what, when, how and who. I didn’t get to the why until about 65,000 words, and I can still remember writing the sentence that unlocked the whole story. Writing Falling Fast was a voyage of discovery, and I loved every minute. It’s why I write the way I do and hate plotting; if I’m trying to work the story out as I go then it keeps it alive and fresh for me. And hopefully that comes through in the work.

I don’t work in newspapers any more, the cuts imposed by accountants and directors who don’t understand newspapers reduced the job I loved to a simple act of reheating other people’s work and slapping it into a pre-made template on a page. But I still work with words every day in communications. And at night, when it’s just me and the keyboard and the story, I’m still there, reporting back what I’ve found for myself and the readers.

And I wouldn’t have it any other way.

Guest Post: Paul Bassett Davies on How to be a Writer.

Regular readers of the blog will know that I recently readDead Writers in Rehab‘ by Paul Bassett Davies – and loved every second of it! 

In his own inimitable style, Paul is here today to share some “tips” on how to be a writer. 

Caution: this man writes comedy – take his advice lightly. 
If you appreciate the sentiment behind these brilliant suggestions, more writing advice will be coming soon in a series of podcasts. Details will be appearing on his blog

Vic x

How to be a Writer.
part one: Getting Started.

So, you want to be a writer? Great! Wait until you’re sober, then read the following essential guide to what you will need.

Somewhere to write.
Try to find a large, quiet space with natural light and a nice view. If you do, sell it immediately. Forget writing, and go into property. Make some real money. Otherwise, settle  for somewhere reasonably quiet, comfortable and clean. So, obviously not your place. Maybe a friend with a nice house has a spare room you can use. Which would be a mistake. Having friends is a sign you may not be a serious writer. Don’t worry, you’ll soon lose them. Meanwhile, try at least to position your desk near a window. But don’t look out of the window in the morning, or you’ll have nothing to do in the afternoon.

 

Something to write with.
Use whatever you’re comfortable with: a pencil, a typewriter, a computer, or perhaps an expensive fountain pen you bought because you were convinced it would somehow make your writing more stylish and sophisticated. And sure enough, you were wrong. But everyone has their own idiosyncrasies. Myself, I need to have seven freshly sharpened pencils beside me when I begin work each day. I don’t write in pencil – I use a computer like everyone else, but I need to have exactly seven freshly-sharpened HB pencils beside me, no more, no less. Some people might say this seems obsessive. These are undoubtedly the same people who say I’m paranoid and vindictive. But I know who they are, and where they live, and I know what their deepest fears are.

Someone to help.
It’s said that one famous author employed a butler whose job was to leave the house before the author woke up, taking all his trousers with him. This cut down the author’s scope for displacement activities like “popping out to buy some milk” for several hours. If you can’t afford a butler, throw your trousers out of the window yourself. If you haven’t got the willpower to do that, most writers find it takes very little to provoke a spouse or partner to throw all their clothes out of the house. All you have to do is say something like, “Hello darling, how was your day? I’m exhausted, because creative thinking is much harder work than your teaching job, even when I do it lying here on the couch all day.” That should do the trick. If you can’t afford a window, hide your trousers and get drunk, so you don’t remember where they are in the morning. If you can’t afford trousers, congratulations; you’re already on the way to becoming a truly committed writer.

Time.
Writing is a full time job, even when you’re not doing it. Much of your most valuable work is done when it looks as if you’re just taking a nap, or lying in a bath. But it’s important to be disciplined, otherwise those precious hours can just slip away. So, organise your day, and waste time according to a strict schedule.

Money.
All writers deserve to have an independent income. Many writers have incomes that are so fiercely independent they never see them.

Coffee.
Plenty of coffee. Especially in the morning. Personally, I like my coffee the way I like an amusing analogy I’ll be able to come up with when I’ve had some coffee.

Something to write.
This is covered in part two, How to Have an Idea, including the advanced modules: How to Have the Same Idea Again, and How to Have Someone Else’s Idea.

*Fox Hunter Blog Tour* Guest Post: Zoë Sharp on Keeping a Series Fresh.

2017 Book Tour Blog.pdfWhen I first joined Twitter in 2011, one of the first people I interacted with was Zoë Sharp, author of the Charlotte ‘Charlie’ Fox crime thriller series.

Since then, Zoë and I have met at several events – including her reading at a few of the Noir at the Bars I’ve presented. Zoë’s prose is like her love of fast cars and motorbikes – fast-paced – and she always gets a great reaction from the audience when she reads her work. Having been privy to an advance copy of Zoë’s latest novelFox Hunter, I can understand why. 

Zoë is a joy to be around and I’m delighted to have her on the blog today to talk about how to keep a series fresh – and she would know having written twelve novels in the Charlie Fox series.

When she’s not chipping away at the word-face of another book, Zoë can usually be found international pet-sitting or renovating houses so I’m very humbled that she found time to write this brilliant post.

Vic x

Photo by Nick Lockett

KEEPING A SERIES FRESH
By Zoë Sharp

One of the hardest things when you write a long-running series is keeping it fresh. Not only for the reader, but for the author as well. I think that’s one of the reasons I never really gave Charlie Fox a regular job in law enforcement. So, she doesn’t get summoned from her bed to go and inspect the body at the latest crime scene—in fact, she’s more likely to be asked to prevent there being a body in the first place.

This constant search for a new challenge for Charlie is why her career has evolved throughout the series, and is still doing so. When we pick her up in the early books she is a self-defence instructor, someone who’s been a victim of violent attack herself and is now determined to teach others to look after themselves.

I know some people build hugely successful series around such an amateur sleuth, but I knew from the start I was going to take her in the direction of personal protection in a more professional guise, even if she wasn’t sure.

When she agreed to go undercover into a bodyguard training school in the third book, Hard Knocks, she didn’t fully appreciate that she was going to follow that path, first working for her former army mentor, Sean Meyer, in the UK, and then moving with him when he became a partner in Parker Armstrong’s prestigious agency in New York City.

Now, as the latest book, Fox Hunter, closes, the future is looking a lot more uncertain for Charlie, and I have some choices about where she goes next. I’d already laid in some strands for her future in previous stories. If I know something like this is going to come up, I try not to make it unbelievable when it does. Inevitably, she’s met some interesting people along the way—some of whom may want to kill her, and some of whom owe her their lives. It’s not unreasonable that their paths may cross again occasionally. After all, she’s been moving in a small and exclusive world.

Charlie has changed quite a bit as a character as the series has progressed. Keeping her static and unchanging would have been difficult as she faced different challenges with every book, and her personal and emotional life swirled around her.

In particular, exploring her capacity for violence has always been fascinating for me. She’s very familiar with it in all its forms, and can be utterly ruthless when the occasion demands, but she’s not without conscience. If you threaten her—or someone she cares about, or feels responsible for—she’ll kill you without a second thought. But she’ll go a long way to avoid a confrontation if she can.

That much hasn’t changed about Charlie. Right from the first book, Killer Instinct, where she plays the clown to side-step proving her self-defence abilities to an aggressive club doorman (thereby proving them by another means) up to Fox Hunter, her twelfth outing, where she gives someone who tries to forcibly detain her two chances to step aside before she takes him apart.

Perhaps because she is ever-changing, I try hard not to repeat myself, either in storyline or action sequence, or in her interaction with the recurring characters. Madeleine Rimmington, whom Charlie dislikes on first meeting in book two, Riot Act, is slowly becoming a friend.

And as she enters the next phase of her life, Charlie may find she needs all the friends she can get…

*Chasing the Traveller Cover Reveal*

‘I’ve fled from my husband and the only life I’ve ever known. I’m terrified that if he finds me, I’ll never find myself.’

Kat is trapped in a world where she has never belonged. As a traveller, she has always felt lost, especially since the death of her parents in a fire when she was fourteen years old. Having been taken on by the Denton family as their own, Kat falls in love with their son, tearaway Jimmy. His charm soon wears off and Kat finds herself married to a controlling and violent thug.

Sixteen years later, Kat decides enough is enough and begins plotting her escape from a lifetime of abuse.

Stripped of her personality, Kat has no idea how to start again but she finds an unlikely ally in her sister-in-law Ellie who shows Kat that she is not alone.

Kat and Ellie Denton begin their venture into a new world, where they meet new people and build new lives. But Kat still wants to know more about her parents’ past and when she seeks the location of an address on the back of a family photograph, Kat begins to uncover more than she expected including a revelation that will lead Kat back to the traveller site she had been so desperate to escape from.

Will she find the answers she is looking for, or will she fall prey to the violent Jimmy Denton once more?

*

Chasing the Traveller is due to be released on 25th November, 2017 and is available for pre-order now. 

Alex Kane has been kind enough to share the fantastic cover with us, and a small sample to whet our appetites.

I’ve had the privilege of reading this story and it’s an engaging portrayal of a woman’s desperation to free herself from domestic abuse and find her own way in the world. A full review will be posted here on 26th November. 

Now, here’s the bit you’ve been waiting for – the sneak peak: 

*

He grabbed my face, digging his filthy nails into my cheeks. I wrapped my hands around his wrist, willing myself to push him away.

“Let me go!” I screamed but he only tightened his grip. I glanced back up at the sky but no longer could I see that single star; the clouds were no longer lined with a white shimmer. I was alone, as always, fighting the demons I could never defeat.

I heard the familiar sounds of the Allen key opening the entrance to hell. The belly box, which matched the width and breadth of the wagon, was cold at this time of year. I was thrown to the ground because he needed two hands to open the entry. It was my chance to escape but I had nowhere to run to. Fear rooted me to the ground which I wanted to open up and swallow me. Hell itself would be better than what was ahead of me. Another set of hands held on to my shoulders and my heart sunk. Two against one just was not fair.

*

Alex Kane is from Glasgow and writes psychological thrillers. Her newest novel, set to be released late 2017 is set in several towns and villages in and around Glasgow, an area which she is familiar with. Alex loves to read whenever she can, favouring psychological thrillers and crime. She loves something that will get under her skin and make her think about the story long after she has finished it.

Her inspirations are BA Paris, Lisa Hall and Paula Hawkins. Alex is currently working on her new novel. You can follow Alex on Twitter and Facebook.

Don’t forget to check back on 26th November for my review of ‘Chasing the Traveller‘. 

Vic x

Review: ‘Ragdoll’ by Daniel Cole.

Following his reinstatement to the Met, Detective ‘Wolf’ Fawkes is woken early one morning to investigate a terrifying multiple murder: all of the victims stitched together in a hideous ragdoll. Nicknamed by the press as ‘The Ragdoll Killer’, Wolf’s adversary taunts him by releasing a hit list to the baying media, including the dates on which he will murder them.

Brilliantly dark with moments of humour, Ragdoll kept me reading late into the night. I honestly did not want to put this novel down. It’s a high-concept thriller, intelligently written with incredible pace – I can see why it was nominated for the CWA John Creasy award for Best Debut. With twists and turns galore, Ragdoll will have you reading from the edge of your seat.

Vic x

Review: ‘Cragside’ by LJ Ross.

DCI Ryan may have been expecting a sedate summer with his fiancée in the run-up to their wedding, living within the grounds of Cragside, a spectacular Northumberland mansion surrounded by forests but where would the fun be in that?

Despite his misgivings, Ryan attends the staff summer party – a Victorian murder mystery evening – but when the lights go out and an elderly staff member is found dead, Ryan and his team must undertake a new case on his own doorstep.

Taking her DCI Ryan series in a slightly different direction, LJ Ross has written ‘Cragside‘ in a similar style to crime novels of the golden age but manages not to alienate readers of her past works: no mean feat. The ensemble cast of characters reminded me of a modern-day Poirot and I think a Bavarian-style mansion is one of the few contemporary settings where readers will believe you still have a butler, chauffeur, maid and a variety of other staff. Ross also uses facts about Cragside (as with all of her previous novels, this is a real place in the North-East) to strengthen her story.

LJ Ross skillfully builds up mystery alongside police procedural as well as romance, appealing to many readers. ‘Cragside‘ can be read as part of the ongoing DCI Ryan series or as a stand-alone – you will be able to read this without reading the previous ones although I highly recommend that you read the whole series.

Vic x