Tag Archives: short stories

2018 Review: Penny Blackburn

I am thoroughly delighted to welcome Penny Blackburn to review her 2018 today.

I first met Penny several years ago when she visited one of my writing groups at Di Meo’s to conduct my final teaching observation. Since then, Penny has begun writing herself; she won first place in last year’s Story Tyne competition and was also on the bill at the latest Noir at the Bar in Newcastle. 

My thanks to Penny for taking the time to chat 2018.

Vic x

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Do you have a favourite memory professionally from 2018?
2018 has been a huge year for me in terms of confidence with my writing. I’ve submitted poetry for competitions and publications and I’ve been so pleased to have some acceptances throughout the year – including 2 poems published in print anthologies, which feels extra special.

It was a massive boost to see my 100-word story printed in the Reader’s Digest – not to mention getting £250 as runner-up! 

I’ve also been performing live whenever I’ve had the chance, with both poetry and short stories. I get such a buzz from doing that! It was good fun being a guest on Koast Radio and I laughed when my mum told me that her and my dad were huddled in a shop doorway back in Yorkshire listening to the interview!

Best of all though, I was thrilled to write and read a poem for my niece’s wedding service, which was quite an emotional moment.

And how about a favourite moment from 2018 generally?
I’m such a lucky person, I have so many lovely memories of the year. I’ve been away on some fab trips with lovely people, had some great days (and nights!) close to home too. It’s hard to pick just one! Though, meeting the legendary Dickie Bird at the test match at Headingly and finding him to be a true gent was a special moment (celebrated, of course, with a pork pie and a pint!)

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Favourite book in 2018?
I read The Rings of Saturn as part of an online Twitter reading group. I don’t think I understood half the references but there was something spellbinding about it. It has a feel of non-fiction, telling the thoughts of an unnamed narrator travelling around Suffolk and it goes off into all sorts of tangents. I found it very atmospheric and it’s definitely one to go back to.

Another favourite – proper non-fiction this time – was The Strange Last Voyage of Donald Crowhurst. He set off in the late sixties as part of a round the world solo sailing challenge, but ended up creating a completely false record while he idled about in the Southern Atlantic, nowhere near where he was supposed to be! He either committed suicide or fell off the boat, the authors of the book strongly seem to think the former. A very sad tale, really, and I felt deeply sorry for his wife and children.

Favourite film in 2018?
I’m not really one for watching films, I don’t think I can recall one I’ve seen this year! Oh wait, I watched the film about the ice skater Tonya Harding on the plane to Boston. A good film, not at all what I was expecting.  

Favourite song of the year?
I love all kinds of music and I like it loud! I’m in the Can’t Sing Choir and my favourite one to sing has been Eternal Flame by the Bangles. It’s not a song I was particularly struck on until we sang it and I was surprised by how much I like it!

Any downsides for you in 2018?
I had a bit of a rocky time at work (I teach in FE) in the first half of the year. But luckily everything has been resolved and I feel more stable. I also channelled some of my anxiety into poetry, so there’s always an up side!

Are you making resolutions for 2019?
Last year I read an article which said you should aim for 100 rejections in a year. It was such good advice, because it has made me more likely to submit stuff and it helps me to take the rejections gracefully. I’m not sure if I’m going to make it as I’m only up to about 70, so I think I’ll aim for the 100 again next year!

What are you hoping for from 2019?
I’m hoping to win the Poetry Society National Comp of course! Ha ha.

No, I’m actually hoping that 2019 will be the year I publish a solo pamphlet or small collection. I will then be pestering everybody to buy it …

Final Comment from Penny:
I’d like to say how much I appreciate the writing community that I’m part of. Cullerpoets and North Tyneside Writers’ Circle have both been great in providing support, encouragement and prompts and everyone I’ve come across at workshops or events has been really helpful and positive. There’s a really strong online community as well, and I feel genuinely thankful that I’m writing in an age where we can all connect so easily. Sharing experiences and seeing others having ups and downs puts things in perspective and keeps me motivated. I hope as well that I give some of that encouragement back to others, it’s truly so important xx

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2018 Review: Jennifer C Wilson

Another of my friends joins us today to review her 2018, please welcome Jennifer C. Wilson, author of the ‘Kindred Spirits‘ series. 

My thanks to Jen for casting a glance back over the last twelve months. 

Vic x

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Do you have a favourite memory professionally from 2018?
It has to be the launch of Kindred Spirits: Westminster Abbey in June. Being the third in the Kindred Spirits series, I felt I was more comfortable with the world and the characters, and seeing it going out into the world was such a great feeling. The launch went more smoothly, I was much less stressed about it, and I enjoyed everything about the day. 

And how about a favourite moment from 2018 generally?
This is difficult, and I have two which really stand out… Firstly, in February, I finally got to visit the grave of Richard III in Leicester Cathedral, and see the beautiful stone they had created for him. It was a lovely day, visiting for the first time since March 2015. I also got three short stories out of it, which will be in an anthology about Richard, out in early December. On a sunnier note, it was getting to see the Roman Forum in September, having eventually got around to going back to Rome. I adore my history, and it’s there in buckets in Rome. 

Favourite book in 2018? 
Being part of book blog tours on a regular basis, I get to read so many great books, but this year, my favourite has been The Road to Newgate by Kate Braithwaite, following the background and trial of Titus Oates, a historical character I knew a bit about, but not the full story, so I enjoyed learning the facts as well as reading the fiction. I also loved her previous novel, Charlatan, set in the time of the ‘affair of the poisons’ in France, and a great antidote for somebody mourning the loss of the TV series Versailles!

Favourite film in 2018?
I’m not really a film-lover, or a fan of the cinema, but this year, I’ve actually really enjoyed a number of films, both at home and out. Top of the list has to be from the first week of the year: The Greatest Showman. On a dull, wet, windy January Wednesday, two colleagues and I headed to the Tyneside Cinema to catch this, in the gorgeous, tiny screen right on the top floor. We came out on such a high, feeling like we could take on anything, even the rest of January! I bought the soundtrack the next morning, and play it whenever I need to feel a bit invincible. 

Favourite song of the year?
Obviously, all of the tracks from The Greatest Showman should be in here! But my standalone favourite song from 2018 is definitely Make Your Own Kind of Music from Paloma Faith. I’d heard it on the car advert a couple of times, and having loved the original, thought it was a great version, and was chuffed to bits when she released it as a proper single. Music is so important to me, and I love a good, empowering, ‘go get them’ sort of song. 

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Any downsides for you in 2018?
When I was writing Kindred Spirits: York, I completely lost faith in the story, the series, and me as a writer. I even contemplated walking away from the whole thing. No idea why, but I was totally out of love with it, and almost with writing in general. It took a good couple of weeks to pull myself out of it, but luckily I did, mainly thanks to very patient writing friends and family. 

Are you making resolutions for 2019?
I am! In terms of writing, I’m aiming to release The Raided Heart by autumn. It’s something different for me, no ghosts, no timeslipping, just a straight-up historical romance, and one I’ve been working on, on-and-off, for just over twenty years. No pressure on myself there then… 

Outside of writing, I’m promising to take a little more time out in 2019. 

What are you hoping for from 2019?
Fun! Nice and simple, I’m looking forward to getting out and about, trying new things, and seeing what happens. 

Guest Post: Louise Mangos on Writing What You Know

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It is my pleasure today to welcome Louise Mangos to the blog to talk about her intimate knowledge of the setting for her debut psychological thriller ‘Strangers on a Bridge‘.

Louise writes novels, short stories and flash fiction, which have won prizes, been placed on shortlists, and have also been read on BBC radio. Her debut psychological thriller ‘Strangers on a Bridge‘ is published by HQ Digital (Harper Collins) in ebook, paperback and on audio. You can connect with Louise on Facebook and Twitter or visit her website where there are links to more of her stories. Louise lives in Switzerland with her husband and two sons.

Vic x

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The much-travelled author Mark Twain allegedly said “write what you know. Having spent much of my time in central Switzerland for the past twenty years, the one thing I feel confident in portraying in my novels is the setting. Both my first and second novels are set in and around the Swiss Alps. 

Strangers on a Bridge begins with ex-pat Alice Reed out for a jog one morning when she sees a man – Manfred – about to jump from the Lorzentobelbrücke. As this is rather a mouthful for English readers, it is referred to in the novel as the Tobel Bridge. In reality it is a notorious suicide hotspot that has sadly found its way into many local newspaper articles over the years.

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A quick trip on the bike to re-visit the setting for the first scene on the Tobel Bridges.

The area surrounding the village where my protagonist Alice lives is called the Aegerital, or the Aegeri Valley. It is a cleft of land gouged out of alpine granite with rivers running in and out of the jewel at its centre – the Aegeri Lake. Our family moved there twenty years ago when my first son was six months old. Many of the difficulties Alice faces in Strangers on a Bridge were challenges I also faced when we first moved, speaking no German and pre-occupied with a new baby. 

But that’s where the similarities end. I’m happy to report I never witnessed a person wanting to jump from the Tobel Bridge, and I was certainly never stalked by anybody. I should also point out that we worked hard to integrate into the community we now live in. We made an early effort to learn the language, and have experienced friendliness and acceptance from our neighbours ever since.

During the creative and theoretical modules for my Masters in Crime Writing at UEA, two of my professors, Henry Sutton and Tom Benn, talked about the importance of setting in a novel. They encouraged the students to incorporate the setting to such an extent that it effectively becomes one of the characters. 

No matter where a crime novel is set, this atmosphere must be conveyed to the reader to enhance the tension. This might include how a setting behaves through the seasons, for example, the environmental influences in extreme weather conditions.

Strangers on a Bridge begins in spring, the perfect opening for any novel. The season of births and beginnings. Alice is out for a spring jog when she sees Manfred on the bridge and is convinced he is about to jump. Her shock jars alarmingly with the beautiful alpine spring surroundings.

A great deal of research was still undertaken to make the narrative of this psychological thriller believable. Although I am familiar with many of the rules and traditions in Switzerland, police and legal procedures had to be subsequently verified and checked.

But with the setting clearly cemented as one of the characters in the narrative, it was a pleasure to embellish the plot to match the drama of the Alps.

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The view of the Aegerital from Alice’s running trail in spring.

Guest Post: Judy Penz Sheluk on Using your Past to Create your Present

I’m pleased to have Judy Penz Sheluk here today to talk about her forthcoming release ‘Past & Present‘ and how her own family’s journey inspired it.

I’m so grateful to Judy for sharing such a personal experience with us. 

Vic x

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I’m Canadian, born and raised in Toronto, and I’ve lived within a two-hour drive of that city all my life. My parents, on the other hand, were first generation Canadians, having immigrated to Canada in the early 1950s.

Their stories are similar to so many of the time. My father was born in Apatin, Yugoslavia, a small town on the Danube that is now part of Serbia. My mother was born in Stettin, Germany, now known as Szczecin and part of Poland. Both of them, teenagers during the war, and displaced after, made their way to England and settled in Nottingham for a period of time. 

By the time they met at a local dance, my father was set to immigrate to Toronto, Canada, in February of 1952 (such a brave soul—Toronto in February is, at best, cold and snowy, and at worst, colder and snowier). At any rate, it must have been love at first sight, because my mother applied for her own papers and arrived in Toronto in July 1952, on a hot, humid day. They married that October. 

Fast forward to September 21, 2016, when my mother, Anneliese, passed away from complications of COPD, following my father, Anton “Toni” Penz, who had died of stomach cancer in 1970 at the age of 42. Among her things was an old train case, and within it, her old passport, immigration papers, and documents and postcards from the T.S.S. Canberra, the ship she sailed over on. My mother had never talked much about her life “before Canada” and I became fascinated with finding out everything I could. The resulting research sparked an idea for a book, and my protagonist’s research into the past often mirrors my own, right down to the frustrating bits.

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T.S.S. Canberra postcard, c. 1950s.

I’ve dedicated Past & Present to my mother, and the release date of September 21, 2018, falls exactly two years after her passing. I like to think she’s with my father again, watching over me as my journey continues. 

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About Past & Present:

Sometimes the past reaches out to the present…

It’s been thirteen months since Calamity (Callie) Barnstable inherited a house in Marketville under the condition that she search for the person who murdered her mother thirty years earlier. She solves the mystery, but what next? Unemployment? Another nine-to-five job in Toronto? 

Callie decides to set down roots in Marketville, take the skills and knowledge she acquired over the past year, and start her own business: Past & Present Investigations.

It’s not long before Callie and her new business partner, best friend Chantelle Marchand, get their first client: a woman who wants to find out everything she can about her grandmother, Anneliese Prei, and how she came to a “bad end” in 1956. It sounds like a perfect first assignment. Except for one thing: Anneliese’s past winds its way into Callie’s present, and not in a manner anyone—least of all Callie—could have predicted. 

About the author: Judy Penz Sheluk is the Amazon international bestselling author of the Glass Dolphin Mysteries and the Marketville Mysteries. Her short stories appear in several collections.

Judy is also a member of Sisters in Crime International, International Thriller Writers, Inc., the South Simcoe Arts Council, the Short Mystery Fiction Society, and Crime Writers of Canada, where she serves on the Board of Directors, representing Toronto and  Southwestern Ontario.

Judy Penz Sheluk’s latest book in her Marketville Mystery series, Past & Present’, is now available for pre-order on Amazon in trade paperback and on Kindle.

**The Boy Who Wasn’t There Blog Tour** Guest Post

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It’s the second day on the blog tour for ‘The Boy Who Wasn’t There‘ by Emma Clapperton. I’m really thrilled to be supporting Emma on this mini tour for the latest story in her Patrick McLaughlin series. Emma’s here to tell us more about her latest project. 

My thanks to Emma for having me involved.

Vic x

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I had the idea for a supernatural crime series back in 2010, when I created the characters Patrick and Jodie McLaughlin, two psychic mediums living in Glasgow. 

Since 2012, I have released two full novels and two short stories as part of the series, The Suicide Plan is the first in the series. Then we had Beyond Evidence, The Dead Whisper and now, The Boy Who Wasn’t There. 

The Boy Who Wasn’t There came to me on the idea of children who have the gift and I wondered what would happen if the child were to present behaviours similar to that of an adult who was able to communicate with the dead. 

The Boy Who Wasn’t There is a story of betrayal and loss and how one event in your life can change your course. Without giving too much away, I actually really like the character, Rita. She is at the lowest point she can be at and needs comfort from the bottle. 

I like writing with two or more storylines running adjacent to one another and then merging them, because I love the idea that this could really happen. 

I write in the style of what I like to read and that’s how I created The Boy Who Wasn’t There. I also work with young children in the early years sector and so adding that element was fun. 

The novella is a short read at just 17,000 words and I really love writing in short bursts like this. 

I plan on creating a whole range of short stories, but I am also working on a new novel under my own name and a novel under my pseudonym, Alex Kane. 

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Don’t Quit the Day Job: Richard Rippon

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Richard Rippon appeared at Noir at the Bar Newcastle in May this year and read from his novel ‘Lord of the Dead‘. The excerpt Rich read was really intriguing and it made me want to read the whole novel. 

My thanks to Richard for sharing his experiences with us.

Vic x

 

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When I started writing in 2007, I was working as a lab technician in a factory. My eldest daughter had just been born, and that seemed to kick-start something in me, probably a realisation I was getting older and if I didn’t do something about my writing ambitions soon, I possibly never would.

I’d always enjoyed writing at school, but never imagined I could make a living from it. Such an idea felt fanciful, so I put it to one side and pursued a safer, more ‘sensible’ route. I was pretty good at Biology, so I studied science at A-level and a degree in Microbiology. I went on to work in a range of labs, usually for massive multi-national companies. It took me a long time to realise it wasn’t for me.

I starting writing short stories and articles, which I hoped to get placed in magazines and on websites. I won an article writing competition for a local newspaper and when I came across the Northern Writers Awards, I entered that too, with the first three chapters of a comedic detective story set in Newcastle. When I won a prize, it started a chain of events that has changed the course of my career entirely.

Things in the lab had reached a bit of a tipping point. Whilst the boredom was useful – I had plenty of time to think of story ideas – I’d had it with the place. Some jobs came up for Social Media Community Managers, a relatively new job title in 2011. Reading between the lines, it appeared to be an invitation to write creatively and fanny about on Facebook for a living. I applied and hassled the hiring manager, until she took me on. I was tasked with writing conversation calendars for brands and regularly headed to London for meetings with advertising agencies. It was fantastic. The sense of release I felt compared to my life in the lab was exhilarating.

Meanwhile, the Northern Writers prize I won led to me signing with an agent, but she struggled to find a publisher for The Kebab King. I started to think about a more serious crime novel, which eventually became Lord of the Dead, which was published last November.

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Things began to change at work. They stopped relying on us to write our own copy, and all the creative bits I loved were farmed out to agencies. I thought it might be a good idea to look elsewhere, and I was lucky enough to land a job at the best advertising agency in Newcastle. I have to say this, because I’m still there, but also because it is. 

The job has evolved from being a social media man, to ‘Creative Copywriter’. Basically, I think of ideas to help people sell things and come up with the words to go with those ideas.

It feels great to finally have the word ‘writer’ in my job title and also have had my first novel published. It’s just taken a bit longer than you might expect.

 

Don’t Quit the Day Job: Paul Bassett Davies

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today the writer we have with us is Paul Bassett Davies, author of ‘Utter Folly‘ and ‘Dead Writers in Rehab‘. His post is slightly different to the other writers we’ve had on the blog so far but it’s certainly one I can empathise with. I hope that Paul’s post brings comfort and hope to those of you in a similar position. 

Vic x

The job that had the greatest influence on my writing was Hospital Patient. If that seems like an unusual job description, let me explain.

Nearly twenty years ago I was diagnosed with a chronic illness. During the next ten years I underwent a series of surgical operations, and I spent a lot of time in hospital. Eventually it began to seem like a job to me. After all, I was spending about half my life in the role, it was hard work, I didn’t like it, and sometimes I thought it would kill me. So, just like a regular job.

But I flung myself  into my work, determined to be proactive. And, being a writer, I used everything that happened to me as potential material. In the process, I became a novelist.

You get a lot of time to think when you’re a hospital patient, and even more time in the long, slow weeks and months when you’re recuperating, or getting sick again. It’s not exactly free time, because it’s not free from pain, or fatigue or stress. That was why I started to write my first book – to escape all that. I came to writing novels late. I’d done a lot of writing before then, in the way of stage work, short stories, radio plays, movies, corporate films, music videos, short films, and a mountain of comedy for radio and television. But writing a book was something else, and in many ways I’m fortunate that I did it while I was unwell. It made me focus on why I was doing it. Which was, of course, to cheer myself up.

Writing my first novel was like telling myself a long, funny story. During the hours I spent telling it – the hours of writing – I was able to escape the dreary world of my illness, and enter the other world I was creating: a world in which I could, among other things, make other people suffer instead of me, and have a bloody good laugh about it. If that sounds callous or sadistic it probably is, and it’s just one of the many functions of telling stories.

But above all I wrote to give pleasure, firstly to myself and then, hopefully, to readers (although I continue to withhold it from my poor characters). Through all this I began to realise I wasn’t really interested in writing or reading things that didn’t take me out of myself, and change me in some way. I like to think I’m clever, but I’m not concerned with mere cleverness. I’m looking for something else, and the best word for it is delight. I want to delight, and to be delighted.

The work of other people which most often delights me also tends to be completely distinctive. That’s why I’ll always try to see anything the writer and director Robert Lepage does, because it’s not like anything else. The same goes for the music of Patti Smith, Tom Waits or Laurie Anderson. And I’ll always read a book by Magnus Mills or Nell Zink, or watch a Wes Anderson film.

All these people have a unique voice, and I like to think I’m developing mine. My first novel, Utter Folly, was long and sprawling, but my second, Dead Writers in Rehab, published last year, is more contained. And among the good reviews it’s received, those that please me most are the ones that say it’s unclassifiable: that it can’t be categorised, and that it occupies a niche of its own.

My job as a hospital patient allowed me to discover what it is I really want to do with my time, and it changed my ideas about sickness and health. I began to focus less on recovery, and more on discovery. The road to recovery is long and arduous, and its goal is ultimately unattainable: in the end none of us recover from life. But the road to discovery can be enjoyed for itself. It’s all about the journey, and finding delight in every step of the way.