Tag Archives: words

Getting to Know You: Adam Peacock

Drum roll please! May I introduce you to Adam Peacock, a member of Elementary Writers and author of ‘Open Grave‘.

Because Adam is a debut author, I wanted to introduce him to you as I suspect you will be reading Adam’s novels for many years to come.

My thanks to Adam for taking the time to answer my questions.

Vic x

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Tell us about your book(s).
My novel Open Grave is a crime thriller set in the North East of England. The protagonist, DCI Jack Lambert, is different to most other detectives within the genre in that he is gay. On a personal level, this is something he is struggling with, having only recently made this admission at the beginning of the book.

The main ‘crime’ within the story is that of a serial killer who is murdering people in pairs, burying them and then digging them up so that they can be found. Alongside this, gang warfare is about to break out between rival criminal groups and a well-known local celebrity reports that she is being stalked. I wanted to create a sprawling world within my book with multiple threads, the idea being that nothing ever resolves neatly, with certain storylines and characters crossing over into future novels.

What inspired your novel?
I read a lot of crime and so it felt natural to write something within that genre. The inspiration for Open Grave came about from an image I had in my head of a crime scene in which a member of the public stumbles across two bodies in an open grave (strange, I know). The story unfolded from there.

What do you like most about writing? What do you dislike (if anything)?
I quite enjoy editing, which is a good thing as there’s always plenty to do when you don’t intricately plot your book before beginning! Knowing that I am whipping something up into shape is a great feeling.

The thing I dislike most about writing is just how easy it is to fall out of your routine when it comes to putting words onto the page. Like most things in life, a few days away from the computer can easily stretch into weeks and this can lead to unnecessary procrastination.

Do you find time to read, if so what are you reading at the moment?
I do find the time to read. As I prefer to write in the mornings, I dedicate time to read most evenings. I’m currently reading Martina Cole’s Dangerous Lady.

Which author(s) has/have had the biggest influence on your writing?
As a writer, I would have to say Stephen King and Jo Nesbo. I would also include Lee Child in that list. With regards to Stephen King, I read his book On Writing before I penned so much as a character profile and I use the template he gives in terms of how to go about writing. I also enjoy reading his books!

As for Jo Nesbo, I find the protagonist Harry Hole to be a wonderfully complex character. He has many of the traits that we see in crime fiction from such detectives but I find myself invested in Harry in a way that I rarely find in other books. I also like that Nesbo leaves certain threads open between books, which always leaves me wanting to read more. With Lee Child, it has to be his pacing. I find myself flying through his books and every page carries a tension with it. This is something I am hoping to refine in my own work moving forward.

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Where do you get your ideas from?
Usually they just pop into my head either as an image – like happened with Open Grave –  or as a question. I like the idea of concocting a problem, in the form of a question, which seemingly makes no sense initially. Within my own writing, I basically keep asking a number of questions until an answer presents itself. This helps create misdirection.

Do you have a favourite scene/character/story you’ve written?
I enjoy the opening scene from Open Grave, mainly because it is the opening chapter of my first published novel. In terms of a character, it would have to be gangland boss Dorian McGuinness, my protagonist’s former employer. I feel like his character has a lot of room to grow and that there are all manner of skeletons in his closet which may or may not be revealed in future…

What are you working on at the moment?
I’m currently writing the second novel in the DCI Jack Lambert series and I’m excited to see where it will go. This novel is a little more focused around one event and, with characters having already been established in the first novel, I am keen to see how they react to the hurdles put before them.

What’s the best piece of writing advice you’ve been given (and who was it from)?
In a non-direct sense, Stephen King’s ‘just get an idea and go with it’ has had the biggest impact on me. Whilst this can lead to a lot of editing, it minimises the scope for procrastination and I find myself able to get on with things. I also try to stick to his mantra of completing 1,000 words a day with varying degrees of success.

Are you a plotter or a pantster?
I’m definitely not a plotter! Get the idea and run with it. Of course, as I work through a novel, ideas spring into my head in terms of where I want things to go, but you won’t find any colour-coded charts or timelines pinned to my wall. I should point out, that’s not a judgement on writers that do spend time plotting, I’m merely saying that it doesn’t work for me.

Do you have any advice for aspiring writers?
Yes! Read Stephen King’s On Writing, get yourself along to a writing group and don’t fret about giving it a go. Most writers I meet begin by being somewhat self-conscious about their work, often talking down their ability and/or experience. I’d say just get stuck in and see what happens. If you can get into some kind of writing routine, you’ll soon see huge improvements in your work.

What’s been your proudest writing-related moment?
Until recent times it would have been winning the Writers’ Forum monthly magazine short story competition. However, opening the email from Bloodhound Books to find that they believed in my work and wanted to publish Open Grave has definitely topped all other writing-related moments!

You can order/download Open Grave‘ now. You can also follow Adam on Twitter and on Facebook

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**Sky’s the Limit Blog Tour**

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Looking for a feel-good summer read this weekend? Check out ‘Sky’s the Limit‘ by Janie Millman. 

I’m delighted to be taking part in Janie’s blog tour today. She’s kindly agreed to answer my questions so that we can get to know her better. My thanks to Janie and Dome Press for allowing me to be involved. 

Vic x

Janie Millman Headshot

Tell us about your books, what inspired them?
We went on holiday to Marrakech and fell in love with the place. We met some amazing characters, stayed in a fabulously quirky riad with a beautiful but eccentric owner and gradually the germ of Sky’s the Limit was born.

I live in South West France in a town called Castillon La Bataille.  We are in the middle of one of the most famous wine regions of the world, so I guess it was only a matter of time before I incorporated that into a book too.

Where do you get your ideas from?
Locations inspire me. I love discovering new places and meeting new people. I guess subconsciously I am always thinking about stories and characters. They just seem to pop into my head – I’ve always had a very vivid imagination – sometimes too vivid for my own good!

I am also co-owner of Chez Castillon – we host writing & painting courses and retreats and when we are not hosting those we take in wedding guests from a nearby chateau – I have enough ammunition from the characters that pass through our door for the next ten novels!

Do you have a favourite story / character / scene you’ve written?
I don’t really have a favourite character – I really love Elf in Sky’s the Limit and I loved George and Drew – aka Miss Honey Berry – in my first novel Life’s A Drag.

Are you a plotter or a pantster?
If by ‘pantster’ you mean flying by the seat of my pants then a bit of both really. 

I do have a rough idea of the plot. I like to know where the story is going, but I also like to be flexible – I like it when things suddenly happen – when new characters suddenly emerge and take me in a different direction.

Can you read when you’re working on a piece of writing?
Yes, I can read when I am writing but I usually choose something that is a million miles away from what I am working on – unless of course I am reading for research.

What’s the best piece of writing advice you’ve ever been given and who was it from?
One of the best pieces of advice I’ve been given is: ‘you cannot edit a blank page.’ I cannot actually remember for certain who told me that, but I think it may have been the lovely author Jane Wenham-Jones.

What can readers expect from your books?
They can certainly expect the unexpected! 

I hope that readers will love my characters, and I hope they find themselves experiencing new locations, new sounds, smells and tastes.  

I hope they lose themselves in the plot, and I very much hope that they don’t want the book to end and that the stories and cast stay with them for a long while.

I want them to laugh and cry and I want them to think.

Have you got any advice for aspiring writers?
Just Write. Get words on the page – don’t be frightened – you need to enjoy the whole experience.

What do you like and dislike about writing?
I love it when the story starts to come together; I love it when the unexpected happens; I also love it when the characters misbehave  – although not too much!

I don’t like the solitude, the doubts that creep in and the frustration when the words don’t flow and the characters appear one-dimensional. But that passes…. usually!

Are you writing anything at the moment?
Yes I have just finished my third book – well the first draft, so we are still some way from the finishing line. It is another dual location novel, set in Cambridge and Crete.

What’s your favourite writing-related moment?
When I wrote The End to my fist novel Life’s A Drag. I finished it in Bordeaux station when on our way to Arcachon for a few days holiday.

I remember crying because it was the first book I had ever written and I hadn’t really known if I could do it. My husband bought champagne and I spent the holiday dreaming of bestsellers and films… though, that was before the reality set in!

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Sky’s the Limit:
Review.

Sky is devastated when she finds that her husband is in love with her oldest friend Nick. Believing she has lost the two most important people in her life, she travels to Marrakesh on her own. During the trip, Sky meets up with Gail who’s on a mission to track down the father of her child. 

Sky’s the Limit is a great summer read. It takes readers to Morocco and France with an interesting cast of characters who jump off the page. Throughout the story, the vivid characters experience joys they didn’t expect to find which makes this a heart-warming read. 

The description of the places is evocative and atmospheric, and the Moroccan heat seeps out of every line. Millman’s descriptions are rich and her attention to detail is very strong. 

Sky’s the Limit is a light read that’s perfect for the beach. Even if you don’t have a beach, read this novel and prepare to be transported. 

**The Boy Who Wasn’t There Blog Tour** Guest Post

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It’s the second day on the blog tour for ‘The Boy Who Wasn’t There‘ by Emma Clapperton. I’m really thrilled to be supporting Emma on this mini tour for the latest story in her Patrick McLaughlin series. Emma’s here to tell us more about her latest project. 

My thanks to Emma for having me involved.

Vic x

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I had the idea for a supernatural crime series back in 2010, when I created the characters Patrick and Jodie McLaughlin, two psychic mediums living in Glasgow. 

Since 2012, I have released two full novels and two short stories as part of the series, The Suicide Plan is the first in the series. Then we had Beyond Evidence, The Dead Whisper and now, The Boy Who Wasn’t There. 

The Boy Who Wasn’t There came to me on the idea of children who have the gift and I wondered what would happen if the child were to present behaviours similar to that of an adult who was able to communicate with the dead. 

The Boy Who Wasn’t There is a story of betrayal and loss and how one event in your life can change your course. Without giving too much away, I actually really like the character, Rita. She is at the lowest point she can be at and needs comfort from the bottle. 

I like writing with two or more storylines running adjacent to one another and then merging them, because I love the idea that this could really happen. 

I write in the style of what I like to read and that’s how I created The Boy Who Wasn’t There. I also work with young children in the early years sector and so adding that element was fun. 

The novella is a short read at just 17,000 words and I really love writing in short bursts like this. 

I plan on creating a whole range of short stories, but I am also working on a new novel under my own name and a novel under my pseudonym, Alex Kane. 

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**The Gilded Shroud Blog Tour** Author Interview

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It’s my pleasure today to have Elizabeth Bailey, author of ‘The Gilded Shroud‘ on the blog.

Elizabeth Bailey says she feels lucky to have found several paths that have given her immense satisfaction – acting, directing, teaching and, by no means least, writing. 

She has been privileged to work with some wonderful artistic people, and been fortunate enough to find publishers who believed in her and set her on the road.

Elizabeth has kindly taken the time to answer my questions so we can get to know her, and her writing process, better. My thanks to Elizabeth for taking the time to answer my questions. If you fancy getting in touch with her, you can tweet Elizabeth

Vic x

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Tell us about your book(s).
The Gilded Shroud
 is the genesis of Ottilia, Lady Fan, who turns by chance into sleuth extraordinaire and, incidentally, meets the love of her life in the process. It’s a murder mystery set in the late 18th Century, with a dollop of upstairs downstairs and a touch of romance too.

What inspired them?
My original idea was Ottilia as a potential heroine for the first in a series of sweeping romantic historicals which never materialised. My brother one day suggested it might make a detective story, and that set me off thinking. When I finally took the plunge, I intended at first that Ottilia, a wispy retiring sort of female as I thought, would be the brains in the background behind the apparent showy male sleuth, but the moment she set foot on the page she took centre stage and refused to be dislodged. So that was that.

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What do you like most about writing? What do you dislike (if anything)?
I love the way it surprises me with turns and twists I never expected, and I like finding creative ways to express things rather than turning to clichés. I like the process of watching it unrolling as I write what I see, like a film reel projecting onto a screen somewhere in the air around me. 

I hate what we writers call treacle books, when the words won’t flow and you just have to drag them out one by one, sticking with it as you really feel as if you are wading through a sticky sea. You learn to keep at it, and quite often find you do good work in spite of the stop/start nature of the writing. Fortunately, readers can’t usually tell if a book was treacle to write. There’s always the editing process to fix it.

Do you find time to read, if so what are you reading at the moment?
I can’t not read. I started as a reader and reading feeds my imagination. My reading time is an hour or so before I go to sleep – assuming I’m not so hooked I can’t put the book down. I’m just finishing Tarquin Olivier’s book about his famous father, and I’ll be starting on Jodi Taylor’s latest St Mary’s Chronicles, to which I am addicted. My TBR pile is pretty eclectic as I read all sorts of genres, as well as biographies and books that add to my knowledge of my period and other history.

Which author(s) has/have had the biggest influence on your writing?
Primarily Georgette Heyer – of course. Also Daphne du Maurier, who does dark with panache and beauty; Rumer Godden, who is both lyrical and cryptic, as she doesn’t tell you everything. And Dean Koontz, who is so good at surprising twists. Finally, PG Wodehouse for humour. He has the one-liner gag down to a fine art. But I can learn from almost any writer – a turn of phrase, a twist, a different voice. It all goes into the maelstrom and comes out somewhere without my realising it.

Where do you get your ideas from?
They tend to leap out from nowhere. I might catch a rhythm, a fleeting glimpse of some image, song or dream, a snippet in a news item or programme, a phrase or word in a social media post even. The spark might not even reveal itself because the idea wafts in and before I know it the what-if game is on. I do jot ideas in notebooks. If I’m stuck for a plot, I can sift through to see if anything catches my imagination. I think most writers have more ideas than they know what to do with, or will ever write up as stories. The ones that gel will hopefully roll into fodder for readers, if the process goes well.

Do you have a favourite scene/character/story you’ve written?
My current completed book is usually my favourite. Not the one I’m writing because that’s in too much upheaval to be loved. Though I am usually falling in love with my characters in the work in progress. But the one that’s done and dusted, that’s the one I can afford to love until it gets superseded by the next. I do have a few that are perennial favourites and I am rather in love with Lord Francis Fanshawe. As for scenes, when I have occasion to re-read a book, sometimes I find one that really pleases me, and I will wonder how I managed to make it that good.

What are you working on at the moment?
I am writing another Lady Fan mystery, in between my traditional Regency romances. Mysteries take more thought, more time and energy as one must tie everything in together and half the time I don’t know what’s about to happen.

What’s the best piece of writing advice you’ve been given (and who was it from)?
Funnily enough, it was my mother, who is a poet rather than a novelist and my beta reader in my early days, who gave me the best piece of advice. She said one day that she thought I was ending my chapters in the wrong place by running a scene to a conclusion rather than keeping it back. She woke me up to cliffhangers.

Are you a plotter or a pantster?
When I began writing I plotted extensively, but was forever having to adjust the plot as new ideas sprang up. Now I’m a total pantster. Apart from the opening springboard, I have no idea where the story is going and must trust to my inner writer. That is not to say that ideas don’t float about in my head, but when I sit down to write I never know what words are going to come out through my fingers. Still less do I know who committed the murder!

Do you have any advice for aspiring writers?
Keep at it. We all say that. Get the words down any way you can. You can’t edit a blank page. Being a writer is all about persistence. Not just keeping going against the rejections. But keeping going when life throws brickbats at you; when you think you’ll never get to the end; when the deadline is looming and panic strikes; and when you’d honestly do anything – take out the rubbish, clean the car, walk the cat – rather than sit down and write. Successful writers work through every pit stop and drive through to the end. Every time.

What’s been your proudest writing-related moment?
Apart from my very first acceptance which sent me to the ceiling where I remained for days, I think it’s the review of The Gilded Shroud that said: “Georgette Heyer lives – and is writing mysteries as Elizabeth Bailey”. That accolade said it all for me. I grew up on Heyer and still consider her the greatest writer in the Regency genre she spawned. We all wish we could write at her level, so this was to me the best compliment ever.

 

 

Don’t Quit the Day Job: K.A. Richardson

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today, the woman whose post gave me the idea for my Don’t Quit the Day Job series – K.A. Richardson – is back again to talk about her career and how it inspired her ‘Forensic Files‘ series. Check out Kerry’s original post from March 2016 about ‘The Real CSI‘.

Vic x

KA Richardson

I had always wanted to be a police officer, however after numerous patella dislocations whilst trying to get fit for the physical entrance test, I eventually realised that being a cop wasn’t on the cards. 

This led to me thinking seriously about what I wanted to do – I still wanted to work for the police. I remember seeing a crime scene investigator van outside a house in the town around this time, and also CSI was all over the TV screens in the various shows. I wondered exactly was entailed. Once I’d gathered an overview, I enrolled at Teesside Uni. The next four years of my life consisted of lectures, working on an evening to pay the bills, and doing project work but I eventually passed my degree – 1% off a distinction with a high 2:1. On obtaining the degree in 2008, I quickly acquired my first CSI job working for Durham Police. 

Even uni didn’t prepare me fully for the reality of it all. Standing for hours in the snow whilst snow wax, the very thing designed to enhance footwear marks in snow, froze before I could use it. Losing my footing on loose floors where the boards had been taken up to steal copper piping, handing tissues to old men who cried because their pigeons had been killed, being threatened by a young boy with a knife on one occasion, and so much more. The contract there was temporary and when it finished after almost a year, I started at Northumbria Police as a volume crime scene investigator. 

I’d been a CSI for about 2 years when I went to see a psychic, Anthony, and after reading for a while and looking very confused, he asked me why I wasn’t writing. He reminded me that writing was my passion – I’d done it since being a kid but never believed for a moment that I could actually be a writer. I went home after that reading and immediately enrolled on my MA Creative Writing. 

I loved doing my MA – I loved the modules, and the creative people I was on the course with. The one blip was a lecturer who I won’t name, telling me that I wouldn’t amount to anything and not to give up the day job. This lecturer even said I’d fail the module before I’d submitted my work. It was a definite confidence knock. For days, I worried that I was wasting my time, that maybe the psychic and I were wrong, that writing wasn’t really my passion or talent. Slowly, though, my determination shone through. I passed that lecturer’s module despite his warning, and passed my MA, using the first 15,000 words of what became my first novel, as my dissertation. 

As I got further into writing With Deadly Intent, government cuts meant that my job was eradicated – the VCSI role no longer would exist at Northumbria Police. Anyone in the field will tell you how hard it is to get a job in CSI – and I knew I’d find it hard getting back in. My options were leave the police force, or move to the communications department and take 999 calls. I chose that one, and in 2011 I started the role. Two years later, I moved back to Durham Police to take calls closer to home. 

I’ll be eternally grateful for working as a CSI and the opportunities that presented themselves after finishing – having that base knowledge and passion for forensics has enabled With Deadly Intent to be the first stand-alone novel (published by Caffeine Nights), which was then followed by a series with Bloodhound Books, now being rebranded as The Forensic Files. Forensics is something that fascinates people – whether they work in the field or have seen it on the telly, people love that science can catch criminals. And I love that I have the knowledge to bring this into my books. 

Naturally, my CSI background impacted on my writing and, in fact, has become a massive part of my crime novels. I love exploring the different aspects of CSI work, the methodology and how that can assist in finding killers. Still working for the police has allowed me to make contacts in other departments too, which is a fab asset in writing. I loved heading to South Shields and speaking with the head of the dive team at Northumbria Police and obtaining facts which I then used in Time to Play. And I equally loved dealing with the fire investigator who helped inspire Watch You Burn.  

I keep my CSI knowledge up to date, and will hopefully enjoy using it as a feature in my novels for years to come. 

Getting to Know You: Judy Penz Sheluk

International Bestselling Author, Judy Penz Sheluk has kindly given us some of her time today. Judy’s debut mystery novel, ‘The Hanged Man’s Noose‘, the first in the ‘Glass Dolphin Mystery’ series, was published in July 2015. The sequel, ‘A Hole In One‘, was released on the 1st of March.

Skeletons in the Attic‘, Judy’s second novel, and the first in her ‘Marketville Mystery’ series, was first published in August 2016 and re-released in December 2017. ‘Past & Present’, the sequel, is scheduled for early 2019.

In her less mysterious pursuits, Judy works as a freelance writer and editor. In addition to all of that, Judy is also a member of a number of crime writing collectives and Crime Writers of Canada, where she serves as Director and Regional Representative for Toronto/Southern Ontario.

As you can see, Judy is a very busy lady and I’m really grateful that she’s taken the time to chat with us. 

Vic x

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Tell us about your books.
I write two amateur sleuth mystery series. The first is the Glass Dolphin Mysteries; the Glass Dolphin is an antiques shop on historic Main Street in the fictional town of Lount’s Landing. The main characters are Arabella Carpenter, owner of the shop, Emily Garland, a journalist, and Levon Larroquette, ex-husband (and occasionally more) to Arabella. Let’s just say they have a complicated relationship. The first book in the series is The Hanged Man’s Noose (which happens to be the name of a pub; Lount’s Landing is named after a real life Canadian politician, Samuel Lount, who was hanged for treason in the nineteenth century). It’s available in e-book, paperback, and audiobook. The sequel, A Hole in One, has just been released in e-book and trade paperback. Audio will follow later this year.

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The other series is the Marketville Mysteries. The first book in the series is Skeletons in the Attic, told in first person by Calamity (Callie) Barnstable. Callie inherits a house from her late father on the condition she moves into the house (which she did not know existed) while investigating who murdered her mother thirty years before. It’s available in e-book, trade paperback and audiobook. The sequel, Past & Present, should be released in early 2019.

Both my series are published by Barking Rain Press.

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What inspired them?
The premise behind Noose is that a greedy developer comes to a small town with plans to build a mega-box store, thereby threatening the livelihoods of the local indie shops. We see that sort of thing happen all the time. I merely took that premise and said, “What if someone was willing to kill to stop it?”

The premise behind Skeletons came to me when my husband and I were waiting in our lawyer’s office. He was delayed in court and we were there to redo our wills. In fact, opening scenes are directly culled from that experience. Let that be your takeaway: everything that happens to an author may well end up in one of their books.

Where do you get your ideas from?
Life. I keep a notebook in my purse, and I’m also jotting down things I’ve seen or overheard. But I also have this wicked imagination. For example, this past summer, I was golfing and the houses along the perimeter of the course were having their roofs done. And I heard the pop-pop of the pneumatic nailers, and I said to my golf buddies, “You know, someone could get shot and everyone would just think it was the roofer.” They did look at me as though I was a bit odd!

Do you have a favourite story / character / scene you’ve written?
I love Arabella Carpenter, the irascible owner of the Glass Dolphin. I even included her in a cameo role in Skeletons in the Attic, the first book in my Marketville series. Arabella’s motto is “authenticity matters” and she lives by that, even when it comes at a high personal cost. I admire that about her.

Are you a plotter or a pantster?
Definitely a pantser. I’ve tried plotting but it just doesn’t work for me. That said, I’m planning to write a non-fiction work, and that will have to be outlined in detail. With fiction, I just let the story go where it wants to go.

Can you read when you’re working on a piece of writing?
Absolutely. Reading is the best teacher. I try to read 30+ books a year. Most are mystery or suspense, but I’ll also read mainstream fiction and I enjoy short story collections. I’m a huge fan of a number of authors, most recently Fiona Barton, who I think is absolutely brilliant.

What’s the best writing advice you’ve ever been given and who it was from?
I always quote Agatha Christie when I’m asked this: “There was a moment when I changed from an amateur to a professional. I assumed the burden of a profession, which is to write even when you don’t want to, don’t much like what you’re writing, and aren’t writing particularly well.”

What can readers expect from your books?
I refer to them as amateur sleuth with an edge. There is the requisite small town, no overt sex, violence or bad language, but there’s also no cats, crafts or cookie recipes. People tell me the plots are more complicated than a typical cozy, and I do have a lot of characters, but they all play a part. They’re not just there for window dressing.

Have you got any advice for aspiring writers?
Make time to write every day. You can’t edit a blank page. And write what you’d like to read, not what you think will sell. By the time you’ve written the next great vampire book, the vampire craze will be long over. Start your own craze.

What do you like and dislike about writing?
Of course I like it best when the words flow like maple syrup, but even when they don’t I’m reminded of Erica Jong, who wrote: “When I sit down at my writing desk, time seems to vanish. I think it’s a wonderful way to spend one’s life.”

Are you writing anything at the moment?
Always. I’m currently working on the third book of the Glass Dolphin series, and a standalone mystery/suspense. And I have a couple of short story ideas I’m mulling over. And the non-fiction work I’m researching. I try to write every day, even if I only have a few minutes, even if it’s Christmas, New Year’s Day or my birthday. It doesn’t always work out that way!

What’s your favourite writing-related moment?
The day I signed my first book contract for The Hanged Man’s Noose. I’d faced the usual rejection from agents and publishers, but I wasn’t giving up. The email came in on July 1, 2014, which happens to be Canada Day. My husband and I popped open a bottle of champagne and danced on our back deck. The book came out July 2015.

Where can we find you?
My website where I write about the writing life, interview other authors, write the occasional book review, and I also have a series called New Release Mondays where I include a brief summary of a new book. Most are mysteries or suspense, but not always, and most of the authors are not well known, but deserve to be better known.

I’m also part of two multi-author blogs: Pens, Paws and Claws and The Stiletto Gang

I’m also on Facebook, and Twitter and Pinterest. 

Review of 2017: Vic Watson

The turn of the year comes around quick, doesn’t it? It seems like only yesterday I was telling you all how great 2016 had been! But, here we are, another year older with more experiences under our belts. I must thank everyone who has taken the time to review their year on the blog and to everyone who’s read, shared and commented posts from this blog throughout the last year. Here’s to a happy, healthy 2018! 

Professionally speaking, this year has been another cracker. Noir at the Bar has continued to grow, with factions popping up all over the UK. I’m delighted that the one in Newcastle continues to be popular and I cannot tell you how wonderful it was to be in the Blues Bar in Harrogate on Thursday, 20th July. Presenting Noir at the Bar Harrogate to a packed audience was just incredible. Possibly one of the highlights of that day was a gentleman who asked me at the end of the event how often we ran it as he hadn’t known it was going to be on. I said “Sorry, have we hijacked your quiet afternoon pint?” He laughed and said he was thrilled to have stumbled upon the event and would definitely come to them on purpose in future! 


This year’s Newcastle Noir saw me do my first ever panel. I was on a panel with Susan Heads of the Book Trail, Quentin Bates, Sarah Wood and the powerhouse behind Orenda Books – Karen Sullivan. Our panel was moderated by the wonderful Miriam Owen and I enjoyed that hour immensely.


Another hour that was fun was appearing on the award-winning ArtyParti at Spark FM with Mandy Maxwell, Iain Rowan, Kirsten Luckins and Tony Gadd. We talked to Jay Sykes about writing and events, it was a lovely atmosphere and I felt completely relaxed thanks to the excellent host. 


My writing groups are still going strong and I arranged a stranding retreat on St Mary’s Island in August and the participants gave very positive feedback. I hope to run more retreats next year. 


I’ve had a lot of people asking if I’ve finished my novel yet and when they’ll be able to buy it so that’s very encouraging. I’ve also had a few people tell me they’d like to hear it on Audible which is a real compliment. Thanks to my friend Kay setting me an achievable weekly word target, I’ve almost completed my first draft. 

Hmm, favourite personal memory? Tough one, that. Well, I suppose I’d better say that getting married to the love of my life was the highlight of my year. Just kidding – of course it was! 

I walked down the aisle with my dad to ‘You’re So Cool‘ by Hans Zimmer (featured in ‘True Romance‘) in front of our closest friends and family. 


Instead of going for sugar almonds as wedding favours, we gave everyone a book. The Boy Wonder and I are both bookworms and we therefore wanted to give our guests a personalised gift. We didn’t have a lot of guests and we enjoyed thinking which book to choose for each of the guests – we were like a real life algorithm! 


The day we got married, I was emailed by the production team from ‘The Chase’ to say that my episode – recorded in July 2016 – would be aired on 30th March so watching that was a lot of fun too.


OK, I didn’t mention ‘The Chase’ in my 2016 Review but, contractually, I wasn’t allowed! Watching my episode, despite knowing the result, was nerve-wracking. I actually didn’t mind seeing myself on TV – I was nowhere near as critical of myself as I was expecting to be! I watched with my husband (I love saying that), my brother and three friends. I got lots of lovely messages from friends all over the country.  


I’d also like to say what a special day my hen do was. I never wanted a fuss and opted to go for afternoon tea with my friends and my mum. I cannot explain what a lovely occasion that was. Those wonderful women made me feel like a million bucks. 


My film of the year was ‘Get Out‘, second would be ‘Dunkirk‘. 

I have enjoyed many books this year including ‘Darktown‘ by Thomas Mullen, ‘The Prime of Miss Dolly Greene‘ by E.V Harte, ‘Lost for Words‘ by Stephanie Butland and ‘Small, Great Things‘ by Jodi Picoult. I also loved ‘Everyone Brave is Forgiven‘ by Chris Cleave. And a late entry has to be ‘Good Me, Bad Me‘ by Ali Land. However, my top three – in no particular order – are ‘Six Stories‘ by Matt Wesolowski, ‘Yellow Room‘ by Shelan Rodger and ‘The Break‘ by Marian Keyes. 

Song of the year? Hm. Anything that was on our wedding playlist – we chose all the songs ourselves. We tried to have at least one track for each of the wedding guests so either a track that reminded us of them or one we knew they liked.
Other music I’ve listened to this year includes a lot of music from the Nashville OSTs, ‘…Ready For It?‘ and ‘Look What You Made Me Do‘ by Taylor Swift. 

There has been illness and sadness but most of us are still here – and that is wonderful.

However, the death of Helen Cadbury in June was a tremendous loss to many of us in the writing community – and beyond. Helen was a friend to me. She was always kind, supportive and quick with a joke. She pulled out of Noir at the Bar in February because she was poorly but I didn’t know the extent of her illness. In July, we raised our glasses to toast Helen at Noir at the Bar in Newcastle and Harrogate. Helen made such a positive impact on so many that it felt right to dedicate the events to her.

The last time I saw Helen was at Harrogate Festival in July 2016 although I had spoken to her since. She, Lucy Cameron and I joked about having similar hair colours and styles. Helen said we should call ourselves the three northern blondes and take a selfie. For some reason, that photo didn’t get taken and I regret that missed opportunity.

I have yet to read ‘Race to the Kill‘, the final novel in the Sean Denton trilogy, or her collection of poetry, ‘Forever Now‘, because I don’t want to come to the end of Helen’s work. Of course, I won’t put it off forever. 

Resolutions? Just keep on keeping on, I think. I over commit and trying not to do that remains a work in progress. 

I hope that this world will sort itself out. There are so many things going wrong and I hope that things will be put right but in order for that to happen, we all need to engage.