Tag Archives: series

**Poetic Justice Blog Tour**

Poetic Justice Blog Tour Poster

Today it’s my pleasure to host husband and wife team R.C. Bridgestock as part of their blog tour for ‘Poetic Justice’, the prequel to the DI Jack Dylan series. 

With almost fifty years of police work between them, Bob and Carol received a number of professional accolades and have translated their experiences into a series of novels as well as consulting on several high profile crime dramas. 

With their DI Jack Dylan series due to be reissued by Dome Press this year, Bob and Carol have graciously given their time to us today to talk about the identification process. My thanks to them both and to Dome Press for allowing me to be involved. 

Vic x

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IDENTIFICATION

The identification of an offender is a key aspect of any criminal conviction. The identification may be done by the victim of the crime, and/or witnesses – if there are any available. The concept of an identification parade, or “ID parade” as it is best known, is to test a witnesses ability to identify someone they have seen previously – typically at the time of an incident. 

If someone can be identified as the offender, this will be one of the first pieces of evidence used in a criminal trial, with both the victim and any witnesses required to repeat the identification in front of the court.

For an investigator, finding a witness or witnesses is very important; especially one who can recall events and recognise suspects.

However, from experience we are aware that witnesses can be highly convincing, but sometimes wrong. Oddly enough others can forget what is obviously visible such as a facial tattoo on an offender, but yet still identify them, and only remember at a later date about the tattoo that might be significant to their identification. Our brains, it appears, will only register so much in a short time frame.

The police identification procedure changed dramatically during our time at West Yorkshire Police, the fourth largest police force in the country. The traditional method of identifying an offender was to use a police identity parade. This involved the suspect being requested to line up alongside others of similar height and appearance, with either the victim or witness able to view the line-up from behind a screen. Often the potential suspects would be required to repeat a sentence that the victim or the witness will have heard. This would enable the victim or the witness to identify the offender both by sight and voice. 

During an identity parade, it would usually be the case that the police were aware of whom the suspect was, due to their investigations, and the ID parade would be used simply as confirmation that the suspect was in fact the offender. A line-up must consist of five people, plus the suspect. If circumstance permit it is ideal to have six, seven or eight others. The more that are present tests the witness further. 

But, did you know that the suspect can refuse, at any time, to take part?  

No longer these days does a police officer go out onto the streets and ask people to take part in a ‘line up’ – often those willing to partake in an ID parade would typically be hard-up students and those out of work who would get a small amount of money for their time. 

Often we (the police) were unable to round-up enough lookalikes. For example, he might have a moustache, or a beard so the volunteers may be asked to wear fake facial hair. Wouldn’t this impede the recognition of the offender by the witness you may ask? One thing someone is unlikely to not recognise is a fake moustache or a beard? The police officers of the time had to work with what they had, and sometimes that was very little. The whole procedure was very time consuming and could be costly. How much do you think half a dozen false beards might cost?  

No longer does the victim or a witness have to ‘walk the line’ and touch on the shoulder, the person they think they’d seen at the time of the incident. This was highly likely to cause emotional issues for victims and witnesses. There was potential for police interference and concerns for the safety of those taking part in the line-up.

No longer can the offender change places on the line, or change clothing after each witness walked by.

No longer can the suspect reject a person chosen on the parade because they aren’t a ‘lookalike’ in their eyes. 

In 2003, a digital system called VIPER was introduced for the visual identification of suspects. The bespoke computerised system – ‘Video Identification Parade Electronic Recording’ – was originally established by West Yorkshire Police, the force in which Bob and I collectively spent 47 years. This became the National database. Approximately 20,000 identifications are carried out each year using this highly successful system.

How does this work? 

Images of lookalikes to the suspect are viewed on a computer screen – no longer do victims or witnesses have to suffer intimidation by the suspect being present. If the offender is convicted then his or her photograph will be on the database.

In our experience, potential witnesses from the yesteryear would typically say after taking part in an ID parade. ‘I think it was No.6, but I couldn’t be one hundred per cent sure.’ More often than not annoying for me, the police officer, the witness was right but the identification for the sake of the enquiry had failed.

An Inspector would control the parades, and the defence solicitor for the prisoner would be present to ensure no foul play.

How good is our own personal recollection and sight? Do you think you could identify someone that you had stood next to you in a shop today? 

Quality CCTV has proved time and time again how it can assist in the detection of crime.

However, did you know people don’t always admit it’s them on CCTV. I can’t recall how many times I’ve heard. ‘Not me!’ And even when the footage has been shown to a parent and the offender is told that they have confirmed the image is of their son/daughter, they will still deny it’s them and often with a, ‘Prove it!’… So of course we do.

Sometimes this can be done by distinctive clothing, facial scars, tattoos and hairstyles but also by a technique called facial mapping where experts using measurements match the person to the video. 

Facial recognition is still in its early stages but is being trialled by the Metropolitan Police. This is a very clever and important tool that will revolutionise our ability to get extremely quick intelligence about someone in a crowd who is wanted by the police, so the police can take whatever action they need to. 

So if you witness something and are asked by the police for your help, please don’t hesitate to become involved. It may be a test of your recollection ability, and make you more aware of what is going around you in the future, but it’s so much more than that. You are helping to stop someone getting away with a crime. Don’t worry, your evidence isn’t the only evidence that will render the suspect guilty but, along with other substantial evidence, it might be the piece of the jigsaw that is missing to use as the ‘belt and braces’ of the case. 

Voice recognition and handwriting can also be used to link people to a crime.

Of course, the well-known resource used today is the formidable technique of DNA – ALL resources available in the detectives toolbox are used to gather ensure a conviction.

However, it’s the SIO who is the person in charge who makes these decisions – people like Bob. 

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Review: ‘Poetic Justice’
by R.C. Bridgestock

When Detective Jack Dylan heads home after a residential course, he has no idea that an extraordinary succession of events is about to turn his life upside down. A vicious, unprovoked attack is just the start. Soon his wife is dead and his step-daughter – dangerously depressed – is being expelled from university for drug use. And at work, two teenagers have gone missing.

An ordinary man might break under the strain, but Dylan is no ordinary man. He knows that his survival depends on him carrying on regardless, burying himself in his work.

He is determined to pursue the criminal elements behind the events – both personal and professional – whether his superiors like it or not. And, as his family disintegrates around him, a newcomer to the admin department, Jennifer Jones, seems to offer some sort of salvation.

Life may have changed, but nothing will stand in the way of Dylan’s quest for justice.

Although Jack Dylan has an established fan base, this was my first foray into the series and it definitely won’t be my last. It’s obvious to see why R.C. Bridgestock are story consultants on ‘Happy Valley‘ and ‘Scott and Bailey‘. 

I whipped through ‘Poetic Justice‘, unable to leave the compelling characters alone. By weaving Dylan’s personal narrative alongside an ongoing criminal investigation, there’s plenty for the reader to be invested in. Bridgestock’s experience in West Yorkshire Police shines through – you can tell that Dylan’s difficulties in juggling police work and home life is based on experience. 

This is a realistic portrayal of police life within a domestic setting. ‘Poetic Justice‘ has truly hooked me on Jack Dylan.

Vic x 

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Review: The Puppet Show by M.W. Craven

A serial killer is burning people alive in the Lake District’s prehistoric stone circles.

Leaving no clues, the murderer – nicknamed The Immolation Man – is managing to render the police useless. When disgraced detective Washington Poe’s name is discovered carved into the charred remains of the third victim, he’s brought back from suspension despite wanting to be no part of this gruesome investigation. 

Reluctantly partnered with the brilliant, but socially awkward, civilian analyst, Tilly Bradshaw, the mismatched pair uncover a trail that only Poe is meant to see. The elusive killer has a grand plan and for some unknown reason Poe is part of it.

As the body count rises, Poe discovers he has far more invested in the case than he could have possibly imagined. And in a shocking finale that will shatter everything he’s ever believed about himself, Poe will learn that there are things far worse than being burned alive. 

I tore through ‘The Puppet Show‘, unable to pull myself away from this compelling narrative. The characters are well-drawn and Craven appears to have a deep understanding of their back stories and what motivates them. I am, of course, #TeamTilly. Despite this being a dark, violent crime drama, Craven paints Tilly with sensitivity and, in her relationship with Poe, manages to bring some light relief when things get heavy. Craven, a former probation officer, has used his experience to create compelling, realistic characters.

Alongside his obvious understanding of the motivations of his characters, Craven’s experience within the criminal justice system shines through. Craven maintains the fine balance of demonstrating his depth of knowledge while ensuring that the story isn’t bogged down in minutiae. ‘The Puppet Show‘ is a well-plotted, fast-paced read. 

 Setting these grisly murders against the beautiful scenery of the Lake District was a stroke of genius by Craven, too. I really appreciated the experience of reading about somewhere I’m familiar with, turning it from a place of rugged beauty to something far more terrifying.  I honestly cannot recommend this book highly enough. 

The Puppet Show‘ is the first in the Washington Poe series and I can’t wait for the next one. ‘Black Summer‘ is due out later this year. 

Vic x

Don’t Quit the Day Job: Desmond P. Ryan

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today it’s the turn of Desmond P. Ryan to tell us about how his work has influenced his writing. My thanks to Des for sharing his experience with us.

Vic x

For almost thirty years, every day of my working life began with either a victim waiting in a hospital emergency room to report a violent crime, or a call from a bystander, witness, or sometimes even the perpetrator to a street corner or a ransacked, often blood-soaked room where someone had been left for dead. Murder, assaults on a level that defied humanity, sexual violations intended to demean, shame, and haunt the individuals who were no more than objects to the offenders: all in a day’s work. 

It was exhilarating, exhausting, and often heartbreaking.

    As a Detective with the Toronto Police Service, I wrote thousands of reports detailing the people, places, and events that led up to the moment I came along. I investigated the crimes and wrote synopses for guilty pleas detailing the circumstances that brought the accused individuals before the Courts. I also wrote a number of files to have individuals deemed either Not Criminally Responsible due to mental incapacity, or Dangerous Offenders to be held in custody indefinitely.       

    Now, as a retired investigator with three decades of research opportunities under my belt, I write crime fiction. And, when Vic asked me to contribute to her blog, you can imagine that I jumped at the opportunity to share my story of how my job has influenced (just a tad!) my writing. You could say that I have an unusual skill set that makes me particularly prone to writing crime fiction.

In fact, I started writing my Mike O’Shea Crime series while I was still working as a police detective. As you can imagine, in real life, things don’t always turn out the way youmight like, and the people I dealt with didn’t always find the justice they deserved. Writing was my way of giving voice to those whom the justice system had silenced. 

When I retired, I was a bit afraid that I’d become that guy in the corner at the pub who tells old cop stories to no one in particular. The obvious alternative was to continue on with my writing and get the series off the ground. After several months of writing, I found the police procedural format of the Mike O’Shea Crime series feeling too much like work (a good thing for my readers!), so I began a cozy mystery series featuring Mike O’Shea’s mother, Mary Margaret, as the sleuth. Now THAT was a lot of fun to write. 

Check out my website at RealDesmondRyan.com and be sure to order your copy of 10-33 Assist PC, the first in my six-book series.

**Kindred Spirits: York Blog Tour**

I’m delighted to host Jennifer C Wilson on the blog today to kick off her blog tour for ‘Kindred Spirits: York’

In 2014, Jennifer won the Story Tyne short story competition, and has been working on a number of projects since, including co-hosting the North Tyneside Writers’ Circle. Her Kindred Spirits novels are published by Crooked Cat Books and her timeslip novella, ‘The Last Plantagenet?‘, by Ocelot Press. 

She lives in North Tyneside, and is very proud of her approximately 2-inch sea view. 

You can catch Jen on Twitter, Facebook and Instagram

Vic x

Jennifer C Wilson on finding your writing tribe… 

Thanks so much for hosting me today, Victoria, and kicking off the blog tour for Kindred Spirits: York, due out on 31 January 2019. Although, having heard a large proportion of it in writing group last year, you know mostly what to expect already!

I’ve said this many times before, but I think finding a good writing group is so, so important, whatever level of writing you’re at. Writing is a mainly solo activity, and by default, therefore, has the potential to be incredibly lonely. In the middle of writing York, I found myself doubting the whole thing. The story, the characters, even the point of carrying on with the series. Happily, after a chat with yourself and other members of Elementary Writers, I was able to see through the problem, and settle down to finish the rest of the book. 

Whether you all write in the same genre or style doesn’t matter one bit; what matters is finding a group of people who get the issues you’re going through (and get that they are issues in the first place – some people just don’t understand how real the trauma is of your imaginary world not going entirely to plan!), and even if they cannot help directly, they at least understand and listen sympathetically. On the other hand, it’s also brilliant being able to celebrate with people who appreciate the effort you’ve gone through to finish that published or prize-winning story, and know how good it feels to see your name (and work) in print. 

Getting feedback on your work at an early stage, from writing friends and colleagues who you really trust, is also important. However much the notion terrified me back in the day, now I love reading my work out in sessions, and getting that immediate understanding of what works and what doesn’t, both from my own reading, and stumbling over words which simply don’t flow, or by listening to the comments from others in the group. Obviously, you’re never obliged to take on board every comment, but if three or four people say the same thing needs working on, it’s unlikely they’re all wrong. 

Being online, and picking up snippets of gossip, you hear terrible tales. I’m so lucky this has never happened to me, and I love heading along to group on Monday evenings, and getting stuck into the prompts. It’s also the atmosphere I’ve strived to build in the North Tyneside Writers’ Circle, which I co-host. Writing can be hard enough when you’ve got your own negative thoughts to content with from time to time, without adding external negativity too!

Therefore, amongst all the self-help books out there, and the various Facebook groups and Twitter hashtags, as well as the ‘IRL’ groups, I’d say the best thing you can do for your writing (and sanity) is find your writing tribe. Whether online or in the local café, sharing works, trials, tribulations and triumphs cannot be beaten. Certainly without mine, I wouldn’t be where I am today. 

2018 Review: Paul Gitsham

Paul Gitsham is today’s end of year reviewer. It’s always nice to see Paul and it’s fab to have him on the blog today.

Thanks, Paul, for your review of 2018. Here’s to a top 2019!

Vic x

Cropped headshot.pngDo you have a favourite memory professionally from 2018?
2018 saw the release of the next two books in the DCI Warren Jones series. The first, a novella called A Case Gone Cold, released in May, was partly inspired by the real-life burglary of my parents’ home some years ago. It was pleasing that something positive could come out of a pretty unpleasant experience. 

The fourth full-length novel in the series, The Common Enemy, was released in September. Despite tackling difficult and challenging subject matter (Far-right extremism and the rising Islamophobia our country is experiencing), reviews have been positive.

Excitingly, the first 4 full-length novels in the series are now available as audiobooks, narrated by the wonderful Malk Williams.

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And how about a favourite moment from 2018 generally?
I can’t fail to mention my wonderful girlfriend, Cheryl, agreeing to marry me! Have a look at the acknowledgements in The Common Enemy if you want to see how I popped the question…

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Favourite book in 2018?
So many to choose from! Steve Cavanagh’s Thirteen cements his reputation as one of the best writers around today. Eddie Flynn is a wonderfully complex and likeable character, that gets better with every book. And how could I resist the tagline: The serial killer isn’t on trial. He’s on the jury? 

Favourite film in 2018?
Marvel Studios continue to delight and excite in equal measure, but a film that I really enjoyed was Bohemian Rhapsody. It had its flaws and some question its accuracy in parts, but the recreation of Live Aid was spine-tingling!

Favourite song of the year?
I tend to listen to Radio 4, rather than music when I’m driving, but Cheryl and I both love the 80s. The recent acoustic version of A-Ha’s Take on Me (as featured in Deadpool 2, bizarrely) is a real pleasure.

Any downsides for you in 2018?
We moved to a new house at the end of last year and it would seem that the former owners of our house had a real talent for covering up their DIY disasters…

Are you making resolutions for 2019?
I don’t really make resolutions, but a better work/life balance is a definite aim.

What are you hoping for from 2019?
The next two books in the DCI Warren Jones series will be released, starting with the next novella, A Deadly Lesson, in January and the next full-length in the summer.

I hope to get more writing time, in part to pursue some stand-alone projects alongside new DCI Warren Jones adventures.

We’d also like a lottery win sufficient for us to move into a 5-star hotel for a few weeks whilst somebody comes and sorts out our house!

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2018 Review: Tess Makovesky

Tess Makovesky is a brilliant writer who I’ve “known” online for many years. I met Tess in person for the first time at Crime and Publishment. Since then, I’ve hosted her at Noir at the Bar Newcastle and am delighted to have her on the blog to review her year. 

Thanks, Tess, I wish you well for 2019.

Vic x

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Do you have a favourite memory professionally from 2018?
It’s the release of my first novel Gravy Train by All Due Respect. I wasn’t sure I could write a whole novel and only tried after three writer friends (you know who you are…!) pinned me to the wall and threatened me with extreme consequences if I didn’t. And in the end I had so much fun writing it, and I think that shows. It’s steamed into town on Friday 26th November, just in time for Christmas. So, if you want to read about a bunch of losers chasing a bag of dodgy money around the back streets of Birmingham, then please watch this space!

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And how about a favourite moment from 2018 generally?
Probably the Crime and Publishment weekend back in March, which was an absolute blast. It’s always lovely catching up with so many old mates, but this year there were plenty of friendly new faces too, and the guest speakers and sessions were really stimulating. I enjoyed it so much I’ve just booked to go back next year!

Favourite book in 2018?
I’m struggling to answer this one a bit. I haven’t had time to read much crime this year, and some of what I have read has been slightly disappointing. I did enjoy Aidan Thorn’s latest, Rival Sons, which is a powerful family drama of the ‘throwing a stone into a pond and watching the ripples spread’ variety, with a real kick in the teeth ending. And I’m hoping to go back to an old favourite, The Saint Vs Scotland Yard by Leslie Charteris, next.

Favourite film in 2018?
Can I cheat and choose a TV series instead? Top of the list would be the wonderfully twisted Get Shorty, which was brilliant, dark, funny and brilliant – even if I did have to watch half of each episode through my fingers! Also worth a mention were Brotherhood, with great performances by Jason Isaacs and Jason Clarke, and Broadchurch series 3. And Bodyguard, of course, and… oh dear, it sounds like I do nothing but watch crime on television…

Favourite song of the year?
I’m cheating horribly by choosing Pink Floyd’s Have a Cigar, which gave me the title for Gravy Train – not to mention more than a few sly references to the lyrics inside the book!

Any downsides for you in 2018?
It’s been a slightly difficult year health-wise – nothing major thank goodness but lots of little annoying things that added up to much less time than usual to write. It was frustrating while it lasted but I’m hoping for better things next year.

Are you making resolutions for 2019?
Nope! I never make resolutions because I can never keep them beyond about the 9th January…

What are you hoping for from 2019?
I’m about nine tenths of the way through the first draft of Embers of Bridges, another crime caper set around Birmingham’s Jewellery Quarter and canals. I’d love to get that finished and offer it to All Due Respect. And a bit less divisiveness in the country might be nice…

2018 Review: Jennifer C Wilson

Another of my friends joins us today to review her 2018, please welcome Jennifer C. Wilson, author of the ‘Kindred Spirits‘ series. 

My thanks to Jen for casting a glance back over the last twelve months. 

Vic x

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Do you have a favourite memory professionally from 2018?
It has to be the launch of Kindred Spirits: Westminster Abbey in June. Being the third in the Kindred Spirits series, I felt I was more comfortable with the world and the characters, and seeing it going out into the world was such a great feeling. The launch went more smoothly, I was much less stressed about it, and I enjoyed everything about the day. 

And how about a favourite moment from 2018 generally?
This is difficult, and I have two which really stand out… Firstly, in February, I finally got to visit the grave of Richard III in Leicester Cathedral, and see the beautiful stone they had created for him. It was a lovely day, visiting for the first time since March 2015. I also got three short stories out of it, which will be in an anthology about Richard, out in early December. On a sunnier note, it was getting to see the Roman Forum in September, having eventually got around to going back to Rome. I adore my history, and it’s there in buckets in Rome. 

Favourite book in 2018? 
Being part of book blog tours on a regular basis, I get to read so many great books, but this year, my favourite has been The Road to Newgate by Kate Braithwaite, following the background and trial of Titus Oates, a historical character I knew a bit about, but not the full story, so I enjoyed learning the facts as well as reading the fiction. I also loved her previous novel, Charlatan, set in the time of the ‘affair of the poisons’ in France, and a great antidote for somebody mourning the loss of the TV series Versailles!

Favourite film in 2018?
I’m not really a film-lover, or a fan of the cinema, but this year, I’ve actually really enjoyed a number of films, both at home and out. Top of the list has to be from the first week of the year: The Greatest Showman. On a dull, wet, windy January Wednesday, two colleagues and I headed to the Tyneside Cinema to catch this, in the gorgeous, tiny screen right on the top floor. We came out on such a high, feeling like we could take on anything, even the rest of January! I bought the soundtrack the next morning, and play it whenever I need to feel a bit invincible. 

Favourite song of the year?
Obviously, all of the tracks from The Greatest Showman should be in here! But my standalone favourite song from 2018 is definitely Make Your Own Kind of Music from Paloma Faith. I’d heard it on the car advert a couple of times, and having loved the original, thought it was a great version, and was chuffed to bits when she released it as a proper single. Music is so important to me, and I love a good, empowering, ‘go get them’ sort of song. 

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Any downsides for you in 2018?
When I was writing Kindred Spirits: York, I completely lost faith in the story, the series, and me as a writer. I even contemplated walking away from the whole thing. No idea why, but I was totally out of love with it, and almost with writing in general. It took a good couple of weeks to pull myself out of it, but luckily I did, mainly thanks to very patient writing friends and family. 

Are you making resolutions for 2019?
I am! In terms of writing, I’m aiming to release The Raided Heart by autumn. It’s something different for me, no ghosts, no timeslipping, just a straight-up historical romance, and one I’ve been working on, on-and-off, for just over twenty years. No pressure on myself there then… 

Outside of writing, I’m promising to take a little more time out in 2019. 

What are you hoping for from 2019?
Fun! Nice and simple, I’m looking forward to getting out and about, trying new things, and seeing what happens.