Tag Archives: write

Guest Post: Louise Mangos on Writing What You Know

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It is my pleasure today to welcome Louise Mangos to the blog to talk about her intimate knowledge of the setting for her debut psychological thriller ‘Strangers on a Bridge‘.

Louise writes novels, short stories and flash fiction, which have won prizes, been placed on shortlists, and have also been read on BBC radio. Her debut psychological thriller ‘Strangers on a Bridge‘ is published by HQ Digital (Harper Collins) in ebook, paperback and on audio. You can connect with Louise on Facebook and Twitter or visit her website where there are links to more of her stories. Louise lives in Switzerland with her husband and two sons.

Vic x

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The much-travelled author Mark Twain allegedly said “write what you know. Having spent much of my time in central Switzerland for the past twenty years, the one thing I feel confident in portraying in my novels is the setting. Both my first and second novels are set in and around the Swiss Alps. 

Strangers on a Bridge begins with ex-pat Alice Reed out for a jog one morning when she sees a man – Manfred – about to jump from the Lorzentobelbrücke. As this is rather a mouthful for English readers, it is referred to in the novel as the Tobel Bridge. In reality it is a notorious suicide hotspot that has sadly found its way into many local newspaper articles over the years.

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A quick trip on the bike to re-visit the setting for the first scene on the Tobel Bridges.

The area surrounding the village where my protagonist Alice lives is called the Aegerital, or the Aegeri Valley. It is a cleft of land gouged out of alpine granite with rivers running in and out of the jewel at its centre – the Aegeri Lake. Our family moved there twenty years ago when my first son was six months old. Many of the difficulties Alice faces in Strangers on a Bridge were challenges I also faced when we first moved, speaking no German and pre-occupied with a new baby. 

But that’s where the similarities end. I’m happy to report I never witnessed a person wanting to jump from the Tobel Bridge, and I was certainly never stalked by anybody. I should also point out that we worked hard to integrate into the community we now live in. We made an early effort to learn the language, and have experienced friendliness and acceptance from our neighbours ever since.

During the creative and theoretical modules for my Masters in Crime Writing at UEA, two of my professors, Henry Sutton and Tom Benn, talked about the importance of setting in a novel. They encouraged the students to incorporate the setting to such an extent that it effectively becomes one of the characters. 

No matter where a crime novel is set, this atmosphere must be conveyed to the reader to enhance the tension. This might include how a setting behaves through the seasons, for example, the environmental influences in extreme weather conditions.

Strangers on a Bridge begins in spring, the perfect opening for any novel. The season of births and beginnings. Alice is out for a spring jog when she sees Manfred on the bridge and is convinced he is about to jump. Her shock jars alarmingly with the beautiful alpine spring surroundings.

A great deal of research was still undertaken to make the narrative of this psychological thriller believable. Although I am familiar with many of the rules and traditions in Switzerland, police and legal procedures had to be subsequently verified and checked.

But with the setting clearly cemented as one of the characters in the narrative, it was a pleasure to embellish the plot to match the drama of the Alps.

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The view of the Aegerital from Alice’s running trail in spring.

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Don’t Quit the day Job: Jonny Keen

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today’s guest is Jonny Keen, an NHS worker who has published two books so far: ‘The Rider in the Waves‘, a collection of fantasy short stories, and ‘Lightfoot‘ which is a fantasy novel. Jonny’s writing is often described as light fantasy or comic fantasy, but the piece he submitted for WriteNow was literary fiction.

Jonny also writes non-fiction articles for a range of publications including Teach Early Years and the Manchester Evening News. He’s also the editor of Llandudno FC’s matchday programme. 

My thanks to Jonny for being involved.

Vic x

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A friend told me recently that I’m getting to be a bit like Homer Simpson; I seem to have a completely different job every week. I’ve been a computer game researcher, a call centre drone, a test subject for an experimental drug, a nursery nurse, a personal assistant, a medical typist and a few other things too. All this before the age of 25!

It certainly makes for a range of experience that can serve to inspire creative writing. Last year, I sent part of a novel to Penguin Random House for a competition called WriteNow. This is an initiative that aims to help writers from minority backgrounds get their work published, and since I have a disability (dyspraxia) I was eligible to apply. The piece I sent in focused on a character trying to navigate the daily trials and tedium of working in an office. It came from personal experience and I couldn’t have made it authentic without having had that personal experience to base it on. I was selected as one of the 150 entrants invited in for a day of writing seminars, workshops and a face to face consultation with one of Penguin’s publishing assistants, so it’s nice to know my working life got me somewhere in the literary world.

But I think there’s more to be said for working than just inspiration. Working in so many different industries has certainly helped my creativity along. The two emotional states I tend to switch between whilst at work are those of boredom and stress. Oddly enough, I find both states highly conducive to creativity. Those emotions cause me to seek mental escape and I often think up interesting story ideas whilst at work. Occasionally, a job even had good opportunities to note down ideas. When I was a nursery nurse, I used to draft short stories whilst supervising a room full of sleeping toddlers. That job was especially good for inspiration. My first book, The Rider in the Waves, was largely inspired by the slightly surreal things children of two and three would say to me on a daily basis, and the strange games they would make up.

I remember starting my first part time job as a teenager and absolutely hating it. It was in a call centre and I couldn’t stand the environment. I consoled myself with the thought that in a few short years I was bound to be a published author and then I would be free. It didn’t take long before I learned that things were a little more difficult that and even some very successful authors still hold down day jobs to pay the bills. This became a bit of a struggle for me. As I grew up, I had to get to grips with the idea that I was going to have to work a regular job for the foreseeable future. But whilst I can’t honestly say I wouldn’t love to write full time, perhaps remaining in work is a good thing. It helps me to stay motivated, keeps the creative juices flowing and gives me plenty of real world experience to base my writing on. Finding the time to write with a full time job and other commitments can be tough, but sometimes the difficult things in life can help to shape us into better, stronger people and I think that’s certainly the case with my writing.

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**Sky’s the Limit Blog Tour**

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Looking for a feel-good summer read this weekend? Check out ‘Sky’s the Limit‘ by Janie Millman. 

I’m delighted to be taking part in Janie’s blog tour today. She’s kindly agreed to answer my questions so that we can get to know her better. My thanks to Janie and Dome Press for allowing me to be involved. 

Vic x

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Tell us about your books, what inspired them?
We went on holiday to Marrakech and fell in love with the place. We met some amazing characters, stayed in a fabulously quirky riad with a beautiful but eccentric owner and gradually the germ of Sky’s the Limit was born.

I live in South West France in a town called Castillon La Bataille.  We are in the middle of one of the most famous wine regions of the world, so I guess it was only a matter of time before I incorporated that into a book too.

Where do you get your ideas from?
Locations inspire me. I love discovering new places and meeting new people. I guess subconsciously I am always thinking about stories and characters. They just seem to pop into my head – I’ve always had a very vivid imagination – sometimes too vivid for my own good!

I am also co-owner of Chez Castillon – we host writing & painting courses and retreats and when we are not hosting those we take in wedding guests from a nearby chateau – I have enough ammunition from the characters that pass through our door for the next ten novels!

Do you have a favourite story / character / scene you’ve written?
I don’t really have a favourite character – I really love Elf in Sky’s the Limit and I loved George and Drew – aka Miss Honey Berry – in my first novel Life’s A Drag.

Are you a plotter or a pantster?
If by ‘pantster’ you mean flying by the seat of my pants then a bit of both really. 

I do have a rough idea of the plot. I like to know where the story is going, but I also like to be flexible – I like it when things suddenly happen – when new characters suddenly emerge and take me in a different direction.

Can you read when you’re working on a piece of writing?
Yes, I can read when I am writing but I usually choose something that is a million miles away from what I am working on – unless of course I am reading for research.

What’s the best piece of writing advice you’ve ever been given and who was it from?
One of the best pieces of advice I’ve been given is: ‘you cannot edit a blank page.’ I cannot actually remember for certain who told me that, but I think it may have been the lovely author Jane Wenham-Jones.

What can readers expect from your books?
They can certainly expect the unexpected! 

I hope that readers will love my characters, and I hope they find themselves experiencing new locations, new sounds, smells and tastes.  

I hope they lose themselves in the plot, and I very much hope that they don’t want the book to end and that the stories and cast stay with them for a long while.

I want them to laugh and cry and I want them to think.

Have you got any advice for aspiring writers?
Just Write. Get words on the page – don’t be frightened – you need to enjoy the whole experience.

What do you like and dislike about writing?
I love it when the story starts to come together; I love it when the unexpected happens; I also love it when the characters misbehave  – although not too much!

I don’t like the solitude, the doubts that creep in and the frustration when the words don’t flow and the characters appear one-dimensional. But that passes…. usually!

Are you writing anything at the moment?
Yes I have just finished my third book – well the first draft, so we are still some way from the finishing line. It is another dual location novel, set in Cambridge and Crete.

What’s your favourite writing-related moment?
When I wrote The End to my fist novel Life’s A Drag. I finished it in Bordeaux station when on our way to Arcachon for a few days holiday.

I remember crying because it was the first book I had ever written and I hadn’t really known if I could do it. My husband bought champagne and I spent the holiday dreaming of bestsellers and films… though, that was before the reality set in!

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Sky’s the Limit:
Review.

Sky is devastated when she finds that her husband is in love with her oldest friend Nick. Believing she has lost the two most important people in her life, she travels to Marrakesh on her own. During the trip, Sky meets up with Gail who’s on a mission to track down the father of her child. 

Sky’s the Limit is a great summer read. It takes readers to Morocco and France with an interesting cast of characters who jump off the page. Throughout the story, the vivid characters experience joys they didn’t expect to find which makes this a heart-warming read. 

The description of the places is evocative and atmospheric, and the Moroccan heat seeps out of every line. Millman’s descriptions are rich and her attention to detail is very strong. 

Sky’s the Limit is a light read that’s perfect for the beach. Even if you don’t have a beach, read this novel and prepare to be transported. 

Don’t Quit the Day Job: Miranda Kate

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Recently, I gave a call out on social media for people who wanted to share how their day job(s) have influenced their writing. Miranda Kate was one of the people to respond. Here she is to tell us about how work and writing have fed one another. My thanks to Miranda for being part of this feature. And remember: it’s open to everyone. If you’d like to get involved, drop me an email

Vic x

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I didn’t really think that writing would be something I would take seriously. I started out life wanting to be a film director, I even studied drama at college, but I did write snippets of stories (which would now be called flash fiction) – and one day a friend said they wanted more – a whole novel more, so I thought, how do I make this more?

By this time, after leaving my first job of working back stage in a West End theatre, I had moved into clerical work and it was at my first permanent job working in the office of a shoe factory, processing sales orders that I started to debate how I could turn one particular piece into a bigger story. And then one day the Office Manager, who sat opposite me, laughed at something someone had said. It came out as an effeminate cackle, and with his aged, balding, liver spotted head thrown back the antagonist for my novel was born!

I started that novel in 1991 and it has gone through many incarnations and rewrites, but it is now finally about to be released as a novella in my new science-fiction collection: Slipping Through.

I have gone on to write other novels, some only beginnings and others in half completed stages, but one that made it to completion and I hope to release early next year, began in that same job. I wrote the opening, which is now the prologue, for a competition to win a copy of James Herbert’s book Portent (yes, that many years ago), and it still exists pretty much intact, just tightened up and made to flow better. I still remember one of the company directors proofreading it for me. They seemed to have no issue with the fact that I had written it during working hours.

In fact some of my best writing has been done while at work. Moving up from clerical work to Secretary and eventually a Personal Assistant, I always filled the quiet times with my own writing disguised as actual work. I always made sure my work was done on time and efficiently, but I also made sure not to ask for more so I could keep writing.

And now as a stay at home mum for the last twelve years, it is probably why I do most of my writing during the day and not in the evenings. But even though I had no issue with the noise of an office around me when I was working, I struggle to write with children round me. And I need silence to write in, no music, nothing.

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Getting to Know You: Kate Rhodes

Earlier this year, I was fortunate enough to chair a panel of three fabulous crime writers at my local library. It was such an honour to interview Kate Rhodes along with Rachel Abbott and Mel McGrath and I’m absolutely delighted to have Kate on the blog today to talk about writing. 

My thanks to Kate for taking the time to answer my questions.

Vic x

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Tell us about your books, what inspired them?
My latest books, Hell Bay and Ruin Beach are inspired by childhood holidays. I was lucky enough to visit the Isles of Scilly often as a kid. It’s only as an adult that I realised they would make the perfect setting for crime novels. There are just five inhabited islands, and Hell Bay is set on Bryher, which has just eighty permanent inhabitants. In winter the islands are surrounded by the raging Atlantic, and travel to the mainland becomes difficult. They’re beautiful but supremely isolated, 45 kilometres from the mainland.

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Where do you get your ideas from?
Interesting real life places and events are my usual starting point. My first novel, Crossbones Yard began after I stumbled across the only sex workers graveyard in London, which seemed like an ideal place to start a crime novel.

Do you have a favourite story / character / scene you’ve written?
I’m very fond of my current hero, DI Ben Kitto. He’s a fifth generation islander, but has served ten years with the Murder Squad in London. Since the death of his colleague he has been lumbered with looking after her very intelligent wolfdog called Shadow, who tends to complicate his life. I like characters with believable quirks, so Kitto has a few interests and obsessions that may people should be able to relate to.

Are you a plotter or a pantster?
A bit of both! I try to plot diligently, but my stories tend to develop a life of their own, veering off in unexpected directions!

Can you read when you’re working on a piece of writing?
It’s a struggle. I tend not to read crime novels while I’m writing one, or plots get tangled and ideas get lost. I read a lot of biographies and factual books, and listen to the World Service or podcasts like This American Life instead.

What’s the best writing advice you’ve ever been given and who it was from?
Very early in my career Julian Barnes told me not to give up, and to write every single day, even if I could only find an hour of clear time. Both suggestions have helped me ever since.

What can readers expect from your books?
Setting matters a great deal to me, so they can expect to be immersed in Scilly Isles scenery, which is so important in my recent books that the landscape becomes like another character. I also want to tell gripping stories that keep my readers guessing until the very last page.

Have you got any advice for aspiring writers?
Treat writing like learning a musical instrument. There are no short cuts; the more you do it, the better you get.

What do you like and dislike about writing?
I like the sense of absolute focus that comes when you’re immersed in spinning a story. I dislike deadlines! I’d love to be able to take ages over every book, but it’s important to write a book every year if you’re building a series, but that can be a real challenge if the rest of your life gets in the way.

Are you writing anything at the moment?
I’ve just finished the third book in my Hell Bay series. It’s called Burnt Island and it’s set on the tiny island of St Agnes, which is less than a mile long, with less than a hundred inhabitants. It’s been a pure pleasure, from start to finish, and I got fly down to the island on a tiny eight-seater plane, which was a brilliant experience.

What’s your favourite writing-related moment?
Winning the Ruth Rendell short story prize back in 2014, because I got to meet one of my favourite writers shortly before she died. In more recent times, it has been very exciting that my Hell Bay series has been optioned for TV.

 

**The Boy Who Wasn’t There Blog Tour** Guest Post

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It’s the second day on the blog tour for ‘The Boy Who Wasn’t There‘ by Emma Clapperton. I’m really thrilled to be supporting Emma on this mini tour for the latest story in her Patrick McLaughlin series. Emma’s here to tell us more about her latest project. 

My thanks to Emma for having me involved.

Vic x

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I had the idea for a supernatural crime series back in 2010, when I created the characters Patrick and Jodie McLaughlin, two psychic mediums living in Glasgow. 

Since 2012, I have released two full novels and two short stories as part of the series, The Suicide Plan is the first in the series. Then we had Beyond Evidence, The Dead Whisper and now, The Boy Who Wasn’t There. 

The Boy Who Wasn’t There came to me on the idea of children who have the gift and I wondered what would happen if the child were to present behaviours similar to that of an adult who was able to communicate with the dead. 

The Boy Who Wasn’t There is a story of betrayal and loss and how one event in your life can change your course. Without giving too much away, I actually really like the character, Rita. She is at the lowest point she can be at and needs comfort from the bottle. 

I like writing with two or more storylines running adjacent to one another and then merging them, because I love the idea that this could really happen. 

I write in the style of what I like to read and that’s how I created The Boy Who Wasn’t There. I also work with young children in the early years sector and so adding that element was fun. 

The novella is a short read at just 17,000 words and I really love writing in short bursts like this. 

I plan on creating a whole range of short stories, but I am also working on a new novel under my own name and a novel under my pseudonym, Alex Kane. 

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Don’t Quit the Day Job: Richard Rippon

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Richard Rippon appeared at Noir at the Bar Newcastle in May this year and read from his novel ‘Lord of the Dead‘. The excerpt Rich read was really intriguing and it made me want to read the whole novel. 

My thanks to Richard for sharing his experiences with us.

Vic x

 

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When I started writing in 2007, I was working as a lab technician in a factory. My eldest daughter had just been born, and that seemed to kick-start something in me, probably a realisation I was getting older and if I didn’t do something about my writing ambitions soon, I possibly never would.

I’d always enjoyed writing at school, but never imagined I could make a living from it. Such an idea felt fanciful, so I put it to one side and pursued a safer, more ‘sensible’ route. I was pretty good at Biology, so I studied science at A-level and a degree in Microbiology. I went on to work in a range of labs, usually for massive multi-national companies. It took me a long time to realise it wasn’t for me.

I starting writing short stories and articles, which I hoped to get placed in magazines and on websites. I won an article writing competition for a local newspaper and when I came across the Northern Writers Awards, I entered that too, with the first three chapters of a comedic detective story set in Newcastle. When I won a prize, it started a chain of events that has changed the course of my career entirely.

Things in the lab had reached a bit of a tipping point. Whilst the boredom was useful – I had plenty of time to think of story ideas – I’d had it with the place. Some jobs came up for Social Media Community Managers, a relatively new job title in 2011. Reading between the lines, it appeared to be an invitation to write creatively and fanny about on Facebook for a living. I applied and hassled the hiring manager, until she took me on. I was tasked with writing conversation calendars for brands and regularly headed to London for meetings with advertising agencies. It was fantastic. The sense of release I felt compared to my life in the lab was exhilarating.

Meanwhile, the Northern Writers prize I won led to me signing with an agent, but she struggled to find a publisher for The Kebab King. I started to think about a more serious crime novel, which eventually became Lord of the Dead, which was published last November.

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Things began to change at work. They stopped relying on us to write our own copy, and all the creative bits I loved were farmed out to agencies. I thought it might be a good idea to look elsewhere, and I was lucky enough to land a job at the best advertising agency in Newcastle. I have to say this, because I’m still there, but also because it is. 

The job has evolved from being a social media man, to ‘Creative Copywriter’. Basically, I think of ideas to help people sell things and come up with the words to go with those ideas.

It feels great to finally have the word ‘writer’ in my job title and also have had my first novel published. It’s just taken a bit longer than you might expect.