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**The Last Day Blog Tour** Guest Post and Review

Last Day Blog Tour

I am absolutely delighted to welcome Claire Dyer to the blog today as part of her blog tour for ‘The Last Day‘. 

Claire is here to chat to us about Beginnings and Endings today which, given the subject of ‘The Last Day‘, is very apt.

Thanks to Claire, and The Dome Press, for allowing me to be a part of this tour.

Vic x 

Claire Dyer

Beginnings and endings
By Claire Dyer

Every ending starts with a beginning …

One of the creative writing classes I teach at Bracknell & Wokingham College is on beginnings and endings. We start by talking about some of the most notable beginnings from the literary canon: ‘Last night I dreamt I went to Manderley again.’ (Rebecca by Daphne du Maurier); ‘It was the best of times, it was the worst of times,’ (A Tale of Two Cities by Charles Dickens); ‘Two households, both alike in dignity, In fair Verona, where we lay our scene,’ (Romeo and Juliet by William Shakespeare) and we analyse what has made them memorable. It’s not an easy exercise because everyone has their own take, their own set of memories and expectations.

What’s also interesting in this section of the class is when I tell my students that most writers will not keep the original first few sentences of their novel; they will go through many iterations and, in some cases, whole opening scenes and chapters will be deleted.

We then look at endings and again, I pick a few favourites: ‘Reader, I married him,’ (Jane Eyre, Charlotte Brontë); ‘So we beat on, boats against the current, borne back ceaselessly into the past.’ (The Great Gatsby, F Scott Fitzgerald), etc.

And we talk about why these endings work. Is it because they bring the story arc to a satisfactory conclusion? Or, is it because they don’t? Do they leave the reader alone with their own emotions, casting their gaze into the future lives of the books’ characters with their own take on hope, regret, sadness, joy? Or, as in the case of one of my favourite recent reads, Together, by Julie Cohen, the ending is the beginning?

Again, it’s hard to tell. Whatever the case, there is a certain alchemy at work with both beginnings and endings and I’ve learned a lot about this particular type of magic from working on poems. One brilliant piece of advice I’ve been given is to look carefully at the first and last stanzas of a poem and ask whether they are necessary. Do they serve a purpose for the poem or are they just a frame in which the poem sits? This discipline has, I hoped, helped me with the beginnings and endings of my novels.

So, we can study the theory and practise our own but, in the end, our beginnings and endings are at the mercy of our readers, all we can do is make them the best we can.

And so, I try. The first paragraph of The Last Day came very late in the writing process. The ending crept up on me and when I realised I’d got there I had to step away from the keyboard and not risk that last, lone brushstroke which may have ruined everything. Whether my own attempt at alchemy will work will, of course, be up to others, but I have loved every minute of trying.

Review: ‘The Last Day’

by Claire Dyer.

Boyd moves back into the family home with Vita, his estranged wife, to get his finances back on track. Accompanying Boyd is his beautiful, young girlfriend, Honey who is running from her past. The unlikely housemates manage to make their living arrangement work despite all the odds but memories are never far away and the ghosts of the past threaten to derail the new normal in Albert Terrace.

When I first read the premise, my interest was piqued because of the unusual situation of a man living with his estranged wife and new lover.

Claire Dyer manages to make the reader suspend their disbelief and accept this peculiar situation by creating nuanced characters that readers can empathise with. Everyone is afforded a compassion and understanding which is often lacking in fiction and in life. 

The language used in this book is beautiful and adds to the poignancy of the storyline. It’s obvious why Claire Dyer is an award-winning poet thanks to her thoughtful turn of phrase and rich descriptions. 

Long after I’d finished reading ‘The Last Day’, I found myself thinking about Vita, Boyd, Honey and Boyd’s mum. This beautifully written, observant novel will stay with you long after the final page has been turned. 

Vic x

Getting to Know You: Lilja Sigurðardóttir

I’m delighted to welcome Lilja Sigurðardóttir. I first met Lilja at Newcastle Noir 2016. Having heard her talk about her books, I – like many others – were desperate to read them and I’m thrilled that Orenda Books have published Lilja’s novel ‘Snare‘ in English. Yet another novel on my ever-expanding TBR pile! 

Thanks to Lilja for taking the time to talk to us today.

Vic x

Tell us about your books.
I am the author of five novels that have been published in my home country of Iceland. The latest are the Reykjavík Noir Trilogy that is enjoying international success and being translated into many languages. The first in the series, Snare, is just out in English, translated by Quentin Bates. 

What inspired them?
It is hard to tell what inspires a book, as there are so many things that influence a story. I would say that I have a passion for writing, for telling stories and entertaining people with them. That passion is the driving force behind what I do.

How do you feel about your novel being translated into English?
It is an absolute dream come true! Both because I have many English-speaking friends and they have been waiting impatiently to get to read my books, but also because the English language is such a gateway to the world. I have been a bit stressed about how the stories would be received in English as the English-speaking world has such a rich and strong tradition of crime fiction, but the reception so far has been very positive. But the best part of the whole process was working with Quentin Bates, whom I now consider a close friend.

Where do you get your ideas from?
From all over, I have to say. I dream a lot and some of the ideas come from my dreams as strangely as that sounds. It usually starts with a character that begins to grow in my mind and then I try to find a place and time for them, a purpose and a drive and from there on dreams and research come in handy. Dreams for mad ideas and research for deciding the limits of the possibilities.

Do you have a favourite story / character / scene you’ve written?
Oh, so many! I do love my characters like family. Even the nasty ones. Usually my last book is the favourite one, as it is fresh in my mind and I still feel like I´m in love with the story but now with the publication of Snare in English I have been reading it again and talking about it and promoting it, so now I’m totally in love with it again! I will have to say that the complete Reykjavík Noir Trilogy is my favourite work.

What’s the best writing advice you’ve ever been given and who it was from?
The best advice I have been given was from a wonderful friend and renowned Icelandic poet and writer Þorsteinn frá Hamri. He told me that since I had a compulsion to write I would just have to make a go of it and give it my best, otherwise I wouldn’t be happy. He was right. I have never been happier than when I made writing my main job.

What can readers expect from your books?
Entertainment! I hope. My main goal with writing is to make people happy. Everyone likes a story and in order to make people happy, the story has to be good and fun to read. ‘Snare‘ is fast-paced and the point of view changes between four very different characters that then connect to each other. Everyone seems to have a favourite character in that group and I love asking people who their favourite character is.

Have you got any advice for aspiring writers?
Yes. Only one. Write a story that you love. Never mind trying to be clever or funny, just write a story you fall in love with. Then it has the best chance of being a good story.

What do you like and dislike about writing?
I love, love, love writing! I love creating the story, connecting to the characters, finding the pace, pumping up the action. Editing is another thing altogether. Rewriting and fixing sentences and proofreading are things I wish I could get out of. It takes way too much time and bores me. I would rather write a whole other book than edit one I’ve finished.

Are you writing anything at the moment?
Yes. I am starting a new series. It is very exciting although I miss my old characters from the Reykjavík Noir Trilogy and am very tempted to make some of them appear in the new story, just so that the readers and I can see where they are now. But we’ll see.

What’s your favourite writing-related moment?
Every morning that I have time to write and sit down at the computer with coffee in the mug that Quentin gave me and Malinche, the 16th century Mexican skull my dad gave me, by my side. I enjoy living in my head and portraying that inner life to a page. Of course, like all writers I love the moment when I write: “Endir” at the bottom of the last page. That’s Icelandic for: The End.