Tag Archives: research

Don’t Quit the Day Job: Jan Fortune

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today, I’m delighted to welcome Jan Fortune to the blog to talk about how she managed to write a trilogy in the last four years while holding down a day job. My thanks to Jan for taking the time to share her insights with us.

Vic x

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Over the last four years I’ve been working on a trilogy of novels. A Remedy For All Things follows Catherine, who is in Hungary in 1993 to research on the poet Attila József, when she begins dreaming the life of another woman from a different time period (imprisoned after the Hungarian Uprising of 1956). Even more disturbing, she’s aware that the other woman, Selene, is dreaming her life. 

It’s a complex book that has taken a great deal of research as well as several edits, but like most contemporary writers, I don’t write full-time. How do we do it? Juggle work, homes to run and still write? And are there any benefits to writing in this way, without the luxury of all the time in the world, or at least all the time that would otherwise go into holding body and soul together?

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Many of my favourite writers combined work of all sorts with writing. William Faulkner is reputed to have written As I Lay Dying in six weeks. He claimed that while working 12 hours days as a manual labourer he wrote this phenomenal novel in his ‘spare time’. Most of us need a lot longer, but it’s certainly the case that many writers don’t only write.

Anthony Burgess taught and composed music; Joseph Conrad was a sea captain; T.S. Eliot worked in a bank and Arthur Conan Doyle was a doctor, as was the poet William Carlos Williams. Wallace Stevens turned down a Harvard professorship rather than give up his 40-year career in insurance.

Women who write may not only do the lion’s share of domestic work while writing, but also hold down demanding jobs. Agatha Christie worked as an apothecary’s assistant, a great place to learn about poisons. Toni Morrison worked as an editor and for many years Octavia Butler had to write in the early hours so that she could work low-paid jobs like telemarketing or cleaning.

If working the day job is a necessity, it can also be one with benefits. Working as an editor and publisher, I get a lot of time to see how form works, how language can constantly be honed and how handing our precious book to someone with skill and objectivity and then listening carefully can make all the difference. One of my authors recently took a PR role that is giving her masses of people-watching time, none of it wasted. Writers are people who walk about the world with all their senses open and work is an endlessly rich environment for observation of the human condition.

Of course, we still need time to find that trance state in which to write and to go into deep flow. If your day job does nothing but hollow you out, it may be time to reconsider. But if your work sustains you and leaves the time and energy to write whilst being a source of experiences and characters, then writing around the day job is an honourable tradition. 

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Guest Post: Louise Mangos on Writing What You Know

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It is my pleasure today to welcome Louise Mangos to the blog to talk about her intimate knowledge of the setting for her debut psychological thriller ‘Strangers on a Bridge‘.

Louise writes novels, short stories and flash fiction, which have won prizes, been placed on shortlists, and have also been read on BBC radio. Her debut psychological thriller ‘Strangers on a Bridge‘ is published by HQ Digital (Harper Collins) in ebook, paperback and on audio. You can connect with Louise on Facebook and Twitter or visit her website where there are links to more of her stories. Louise lives in Switzerland with her husband and two sons.

Vic x

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The much-travelled author Mark Twain allegedly said “write what you know. Having spent much of my time in central Switzerland for the past twenty years, the one thing I feel confident in portraying in my novels is the setting. Both my first and second novels are set in and around the Swiss Alps. 

Strangers on a Bridge begins with ex-pat Alice Reed out for a jog one morning when she sees a man – Manfred – about to jump from the Lorzentobelbrücke. As this is rather a mouthful for English readers, it is referred to in the novel as the Tobel Bridge. In reality it is a notorious suicide hotspot that has sadly found its way into many local newspaper articles over the years.

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A quick trip on the bike to re-visit the setting for the first scene on the Tobel Bridges.

The area surrounding the village where my protagonist Alice lives is called the Aegerital, or the Aegeri Valley. It is a cleft of land gouged out of alpine granite with rivers running in and out of the jewel at its centre – the Aegeri Lake. Our family moved there twenty years ago when my first son was six months old. Many of the difficulties Alice faces in Strangers on a Bridge were challenges I also faced when we first moved, speaking no German and pre-occupied with a new baby. 

But that’s where the similarities end. I’m happy to report I never witnessed a person wanting to jump from the Tobel Bridge, and I was certainly never stalked by anybody. I should also point out that we worked hard to integrate into the community we now live in. We made an early effort to learn the language, and have experienced friendliness and acceptance from our neighbours ever since.

During the creative and theoretical modules for my Masters in Crime Writing at UEA, two of my professors, Henry Sutton and Tom Benn, talked about the importance of setting in a novel. They encouraged the students to incorporate the setting to such an extent that it effectively becomes one of the characters. 

No matter where a crime novel is set, this atmosphere must be conveyed to the reader to enhance the tension. This might include how a setting behaves through the seasons, for example, the environmental influences in extreme weather conditions.

Strangers on a Bridge begins in spring, the perfect opening for any novel. The season of births and beginnings. Alice is out for a spring jog when she sees Manfred on the bridge and is convinced he is about to jump. Her shock jars alarmingly with the beautiful alpine spring surroundings.

A great deal of research was still undertaken to make the narrative of this psychological thriller believable. Although I am familiar with many of the rules and traditions in Switzerland, police and legal procedures had to be subsequently verified and checked.

But with the setting clearly cemented as one of the characters in the narrative, it was a pleasure to embellish the plot to match the drama of the Alps.

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The view of the Aegerital from Alice’s running trail in spring.

Guest Post: Judy Penz Sheluk on Using your Past to Create your Present

I’m pleased to have Judy Penz Sheluk here today to talk about her forthcoming release ‘Past & Present‘ and how her own family’s journey inspired it.

I’m so grateful to Judy for sharing such a personal experience with us. 

Vic x

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I’m Canadian, born and raised in Toronto, and I’ve lived within a two-hour drive of that city all my life. My parents, on the other hand, were first generation Canadians, having immigrated to Canada in the early 1950s.

Their stories are similar to so many of the time. My father was born in Apatin, Yugoslavia, a small town on the Danube that is now part of Serbia. My mother was born in Stettin, Germany, now known as Szczecin and part of Poland. Both of them, teenagers during the war, and displaced after, made their way to England and settled in Nottingham for a period of time. 

By the time they met at a local dance, my father was set to immigrate to Toronto, Canada, in February of 1952 (such a brave soul—Toronto in February is, at best, cold and snowy, and at worst, colder and snowier). At any rate, it must have been love at first sight, because my mother applied for her own papers and arrived in Toronto in July 1952, on a hot, humid day. They married that October. 

Fast forward to September 21, 2016, when my mother, Anneliese, passed away from complications of COPD, following my father, Anton “Toni” Penz, who had died of stomach cancer in 1970 at the age of 42. Among her things was an old train case, and within it, her old passport, immigration papers, and documents and postcards from the T.S.S. Canberra, the ship she sailed over on. My mother had never talked much about her life “before Canada” and I became fascinated with finding out everything I could. The resulting research sparked an idea for a book, and my protagonist’s research into the past often mirrors my own, right down to the frustrating bits.

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T.S.S. Canberra postcard, c. 1950s.

I’ve dedicated Past & Present to my mother, and the release date of September 21, 2018, falls exactly two years after her passing. I like to think she’s with my father again, watching over me as my journey continues. 

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About Past & Present:

Sometimes the past reaches out to the present…

It’s been thirteen months since Calamity (Callie) Barnstable inherited a house in Marketville under the condition that she search for the person who murdered her mother thirty years earlier. She solves the mystery, but what next? Unemployment? Another nine-to-five job in Toronto? 

Callie decides to set down roots in Marketville, take the skills and knowledge she acquired over the past year, and start her own business: Past & Present Investigations.

It’s not long before Callie and her new business partner, best friend Chantelle Marchand, get their first client: a woman who wants to find out everything she can about her grandmother, Anneliese Prei, and how she came to a “bad end” in 1956. It sounds like a perfect first assignment. Except for one thing: Anneliese’s past winds its way into Callie’s present, and not in a manner anyone—least of all Callie—could have predicted. 

About the author: Judy Penz Sheluk is the Amazon international bestselling author of the Glass Dolphin Mysteries and the Marketville Mysteries. Her short stories appear in several collections.

Judy is also a member of Sisters in Crime International, International Thriller Writers, Inc., the South Simcoe Arts Council, the Short Mystery Fiction Society, and Crime Writers of Canada, where she serves on the Board of Directors, representing Toronto and  Southwestern Ontario.

Judy Penz Sheluk’s latest book in her Marketville Mystery series, Past & Present’, is now available for pre-order on Amazon in trade paperback and on Kindle.

**The Dark Web Blog Tour** Author Interview

As part of ‘The Dark Web‘ blog tour, I’d like to welcome Christopher Lowery to the blog. ‘The Dark Web‘ is the final part in ‘The African Diamonds Trilogy‘. 

My thanks to Christopher for taking the time to answer my questions. 

Vic x

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Tell us about your books.
My first three books comprise The African Diamonds Trilogy, an adventure/thriller series, featuring a principal female protagonist, Jenny Bishop, and a number of other key characters who appear in more than one book. All of the stories have multiple plots and take place in many countries all over the world.

The Angolan Clan begins in Portugal at the time of the 1974 ‘Revolution of the Carnations’, a bloodless overthrow of the fascist regime by the army, which was then hijacked by communists. This had devastating consequences for Portugal and its colonies, Angola, Mozambique etc, and led to bloody civil wars which lasted up to 25 years. An event occurs which creates a series of murders 40 years later.

The Rwandan Hostage is based upon the genocide of one million Tutsis by the Hutus in 1994. A raped Tutsi girl dies while giving birth to a child. The consequences manifest themselves 15 years later, when a boy is abducted in Johannesburg.

The Dark Web is the story of a political power play in the form of a devastating cyber-attack by a malicious, corrupt foreign power aimed at neighboring countries. A young computer scientist discovers the conspiracy and risks his life to prevent it and avoid a global conflict.

What inspired them?
All the stories are based upon my own life and career experiences and those of my family over the last 40 years and are semi-autobiographical/historical/factual. Together we have lived through a number of world-changing events in many countries around the world. 

What do you like most about writing?
Creating fictional stories from factual and often personally witnessed events. Extensive research to refresh/enhance personal knowledge.

What do you dislike (if anything)?
Typing. 

Do you find time to read? If so what are you reading at the moment?
I read very few modern books and still enjoy reading old ones.

Which author(s) has/have had the biggest influence on your writing?
Wilkie Collins, Frederick Forsythe, JRR Tolkien, Tom Clancy, Neville Shute, Ken Follett, H Rider Haggard, John Buchan, PG Wodehouse.

Where do you get your ideas from?
My life and my imagination.

What is the favourite scene, character and story you’ve written?
In The Angolan Clan; at the diamond mine when Olivier and friends turn the tables on Gomez and his army bodyguards.
Lord Arthur Dudley, from The Rwandan Hostage, a brilliant, amoral, ruthless, but likeable villain.
I think The Angolan Clan is a successful example of twin stories, which finally converge at the climax.

What are you working on at the moment?
The Mosul Legacy
, about the retaking of Mosul by the coalition forces in 2016. Again a twin story contrasting the comparative ease with which terrorists can cross the Schengen Zone to commit atrocities in Western Europe and the dreadful obstacles and dangers facing innocent refugees seeking peace and safety. 

What’s the best piece of writing advice you’ve been given (and who was it from)?
My daughter, Kerry-Jane: ‘Make your books shorter.’

Are you a plotter or a pantser?
I’m a jigsaw builder. I envisage the overall picture/plot, then I let my characters find the pieces to complete it.

Do you have any advice for aspiring writers?
Ensure you have another means of earning a living.

What’s been your proudest writing-related moment?
When Matthew Smith, at Urbane Publications agreed to publish The Angolan Clan.

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About ‘The Dark Web

The tentacles of the Dark Web are tightening their grip around the world. From Moscow to Shanghai, Washington, UK, the Middle East and Europe, nowhere is beyond their reach.

When a computer scientist dies mysteriously in Dubai, Jenny Bishop’s nephew, Leo Stewart, is hired to replace him. Leo’s life is soon in danger, but he is the only person who can find the key to prevent an impending global cyber-attack. With the help of Jenny and old and new friends, he must neutralise the threat before the world’s vital services are brought to a halt in a flagrant attempt to once again redraw the borders of Europe and Asia. Can the deadly conspiracy be exposed before the world is thrust into a new Cold War?

Christopher Lowery delivers a gripping final chapter in the bestselling African Diamonds trilogy, with a thriller that is powerfully resonant of today’s global dangers, hidden behind the ever-changing technological landscape.

The perfect read for fans of Gerald Seymour, Wilbur Smith and Frederick Forsyth.

 

Don’t Quit the Day Job: Jane Risdon

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today my longtime online friend, Jane Risdon is here to share her interesting experiences with us. Thanks Jane, I’ve really enjoyed having you on the blog again.  

Vic x

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We don’t know what we know, until we sit and think
By Jane Risdon

Write what you know. That’s what we writers are advised. But, you have to wonder where that leaves crime writers – commit a murder, a robbery, a sting and then you know what you are writing about perhaps? Who is going to admit to having a day job involving murder? Yet our lives and experiences do influence our writing, it has to.

How has my ‘day job’ influenced my writing?

I no longer have a ‘day job’ unless you count writing, but I have had two careers both of which greatly influenced my writing. Firstly I worked for government departments and that gave me some insight into the workings of the world of foreign embassies and how our government operates overseas. It spiked my interest in all things espionage in that I worked for a department whose staff were employed in embassies and were not always what they appeared to be, given their job titles. Great fodder for a fertile imagination.

A great deal of my writing, about crime and organised crime, has been influenced by my time working in that environment. It sparked an interest which I continue to feed by reading all I can about the murky world of the secret security services, organised crime and all it entails. Many of my crime stories have elements of covert operations and possible Mafia connections running through them, including my series – Ms Birdsong Investigates. Although I can’t be specific about anything I knew from back then, I can play with the facts and indulge in a great deal of poetic licence.

My second and longest career has been in the international music business, working mainly in Hollywood, Europe and in S. E. Asia. There is nothing like power and money to bring out the worst in people – as we are discovering now with all the sex scandals detailed in the press. Many of my stories have musical elements and are also mixed with organised crime or espionage as I mentioned. I suggest some research and reading if anyone is interested in how the music business and movie business might possibly have anything to do with organised crime. Mixing with the ‘movers and shakers’ in this business has been an amazing experience and, I must admit, it all came as a bit of a shock to me when first working at that level in Hollywood. Nothing in your face of course, all hinted at; I was directed to ‘gen-up’ on who I was working with and was recommended some well-known books to read. All filed away for future reference and as background for my growing interest in being a crime writer. Which I now delve into when necessary.

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Yet, crime is not all I’ve found myself writing. My latest co-authored novel with Christina Jones, Only One Woman, is anything but crime. It is a love triangle set in the late 1960’s UK music scene, and my experiences married to a musician and being involved in music all my life, has been a fabulous resource for writing this book. My day jobs back then have given me access to experiences and memories so vivid it has been like writing about something that happened yesterday at times. Total recall provides me with so much to be thankful for as a writer.

Writing what you know. It’s great advice. Sometimes we don’t know what we know, until we sit down and think.

You can find Jane on Facebook, GoodreadsTwitter and her blog. ‘Only One Woman‘ also has its own Facebook page and blog. There is also a playlist to listen to while you listen to ‘Only One Woman‘.  

Don’t Quit the Day Job: Robert Parker

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today, we have Robert Parker discussing how his occupation helped inspire his crime writing. I first met Robert on the Crime & Publishment course in 2016 and he’s a top chap. Robert has, however, chosen to retain his anonymity – I’m sure you’ll understand why soon… 

Thanks to him for sharing his experience with us. 

Vic x

You are now twenty times more likely to be a victim of cyber crime than you are to be mugged in the street. It makes a lot of sense, from a criminal perspective. Why would you bother to actually mug someone these days? Why take all the risks; the chance of someone calling your bluff, the chance of someone mugging you right back, the chance of going to jail, if, like me, you harbour a suspicion that you might just be a bit too pretty for that? Why take the gamble when you can sit on a couch in the comfort of your underwear, with a laptop, eating food that probably came in a bucket, scrolling, clicking and punching in the odd stolen card number.

That’s where we come in. Online fraud is big business these days and as time goes on it’s only getting bigger, more complicated and harder to spot.

I wound up in my job almost by accident. Almost. It isn’t something you can fall into. There’s a bit of commitment required. Competition for jobs can get fierce. It isn’t an option you just settle for. But I didn’t know it was something you could do until about a year before I shoehorned my way in.

It was 2010 and I was working two jobs at once, waiting on tables in the family-owned coffee shop and fitting cattle mattresses (yes, really) for my step-dad’s agricultural engineering business. I was living away from my fiancée during the week and driving the hundred and thirty dark winter miles to and from Edinburgh either side of the weekend. I needed to spend more time where I supposedly lived. I knew I would have to find something a bit different. They don’t do farming in the big smoke. I’d never worked in an office. I thought I could give that a go. It had to be warmer than a byre in January. How hard could it be?

I failed the data entry test (yes, really). That sounds like it would be hard to do. In my defence, I didn’t know my way round a keyboard, much less a clunky, chunky, nineties relic, mothballed in the damp basement of a recruitment agency. They were prepared to take a chance on me. They were counting on me. I couldn’t let them down, I was told, by an overly earnest man who had to be ten years my junior.

I was sent to the offices a of a tech firm who needed me to enter data for two weeks. It meant I could spend some time with Caroline, if nothing else. I remember thinking then that there must be something more interesting than data entry going on inside the offices of a travel website. I just had no concept of what that might actually be.

I didn’t get to do any data entry. I managed a tour of the city centre office, a coffee and slack-jawed stare at what must have been an expensive view of the castle, before someone in the contact centre got fired for looking at Facebook.

That’s how I wound up in a contact centre. A couple of weeks later I overheard a conversation between two of my new workmates in the pub, one asking the other “How are you finding the fraud department?” That was the light bulb moment. That was when I knew I’d found the something more interesting. It took me another twenty months to get in, but I’ve been here ever since.

So how has it contributed to my writing? In a lot of ways that I might have seen coming and a few more I didn’t.

First of all, there’s the day-to-day. I’m a fraud analyst, part case-by-case investigator and part long-term strategist. We deal with the fraud as and when it arises, working individual cases, catching people in the act and hopefully stopping them, but we also follow patterns, predict trends and take steps to counteract them. Where we can, we help the police, build cases and compile evidence, with a view to putting people safely away.

The first thing you learn is that it isn’t quite as glamorous as the expectations of your friends and family. My mum seems to think my day job is something like cyber CSI, and it is, but like a real life CSI. It’s methodical. It involves hard work and you don’t actually get to chase, or even see the bad guys, not in real life, though ironically for the girl whose job I originally stole, I do spend far more time on Facebook than can ever really be healthy.

It isn’t something you could write a book about, not a thriller anyway. Man-gets-mildly-excited-and-spills-cappuccino-after-left-clicking-and-discovering-some-fraudulent-transactions or man-deals-with-brief-existential-crisis-after-opening-an-intimidating-Excel-file doesn’t make for a particularly compelling elevator pitch. Or maybe it’s just a bit too literary for me.

It’s all relative though. You can get lost in the data for hours and you do get a buzz when you uncover a web or a pattern. But it’s the stuff I’ve learned as a consequence of my job that inspires and informs plots, research and characters.

So much of our lives today happen online. Like it or not, you leave traces of yourself wherever you go. Even a Google search records multiple pieces of information, all of which affect what you’re shown next time around. Police investigations naturally have a higher emphasis on our online, connected lives as time goes on.

It isn’t just fraud that has moved online either. The dark web is a one-stop shop for anything you want. Feel like ordering up a kilo of heroin? An Uzi? A human being? It’s all out there, lurking below the surface. You just have to know where to start digging. And the customer service is better than you’ll find anywhere else.

You learn about these things when you come into contact with the right – or wrong – people, when you’re trained by the right people. It’s the stories you hear that stick in the mind. The public consciousness seems to have fraud down as a victimless crime, but a conversation with the police would quickly convince you otherwise. Fraudsters are pretty often the same people committing the more serious crimes, with the proceeds going to fund the drugs, guns and human traffic.

Different gang cultures have different hierarchies. With the world getting smaller there are clashes. That thought led me to the plot of my first novel, Snow Storm. Throw in a conspiracy theory, a few bodies, add a twist or three and hopefully you’re halfway to a decent story.

Sometimes though, inspiration can be as simple as dumb luck and geography, like my wife dropping me off at work, bleary eyed and achy after the office Christmas party, next to a lamppost someone had hung an oddly shaped bag from.

“Do you think there’s a head in there?” I heard myself say, through a boozy haze.

And the opening of Snow Storm landed, fully formed, between my ears.

Guest Post: Nic Parker on Hull Noir 2017

The dedicated Nic Parker, author of ‘Descent to Hell‘ travelled all the way from Germany to attend the inaugural Hull Noir. 

I was gutted not to be there myself but I know Nic is the perfect person to tell us all about the weekend. Thanks to Nic for sharing her weekend with us! 

Vic x

Hull Noir 
By Nic Parker

Hull Noir was brought to life as part of Hull being City of Culture 2017. Reykjavik is Hull’s twin city. The Iceland Noir festival takes part in Reykjavik every other year and the following year moves to another city so this was a brilliant move for Hull.

My weekend at Hull Noir kicked off on Friday night with the Getting Carter event at the Kardomah94. Nick Triplow talked to Cathi Unsworth, introducing Ted Lewis to the audience, speaking about the life and work of the Hull-born Lewis with some of Lewis’s old friends present. Triplow said that even after researching Lewis for over ten years, he still learns new facts about him. Ted Lewis created Brit Noir but was way ahead of his time and never got acknowledged for it – until now. Nick Triplow has done Ted Lewis proud in bringing this literary hero of Hull back into the spotlight.

Saturday marked Hull Noir’s official start with the Sleeping with the Fishes – Hull vs. Iceland panel. As Hull and Reykjavik are twin cities both known for their fishing industries, Nick Quantrill chaired David Mark, Lilja Sigurdadottir and Quentin Bates, who discussed the different types of crime in both cities. It was intriguing to hear that while Hull has left its worst behind, crime is on the rise in Reykjavik due to the huge amount of tourists visiting each year. Transgressions in Reykjavik are higher than before and a lot of the crimes are drug-related, an issue Sigurdadottir picked up for her book Snare.

Craphouse to Powerhouse was the title of the second panel where Danielle Ramsay, Jay Stringer, Luca Veste and Paul Finch discussed post-industrial crime fiction in the North, particularly on the northern part of the M62. For me, as a foreigner, it is always fascinating to hear how that North/South way of thinking is still very much present in today’s Britain. Despite talk of gruesome murder, the authors pulled the audience right in and there was also a lot of laughter, thanks to Stringer and Veste.

The panel Into the Darkness delivered what its title promised. Jake Arnott, Emma Flint, Joseph Knox and Cathi Unsworth talked about murder set in different time periods and how protagonists don’t always have to be only good characters. Joseph Knox takes his readers to modern day parties in drug-ridden Manchester locations. Emma Flint talked about how the perception of a person based on her looks can lead us to condemn someone we don’t know and how it was even worse in 1965. Jake Arnott evokes ‘Romeville’, the underworld of 1720s London, rife with crime and even using criminal slang. When Cathi Unsworth mentioned her next book would be about a mysterious murder involving dark magic there was a murmur of anticipation in the audience.

Martina Cole celebrating her twenty-five year silver jubilee as a crime writer on stage with Barry Forshaw was a definite highlight of the festival. Cole is a wonderful person, sharp and funny – she should have her own television show. She talked about how her career started, how she wrote stories to entertain herself and how she got her first agent, with whom she has stayed all this time. Martina mentioned how many of the men and women in prison she met are not villains but often people who made one stupid decision in their life that ended up with them behind bars. She has encountered men who can’t even properly write their own names, stating that a gorgeous face is not enough in life and how very important education is. She also spoke out against the snobbery in the publishing industry that doesn’t seem to have changed much since she started out. She remains not only the bestselling author in the UK, whose books are the most stolen – ‘I might’ve nicked a few myself’, she grinned – but also an inspiration for authors. It was the perfect event to end the first day of Hull Noir.

Sunday saw Getting Away With Murder at ten o’clock and despite the early time the audience was in for a treat. Ayo Onatade did a brilliant job chairing Abir Mukherjee, Rachel Rhys and Matt Wesolowski. Who would have predicted Mukherjee and Wesolowski would be such a great act on stage, bouncing gags off each other within the minute. Rhys and Mukherjee said they needed a lot more research due to the time their stories are set in. Rhys had found and talked to a woman who had actually done the trip from the UK to Australia in 1939 on a cruise ship so she got first hand information. Mukherjee watched old Pathé films on Youtube to get a feel for 1919s Calcutta but, finally, visited India to get a real taste of the country his story was set in. Matt Wesolowski, deemed the baby of the group at thirty-six, used the ultra modern structure of a podcast in his first novel, listing his influences as podcasts like Serial and Someone Knows Something. While they are all glad about new technology, Wesolowski said he didn’t want his young son growing up only valuing himself if he received enough likes on Instagram or Facebook. Rhys is still reluctant to welcome all aspects of modern technology into her life. All three authors mentioned how fond they still are of notebooks, enjoying scribbling down whatever comes to their minds.

William Ryan chaired the Freedom, Opression and Control panel with Eva Dolan, Stav Sherez and Kati Hiekkapelto and the sombre atmosphere of this issue was almost tangible. Oppression of people is not only a thing of the past, like in Ryan’s book set in the UK under the SS-regime, it also concerns people who are regarded differently, like a transgender woman in Dolan’s story. Stav Sherez explored the often ignored danger that lures in the depths of the internet while Hiekkapelto deals with an ongoing issue for which there seems no current solution: the refugee crisis and how badly these people are often treated. Hiekkapelto stunned the audience by asking them what it means to have freedom and if anyone feels like they are really free, a question many might have thought about long after the panel had ended.

Off The Beaten Track saw the wonderful Jacky Collins asking Sarah Ward, David Young, Antti Tuomainen and Daniel Pembrey about the different settings of their books. Pembrey has lived in Amsterdam and Luxembourg and used these places as settings whereas Young set his books in Eastern Germany in 1975. Young toured with his band in the eastern part of Germany a few years ago, eager to learn about what life was like there before the wall came down. Tuomainen, who has a wonderful dry humour, wondered how a reader could buy his yarn about setting up a fictitious mushroom factory yet his mistake of naming a wrong street in an existing town upset said reader.

A Year In The Crime Writing Life of John Connolly and Mark Billingham ended the festival on Sunday with Jake Kerridge as ringmaster, often having trouble keeping the  other two in line. I’ve seen Connolly and Billingham on stage a few times before and it’s always a treat. Their stories and humour had the audience laughing with tears rolling down their faces.

When asked about their highs and lows of the past year Billingham said his lowest was when he got massively hacked. Connolly was moved telling about his highlight of the year, how he had felt honoured to be on stage at the Panopticon in Glasgow where Stan Laurel had made his stage debut. I urge everyone who is a fan of Laurel & Hardy to read he by Connolly. It’s not crime fiction but a very moving and loving tale about Laurel & Hardy, evoking the golden era of old Hollywood. Speaking of comedians, Billingham and Connolly are always a brilliant act, exchanging puns and jokes and spinning many an entertaining yarn. Putting these two great authors on as the last panel was a genius move as the festival ended on a total high.

 

I had an absolute blast at Hull Noir and somehow it ended all too fast. I had time to chat with old friends and met lots of wonderful new people. The small and not overcrowded venue gave you enough time, as well as the opportunity, to chat to the authors after the panels and not spend your entire time between events standing in line to get your book signed/hunting for a coffee/going to the loo.

The festival surpassed all of my expectations. The panels were very clever and it was pure entertainment getting to hear from new talents and seasoned authors alike.

I can’t thank Nick Triplow, Nick Quantrill and Nikki East enough for putting together such a brilliant programme and for creating an awesome event everyone will be talking about for a long time. Hull Noir was a great success and here’s hoping this wonderful event will be repeated.