Tag Archives: writing

Review: ‘The Woman in the Photograph’ by Stephanie Butland

An empowering, feminist and moving novel that will change the way you see the world. 

In 1968, Veronica Moon, a junior photographer for a local newspaper, is frustrated by her (male) colleagues’ failure to take her seriously. Then she meets Leonie on the picket line of the Ford factory at Dagenham. So begins a tumultuous, passionate and intoxicating friendship. Leonie is ahead of her time and fighting for women’s equality with everything she has. She offers Veronica an exciting, free life at the dawn of a great change.

Fifty years later, Leonie is gone, and Veronica is almost a recluse, her stellar career somewhat derailed by one of the most infamous photographs of the twentieth century.

Now, that controversial picture hangs as the focal point of a new feminist exhibition curated by Leonie’s niece. Long-hidden memories of Veronica’s extraordinary life begin to stir. It’s time for Vee to break her silence, and step back into the light.

Stephanie Butland captures the historical impact of feminism from the sixties onwards, right up until the present day, wonderfully. Using key moments, Butland weaves the lives of her characters into the realities of the UK’s first female prime minister to the #Time’sUp and #MeToo movements. The structure of the novel helps Butland combine Leonie and Veronica’s stories with the historical setting, giving the reader a sense of context. 

I really enjoyed the prickliness of Leonie, the woman who irrevocably changes Veronica’s life in many ways. She is militant and unapologetic, says what she feels and doesn’t care if that offends anyone. It would have been easy to make her a right-on feminist stereotype with little in the way of redeeming features but the way in which Butland brings nuance to this character is magnificent. Her depiction of Leonie is thoughtful and thought-provoking, making her a whole person rather than a caricature.  

The Woman in the Photograph‘ is a strong statement about women’s rights, how far we’ve come and how far we still have left to go. I really loved the exploration of how lack of equality for women, even now, is more subtle but no less insidious.  

Stephanie Butland has taken her writing to the next level with ‘The Woman in the Photograph‘. 

Out today, ‘The Woman in the Photograph‘ is a must-read. 

Vic x

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Review: ‘Critical Incidents’ by Lucie Whitehouse

DI Robin Lyons has been dismissed for misconduct from the Met’s Homicide Command after refusing to follow orders. Unable to pay her bills (or hold down a relationship), she is left with no choice but to move back in with her parents in the city she thought she’d escaped forever at 18. This time, though, Robin has her teenage daughter Lennie in tow. 

In Birmingham, sharing a bunkbed with Lennie and navigating the stormy relationship with her mother, Robin works as a benefit-fraud investigator – to the delight of those wanting to see her cut down to size.

Only Corinna, Robin’s best friend of 20 years, seems happy to have Robin back. But when Corinna’s family is engulfed by violence and her missing husband becomes a murder suspect, Robin can’t bear to stand idly by as the police investigate. As Robin begins her own investigation, she realises there may be a link to the disappearance of a young woman, and she begins to wonder how well we ever know the people we care about. 

Having read Lucie Whitehouse’s ‘The Bed I Made‘ several years ago, I was intrigued to read ‘Critical Incidents which seemed a rather different premise to the ‘The Bed I Made‘. 

As I have come to expect from Lucie Whitehouse’s writing, ‘Critical Incidents‘ is a superb story, with sensitive characterisation and an emotional pull that you often don’t get from crime fiction. I couldn’t put ‘Critical Incidents‘ down. It’s a wonderful blend of pacey plot and intrigue with a touch of humour in the darkness.

There are plenty of interlinking stories here which some may dismiss as “convenient” but I actually enjoyed the story so much that I was happy to suspend my disbelief. 

Whitehouse has a real skill for presenting fictional crime alongside domesticity and I really like that about her writing. She really captures familial tensions perfectly – the tense relationship between Robin and her mother adds plenty to the story.

The way in which Whitehouse portrays Robin is pitch perfect. Despite obviously being a competent officer, Robin’s unwillingness to play by the rules consistently gets her in bother. I like that Robin has her problems but her intentions are good. I could really identify with Robin and her well-intentioned missteps. 

Critical Incidents‘ is a must-read. 

Vic x

**Running in Circles Blog Tour**

 

Today we welcome to the blog Claire Gray to the blog as part of the blog tour to celebrate the release of her new novel ‘Running in Circles‘.


Claire Gray lives in
 the South Lakes with her husband and two small children. She studied Creative Writing at the Cumbria Institute of the Arts. She graduated in 2006 and then went on to complete a journalism course at Darlington College. 


That same year
, Claire won a Northern Promise Award from New Writing North, and her work was featured in their anthology, ‘Ten Years On‘. Claire now works as a freelance copywriter and continues to write short stories, some of which have been published in magazines and online. 


Sapere Books published ‘Running in Circles‘ in 2019 and Claire is really excited to have published her first novel!
My thanks to Claire for sharing her experiences with us.


Vic x

Don’t Quit the Day Job: 
Claire Gray

It’s difficult for novelists to make a living purely through their writing. I’m probably only a Google search away from the official statistics, but I would guess only a tiny percentage of authors are able to sit at their desks every day, working on their latest manuscript, without worrying about paying the heating bill or feeding the kids. 


Many
 novelists supplement their income by working in education, or by editing other people’s work or writing for newspapers and magazines. That’s the tier of professional writing that I aspiring to reach, and it still seems very far away. But I don’t think it’s necessarily bad to be in the position that I, and many other writers, are in. We’re the writers who have day jobs; jobs completely unrelated to the creative work we do. While it can be challenging in terms of time management, and occasionally dispiriting because of how far removed it is from what we really want to be doing, having a day job is valuable. To write you need to have life experience. Working is one of the most natural ways to achieve this. 


I studied Creative Writing at college and then found myself
 working in betting shops across Cumbria and the north-east. What started as a weekend job rapidly became full-time as I realised (and probably should have realised much earlier) that Creative Writing is not a vocational course. But it wasn’t all bad. I met some interesting characters amongst the staff and the customers. There was a period in Newcastle-upon-Tyne where I narrowly missed a number of armed robberies, which was horrible but also great fuel for short stories. One of my co-workers was a published poet, and I still have the signed book he gave me as a leaving present. The writing and gambling industries seem to go well together, somehow. 


Eventually
, I enrolled on a Journalism course at Darlington College. Once all the exams were over I was qualified to work as a junior reporter. For various reasons, this didn’t happen. I’d moved to North Devon with my husband who was in the Royal Marines, and there weren’t many local newspapers or junior reporting jobs around. But I’ve worked as a freelance copywriter and my journalism training was certainly not a waste of time. I discovered the power of an opening sentence, how to firmly grab the reader’s attention, and the importance of editing. The main characters in my novel are journalists, and it is good to have background knowledge about the industry.


Since then I have moved around the country a fair bit, working on my novel, doing the odd piece of copywriting, and working in a succession of NHS administration j
obs. Much like the betting shop period of my life, this is a line of work I fell into accidentally, but somehow it stuck. I like working for the NHS because I feel like I’m doing something worthwhile, and it is inherently unpredictable; things rarely get dull. There are stories everywhere inside hospitals. You hear about, and see, some horrible things and some wonderful things. These polar opposites help to fuel my writing when I find time to switch on my laptop in the evenings. 

 

Running in Circles‘ is available now.

Don’t Quit the Day Job: Desmond P. Ryan

Lots of people don’t realise that although you may see work by a certain author on the bookshelves in your favourite shop, many writers still hold down a day job in addition to penning their next novel. In this series, we talk to writers about how their current – or previous – day jobs have inspired and informed their writing.

Today it’s the turn of Desmond P. Ryan to tell us about how his work has influenced his writing. My thanks to Des for sharing his experience with us.

Vic x

For almost thirty years, every day of my working life began with either a victim waiting in a hospital emergency room to report a violent crime, or a call from a bystander, witness, or sometimes even the perpetrator to a street corner or a ransacked, often blood-soaked room where someone had been left for dead. Murder, assaults on a level that defied humanity, sexual violations intended to demean, shame, and haunt the individuals who were no more than objects to the offenders: all in a day’s work. 

It was exhilarating, exhausting, and often heartbreaking.

    As a Detective with the Toronto Police Service, I wrote thousands of reports detailing the people, places, and events that led up to the moment I came along. I investigated the crimes and wrote synopses for guilty pleas detailing the circumstances that brought the accused individuals before the Courts. I also wrote a number of files to have individuals deemed either Not Criminally Responsible due to mental incapacity, or Dangerous Offenders to be held in custody indefinitely.       

    Now, as a retired investigator with three decades of research opportunities under my belt, I write crime fiction. And, when Vic asked me to contribute to her blog, you can imagine that I jumped at the opportunity to share my story of how my job has influenced (just a tad!) my writing. You could say that I have an unusual skill set that makes me particularly prone to writing crime fiction.

In fact, I started writing my Mike O’Shea Crime series while I was still working as a police detective. As you can imagine, in real life, things don’t always turn out the way youmight like, and the people I dealt with didn’t always find the justice they deserved. Writing was my way of giving voice to those whom the justice system had silenced. 

When I retired, I was a bit afraid that I’d become that guy in the corner at the pub who tells old cop stories to no one in particular. The obvious alternative was to continue on with my writing and get the series off the ground. After several months of writing, I found the police procedural format of the Mike O’Shea Crime series feeling too much like work (a good thing for my readers!), so I began a cozy mystery series featuring Mike O’Shea’s mother, Mary Margaret, as the sleuth. Now THAT was a lot of fun to write. 

Check out my website at RealDesmondRyan.com and be sure to order your copy of 10-33 Assist PC, the first in my six-book series.

**Kindred Spirits: York Blog Tour**

I’m delighted to host Jennifer C Wilson on the blog today to kick off her blog tour for ‘Kindred Spirits: York’

In 2014, Jennifer won the Story Tyne short story competition, and has been working on a number of projects since, including co-hosting the North Tyneside Writers’ Circle. Her Kindred Spirits novels are published by Crooked Cat Books and her timeslip novella, ‘The Last Plantagenet?‘, by Ocelot Press. 

She lives in North Tyneside, and is very proud of her approximately 2-inch sea view. 

You can catch Jen on Twitter, Facebook and Instagram

Vic x

Jennifer C Wilson on finding your writing tribe… 

Thanks so much for hosting me today, Victoria, and kicking off the blog tour for Kindred Spirits: York, due out on 31 January 2019. Although, having heard a large proportion of it in writing group last year, you know mostly what to expect already!

I’ve said this many times before, but I think finding a good writing group is so, so important, whatever level of writing you’re at. Writing is a mainly solo activity, and by default, therefore, has the potential to be incredibly lonely. In the middle of writing York, I found myself doubting the whole thing. The story, the characters, even the point of carrying on with the series. Happily, after a chat with yourself and other members of Elementary Writers, I was able to see through the problem, and settle down to finish the rest of the book. 

Whether you all write in the same genre or style doesn’t matter one bit; what matters is finding a group of people who get the issues you’re going through (and get that they are issues in the first place – some people just don’t understand how real the trauma is of your imaginary world not going entirely to plan!), and even if they cannot help directly, they at least understand and listen sympathetically. On the other hand, it’s also brilliant being able to celebrate with people who appreciate the effort you’ve gone through to finish that published or prize-winning story, and know how good it feels to see your name (and work) in print. 

Getting feedback on your work at an early stage, from writing friends and colleagues who you really trust, is also important. However much the notion terrified me back in the day, now I love reading my work out in sessions, and getting that immediate understanding of what works and what doesn’t, both from my own reading, and stumbling over words which simply don’t flow, or by listening to the comments from others in the group. Obviously, you’re never obliged to take on board every comment, but if three or four people say the same thing needs working on, it’s unlikely they’re all wrong. 

Being online, and picking up snippets of gossip, you hear terrible tales. I’m so lucky this has never happened to me, and I love heading along to group on Monday evenings, and getting stuck into the prompts. It’s also the atmosphere I’ve strived to build in the North Tyneside Writers’ Circle, which I co-host. Writing can be hard enough when you’ve got your own negative thoughts to content with from time to time, without adding external negativity too!

Therefore, amongst all the self-help books out there, and the various Facebook groups and Twitter hashtags, as well as the ‘IRL’ groups, I’d say the best thing you can do for your writing (and sanity) is find your writing tribe. Whether online or in the local café, sharing works, trials, tribulations and triumphs cannot be beaten. Certainly without mine, I wouldn’t be where I am today. 

Getting to Know You: Lucy Nichol

I’m delighted to host Lucy Nichol, author of ‘A Series of Unfortunate Stereotypes‘, to the blog.

My thanks to Lucy for taking the time to chat to us today and for her honesty. 

Vic x

Lucy N - headshot - colour.JPGTell us about your book.
A Series of Unfortunate Stereotypes is a memoir that’s packed with comment about mental health stigma and how it has influenced my thinking over the years. I tried to write it humorously and accessibly, as I’m an expert by lived experience when it comes to mental health – I am not a professional. So the views on the book are simply based on what I have soaked up and how I feel about it all.

It takes us through a range of stereotypes linked to mental health, and compares them to the reality. 

front cover - a series of unfortunate stereotypes

What inspired it?
I started writing and blogging in 2016. I started working as a media volunteer / champion with Time to Change and I also when started writing regularly for a range of media titles. The title of the book came to me when I wrote my first piece for Sarah Millican’s Standard Issue magazine, which was almost a summary of everything that is in the book. It was all about stigma and how we perceive anxiety disorders, specifically, as that was what my personal experience was based on. 

I love the Lemony Snickett stories, but Aunt Josephine sprung to mind when I was trying to think of a fictional well-known character with anxiety. And I thought – Christ, I have anxiety and I’m nothing like Aunt Josephine. I was convinced she was a pretty poor role model for anxiety.

What do you like most about writing? What do you dislike (if anything)?
I find writing heaps of fun. I have a real thing for nostalgia, which is why I write so much about the 80s and 90s – not just my experience but everything that was happening around me – from food and TV shows to government safety campaigns and pop music. It always makes me smile and gives me context as to why and how my opinions on life have changed over the years.

Do you find time to read, if so what are you reading at the moment?
I never stop! I’m currently finishing Lost Connections by Johann Hari which I can genuinely say is quite the life changer and I urge anyone to read it.

When I first started reading I was apprehensive, as I have naturally always yearned for quick fixes in everything. I think that is why I rely solely on taking anti-depressants and going for therapy, rather than adding self care into the mix as well. This book is a real eye-opener and I believe it’s good to challenge our own beliefs.

Which author(s) has/have had the biggest influence on your writing?
I love Caitlin Moran’s no-nonsense humour and focus on music, as well as Aaron Gillie’s (aka Technically Ron) hilarious reflections on living a life with anxiety. But I think overall the biggest influence on me was, and still is, the Standard Issue community. Sarah Millican set that magazine up (which now runs as a podcast) as a no-bullshit magazine for women. And all the contributors – from comedians to every day peeps like me – have a real authentic feel about them. It’s refreshing and it helped me find a voice. It made the in-crowd inclusive, rather than exclusive.

Where do you get your ideas from?
I look around me and I consider how pop culture / society has impacted me. I can’t comment on other people’s relationships with it, but I can share my own, and it seems to have rung true with a good few people so hopefully it is relatable.

Do you have a favourite scene/character/story you’ve written?
I’ve just started experimenting with fiction, and I have created a character I would love to hang out with. She has elements of me in there but overall, aside from her anxiety and taste in music, she’s a very different character. Far more confident, I’d say. I wrote a scene about her trip to her local pub with her best mate, who is made up of lots of people from my past, and it was so much fun to write.

What are you working on at the moment?
I’m working on the fiction project mentioned above, as well as a series of short stories I’m working on together with my husband, actor Chris Connel. It’s been interesting so far, we’ve had to be very careful to avoid the bickering, so we have set out clear boundaries – I’m doing the research and overarching concepts, he’s doing the characterisation and creative scriptwriting!

Me!.jpg

What’s the best piece of writing advice you’ve been given (and who was it from)?
I arranged a manuscript assessment recently via The Literary Consultancy and author Angela Clarke was my assessor. Her review was honest and helpful, giving me some technical advice, but also getting me to think more about the bigger picture. It helped no end – giving me encouragement but also making me realise how commercial I need to be, and how I need to keep at it until I get it right (remember what I said earlier about always wanting the quick fixes – this was a reminder that I needed to hone my ideas before pitching them out).

I also remember, when I very first started writing a proposal for my book, A Series of Unfortunate Stereotypes, author and blogger, Claire Eastham asked me some tough questions to help me to craft the proposal. She apologised for being so challenging, but it was her most challenging questions, I believe, that have helped me the most.

Are you a plotter or a pantster?
Ha – probably a pantster. I just write and write whatever comes into my head. In experimenting with fiction, I have, however, done a bit of planning with regards to characterisation and an outline structure, which has been immensely helpful. But for blogs and comment and my own memoir, I fire up the laptop and see what happens.

Do you have any advice for aspiring writers?
I still see myself as very much a fledgling writer, so I am learning all the time. But I think the most important things I have picked up are to keep at it. I’ve had rejection after rejection – and I’m still seeking a literary agent to this day. But I am not giving up. I read somewhere you have to enjoy writing and writing for yourself. That way, regardless of what comes of it, it’s time well spent.

What’s been your proudest writing-related moment?
I could go for the big one and say it was when I was invited to Buckingham Palace with the Time to Change and Mind teams for World Mental Health Day in 2016. It was pretty amazing to be part of that and sit on a royal throne (of the lavatorial kind, of course). However, I think the proudest moment for me was seeing the impact that my writing has had. One person, who I won’t name but she knows who she is, has made me feel that every single hour put into writing and trying to get my work out there has been worth it, after messaging me to say she was close to calling an ambulance during a severe panic attack, but she asked her husband to read my blog out to her and it helped to calm her down. There’s nothing that can beat that kind of response to your work. That has to be the proudest moment for me.  

2018 Review: Gytha Lodge

When I went to Theakstons Old Peculier Crime Festival earlier this year, I saw a lot of buzz flying around about a book called ‘She Lies in Wait‘ so I made it my goal that weekend to get my mitts on a copy. I had to Twitter-stalk the author, Gytha Lodge, but I managed it!
I will be reviewing ‘She Lies in Wait‘ in 2019 but I can tell you guys that you will want to read this novel. 
My thanks to Gytha, one of my newest chums, for taking the time to review her 2018.
Vic x
Do you have a favourite memory professionally from 2018?
I’ve had such a strange and wonderful year, the pinnacle of which was probably back in January when I was offered a three-book contract with Michael Joseph of Penguin for the first three instalments in a mystery series. It’s been my very focused ambition for the last twenty years, ever since I first wrote an awful novel when I should have been doing work at school. Other great moments have included the US rights selling shortly afterwards, but it was that initial offer that felt like a dream come true.
 
And how about a favourite moment from 2018 generally?
There have been lots, so I think I’m pretty lucky just now. My 8-year-old starting a new school and suddenly loving learning again was pretty epic, I have to say. That first day when he came home and said “Loved it” after a year of being miserable was amazing. 
Favourite book in 2018? 
THIS IS SO DIFFICULT!! I was very lucky to read several that come out next year, and I think two of those may have won out. Those are The Whisper Man by Alex North, a deliciously creepy thriller, and The Glass Woman by Caroline Lea, which is like a 1600s Icelandic Rebecca. Wonderful. 
 
Favourite film in 2018? 
Fantastic Beasts Part 2 for me… I’m such a Potterhead. I’ve also watched a lot more TV than I usually manage, including The Bridge, which was SO good, the awesome Killing Eve, and Little Drummer Girl, which I obsessed over just as much. TV is definitely the new film. 
 
Favourite song of the year? 
It’s not at all new, but I love A Town Called Malice by The Jam as a pick-me-up. It gets me in such a good writing mood, and having been editing a book set in 1983, it was pretty perfect.
Any downsides for you in 2018?
I had flu for the first time, and just recently managed to spend a full six weeks ill. Both of these sucked, particularly as I missed a lot of rowing coaching and fitness training of my own, and now feel like the least fit person on the planet. Always a blow to the self-esteem… I’ve countered this by spending obscene amounts of money on make-up and trying to work out how to contour. Which generally ends with me looking like I have sideburns. Win!
Are you making resolutions for 2019?
I’m never that great on resolutions. I think I might try to manage my work/down-time balance a bit better to avoid the ills again.
What are you hoping for from 2019?
Lots of book sales, please please!! I’m sure I should say something much more humble or less egocentric, but one of my creative writing tutors always said to aim high, as otherwise, how will you find the energy to keep going when it’s tough? So with that in mind, I’m thinking “An Oscar for the screenplay I adapted from my own book.” Ha! You don’t get much bigger than that!
More realistically, I’m hoping that I’ll have a lot of fun and not worry about anyone giving me a one-star review, or any other stuff that doesn’t actually matter in the grand scheme of things. I’m happy just to live the dream and hopefully get plenty of time around that to play RPG games with my 8-year-old. Bliss.