Unemployment and bankruptcy have devastated the globe but in America, online store Cloud offers workers paid opportunities as well as homes in their live-work facilities. Spearheaded by a charismatic CEO, Cloud has branded itself as something of a saviour but underneath the supposed wonder of Cloud, something sinister is lurking.
Entrepreneur Paxton never thought he’d be working for the company that ruined his business but compared to what’s left outside, he figures perhaps Cloud isn’t so bad. When he meets fellow Cloud employee Zinnia, Paxton begins to thank his lucky stars but Zinnia has her eyes on another prize: Paxton’s all-access security pass.
As Paxton and Zinnia’s agendas place them on a collision course, they’re about to learn just how far the Cloud will go to make the world a better place.
It’s fairly clear that Rob Hart has written ‘The Warehouse‘ as a comment on a number of multinational corporations and the abuse they visit on their employees as well as small businesses and entrepreneurs who they regard as competition. ‘The Warehouse‘ might be set in a dystopian future but it’s very easy to see how we could get there.
Hart has created a number of characters who are believable and easy to empathise with. I especially respected his ability to write one particularly abhorrent character who works as the perfect metaphor for Cloud.
Weaving the backstory of Cloud, as told by its charming CEO, alongside Zinnia’s and Paxton’s stories ensures that the reader is kept intrigued throughout this story of corporate espionage in a world where everyone has their own agenda.
An empowering, feminist and moving novel that will change the way you see the world.
In 1968, Veronica Moon, a junior photographer for a local newspaper, is frustrated by her (male) colleagues’ failure to take her seriously. Then she meets Leonie on the picket line of the Ford factory at Dagenham. So begins a tumultuous, passionate and intoxicating friendship. Leonie is ahead of her time and fighting for women’s equality with everything she has. She offers Veronica an exciting, free life at the dawn of a great change.
Fifty years later, Leonie is gone, and Veronica is almost a recluse, her stellar career somewhat derailed by one of the most infamous photographs of the twentieth century.
Now, that controversial picture hangs as the focal point of a new feminist exhibition curated by Leonie’s niece. Long-hidden memories of Veronica’s extraordinary life begin to stir. It’s time for Vee to break her silence, and step back into the light.
Stephanie Butland captures the historical impact of feminism from the sixties onwards, right up until the present day, wonderfully. Using key moments, Butland weaves the lives of her characters into the realities of the UK’s first female prime minister to the #Time’sUp and #MeToo movements. The structure of the novel helps Butland combine Leonie and Veronica’s stories with the historical setting, giving the reader a sense of context.
I really enjoyed the prickliness of Leonie, the woman who irrevocably changes Veronica’s life in many ways. She is militant and unapologetic, says what she feels and doesn’t care if that offends anyone. It would have been easy to make her a right-on feminist stereotype with little in the way of redeeming features but the way in which Butland brings nuance to this character is magnificent. Her depiction of Leonie is thoughtful and thought-provoking, making her a whole person rather than a caricature.
‘The Woman in the Photograph‘ is a strong statement about women’s rights, how far we’ve come and how far we still have left to go. I really loved the exploration of how lack of equality for women, even now, is more subtle but no less insidious.
Stephanie Butland has taken her writing to the next level with ‘The Woman in the Photograph‘.
Out today, ‘The Woman in the Photograph‘ is a must-read.
A ten-year-old girl turns up on DCI Ryan’s doorstep to tell him she’s witnessed a murder. He has no idea he’s about to step into his most spellbinding case yet. The circus has rolled into Newcastle, bringing its troupe of colourful characters including acrobats, magicians, jugglers. However, despite the joy they bring to many, one of the members of the circus is a killer.
Ryan and his team must break through the secretive community to uncover a secret which has been hidden for eight years, to save the only living witness before the killer strikes again.
If you’re from the North East, you’ll be familiar with the Town Moor but even if you’re not, you will enjoy ‘The Moor‘. As always, LJ Ross has managed to create a compelling narrative which draws the reader in, combining excellent local knowledge and descriptions with human interest. As with her previous novels, ‘The Moor‘ is easy to read and whips along at a good pace.
I love reading the DCI Ryan novels – it’s like catching up with old friends. It was an absolute delight to see the development in Frank and Denise in ‘The Moor‘.
LJ Ross has created nuanced characters with pathos which keeps me coming back for more. I really enjoy the fact that, despite Ryan and his team being called to investigate gruesome murders, Ross keeps the novels light with plenty of banter and light-hearted humour. The drama, although very dark at times, never feels too depressing due to the lightness that Ross weaves through her stories.
Ross handles the portrayal of a much-maligned community sensitively and the story doesn’t feel exploitative.
Thankfully, it’s not long to wait until the release of the next DCI Ryan novel. You can pre-order ‘Penshaw‘ now.
Posted in Books, reviews
Tagged characters, drama, murders, narrative, North East, novel, novels, pre-order, reader, reading, s, stories, story
A serial killer is burning people alive in the Lake District’s prehistoric stone circles.
Leaving no clues, the murderer – nicknamed The Immolation Man – is managing to render the police useless. When disgraced detective Washington Poe’s name is discovered carved into the charred remains of the third victim, he’s brought back from suspension despite wanting to be no part of this gruesome investigation.
Reluctantly partnered with the brilliant, but socially awkward, civilian analyst, Tilly Bradshaw, the mismatched pair uncover a trail that only Poe is meant to see. The elusive killer has a grand plan and for some unknown reason Poe is part of it.
As the body count rises, Poe discovers he has far more invested in the case than he could have possibly imagined. And in a shocking finale that will shatter everything he’s ever believed about himself, Poe will learn that there are things far worse than being burned alive.
I tore through ‘The Puppet Show‘, unable to pull myself away from this compelling narrative. The characters are well-drawn and Craven appears to have a deep understanding of their back stories and what motivates them. I am, of course, #TeamTilly. Despite this being a dark, violent crime drama, Craven paints Tilly with sensitivity and, in her relationship with Poe, manages to bring some light relief when things get heavy. Craven, a former probation officer, has used his experience to create compelling, realistic characters.
Alongside his obvious understanding of the motivations of his characters, Craven’s experience within the criminal justice system shines through. Craven maintains the fine balance of demonstrating his depth of knowledge while ensuring that the story isn’t bogged down in minutiae. ‘The Puppet Show‘ is a well-plotted, fast-paced read.
Setting these grisly murders against the beautiful scenery of the Lake District was a stroke of genius by Craven, too. I really appreciated the experience of reading about somewhere I’m familiar with, turning it from a place of rugged beauty to something far more terrifying. I honestly cannot recommend this book highly enough.
‘The Puppet Show‘ is the first in the Washington Poe series and I can’t wait for the next one. ‘Black Summer‘ is due out later this year.
Posted in Blog Tour, Books, reviews, Writing
Tagged book, characters, crime, criminal, drama, murders, narrative, plotted, read, reading, series, stories, story