Tag Archives: YA

Guest Post: Bea Davenport on ‘The Power of the Witch’

Today I’m delighted to have Bea Davenport on the blog today. 

Bea Davenport is the pen-name of former newspaper and BBC journalist Barbara Henderson. She holds a Creative Writing PhD and is the author of five published novels: ‘In Too Deep‘ and ‘This Little Piggy‘ (Legend Press), ‘The Serpent House‘ (Curious Fox), ‘My Cousin Faustina‘ (ReadZone Books) and ‘The Misper‘ (The Conrad Press). She divides her time between Berwick upon Tweed and Leeds and she teaches journalism and creative writing. 

Barbara has been an incredible supporter of mine for many years and I’m thrilled to have her on the blog to talk about everyone’s interest in witchcraft. My thanks to Barbara for taking the time to talk to us. 

Vic x

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The Power of the Witch:
Bea Davenport talks about her latest novel,
 The Misper.

Everyone’s talking about witchcraft. Why are more young women suddenly being drawn to it, why is it all over Instagram, why does it feature in so many current autumn dramas on TV? A piece in The Observer asks these questions,  and it comes shortly after Radio 4’s Woman’s Hour explored exactly the same subject. 

It’s fascinating to see this sudden spike in interest. My children’s novels have all featured some elements of magic, be it time travel (The Serpent House, 2014) or shape-shifting (My Cousin Faustina, 2015). My latest teen/YA novel The Misper began as a story about a girl who goes missing, and it was going to be a realist novel set in Normal Town. But then two of the main characters started dabbling in magic and it was impossible to stop them (teenagers, you know – what’re you going to do?). 

In the novel, Zoe tries witchcraft as a way of bringing control into her troubled life. Anna is led along, even though it scares her. At first it appears to be working – but then things go horribly wrong. I leave it up to the reader to decide whether the magic is real or all in the girls’ heads.

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I have to confess to a bit of irritation at the suggestion in some of the coverage that this is a new phenomenon. Many are suggesting that the attraction to the witch as a feminist figure is the reason behind the recent lure of the occult, particularly for young women. That’s actually a change that came about as long ago as the 1970s, when writers (particularly in children’s fiction) started to reimagine the witch not as an evil, child-eating old hag of traditional fairytales, but as a figure of strength, wisdom and knowledge, a rule-breaker and a healer. These are the books I read as a child.

During those formative years, there were other inspiring resources for me to draw on (including the fabulous Bewitched series!). Now that my generation is grown up and writing drama and fiction, it’s perhaps not surprising that strong and interesting witch figures tend to feature. And now that young women can access like-minded people online, it’s hardly surprising that they’re forging communities out of these shared interests.

In The Misper, magic (or is it?) can’t help to bring back a missing teenage girl and so the novel is also about the effects on those who have to cope with a friend or family member who’s simply disappeared. So although there are some elements of magic (or not, depending on your interpretation!), the story is at heart about a real situation.

For me as a writer, it combined two of my interests: crime/mystery and magic. The intended teenage readership – a new one for me – meant I could go a little darker with the content than I would for a younger audience. It was an enormously satisfying book to write! I hope readers will enjoy it too.

The Misper‘ is available now. 

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Review of 2017: L.V. Hay

Following in the footsteps of fellow Orenda author Thomas Enger, the lovely L.V. Hay reviews her 2017 today.

I’d like to thank Lucy and her stablemates at Orenda Books for taking the time to review their 2017 as well as their intrepid publisher Karen Sullivan for coordinating them so adroitly! 

Vic x

Do you have a favourite memory professionally from 2017?
Got to be not only publishing my crime debut The Other Twin with Orenda Books, but seeing my baby in WH Smith! I’ve always dreamed of seeing my novel on bookshelves, so to see it in a shop I go in all the time was amazing. I loved too that so many of my friends and people I know online took pictures of themselves with my book too. The support and goodwill has been wonderful and humbling.

And how about a favourite moment from 2017 generally?
I am blessed with a wonderful family and life generally, so it is hard to pick. I think this year though it was Halloween — it went on for what seems like ages because half term came early, so we ended up going to half a dozen Halloween events! I love seeing the kids dressed up and running about; this year it was especially clear nights all week too, we ended up in a haunted wood at one point.

Favourite book in 2017?
This is a really tough one, because I’ve read SO many great books this year! I think I can narrow it down to three: The Marsh King’s Daughter by Karen Dionne (a brilliantly flawed, enigmatic female lead in a compelling scenario – my favourite);  The End of the World Running Club by Adrian Walker (been out a few years, but satisfied my dystopian leanings and an unusual male lead and story of redemption); plus The Mine by Antti Tuomainen – a fellow Orenda author – I’m a sucker for a hitman story, so to see one in an eco thriller too was just fab.

Favourite film in 2017?
I think Blade Runner 2049 was my favourite film this year. I loved the big ideas in it, plus the film noir-style mystery. Plus the way it revealed the seedy underbelly of the future, making commentary about the way things are now, was masterful. It’s a film with many layers, just like all Denis Villeneuve’s movies are. It requires repeat viewings to fully be appreciated. I like that blockbusters aren’t so shallow any more.

Favourite song of the year?
It’s a bit of an old one, but we love Uptown Funk by Mark Ronson and Bruno Mars in my house. This one never fails to get us dancing around the kitchen. We also like anything by The Weekend.

Any downsides for you in 2017?
The sexual harassment/abuse allegations coming out of Hollywood and Parliament have been really tough — my day job is working as a script editor for movies, so obviously I know some people who have been directly affected by all this. What’s been toughest for me though is the number of people, including women, lining up to minimise people’s experiences, saying they’re ‘overreacting’ or ‘mistaken’ and a ‘smokescreen’ for those affected by ‘real’ abuse. No wonder it’s taken until 2017 for this to hit the spotlight. That said, I think a sea of change is happening at last.

Are you making resolutions for 2018? 
I rarely make resolutions, but I do look at the year ahead and decide what I would like to achieve and  when by (something so many people forget). I always write at least one book a year, whilst editing up to two others. This year, I’d like to try and write something else in addition to my crime novels. A dystopian YA piece maybe, or perhaps a feel-good piece about relationships in the style of Jojo Moyes, Eva Woods or Rowan Coleman. I have lots of ideas so will have to pin something down in my brain first. We’ll see!

What are you hoping for from 2018?
A bestseller would be cool; or perhaps some translations of my existing books. But really, I’m living my dream – I wanted to be a novelist and I wanted to be a script editor and I’m doing both! I’m so lucky and realise that, so want to try and help other writers achieve their dreams in 2018.